#also can't avoid it

[tawaifeddiediaz]

you know what boils my blood.

over the last 2 weeks, i've seen countless patients walk into my urgent care center, symptomatic for so many things, refusing to get tested for covid and flu, citing that they don't want to knowingly bring it to their holiday tables. i had a patient tell me, verbatim, "i don't want to test for covid, because i don't want to be the asshole who brings it on a plane."

i understand that - i understand that holidays are times where people look forward to meeting loved ones that they might only see once a year, or where they get a break from the hectic back and forth of their lives.

but here's the thing - whether they get tested or not, they will bring whatever they have to their holiday tables. it's pure recklessness to know that you're sick, and walk into someone else's house spreading the disease.

today, january 2, i saw 91 patients, many of them who have tested positive for covid and flu. many of these patients are the same ones who didn't want testing 3 days ago, until their events were over, and now, they will have to reach out to everyone they know to let them know that they were positive because they were showing symptoms well before their event.

the next week or two? we're going to see many, many more, all people with symptoms that started around christmas. these are the only two viruses we test for rapidly in our office, but they are potent and can be fatal in many people.

so here's why i wrote this post, and maybe it's a little late, but - if you care about your loved ones, please get tested if you know you're sick. it doesn't have to be at a clinic if you don't want it to, because the over-the-counter tests work just fine too (if you test within 5-7 days of symptom onset). just...please don't try to run from the knowledge that you might have covid, because immunocompromised people, elderly people, people with co-morbidities like asthma, pregnancy, diabetes, etc...many of them may not recover. and they may not be sitting at your holiday table in the future because of it.

#zee rambles #this isn't to guilt trip anyone #but im so so tired of people coming in and just refusing testing because they want to see grandma or whatever #and on top of that people are avoiding vaccinations and all that too?? #we all lived through the pandemic - everyone saw how many people unfortunately passed away from it #now because of vaccinations and some amount of herd immunity we're finding milder cases in healthy people #but that doesn't mean its gone #that doesn't mean it doesn't have long-term repercussions even in healthy people and that doesn't mean people aren't still dying from it #honestly i just needed a lil rant #and if this helps at least one person??? im all for it #also i can't sleep so here we are spilling thoughts into the voidddd

[notruevampire]

Always frustrated when something I love for the literal interpretation of it is reduced to "it's an allegory." No, I literally want to live centuries, think blood is awesome, hate the sun, and want to live in a strong, capable body that will never age or decay and have since I was seven years old.

#I hated literary analysis from the first assignment #I still use allegories #but I guarantee most of what I'd be accused of using allegorically would actually be behavioral observations/patterns #I hate overthinking #also can't avoid it

[vonkarmic]

[ID: A screenshot of Disco Elysium dialogue, edited to read: Racist Lorry Driver - “You sad little pervert.” Authority - Don’t give him power over you. If you back down from this, you’re proving him right. Rhetoric [Medium: Success] - Even if he is right, you can still recover from this. You have ample time to come out of this conversation on top. Composure [Challenging: Failure - Without even thinking, the words leave your mouth 1. I'm happy big and sexually normal End ID]

#disco elysium #the problem with this post format is that it really isn't that funny but i can't stop myself from making them once i imagine it in my head #<- also there is a lot of work that i avoided for 15 minutes. to make this instead. but that's probably not relevant

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

#Moon posting #OP Meta #Sir Crocodile #Crocodad #Nico Robin #THIS POST WAS AN ACCIDENT. I DON'T KNOW HOW THIS HAPPENED. WHY DID I WRITE THIS. WHAT DEMON POSSESSED ME #I'm sure someone's written this already right #Right #Surely this fanfic already exists #Please tell me it exists #I dunno what to tell you I am not immune to a Juicy AU #Anyway on a more wholesome side of things: Robin accidentally calling Crocodile ''dad'' and he just inhales and swallows his whole cigar #Nearly chockes to death. Gets burns on his throat. #Robin feeling less alienated because of her DF ability because Croc has seen weirder AND is made of sand himself #If anything if they're literally by themselves then Robin being able to literally lend a hand to Croc at any time could be extremely useful #Like. In regular life situations. 'Cause Croc only has one hand. And Robin as many as she wants. Perfect duo. #(Also if they were travelling on like a small ship then it'd probably be built for a Tall Motherfucker like Croc right) #(Robin's ability would just make the ship more accessible to her and Croc would find that independence good) #Robin still gets a codename because Croc can't have anyone realize who she is. Maybe she even wears like a mask or summin' in public #If Crocodile's openly trans and the news of him transitioning recently broke out. Like. No avoiding that convo eh #Baby Robin's like ''...I read in a book once that some reptiles can change sex but I didn't know crocodiles could do it too'' #''💦.../Humans/ can't do that normally either'' #''Hmmmm. Weird. I don't think being a girl would suit you though'' // ''...I'll take that as a compliment'' #I just. I think they could have really cute interactions if they warmed up to each other after a little while #And I'm Extremely Normal about that

[biggest-gaudiest-patronuses]

putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023

#apollo don't fucking touch this one #serious post #not a shitpost #hope i forget about this post and have no reason to ever look back on it one day #fyi i'm aware that access to potable water is already a major issue in parts of the U.S. yes i know flint michigan exists #i'm saying that this issue is going to GROW unless local & federal governments work together to fix it. #so it's a matter of if we trust them to fix it. And well--do you? #what are the chances the government just denies there's a problem until the water actually turns brown #at which point it's already been common knowledge for years and people have just become resigned and that's our new normal #i'm mean come on. how many of us already believe that we're being exposed to dangerous pollutants we don't know about and can't avoid #like that's pretty much just part of being a modern consumer. accepting that companies will happily endanger your life for a few pennies #and the most you'll get is like a $50 gift card as part of a class action rebate 20 years down the line #probably the history books will look back on Flint as a warning and a harbinger that went ignored #luxury condos will advertise their built-in top-of-the-line filtration systems--live here and you can drink water straight from your tap! #watch the elite professional class putting $700 dyson water filtration systems on their wedding registry #while the rest of us figure out how to fit water delivery into our grocery budget while putting 90% of our paycheck towards rent #also eggs are $15

[mechieonu]

i know that disney is too big to boycott effectively but that shouldn't translate to "and so we should keep buying their products like normal" but rather "at the very least we should try"

#i know they have their fingers in a lot of pies but #i've just been thinking #bc i don't watch star wars or sports or marvel and i don't rlly watch tv/cable anymore #and i haven't bought a disney product or gone to the theme parks #and as far as i know disney doesn't facilitate a necessity that can't be circumvented #and at the VERY‚ very least‚ we're supposed to pressure them #the way i personally interpret that is 'avoid directly supporting them as much as you can' #bc i'm aware that you could accidently support them by proxy by buying something they've invested in #which is why we're supposed to PRESSURE rather than BOYCOTT #but i just also want to see disney downfall in my lifetime but that's neither here nor there #idk man #i was so excited to hear abt the book of bill but I don't think i could stomach #directly supporting the company that pledged $2million to the occupation project #free palestine #and don't forget that you can still sail the seven seas (or just go buy old dvds! I need to build a collection) #lol it's easy to boycott if you're broke !

[starflungwaddledee]

some rather strong first impressions were made.

required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !

#did i need to do a 9 page comic for this... well who knows. i had this scene in mind for a long time and wanted to do it justice! #important moment for both of them. you can see starstruck just generating the bandee shaped mental illness in real time. #and bandee resolving to be her point of contact with waddle dees if the others can't handle it #he is after all; the strongest and the bravest and the best of them. #“what is this signature like” it's like meeting something that has a human face but you can tell it is Not Human. think: uncanny valley #it also took her quite some time to pick up her own voice. she could not speak (popstarian) on her own for a while #she does not mimic anymore though if she can help it because it tends to weird others out and she wants to avoid that!! #it's not like a fun or enjoyable impersonation; it's like a perfect recording on a device. #also i guess this is *finally* the reveal of the 'hospital' mentioned previously that folks noticed and also like... her name 😂 #anyway.... thank you to everyone who voted for starstruck in that poll and has encouraged this insane self indulgence... wow. #never thought i'd get to draw stuff like this and have others look forward to it. i really hope you'll enjoy this!!! #my art #my comics #starstruck dee #bandana waddle dee

[pedgito]

PEDRO PASCAL as JAVIER PEÑA Narcos, Season Three — Episode Eight: Dead Men Tell No Tales

#ppascaledit #pedrohub #pedro pascal #narcos #narcosedit #javier pena #userstream #tvandfilm #userfanni #tusercora #tuserpolly #arthurpendragonns #useroaks #* #that tum scratch was so unnecessary and he knows it #also being able to spot his hand tat in every scene is something i can't avoid now lmao #1k

[poorly-drawn-mdzs]

Trials of Updog.

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #jin ling #lan wangji #The fact that Jin Ling inherited Jiang Cheng's naming system for dogs makes me so happy #I also think it's funny to imagine that they all have *long* titles that get shortened #She's Princess Fairy of the Dearest Spring Meadows to *you*. Cur. As if you have the right to call her by a nickname #I think fairy is supposed to be a husky? Though I've seen so many husky/pomeranians lately that my association is deeply skewed #I'm gonna make all the dogs in this comic as unsettlingly cute as possible until I can't anymore #for the comedic effect of wwx being so terrified of them #You see....the real updog..... was wwx jumping into lwj's arms. Scooby-doo style #Did lwj finally get that ass? is his hand just slightly avoiding the area? #Find out next time on poorly-drawn-mdzs!

[coffeeworldsasaki]

Another thing that makes kaladin so painfully relatable is how much his mental illness hides his personality, because between depressive episodes and trauma he's this sarcastic little shit that smiles a lot at his friends and then the depression gets to him and all that disappears

#I'm dreading book 4 so much #my depression got worse while reading it the first time 😭 #also I don't remember exactly what but multiple times he says stuff that i think too often and having a fictional character say that l #ridiculous stuff caused by mental illness made me feel even worse #it helped! because it hit me how stupid it is and that i should avoid that type of thinking at all costs! but didn't i feel like shit for a #while #now i almost finished book 1 and book 2 has Shallan's past 😬😬😬😬😬 #can't wait to read again about her horrible childhood locked home with a violent father that take out his rage at her on others #that won't make me feel horrible at all! #it's not like i wasn't almost crying just at her getting an anxiety attack at the beginning #....these books feels awfully aimed at me fjskdks #the stormlight archive #cosmere

[multi-lefaiye]

something about a gameshow where the goal is "get second place" is just so funny. this season is off to an amazing start

#multi makes text posts #i can't wait to see whatever episode that brennan instagram live is from #the one where he apparently had to go on instagram live and defend elon musk #and people caught the live and he's just shitting on elon musk for like a solid minute #and then at the end he gives some half-assed advice to avoid back pain #'i defended him from back pain :)' king #game changer #also. new brennan lee mulligan monologue let's goooo

[sleepire]

From the poll!! Danny's annoying B, for.. Reasons? Idk. This could also be seen as Batman's newest ward annoying him whilst on patrol but ykyk

#danny phantom #danny fenton #dcxdp #bruce wayne #batman #i love drawing dannys little glow #its so fun #also. #i think that in most DCxDP au's with the batpham is like. Danny hides from them all cuz oooh no metas in Gotham #but #hear me out #he saves people ANYWAY #purely because can't ignore a cry for help #as said in DP #and he kinda just #avoids the batfam but also if they DO catch him he's snarky asf #and then he scurrys away #before they can actually figure out a way to catch catch him

[felixcatton]

lorelai gilmore and logan huntzberger are the same character in different fonts and once you realize that, you also realize that logan is indeed not the luke to rory's lorelai, but instead, logan is the lorelai to rory's luke. in this essay i will

#i mean i do think there's also room to argue that there's no real reason to think that logan ISN'T ~rory's luke~ but i like this better #in you jump i jump jack luke makes his first entry into the world of wealth in which lorelai grew up. it's the same ep where rory meets #the life & death brigade... #logan has angry grandparents and forceful meddling parents that he has spent his life running from #logan and lorelai make impulsive decisions. they rebel. they avoid commitment in romantic relationships #until they are suddenly giving marriage related ultimatums #in the s6 finale when lorelai gives luke the ultimatum he says 'i can't just JUMP like that' #when logan proposes to rory he asks her to jump with him. she can't jump with him. #anyway i'm feeling normal about it don't worry #gilmore girls #rogan #javajunkie

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere (Pt 2)

Alrighty, I promised a part two back in the first part of this analysis, but found myself busy with Rekindled and my day job, so I'm finally sitting down and finishing this up. If you haven't read that first part yet, please go check it out!

CAUTION: THERE BE FASTPASS SPOILERS AHEAD!

We left off with Hebe and Apollo roleplaying that one scene from The Lion King, albeit with a lot less sense or nuance. Literally all the "drama" so far feels purely manufactured for cheap plot progression and tension and it hardly feels authentic. But now we gotta talk about the second half of this episode, where we finally address the cliffhanger that the FP midseason finale episode left off on - Persephone causing winter.

And what better way to kick it off than with a completely off-base Persephone monologue?

Now, what's shown here is actually a flashback to the job interview scene from S1, when Persephone asked to see the snow in the Underworld. But it's written as if Persephone has some intimate relationship with snow as a whole, as if she's experienced more than this one time which... she hasn't. There was nothing "romantic" really about that scene following the job interview, she literally just wanted to go out and see something she hadn't seen before.

But that calls into question - why does Persephone constantly act like she has an intimate relationship with snow when it doesn't occur in the Mortal Realm? She even says in the honeymoon episode that it's hot all the time in the Mortal Realm, and the temperature only drops every now and then during rainy days... and she somehow makes this about Hades when it literally has nothing to do with him lmao Persephone monologues are some of the worst /r/im14andthisisdeep moments in the series because she's constantly using word salad to describe feelings we never saw or scenes that never happened.

And this scene is no different. She says that snow is something that's interwoven with her most 'treasured moments' but all the visuals have to show for is that one scene from S1 that, again, didn't even come across as a 'treasured moment', it was just her seeing the snow for the first time, there was nothing 'romantic' about it in a vacuum. All the moments from the series you could call ACTUALLY TREASURED milestones of Hades and Persephone's relationship - and Persephone's supposed "love" for the Underworld - are scenes where snow was completely absent (ex. the scene of Persephone and Hades talking about Sicily in Zeus and Hera's garden, Persephone and Hades spending the night in the cabin during the trial arc, etc.)

But then, to make it even more confusing, she goes on to describe her losing her powers and causing winter a "betrayal". As if the concept of winter owes her anything. As if Erebus owes her anything.

The allusion to Erebus itself in the visuals implies that she feels "betrayed" over this happening, as if it wasn't made ABUNDANTLY CLEAR TO HER that she would have to sacrifice something. She's gone SO LONG without knowing or caring about what she could have possibly given up, that by the time it finally revealed itself, she's acting all shocked Pikachu because there's finally something she can't just have. Everything that could make her seem imperfect has been washed away, from her SA trauma to those pesky green hands. Now we finally ARE seeing her affected by her own choices and she's basically waxing poetic about how sad it is that her actions have consequences.

That said, she does seem to have a moment of self-awareness here... but I can't be confident it will actually amount to anything seeing as how all the past attempts at 'growth' have been overshadowed by her vanity and ego.

This line is really confusing / weird in the way that it's written but I think she's trying to say that the source of the cold is from her, she can't pin it on any sort of 'big bad' like she could with Apollo and Kronos. It's just her.

And again, this could be a moment of realization for her that her actions are her own regardless of whatever she wants to pin it on-

But she rejects it instead. She's still not capable of acknowledging that her choices affect others, that her actions have consequences, that she's finally paying the price for something she knew had a cost.

If this were any other comic, I would accept her rejection of this, I would have confidence in knowing she may recognize it eventually. But this is LO and we're three seasons in, she's technically already gotten her happily ever after in the form of becoming Queen and married to her 'true love', so all of this feels like a very last-minute attempt to paint Persephone as this "struggling" character. But she's not "struggling", she's just finally experiencing karma catching up to her and as expected for a person like Persephone, she's already cracking under the pressure of realization that she can't have everything she wants.

Again, in any other comic, this would feel satisfying or endearing to see her fall on her own sword, but to me it just feels frustrating in the context of LO because we've spent five years seeing her get everything she wants with barely any real struggle that wasn't manufactured - with all of it painted as a GOOD THING - while still getting away with treating the people around her like shit.

And when I say she rejects this concept of having humility, I don't just mean through her monologuing, but also through her actions.

If I were to critique LO the same way I would an actual functional series, I would say that this should be the point of realization, the point where we see her crumble under the weight of her not being perfect, not being able to "fix" everything. It all stems back to her entitlement as a bratty main character, someone who can't fathom not being the main character or the "hero".

Because she's not the hero. Demeter is - or at least, she tries to be.

Again, it's hard to know if this is intentional or if this is yet another attempt to present Demeter as an "overbearing mom", but Persephone here looks and sounds like she's been reduced back to the state of a child crying for her mother in the face of her own failures. Despite now technically being a mother herself (through literal babynapping sigh) Persephone is still not a mature adult. Aging her up 10 years and giving her a husband and baby will not make her an actual functional independent adult who's capable of taking care of themselves or making the right decisions... unlike Demeter who is still, ultimately, more skilled than Persephone. She is an actual experienced and mature adult who's capable of rationalizing and decision making, and knowing when it's time to put aside your ego, walk away and let someone else who's far more qualified take care of things.

What Demeter has is something that one can only gain through true hardship, failing, learning from one's own mistakes, and experience, all of which Persephone does not have because she transitioned from a cage of her own imagination where hard work and responsibility was a virtue, into a gilded cage where true hard work can be passed onto someone else whose efforts she could take credit for while sitting on a throne and buying anything and everything she could ever want.

Despite everything Persephone and the narrative claims to have 'earned', she's still a child. The adults have to take over.

And like a child, she doesn't let them.

This is not an 'anime moment'. This is not a moment of redemption. This is immaturity and irresponsibility in its most visible form for Persephone - refusing to let go of her ego and shortcomings to "prove herself", even if it means making things worse.

And Hades enables it.

I want to make it clear there is a massive difference between not being controlling over someone, and actually enabling them.

This is not some small hill to die on. Persephone is literally causing winter, which could very well kill the Mortals. As we've seen in that prior Hebe scene from the first part of this essay, the snow is showing up in Olympus. This isn't something that's happening in the isolation of this single scene, this is happening everywhere and instead of taking the L, Persephone is trying to make things 'better' by simply 'trying harder' which is just not the solution here, Demeter knows this, but Hades is playing the "girlboss" version of a "good husband" by not even bothering to try and convince her to do otherwise. Hades above everyone else should be the one stepping in because he'd likely be the only one she'd actually listen to, but he's refusing to because he has to be the "good husband" who doesn't control the actions of his wife.

So he flat out enables her instead by not even bothering to try and reason with her, to help her see that what she's doing is not helping. Not even so much as a "Persephone, I know you want to help but it's clear something is wrong and if Demeter can figure out what to do to fix this, we should let her", just him saying to Demeter who wants to stop her that he can't stop her from trying... ignoring the fact that he should at least try.

And that's the difference between being controlling and being an enabler. He's not keeping her from doing something that benefits her and doesn't harm him or others. He's not micromanaging her decisions or trying to tell her she's not capable. Now, don't get me wrong, there are definitely things that make Hades a walking red flag especially when it comes to him being a groomer, but when it comes to directly controlling Persephone, most of the time she's doing things of her own accord convinced that it's "the right thing" (which is still just a side effect of the obvious grooming because I really doubt S1 Persephone would have done this shit lmao).

Here, he's not stepping in to even try to reason with her because "well I'd be a bad husband if I stepped in", completely ignoring the fact that it makes him a terrible person, period, to not at least try to calmly reason with his wife and explain to her that her 'help' is not going to help here. Just like when he rewarded her with sex for abusing a nymph in her own home, he's completely complacent to Persephone's actions and doesn't step in to try and help because, according to Wattpad and TikTok, a "good husband" is someone who looks the other way while his life partner does whatever she wants regardless of the consequences to herself and others. "Happy wife, happy life, who cares if the wife wants to be an actual piece of shit to people if it makes her happy".

And thus she makes things worse in her pursuit of "happiness", while Hades stands idly by, watching it all unfold as if he's just an innocent bystander who can absolve himself of any responsibility in this situation. As if she didn't become this way because she ate the pomegranate to be with him and a part of his world.

Now, there's one other sort-of-blatant smoking gun that I want to talk about that I haven't really seen anyone else mention since this episode went up. Granted, this might be me reading far too much into it, but hey, that's what this blog is for and I think it's something that absolutely needs to be mentioned.

Persephone goes on about how her powers aren't just gone, they've been replaced, all she can create is decay, and more specifically-

Now... think of the context of LO's narrative, what it's told us both literally and through subtext, intentional or not.

What does this sound like?

Hades lost his ability to produce children when he ate the pomegranate. He can no longer "create life".

And now, Persephone is finding herself in a similar situation, unable to "create life" the way she knows how. I'd like to think this isn't literal, but it really feels like there's a metaphorical implication here that Persephone losing her ability to create life is meant to be taken literally, that she not only can't create flowers and plant life anymore, but she's lost her fertility entirely. You can go even further back in this when it was established Persephone didn't eat six seeds, but nine, which originally felt like a weirdly random choice, but now seems intentional. I know some people have theorized that it has to do with her possibly being pregnant, but I don't think that's the case, I think it's the opposite - that the 9 months was a metaphor for the 9 months of childbearing that Persephone can no longer do.

And if that's the case... LO truly is no longer a "feminist" piece of work. It barely was before, but if the point of all this winds up being an attempt by Rachel to give Persephone a "flaw" by taking away her ability to bear children... that'll be a punch to the gut.

That said, if it does go somewhere, maybe the point will be Persephone learning she doesn't need to be able to reproduce to have value as a woman. But considering LO's track record with these sorts of plotlines, I can't be confident in the slightest that's where it'll end up. What I can be confident in is that Persephone will likely not stay this way. Like her green hands, she'll likely get her powers back, maybe after the resolution that she's still a real woman deserving of love even if she can't reproduce. I can't possibly know at this point where it's going, all I do know is that LO hasn't done a great job at resolving these sorts of deeper narratives so this just feels like another dart on the wall of bad ideas. Because it's, again, all being framed through Persephone being the "perfect woman", without there being any actual subtext throughout the narrative to imply that this may be a flawed ideology to have, it's just what Persephone has to be and it's sold in the narrative as a positive.

There's one term to describe this with that's rather consistent throughout LO when you peel back the layers of both the comic and Rachel's past work - white feminism. Despite LO's attempts to be "feminist", it's still ultimately being written through a heteronormative male gaze, that women are only "valuable" so long as they're youthful, that any goals or dreams a woman may have should be dropped as soon as they fall in love with a rich and powerful man, and that "other women" who don't fit into that mould of being rich, white, and heterocis are not worthy of love, empathy, or understanding. It's hard to trust that LO will actually challenge these norms when it's been practically enforcing them for five years.

But ultimately, that's a very loaded topic and right now, we don't know where this is going... I'm just not so sure I want to see it after all the missteps the series has pulled over the past half a decade. Like the miracle of childbirth, it's gonna take a miracle for LO to actually stick this landing.

Now, I'm assuming you read this line of dialogue, and you understood it. Yes? You positive? Okay, great. Why am I asking you this question as if you're an infant who doesn't understand what being "passed out" means? Well, you'll see what I mean in a minute.

Now, again, like with the whole "I can't bring life to anything anymore" thought process I just went through, I can't know exactly what they're trying to do here, but Demeter is fully in the right. I want to make that abundantly clear that Demeter was right the whole time and it's pretty telling that even a lot of the people reading the comic in good faith are pointing this out in the discussion circles they can actually access.

Now, in case anyone hasn't noticed, it's clear that Demeter herself is drawing upon the fertility magic of Gaia or Rachel is just alluding to Gaia for some reason. At first I thought it was supposed to be her form of "wrath" until I remembered that (unfortunately) Eris was the only reason for Persephone's wrath, so this is clearly meant to be some allusion to Gaia. Considering the fertility powers were passed down purely through Gaia and Ouranos, this means Demeter is a descendant of Gaia, which... calls into question Rachel's attempts to "remove the incest" from LO, but that's for another topic.

Either way, Demeter is fully in the right here. Hades is a fucking idiot - a useless lump - for not only enabling the shitty actions of his shitty wife, but for not taking even any amount of accountability for the fact that Persephone found out about the pomegranate through him.

"But Puff, she had to eat the pomegranate to beat Kronos!" Did she? Or was that purely manufactured for Rachel's sake because she just had to have an MCU Evil-Robot-Jeff-Bridges villain despite the fact that this FANTASY ROMANCE series didn't need one? The fact that it was written purely to 'force' Persephone into doing something she already wanted to do was completely redundant, it wasn't a 'sacrifice' she made, it was made pretty clear in Episode 165 that she wanted to eat the pomegranate as soon as she found out about it and while that decision is certainly her own, that does not absolve Hades of responsibility for not questioning his future wife's fascination with it or realizing that he unlocked the inner Pandora's Box of Persephone's mind.

And so, Demeter holds him responsible. As she should.

Okay, you read that, right? But remember that line I asked you about before? We should all know Demeter doesn't mean this literally. We have brains and we should all have a minimum amount of media literacy to understand that Hades was telling the truth when he literally said Persephone was "passed out".

We finish the episode on this panel, which I swear to christ I couldn't tell you in all of my own divine wisdom of the arts what in the world is going on in this panel. I'm literally looking at salad.

Is it Demeter and Persephone? Just some dying plants? I have no fucking clue, your guess is as good as mine.

But we're not done. Because we have one more glaring issue to talk about with this episode, and it comes in the form of an author's note that was inserted at the end of the episode. It is truly, despite EVERYTHING we've talked about in both parts of this analysis, the dumbest, most airheaded and egregiously pretentious thing I've seen in this entire episode.

Rachel quite literally put in a fucking disclaimer telling her audience what Hades already told us point blank in the comic - "Don't worry, audience members, Persephone is not literally dead, it's a metaphor for her spring powers being dead!"

I literally can't even express to you how pretentious and shitty this is of her to do. I can't tell if it's legitimately her thinking her writing is "too smart" for even her older audience members to grasp, or if she just wants to dispel the theories that people would want to make about this, or if she completely misconstrued the criticism about her writing not being "clear enough" and thinks that THIS is what people meant. Pardon my tone because I've kept it together relatively well throughout this post, but this is some 2009-era Fanfiction.net level of author's note bullshit.

If she thinks her writing is "too smart" for her audience to grasp, I'm sorry Rachel, but you're just wrong and this is incredibly shitty of you. You think the 14 year olds in your community aren't also reading other webtoons that have deeper writing than LO? I read Death Note when I was fucking 14 and I knew exactly the point of what the story was getting at by the time it was over, despite all the other stories I read at that age that completely flew over my head. And you think LO is somehow more complicated than Death Note, baby's first introduction to the grey areas of morality and justice?

If she's trying to dispel the theories... that actually holds some merit because not only is Rachel notoriously bad at not letting her fandom just talk about their theories without her swooping in to "um actually" them (even if it means killing the fun of theorizing), but the official FP page on FB was closed to new submissions in the hours following this episode and it since hasn't posted any new content. Is it because people aren't posting? Absolutely not. The mods are quite literally holding these posts hostage through the submission and approval system. People are legitimately trying to submit only for the mods to block it entirely from going through. If this is Rachel's attempts at trying to "protect herself" from the criticism this episode has surely earned, then all she's really doing is punishing her own fans who want to talk about it. It doesn't matter anymore that the discussion groups are finally back from 3-4 months of being shut down over the hiatus, they're still not being allowed to operate. The best there is now is the Discord and it's undoubtedly just as heavy moderated as the FB groups.

And as for the third possibility, this also feels like an attempt at Rachel trying to make her writing "more clear" without actually putting in the work of writing a good story. She's undoubtedly seen the criticisms towards LO as a whole that it doesn't express itself clearly, that it constantly flip flops on character motivations and information that has been established, and that any monologuing that's done implies things or events that we've never seen unfold on screen (case in point, the Persephone monologue from the start of this episode) but she seems to have either misconstrued or ignored the point of that criticism entirely by solving it with a quick and shitty author's note at the end explaining her intentions with a scene that was already clearly laid out to us. Instead of putting in the work to write a concise story to explain the things that are a bit more under-developed, she's slapping in a spoonfed explanation for scenes that literally don't need explaining and that ultimately cheapens the scenes that are TRYING to have impact, bringing them down to the same level of mediocrity as the scenes that never had the impact they intended to have to begin with. "You've killed the Goddess of Spring" was plenty clear after Hades said she was passed out, Rachel. Taking the time to explain it in a note at the end is just sad and it really goes to show what you think of your audience, especially when it comes to how you treat your fans in regards to community accessibility in the official discussion groups.

"The haters" didn't set this comic onto the path that it's on or ruin the fanbase experience, Rachel - you did.

#also i stg if she's just redoing the coma plotline from S2 #you can't just go to sleep and avoid the consequences of your actions persephone #wake tf up and take some goddamn accountability #lore olympus critical #lo critical #anti lore olympus

[nthflower]

Why can't I clean the settlements. Please I want to cleans that floors. I never wanted the clean dirt this much in my life. I hate cleaning but I need to clean my pixel settlements. Please

#why can't i clean leaves and trash we dont need them #also i wanna be able to repair windows #and doors #i am trying my hardest to make them looks good and then I am showing my mother #and she says this looks like a trash town #and she is right but its not my fault i am trying doing my best #geym #fallout 4 #avoiding main task and reading terminals right now terminal stories are so interesting #and doing settlements of course

[aclockmaker]

more actors au continued from here

Shooting the first season is a fever dream. Creating and playing in a world that no one else gets to see yet—no reviews, no public, just them. The cast is tight, right away. Eddie, like, loves them. He's already made plans to go to Robin's family's house in Joshua Tree this summer.

Eddie and Steve don’t have that many scenes together. Eddie knows, guiltily, exactly when they’re all shooting.

It’s not just what goes on when the cameras are rolling, either. (Which is, like, still insane. Still makes Eddie feel like he's taken club drugs. And maybe he's not the only one, because—)

It's also that Steve is more likely to ask him to hang out, just the two of them, after they shoot together. Eddie could text him or ask him but he has a complex set of rules for how often he's allowed to be the one initiating it, because, well. He's nursing a pretty bad crush here. It's deeply unprofessional.

In the episode before this, Eddie confides in Nancy’s character, their teen journalist-detective, that he has something he thinks he needs to tell her. Something that’s going to blow her mind. But they’re just in the hall at school, the bell ringing, so he can’t do it right now. It’s his own little “I’ve got a secret, Veronica Mars. A good one.” (He’s watched as many dead-girl tv shows as he can to bone up for the role—all the classics going back to Twin Peaks. Veronica Mars is uniquely applicable because Lily does appear in flashbacks, and even though they’re subverting the trope by having a guy get killed, they all know what kind of story they’re telling.)

In the scene they shoot tonight, Steve's character comes to Eddie's house that same night before he can get to Nancy to try to convince him not to tell her. It's not clear what Steve thinks he knows, when he climbs in through Eddie's window, only that he's practically begging Eddie not to do it. He starts off aggressive, like they're yet again about to get into a physical fight. But the fact that Eddie lets him in speaks to the fact that maybe there's a little more to their relationship. And then Steve's character breaks down, cries a little, and it's really—something, to be wrapping his arms around Steve's shoulders in front of the camera and the crew, under the lights. Eddie is a professional, and he's perfectly capable of slotting those feelings into their correct file folders for later perusal, but—it's something. He's given Steve bro hugs. He's pretty sure Steve even hugged him for real the first time he saw him after he was cast (it's a blur). The only time they've hugged like this is on film.

He's not surprised when there's a message waiting for him on his phone when he eventually gets back to it post-short scene with Max, whose character lives next to Eddie's in-story. The message itself is a little surprising. Hey, I'm wrapped so I'm going home but do you want to come by? And then an address in Silver Lake.

It's not so crazy. Steve takes awhile to decompress after filming something emotional; he doesn't like to be alone. Eddie has learned this very quickly and has very quickly come to crave being the one Steve decompresses with. It just typically happens on the studio lot, in Steve's trailer. But this is fine, too. It just makes sense. Steve was done for the day so he went home. But he still wants to see Eddie.

Eddie sends back three thumbs up emojis, bangs his head on his steering wheel, and starts driving. He chews a fingernail, wonders if he should stop somewhere to get something to bring. A bottle of wine. But that’s stupid probably—it’s not a dinner party. It’s just two friends hanging out. (If he thinks it a little defensively, that’s because Mike was leaning heavy on the innuendo when he asked Eddie where he was going tonight. “Oh really, with Steve? Huh. It’s nice you two get along so well.” Eddie had just glared at him and moved on. The kid is such a little shit.)

Steve hugs him when he gets there, which is almost funny—now that he’s acted it out, he’ll do it in real life, like an echo. But it doesn’t seem fake, it just seems like that’s what Steve does when someone comes to his house. He’s a little high strung, maybe, in constant motion while he waves Eddie in and offers him a beer.

They end up on the pool deck, beers in hand, sitting with their legs dangling in the water up to their knees. It’s secluded here, big, old trees blocking them from any neighbors’ view.

“So,” Steve says. “Good scene after I left?” It doesn’t sound like what he really wants to ask.

“Yeah, fine,” Eddie agrees. “You know what Max is like—she’s too cool for school.”

“Don’t let her hear you say that,” Steve laughs.

“Never,” Eddie agrees. The teasing would never end. He glances at Steve, who seems mostly relaxed, maybe a little hunched in on himself.

“Did you ever, um,” Steve starts, looking out at the water. “Date a co-star?”

Eddie’s brain whites out a little, just static. “Uhh. I thought you were going to ask if I thought you looked weird when you cried, or something.”

Steve sputters. “Do I?”

“No, dude, very pretty crier.” Eddie smiles.

“Thanks I guess,” Steve says, frowning a little.

Eddie chews on his lip. “But, uh. No, I haven’t.”

Steve sighs. “Yeah, me either.”

Which is funny, because he’s been linked with a couple of them from previous projects, but Eddie guesses you can’t believe everything you read.

“Is there someone,” Eddie asks carefully, “you want to date?” Steve is close with Robin and Nancy. Eddie can’t see Robin dating a guy, but what does he know.

“I don’t know,” Steve admits. “I feel like. I don’t know if it would be a terrible idea, because we work together.” And then he just stops talking.

“I might be able to respond better if I knew who we were talking about here.”

Steve gives him a look. “You do know. Don’t make me say it.”

“Gonna definitely need you to.” And then, because he can't help trying to make Steve laugh. "It's Joyce, right?"

"Please," Steve says, and does laugh a little. "I wish I thought I had a shot with Joyce." She's a legitimately famous actress who Eddie often can't believe he's going to share an IMDB listing with.

"But, uh," Steve goes on. “I don’t want to mess anything up, though.” Now he sounds careful.

Eddie doesn’t know what Steve thinks he’s messing up—their chemistry, he guesses, if he’s not reading this very wrong. Their friendship maybe. The show. Any remaining semblance of professionalism. Eddie is pretty ready to throw most of that stuff out the window—after all, who says just because they hook up the work will suffer? Maybe it’ll be better because Eddie won’t be crushed under the weight of absurd amounts of sexual tension anymore. Not that it’s been a hardship, but…

“I don’t think you’re messing anything up,” Eddie tells him. “I mean—personally. Who says anything will get messed up?” I think it might be worth it even if it does, he doesn’t add, because it’s shocking to even think it, and obviously too much for the moment. He doesn’t know if he really means it—this show is, like, the opportunity he’s been waiting his whole life for. But he’s already dead on it; there’s only so many flashback scenes they can film as he ages further out of the high school age bracket for a character who can’t get older.

“Yeah, but.” Steve runs a hand through his hair, frustrated. “The way we are on the show—“ he shoots a worried little glance at Eddie, who tries not to react outwardly to that, which is hard. “Don’t you think some of that’s because—I mean, for me at least, it is, I’m not saying—for you—"

“Me, too,” Eddie assures him before he hurts himself. “But—okay, you brought this up, not me. What do you want, then?”

“Dude, I wish I knew,” Steve says. “I mean—“ he glances at Eddie— “I know what I want, but I don’t know what we should do. But I just felt like I was going crazy, and the only person I really wanted to tell was, well, you.”

Oh. “Steve,” Eddie says, almost a warning. He wants to offer that they can hook up and it won’t mean anything and nothing will change. He wants to offer that they can date and nothing bad will happen. It’s all stupid, impossible to promise.

“I know,” Steve says miserably. “Sorry.”

Eddie shakes his head. It’s almost unbearably sweet that Steve is so bent out of shape over him. “Come on, we only have, what, two more weeks of filming? We can make it through two weeks, right?”

“Guess we have to,” Steve agrees, but he moves his hand over a little so their pinkies touch on the edge of the pool.

tagging a few people by request, thank you for being interested <3 @atlas-talks @obsessivlyme @lyriclight @deadflowercollector @thatonebadideapanda @wolfstarlights @eddiemunsonswife @alienace @wishiwasacasualfan

#thank you to everyone for name suggestions instead of taking any of the good ones i've just continued to avoid naming characters lol #steddie #steddie fic #steddie ficlet #actors au #stranger things fic #steve x eddie #also i'm not the boss of you but please don't be too invested in the plot of the tv show... for your own sanity... i will Reveal All but #i can't promise it will besatisfying