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#WHAT IF THEY GET THE SAME COMPOSER?!
revenantghost · 1 year
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Same podcast with with Trigun Stampede producer Yoshihiro Watanabe, and to once again quote him:
“For Trigun, i definitely want to do some sort of (video) game, and we’ve talked to a couple companies, so we’ll see what comes through.”
LET’S FUCKING GOOOOOOOO!!!!!!!!!!
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poorly-drawn-mdzs · 4 months
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Turtle Takedown Teamwork.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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ghostdrinkssoup · 11 months
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thinking about the first time will sees hannibal after three years. how the highly sophisticated man he remembers now looks wearier, his hair a little shorter, the lines in his face a little deeper. how he’s been degraded but still holds himself with pride and dignity, refusing to be humiliated. how will is a married man and really thought he was doing okay but knew he was kidding himself the moment he laid eyes on hannibal again because it doesn’t matter how much time passes he’s still horribly in love with him and never truly moved on. he knows he lost his heart the day hannibal gave himself up, and it didn’t start beating again until this moment, three years later. and the ache of it hurts so much more than it did before. if anything, the longer they’re separated the worse it gets
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carlyraejepsans · 1 year
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dare i ask what happened between you and the deltarune discord
well well, you may as well tell me! considering i have no clue HAHAHAHAHA. I'm not actually in any deltarune servers myself, i only see screenshots float by like whale carcasses on the sea of the internet/hear of drama from pals and followers who do go there and think "hm! not dealing with that!"
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merakiui · 1 year
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i think steampianist's thing really suits kabukimono. the speaker in the song struggles to convey emotions properly and wishes to have certain traits ("hair like yours," "hands like yours," "eyes to stare and to cry with," "fingers that curl in the cold"), which can be read as fervently coveting to look and feel "normal." or, in kabukimono's case, to look and feel human.
like the speaker in the song, kabukimono cannot understand or show certain emotions, and so he learns from those around him (like a sponge absorbing new information) about human life. he hides his true nature as a puppet and learns how to live as a human, but as human as he may act he can never truly be human if the parameters set for what it means to be human are that (1) you must have a heart and (2) your lifespan must be finite (which are parameters kabukimono thinks equals humanity). he has neither of these, which is why he never truly views himself as a human even though you could argue that being "human" simply means you are a complex individual who can feel, think, speak, and articulate (all things kabukimono is capable of).
as the song nears its conclusion, it's implied that the speaker hurt or killed their friends in some way, and you learn that all along this "thing" has wanted companionship and to feel and display emotions properly. but something goes wrong and the result is this eerie line: "struggling only makes the hugs much tighter." both kabukimono and the speaker in the song are driven by their obsessions, and both have bloodied their hands as the result of their circumstances (kabukimono's motivation for murder being revenge and the speaker's most likely being the threat of their friends leaving, so they become determined to make them stay even if it ends in death).
and by the end, the speaker still continues to wish for the traits mentioned above. likewise, kabukimono continues in his travels after sating his hunger for revenge and with "human" traits he has learned and experienced throughout his journey, only to soon step onto the path that leads him to becoming a harbinger once he comes to believe that his "humanity" is a sign of weakness. and so he does away with the things that made him human and starts a new era of his existence (albeit a more violent, cruel one), much like how the speaker in the song will probably continue to search for a way to express themselves in socially acceptable ways.
i think popopo could also fit kabukimono in that it's a song about an alien who travels from planet to planet in hopes of finding a home and a friend, but no one accepts or wants him so he is constantly shunned and lonesome. thus he is a "shooting star sinking in the spacey, black tar" with "hopes and dreams in teardrops," which are lines that fit kabukimono so much!
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dj-of-the-coven · 2 years
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The difference in energy between joshneku and beatneku is staggering lmao, like SUCH a vibe change. Beat & Neku r like that couple that's fucking sickening to be around bc they're yearning at the same time that they're literally all over each other, like stealing each other's drinks and buying each other flowers and holding hands even when it's severely inconveniencing. meanwhile I literally can't imagine joshneku as anything but hand in unlovable hand, I can make him worse also they divorce and get back together and divorce again like six times and each time Neku's like eating ice cream and sobbing on Shiki's well-adjusted lesbian lap while she's fucking sweating trying not to tell him she got engaged to Eri last month and Beat's just eating drywall from the pain of not killing Joshua with his bare hands  
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cinnamon-phrog · 6 months
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Can I please have some comfort right now, if that's okay? People are watching me.
#i'm being impersonated and harassed#every day people in my past still try to find me. and i'm scared#not of what they might find. i have nothing to hide. but it's the constant fear of being watched and never being free#i'll never be free from the people who hurt me because they'll always find me somehow#i shouldn't be feeling so awful but at the same time.#i pour myself out to help others yet in return i get 'oh it doesn't bother me' and 'i've had it worse'. as if i doubt that for a second.#but please. not everyone has the same amount of emotional endurance. my patience has worn completely thin.#people i've known on here to be the most disgusting scum of the earth who no matter how many times i block them still show up in my inbox.#people from my old school still think they can get to me. a person who lied to me still wastes their time watching me#someone who i cared about the most probably still watches on and it's breaking me.#it always has been but i'm the sensible one. i'm not allowed to do this. i shouldn't be writing this but i'm getting desperate#i've taken deep breaths. i've drank water. i've done everything plus things i should not have to ease it off.#maybe the reason why i love puppets and artificial characters because i'm always used like one. like i'm a toy to break or put away#stupid analogy everyone has made for themselves but i'm done trying to be a good writer. the composer.#i want to feel without being judged but of course that's impossible. it's fine when it's strangers but relentless stalkers? it's wrecking m#it has been for ages but i was scared to say because i'm used to apathy and false promises.#i keep forgetting things and hurting myself. i'm getting scared.
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soft-serve-soymilk · 2 months
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YOOOO IT’S FREE!!!! 😭🩵🩵🩵
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see there’s kinda an issue with the doctors being named after the actor because hurt’s and martin’s doctors already have alternate names without a number plus then you have to use numbers anyway for tennant’s 3 doctors
I mean, I think the war and fugitive doctors having those unique names isn't necessarily an argument against just using the actor names, necessarily. I think it is v polite of them to fit into the catalogue of doctors without fucking up the numbering of the doctors.
Whereas if you consider stolen earth tennant doctor and journey's end doctor to be 2 separate doctors, well then you're just causing problems on purpose, aren't you,
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agueforts · 30 days
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hey did you know being disabled affects your ability to do things. fucked up if true
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gutsfics · 1 month
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incorrect. Devi is the special youngest baby and he could get away with murder and his parets would still coddle him
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stararise · 2 years
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One of my favorite things about the difference in the Lloyd and Garmadon fights in SoG and Hunted, is the music. Yes, they have a marked difference in tone just listening to them, but if you pay attention to the leitmotifs used, they also add to the story. (Leitmotif = a recurring musical phrase that represents a character or idea.)
“Garmadon’s True Potential” (which plays during the fight in True Potential) is primarily focused on Garmadon’s theme (the Sons of Garmadon theme is incorporated into Garmadon’s theme, showing their role in his revival) and the Garmadon family theme, with absolutely no usage of the Green Ninja theme. The one time the Ninjago theme is used is when it cuts to the other Ninja, it’s never used to symbolize a heroic moment by Lloyd. When Lloyd starts fighting in earnest, at the end, there’s no desperate-but-heroic rendition of the Green Ninja theme - it’s the SoG theme followed by the Garmadon family theme.
Being scored like this makes the fight basically entirely about Garmadon; Lloyd doesn’t get any victories, in the animation or musically. Lloyd goes into this fight with the intent to save his father, not fight him, so the music reflects that by emphasizing the Garmadon family theme. Garmadon’s theme is dissonant and evil sounding, while the Garmadon family theme is sad, bringing down the whole mood of the fight. Because there’s only one cutaway to the other Ninja, there’s also no reprieve; while the music does get quieter/less noisy in some moments, it’s six straight minutes of unsettling dissonance and tragic violins/vocals.
To contrast, “I Can Resist You” (which plays during the fight in Green Destiny) has all three themes, and more (for example, some interjections by the Resistance theme when it cuts to the other Ninja). It actually focuses less on Garmadon’s theme. This time, when Lloyd argues with his father, the Ninjago theme is played. When Lloyd grabs the Dragonbone Blade, we hear a modified Green Ninja theme. When he deflects a bolt of Destruction, Green Ninja theme.
Like the fight itself, this time the music feels like an actual fight instead of a one-sided beatdown, because Lloyd is musically represented by the Ninjago theme and Green Ninja theme. Garmadon’s theme and the family theme are still there, but the different instrumentation and harmonization lessen the impact on the mood. (Garmadon’s theme especially is played less and harmonized differently to make the overall music more melodic and thus feel less creepy.) Also, the music has “lighter” instruments like a flute, which the composers tend to associate with the heroes.
The unreleased portion of the soundtrack which plays after this track (starting when Lloyd gets the idea to use the Art of the Silent Fist) follows in a similar vein. During the parts where Lloyd is fighting Garmadon, the Resistance theme plays instead of Garmadon’s theme. When Lloyd gets his power back, the Green Ninja theme plays.
Musically, this shows the tide shifting as Lloyd starts winning. The Resistance theme is hopeful, really bringing up the mood. Garmadon’s theme only plays once more, at the very end when he’s lost his powers completely, and even then instead of being elaborated on in the usual continuation, a less dissonant variation is played which leads directly into the Green Ninja theme. It’s unified - there’s no interjection from Garmadon’s theme except at the end, signifying that the real fight is over.
tl;dr: In True Potential, the leitmotifs used are almost only Garmadon’s theme and the Garmadon family theme, which centers the scene on him and makes the fight one-sided musically. In Green Destiny, the Green Ninja, Ninjago, and Resistance themes give the fight more balance and focus on Lloyd’s victory. Also you should listen to the soundtrack because it’s good.
(Side note: Some people say that what I call the Garmadon family theme is simply Emperor Garmadon’s theme (and that he has two themes, I guess), but the Garmadon family theme only gets played in relation to, well, the Garmadon family. It’s just that a lot of the time, Lloyd ends up nearby when Emperor Garmadon gets screentime. Just listen to the musical cues for when he isn’t, though, and the 3-note theme gets played, not the family theme. [Unless he’s talking about Lloyd, which he does a lot.])
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ragnar0c · 4 months
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I need to watch Tales of vesperia first strike again… desperately
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zimshan · 8 months
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Interview with Heartstopper Composer Adiescar Chase
youtube
I think the music is very reflective of how the characters feel and their situations…This is a very honest, truthful depiction of their lives and the situations they’re going through.
I really like to tap into the emotions. I’m a very empathetic person so I kind of can almost experience what they’re going through as I see it.
What’s so joyous about this show is that I’m just creating music for what I see and what I feel. And I’m hoping that will help the audience empathize and sympathize with the characters in that same way.
Listen to the Heartstopper Season 1 score in order with the show’s soundtrack.
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theold-ultraviolence · 9 months
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Besties I stg I will never listen to Oingo Boingo the same after that concert
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katierosefun · 2 years
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contemplating once again how i’ve just learned to not take things too personally these days. not so much as a “i’m cool with people being rude to me” kind of way, but more like how i’ve noticed myself just FORCING myself to not linger on every single social interaction i’ve had with a person. that one girl who just walked away after i introduced myself? whatever. that other guy who pointedly ignored me every time i said something? go off, i guess. that one girl who immediately dropped me once she found shiny new people to play with? could not care less. i think there’s a lot to be said in that a) i’ve decided i should be on my own side at least, and b) i’ve decided that i don’t need to go out of my way to be nice to people who like to ice others out, and c) cool, these experiences have just taught me how to reserve my energy for people who i might actually care about!
#caroline talks#mm. law school orientation . . .#don’t get me wrong I’ve met so many fantastic people#but I’ve also met some really . . . mm….questionable folks#I mean such is law you’re gonna find insanely privileged folks who are like ‘oh my whole family is composed of lawyers <3’#and ‘omg your English is SO good for …. you know [pointing at my obvious Asian-ness]’#and just in general other trivial things like some folks trying to find Who their people are y’know#and it’s like. i get it.#im probably subconsciously doing the same exact thing#so I can’t be mad at anyone#but y’know. i actually just was talking to someone#for like an hour and a half over text. someone I met for 2 minutes and we’ve hit it off#and im like ‘huh. this is neat.’#and im forcing myself to not immediately go into ‘WHAT DOES THIS PERSON WANT FROM ME’ mode#this person literally goes ‘hey I thought you were sweet :) just wanted to say hi :)’#and my lizard brain goes ‘THIS PERSON HAS ILL INTENTIONS THEY’RE GOING TO TRY TO GET SOMETHING FROM ME’#until I realized a) they’re not in my section so we literally can’t help each other in the study sense at least not during finals#and b) we talked to each other for 2-5 minutes what could they have POSSIBLY gleaned from me in 2-5 minutes#and c) maybe people are just NICE and FRIENDLY and i should STOP acting like every person is like the folks from my hometown#also she laughed at my fanfiction joke SOOOOOO#anyways. nervous ramblings from a nervous person and etc carrying along#ngl I would resent all my past for turning me into the wary wreck I am today#but like I think I’ve also reached the point where I’m like. so everyone’s got some weird trauma about social settings#there’s got to be another person like me out here#and there are!
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