#allan troxler

[finitevariety]

Allan Troxler: Shirley's Garden by David Cecelski. "Listening to History," News & Observer. Published 10/11/1998 and reprinted with permission here

I talked with Allan Troxler in the garden behind the Blevins House, a group residence in Durham for people with HIV/AIDS. A 51-year-old Greensboro native, Troxler started this bountiful garden eight years ago to provide produce and cut flowers for the residents and their caregivers. We walked down dense rows of sunflowers and okra, beneath 7-foot-high trellises of tomatoes and cucumber, alongside lush patches of watermelon and cantaloupe. Troxler has been a volunteer at Blevins House since it was founded 10 years ago by a group of his friends, organized as the AIDS Community Residence Association. Many of his closest friends have died during the AIDS epidemic, including his own long-time partner, Carl Wittman, in 1986. Like so many other Tar Heel volunteers and families, he has responded to the AIDS epidemic by quietly taking care of the small things that one person can do for another to make life more bearable, more decent. He nurses the ill, makes endearing keepsakes - and tends this garden.

He began by telling me the story of the person who inspired him to start the garden:

Allan Troxler: Shirley was an old mountain woman. I think she might have gotten HIV from prostitution. When she came to the house, which is a very pleasant, middle-class ranch home, she just sat on the edge of the sofa for about a month. Like she was just waiting for the Greyhound to take her back to the hills - she was so ill at ease in what to her was this palatial home. I suspect she had only lived in little cabins and trailers. But she took to lining the porch with coffee cans full of houseplants. She was turning it into home. 

Shirley was real deadpan. When she was joking, you couldn't tell because she wouldn't smile, but then you'd see that her eyes were flashing. Didn't have many teeth. She dipped snuff and had a snuff can. Most all of her hair was gone. I had no idea how old she was. She looked ancient, but I remember at some point seeing her age and I was surprised at how much younger she was than I thought. We all knew that Shirley loved plants. Her birthday was on May the first, and so everybody gave her houseplants. I gave her a few seed packets. That's how the garden got started. The first year the garden was just a little patch with some zinnias and a few other things. Shirley would sit up on the porch - she didn't have any energy to work in the yard - and she'd boss me around. The residence is housing of last resort. It's for people who can't find anywhere else to live. Anyway, that first year the garden was for Shirley. And I planted her zinnias, because they were so colorful. 

She probably came here through the HIV/AIDS clinic at Duke. They refer most of the residents to the house. At that point - 1989 - there probably weren't adequate services up there in the mountains for her.  Blevins House, and several other residences in the area, are pretty cosmopolitan. Often times it's people from all over the state. 

Shirley took great pride in the garden. By fall, we had all kinds of beautiful things in bloom. In October, we planned an excursion to the State Fair with Shirley and other folks from the house. It was the first time she had ever been to anything like the State Fair. She was tremendously excited. We got Shirley over there in a wheelchair, all made up, in her bouffant wig. Along with J.R. and Tony, who was Lumbee. 

So we've been there maybe 10 minutes. We're right in front of the turkey shoot on the midway. The rifles all go off. Straightaway, Shirley goes into a grand mal seizure, which I had never dealt with at all. It was terrifying. She went white and rigid. Fortunately, Tony had had seizures as a complication from AIDS. He had a sense of what to do. 

We wheeled Shirley over to the Red Cross booth. It ended up I had to bring her back out here. As she was coming to, about when we were back to Durham, she said: "Where are we? How come we're not at the State Fair?" And I said: "Shirley, you had a seizure. I got to take you home." She was just furious, because she had been looking forward to this for weeks. I was feeling really bad, thinking, 'God, what can we do for Shirley?' 

The next morning, I came out to the garden, and there were these coxcombs, which are great big flowers - deep, deep pink and red - that look like rooster's combs. They'd been off in a corner and once or twice I had dumped Miracle Gro on them and otherwise I had ignored them. So I thought, well, there's another round of the flower competition at the fair. I'll take these coxcombs over. 

A couple days later, a friend and I went by the flower show, and there were the coxcombs covered with ribbons. First prize! Best of show! These huge, apricot-colored ribbons with three or four tiers of ruffles. It was perfect. So I bought Shirley a State Fair sweatshirt and we pinned on all the ribbons and brought it back to her. She was tickled. It wasn't all the same as being there, but it was next best. She died that next spring. 

Shirley, Ken, now Roosevelt - those are the three faces that the garden has most assumed for me. Ken loved the garden. He had grown up at an orphanage at Chalybeate Springs. They made the kids do field work - I think it was a strawberry farm - so he had this almost instinctive relationship with the garden. He was here for a couple years. Early on, it was rare that anybody was here for that long. It's changed now. With these new drugs and drug combinations, people are living a lot longer. 

Last fall, Roosevelt started coming out and puttering around, chopping weeds, clearing beds. Now he's gaunt and doesn't have much energy. He's on oxygen 24 hours a day, but he has a portable tank so he can come preside. I tell him he's our patron saint. So many people, once they're diagnosed, give up. He has no patience with that. He's from Durham, but he worked in New York, polishing diamonds at Tiffany's. 

Especially in those early years, I think the benefits of volunteerism were at least as much for the volunteers as for the people who lived here. We all needed reassurance. We all needed some sense of, well, there is something I can do. Everybody felt defeated. I think all of us were searching for a way to understand this very natural process, this epidemic, as something other than this terrible judgment, this holocaust, this tragedy. I've hoped that here, in the garden, is some solace in the cycles of life, death, and then regeneration. 

And maybe to have a vase of zinnias or a sack of okra matters in a small way.

#aids #aids epidemic #field notes #gay history #lgbt #im on a bit of a 'old activism reading' kick and allan troxler was one of the founders of rfd #which i am currently reading issue-to-issue #long post #allan troxler

[celtfather]

Instrumental Celtic Music #290

Instrumental Celtic music is one of the driving forces of Celtic culture. Enjoy Celtic tunes from Andrew Finn Magill, Runa, Bill Troxler, Battlefield Band, Wolf & Clover, Myddle Earth, Vicki Swan, Oisin McAuley, Jed Marum, Crepuscule, Cady Finlayson and Vita Tanga, Sons of Malarkey, Susana Seivane, NUA. Shownotes at celticmusicpodcast.com/290/

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  Notes:

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  This Week in Celtic Music

0:43 "The Green Fields of Glentown / The Old Dudeen / McFadden's Handsome Daughter" by Andrew Finn Magill from Roots

5:37 "The Hunter Set" by Runa from Current Affairs

11:27 "Irish Wind" by Bill Troxler from 12 Degrees of Separation

16:00 "The Canongate Twitch / Steamboat To Detroit / Twenty Pounds of Gin / Break Yer Bass Drone" by Battlefield Band from The Producer's Choice

20:18 "Sí Bheag Sí Mhor" by Wolf & Clover from Single

23:39 CELTIC PODCAST NEWS

25:06 "Cliffs of Moher" by Myddle Earth from Celtic Jigs & Reels

27:55 "Fikavalsen" by Vicki Swan & Jonny Dyer from Single

30:47 "Quebec Reels" by Oisín McAuley from Far From The Hills Of Donegal

34:29 "Calla's Waltz" by Jed Marum from Calla's Waltz

39:34 CELTIC FEEDBACK

42:20 "Mrs Stewart of Grandtully Set" by Crepuscule from Horizon

47:32 "All Set for St. Pat's" by Cady Finlayson and Vita Tanga from Electric Green

50:38 "Fiona's Chicken & Waffles" by Sons of Malarkey from Gulls Lads

52:11 "Foliada do Quinteiro" by Susana Seivane from Os Sonos que Volven

58:24 "Wide Open" by NUA from FLOW

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