#Susan J Douglas

[boricuacherry-blog]

-Susan J. Douglas

#susan j douglas #quote #queen for a day #tv show #1956 #50s #history

[jdouglasdesigngallery]

IN AND OUT OF ORDER Susan Kolb, acrylic on board, 24 x 24 in, $2,200

#j. douglas design #susan kolb

[poemaseletras]

ENCONTRE UM AUTOR:

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Autores Desconhecidos

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#frases #textos #citações #livros #autores #escritores #books

[bruhstation]

I'm interested in what the trains in your humanization prefer to eat (What if Henry loves apple charlottes?)

yes!!! eating is one of life’s biggest joys! always love talking and learning about food and watching people cook and eat and express their happiness, so this was a fun one to answer.

thomas a. billington: thomas needs something to chew or suckle on in the break room. think of any candy that your grandma would store on her detailed glass bowl. tootsie rolls, werther’s hard caramel candy, jolly ranchers… you get it. he doesn’t have any particulars when it comes to filling dishes and most of his diet consist of snacks and candies hence his thinner and shorter build.

edward pettigrew: he loves a good hot black tea with a side of rich tea biscuits or scones. he’s the guy who knows too much about tea. stomach ache? ginger tea. sleep aid? chamomile’s the way. for the more filling dishes, edward prefers light savory dishes with feta cheese involved. he’s really fond of fërgesë from his home country, but there’s no place on sodor that could make a mean one, so he settles with making it at his own home.

henry stanier: sliced apples! when he’s in a good mood, he’d shape them into little bunnies. he likes anything savory with a strong taste too, like his mother’s curry. henry loves a full course, hearty meal that tastes and feels good, and growing up, he’s always had a large appetite (fast metabolism). henry doesn’t like anything greasy or deep fried because it’ll make his stomach acid flare up. I had to look up what apple charlottes is, and yeah, I can tell you that henry would love it.

gordon j. gresley: gordon has a sweet tooth but he’s self conscious about it and has an image to uphold so he’ll tell anyone who’s making him coffee to make it black (he adds a packet of cream and sugar when nobody’s seeing) without anything added (his friends see right through him). his favorite dessert is orange float with a big scoop of vanilla ice cream on top. gordon also likes food that is usually eaten together with friends or family (something something lazy susan) like pork roast or kway teow or thick beef stew with mashed potatoes. big portions are necessary!

james a. hughes: sweet margarita is james’ favorite drink to have during outings with his friends. he also loves a good french onion soup, especially paired with croutons (do not make them too hard or he’ll riot!!). speaking of croutons, james loves fondue and he always fights over it with thomas. really, any food that looks good and makes him look well-off would be on his favorites list (please, james, why does most of these dishes involve alcohol in one way or another). he also likes sweet danish pastries.

percival “percy” avonside: he’s a simple man when it comes to food he likes. sandwiches are the way to go! carbohydrates, proteins, the tasty stuff — it’s all there! eggs benedict (he puts another english muffin on top so the sauce won't spill everywhere) is his most favorite since it makes him feel special and fancy. percy also loves good coffee, usually mixed with condensed milk or mocha, since he delivers the night mail train.

tobias “toby” holden: tiramisu is his favorite dessert and he prefers it made with more coffee content. he has helped out henrietta many times with making it to the point he’s has the process memorized. for savory dishes, he loves some good lasagna with extra beef content in the sauce. it’s gotta drench. really, toby loves his layered food huh

montague “duck” collett: he’s not picky when it comes to food given to him, so he just eats what any average joe would eat (eggs on toast for breakfast, sandwich for lunch, sausage with potatoes and peas for dinner). normal person food. duck makes sure he has his meal three times a day and follows the motto; “eat before you’re hungry, stop before you’re full.” also diesel made mango panna cotta once for him as a desperate token of apology and duck fell in love with it.

donald and douglas dunalastair: like thomas, they don’t really have much preference for filling meals. dessert, though? now that’s the stuff. donald loves cranachan so SO much he wishes he could eat it every day. douglas likes candies more instead of softer, silkier desserts, like black licorice or peppermint candy. they also eat only twice a day since they get full super quickly. amazing how so much strength for shoveling snow is stored behind their lanky bodies. they also drink irn bru

oliver t. swindon: oliver loves shepherd's pie because it’s practical. everything he needs is right there, fitting for someone who doesn’t like complicated things. as for the sweet stuff… even after forgetting some of his memories after his rescue, oliver remembers the feeling and taste of halo-halo on his tongue clearly, something he missed dearly.

giovanni vin diesel: diesel loves bruschetta. he puts some pepper flakes on top for that spice kick. he also loves sfincione, specifically the way his family would make it, but, like edward, nobody on sodor knows how to cook a decent one (too much sauce, too thick of a bread, or too soggy) which makes him a bit sad. diesel’s kind of picky when it comes to the meals he can consider “favorite” because he believes he’s the most qualified in the culinary field on sodor due to his upbringing.

mavis hawthorne: a slice of blackforest cake always makes her heart sing. not too heavy on the whipped cream, though, because she doesn’t like her desserts too sweet. she also likes baumkuchen. whenever toby cooks lasagna, he’d make another portion to give to mavis, which quickly became her favorite and something she looks forward to during lunch breaks.

rebecca nassif: rebecca likes snacking a lot. she finds joy in eating! she grew up surrounded by meals. like diesel, because of her upbringing, she’s always been an enthusiast of not only food, but culinary arts as a whole. she loves cold desserts that usually remind her of her old neighborhood like this pistachio kulfi that she would made when she was younger. rebecca also missed having knafeh and mafruka since moving to sodor (it’s been like... a week.)

nia e. wanjala: whenever nia feels like treating herself to something good, she’d make her own version of the gatsby sandwich at her house. she’s especially keen on the french fries and enjoys extra hot sauce with it. it’d take two meal times for her to finish it all. lately, nia’s also been enjoying pastries like chocolate muffins and bombolone (chocolate fillings are her favorite).

lady: as part of her mission to understand humanity and their intrapersonal relationships, lady developed an affinity to eating. she’d eat anything as long as it’s acceptable by human standards even though she doesn’t have to. lady wants to understand that people eat not only to survive but as a way to show their love and culture. isn’t the greatest blessing to be bestowed upon living things the ability to consume to their heart’s content? does her lack of mortal needs indicate her lack of personal desire? anyways her favorite foods are fish and chips with sweet mayonnaise on the side and soft serve vanilla ice cream.

diesel 10: his go-to is black coffee mixed with red bull (added with some other weird concoction if he feels like it). some scrambled eggs with a dash of hot sauce for breakfast. some fried bacon if he has some self respect for the day. some dried sardines if he wants to feel miserable. some baklava with extra syrup and pistachio if he wants to treat himself because the sound of the crunch eases his stress

#asks #eddieeeei #casa tidmouth #truly life’s greatest joys. I love food I love consuming and loving!!!!!!! #writing this was fun but a few things make me sad #fyi diesel used to work at his family’s generational restaurant while rebecca used to help her family’s catering service

[haggishlyhagging]

The history of drawing on feminist language and theory to sell products has been driven by the idea that female consumers are empowered by their personal consumer choices—indeed, that choice, rather than being a means to an end, is the end itself. The idea that it matters less what you choose than that you have the right to choose is the crux of "choice feminism," whose rise coincided with the rapid, near-overwhelming expansion of consumer choice that began in the 1980s. Consumption, always associated with status, became elevated as a measure of liberation and swelled with the self-obsession of the privileged but insecure. Tom Wolfe identified this dynamic in his coinage of the term "Me Decade," and later satirized it in his 1987 novel The Bonfire of the Vanities. Historian Christopher Lasch, author of the 1979 bestseller The Culture of Narcissism: American Life in an Age of Diminishing Expectations, laid the enshrinement of a cycle of consumption and neediness at the doorstep of the advertising and marketing industries, but also excoriated left-wing movements, feminism included, as enablers. (The temperamentally antifeminist Lasch would later target burgeoning marketplace feminism in his posthumously published collection Women and the Common Life, writing that "the feminist movement, far from civilizing corporate capitalism, has been corrupted by it. It has adopted mercantile habits of thought as its own.")

The feminist cultural historian and media critic Susan J. Douglas has noted, for instance, that the success of advertising to women in the 1980s hinged on its effective pairing of status and power with liberation. As neoliberal, greed-is-good, if-I-have-an-umbrella-it-must-not-be-raining rhetoric became the common tongue of the overclass, luxury beauty products, designer labels, and exercise regimens (Buns of Steel, anyone?) became liberatory achievements, rather than mere consumer goods. "For women in the age of Reagan," wrote Douglas, "elitism and narcissism merged in a perfect appeal to forget the political already, and get back to the personal, which you might be able to do something about.” The representations of choice in a time of tacit postfeminism translated neatly into what could be called "empowertising"—an advertising tactic of lightly invoking feminism in acts of exclusively independent consuming.

Take the infamous 1994 billboards for Wonderbra that featured model Eva Herzigova looking down in delight at her suddenly pneumatic breasts swelling out of a scalloped black bra, alongside the words "Hello Boys." The Wonderbra had been sold in the UK since the mid-1960s, but sales rocketed up thanks to the billboards. The ads worked so well in part because they were tongue-in-check (others in the series read "Look me in the eyes and tell me you love me" and "... Or are you just happy to see me?"), but also because they assumed a level of what feminist theorist Angela McRobbie calls "feminism taken into account"—a belief that the movement's success has rendered it irrelevant as something to be considered in shaping culture. You can almost hear the rationale proffered in the Wonderbra billboard concept review: "This would seem sexist if we didn't know better, but we do know better, and because women know we know better, this is, in fact, empowering." If Herzigova, Kate Moss, and the millions of other women who sent Wonderbras flying out of department stores were making the choice to wear this underpinning, and they’re exhibiting sexual agency in doing so, such logic went, what's more feminist than that?

There are no concrete numbers on how many consumers indulged that postmodern reading of the ads, but based on Herzigova's own reflections twenty years later, probably not a ton. Recalling the billboards (which, in 2011, were voted the most iconic ever by Britain's Outdoor Media Centre), she initially told the UK's Mail Online, "My Wonderbra campaign empowered women.... It didn't degrade them like some said." But in the same article, Herzigova complained that when she tried to shift from modeling to acting, Hollywood executives wanted to check out her underthings first: "I met people who said, Yes, we can talk about the movie over dinner. I was, like, What dinner? I can just read the script here." The fact that the supposedly empowering ad did nothing to chip away at the routine sexualization of women—that it might have further galvanized it, even—didn't seem to register.

-Andi Zeisler, We Were Feminists Once

#andi zeisler #choice feminism #capitalism and feminism #advertising and feminism #postmodern feminism #consumerism and feminism

[lacangri21]

The Feminist Library

-7000 Years of Patriarchy by Petra Ioana

-A Deafening Silence by Patrizia Romito

-Against Our Will by Susan Brownmiller

-Against Pornography by Diana E.H. Russell

-Against Sadomasochism by Robin Linden

-Ain’t I a Woman by Bell Hooks

-All Women Are Healers by Diane Stein

-Anti-Porn by Julia Long

-Anticlimax by Sheila Jeffreys

-Are Women Human by Catharine MacKinnon

-Backlash by Susan Faludi

-Bad Feminist by Roxane Gay

-Beauty and Misogyny by Sheila Jeffreys

-Beauty Sick by Renee Engeln

-Beauty Under the Knife by Holly Brubach

-Being and Being Bought by Kasja Ekis Ekman

-Beyond God the Father by Mary Daly

-Big Porn Inc by Melinda Tankard Reist and Abigail Bray

-Blood, Bread, and Roses by Judy Graham

-The Book of Women’s Mysteries by Z Budapest

-Borderlands by Gloria Anzaldua

-Burn it Down by Lilly Dancyger

-Butterfly Politics by Catharine MacKinnon

-Caliban and the Witch by Silvia Federici

-Choosing to Conform by Avelie Stuart

-The Church and the Second Sex by Mary Daly

-Cinderella Ate My Daughter by Peggy Orenstein

-Close to Home by Christine Delphy

-Compulsory Heterosexuality and Lesbian Existence by Adrienne Rich

-Conquest by Andrea Lee Smith

-Damned Whores and God’s Police by Anne Summers

-Daring to Be Bad by Alice Echols

-Dead Blondes and Bad Mothers by Sady Doyle

-Defending Battered Women on Trial by Elizabeth A. Sheehy

-Deliver Us from Love by Brogger

-Delusions of Gender by Cordelia Fine

-Detransition by Max Robinson

-The Disappearing L by Bonnie J. Morris

-Does God Hate Women by Ophelia Benson

-Doing Harm by Maya Dusenbery

-The End of Gender by Debra W. Soh

-The End of Patriarchy by Robert Jensen?

-Female Chauvinist Pigs by Ariel Levy

-Female Erasure by Ruth Barrett

-Female Sexual Slavery by Kathleen Barry

-Femicide by Jill Radford and Diane EH Russell

-Femininity by Susan Brownmiller

-Femininity and Domination by Sandra Lee Bartky

-Feminism Unmodified by Catharine MacKinnon

-Feminist Theory by Bell Hooks

-Firebrand Feminism by Breanne Fahs

-Flesh Wounds by Blum

-Flow by Elissa Stein and Susan Kim

-For Her Own Good by Barbara Ehrenreich

-For Lesbians Only by Sarah Lucia Hoagland

-Freedom Fallacy by Miranda Kiraly

-Gender Hurts by Sheila Jeffreys

-Getting Off by Robert Jensen?

-Global Woman by Barbara Ehrenreich

-Going Out of Our Minds by Sonia Johnson

-Going Too Far by Robin Morgan

-The Great Cosmic Mother by Monica Sjoo and Barbara Mor

-Gyn/Ecology by Mary Daly

-Gynocide by Mariarosa Dalta Costa

-Handbook of Feminist Therapy by Lynne Bravo Rosewater and Leonore E.A. Walker

-Heartbreak by Andrea Dworkin

-Her Body and Other Parties by Carmen Maria Machado

-The Hidden Malpractice by Gena Corea

-How to Suppress Women’s Writing by Joanna Russ

-I Am Your Sister by Audre Lorde

-I Hate Men by Pauline Harmange

-Ice and Fire by Andrea Dworkin

-In Defense of Separatism by Susan Hawthorne

-In Harm’s Way by Catharine MacKinnon

-In Search of Our Mothers’ Gardens by Alice Walker

-The Industrial Vagina by Sheila Jeffreys

-Inferior by Angela Saini

-Intercourse by Andrea Dworkin

-Invisible No More by Andrea J. Ritchie

-Invisible Women by Caroline Criado Perez

-Jewish Radical Feminism by Joyce Antler

-Kill All Normies by Angela Nagle

-The Laugh of Medusa by Helene Cixous

-Laughing with Medusa by Vanda Zajko and Miriam Leonard

-The Lesbian Heresy by Sheila Jeffreys

-Lesbian Nation by Jill Johnston

-Letters from a War Zone by Andrea Dworkin

-Love and Politics by Carol Anne Douglas

-Loving to Survive by Dee Graham

-Making Violence Sexy by Diana E.H. Russell

-Man Made Language by Dale Spender

-Man’s Dominion by Sheila Jeffreys

-Medical Bondage by Deirdre Cooper Owens

-Men Explain Things to Me by Rebecca Solnit

-Men Who Buy Sex by Melissa Farley

-Men Who Hate Women by Laura Bates

-Men Who Hate Women and the Women Who Love Them by Susan Forward

-Milk and Honey by Rupi Kaur

-Misogyny by Jack Holland?

-The New Handbook for a Post-Roe America by Robin Marty

-Nobody’s Victim by Carrie Goldberg

-Not a Job, Not a Choice by Janice Raymond

-Not for Sale by Rebecca Whisnant

-Nothing Matters by Somer Brodribb

-Objectification Theory by Barbara I. Fredrickson

-Of Woman Born by Adrienne Rich

-Only Words by Catharine MacKinnon

-Our Blood by Andrea Dworkin

-Our Bodies, Ourselves by Boston Women’s Health Book Collective

-Overcoming Violence Against Women and Girls by Michael L. Penn and Rahel Nardos?

-Paid For by Rachel Moran

-The Pimping of Prostitution by Julie Bindel

-Pimp State by Kat Banyard

-Policing the Womb by Michelle Goodwin

-Pornified by Pamela Paul

-Pornland by Gail Dines

-Pornography by Gail Dines

-Pornography: Men Possessing Women by Andrea Dworkin

-Pornography and Civil Rights by Andrea Dworkin and Catharine MacKinnon

-Pornography and Violence by Susan Griffith

-Pornography Values by Robert Jensen?

-Pure Lust by Mary Daly

-The Purify Myth by Jessica Valenti

-Quiverfull by Kathryn Joyce

-Radical Feminism Today by Denise Thompson

-Radical Feminist Therapy by Bonnie Burstow

-Radical Reckonings by Renate Klein

-Radically Speaking by Diane Bell...

-Rape by Susan Griffiths

-Rape in Marriage by Diana E.H. Russell

-Rape of the Wild by Ann Jones

-Refusing to Be a Man by John Stoltenberg?

-Right-Wing Woman by Andrea Dworkin

-A Room of One’s Own by Virginia Woolf

-Runaway Wives and Rogue Feminists by Margo Goodhand

-SCUM Manifesto by Valerie Solanas

-Selling Feminism by Amanda M. Gengler

-Sex Matters by Alyson J. McGregor

-Sexual Harassment of Working Women by Catharine MacKinnon

-Sexual Politics by Kate Millett

-Sexy but Psycho by Jessica Taylor

-She Dreams When She Bleeds by Nikki Taraji

-Sister Outrider by Audre Lorde

-Sisterhood is Forever by Robin Morgan

-Sisterhood is Global by Robin Morgan

-Sisterhood is Powerful by Robin Morgan

-Slavery Inc by Lydia Cacho

-Spinning and Weaving by Elizabeth Miller

-Surrogacy by Renate Klein

-Sweetening the Pill by Holly Grigg-Spall

-Taking Back the Night by Laura Lederer

-Talking Back by Bell Hooks

-Testosterone Rex by Cordelia Fine

-The Beauty Myth by Naomi Wolf

-The Creation of Patriarchy by Gerda Lerner

-The Dialectic of Sex by Shulamith Firestone

-The Feminine Mystique by Betty Friedan

-The First Sex by Elizabeth Gould

-The Legacy of Mothers: Matriarchies and the Gift Economy as Post-Capitalist Alternatives by Erella Shadmi

-The Lolita Effect by Gigi Durham

-The Man-Made World by Charlotte Perkins Gilman

The Porn Trap by Wendy Maltz

-The Prostitution of Sexuality by Kathleen Barry

-The Second Sex by Simone de Beauvoir

-The Sexual Liberals and the Attack on Feminism by Janice Raymond...

-The Spinster and Her Enemies by Sheila Jeffreys

-The Transsexual Empire by Janice Raymond

-The Women’s History of the World by Rosalind Miles

-This Bridge Called My Back by Gloria Anzaldua

-This is Your Brain on Birth Control by Sarah Hill

-Toward a Feminist Theory of the State by Catharine MacKinnon

-The Traffic in Women and Other Essays by Emma Goldman

-Trans by Helen Joyce

-Unbearable Weight by Susan Bordo

-Unpacking Queer Politics by Sheila Jeffreys

-Unscrewed by Jaclyn Friedman

-Unwell Women by Elinor Cleghorn

-The Unwomanly Face of War by Svetlana Alexievich

-The Vagina Bible by Jennifer Gunter

-A Vindication of the Rights of Woman by Mary Wollstonecraft

-The War Against Women by Marilyn French

-We Were Feminists Once by Andi Zeisler

-What Do We Need Men For by E. Jean Carroll

-When God was a Woman by Merlin Stone

-Who Cooked the Last Supper by Rosalind Miles

-Why Does He Do That by Lundy Bancroft

-Why Women Are Blamed for Everything by Jessica Taylor

-Why Women Need the Goddess by Carol P. Christ

-Wildfire by Sonia Johnson

-Witches, Midwives, and Nurses by Barbara Ehrenreich

-Witches, Witch Hunting, and Women by Silvia Federici

-Woman and Nature by Susan Griffith

-Woman Hating by Andrea Dworkin

-Woman-Identified Woman by Trudy Darty

-Women v. Religion by Karen L. Garst

-Women’s Lives, Men’s Laws by Catharine MacKinnon

-The Women’s Room by Marilyn French

#booklist #masterpost #feminism #knowledge #my favorites #original post

[abracazabka]

i found something for the girl dinner and etc. folks

"Susan J. Douglas (2010) has argued that contemporary [media] operates on the notion of enlightened sexism, which is a 'response, deliberate or not, to the perceived threat of a new gender regime. It insists that women have made plenty of progress because of feminism - indeed, full equality has allegedly been achieved - so now it's okay, even amusing, to resurrect sexist stereotypes of girls and women'"

from the chapter "As Seen on TV" in the text Gender and Pop Culture by Jenn Brandt (2019)

#feminism #sexism #pop culture #gender

[shirkers2018dirsanditan]

you might be surprised that ashanti and professional background singers talking about not receiving proper credit from record labels for their contribution to hit singles became a narrative about how jennifer lopez is a villainous culture vulture who made her career Stealing From Black Women but i read where the girls are: growing up female with the mass media by susan j. douglas and i know better

#everything gets turned into a catfight #so it can’t be about more serious things

[greenycrimson]

"The difference, according to Slavoj Žižek, between the way ideology used to work and the way it works now is that we used to accept it at face value. Now our naïveté has been replaced by a cynical awareness - what he calls the "paradox of an enlightened false consciousness." We see the gap between reality and the distorted representation of reality, and we understand it's lying to us. We don't renounce it, we just note that we are noting it. We mock it. Susan J. Douglas talks about a similar shift in feminism in her book The Rise of Enlightened Sexism. If you grew up in the seventies and eighties, then you thought of yourself as living in a postfeminist world. You solved the problem of living in a sexist world that pretended not to be sexist anymore by noticing it in quotation marks and not caring, by detaching and shrugging it off as though it were all a joke, or unreal." - You Play The Girl, Carina Chocano

#You play the girl #Carina chocano #The paradox of an enlightened false consciousness

[ladychlo]

heyyy, you mentioned Stardom and Celebrity by Sean Redmond. (already added that to my reading list!) I was wondering if you have any more book recs on pop and fandom culture and whatnot or like this certain aspect in the music world in general Xx

Hi love! ofcc here some books, they're attached to links so you can download them if you want!

Stardom and Celebrity: A Reader by Sean Redmond and Su Holmes

Understanding celebrity by Graeme Turner

A short history of celebrity by Fred Inglis

Celebrity: A History of Fame by Susan J. Douglas and Andrea McDonnell

Routledge Handbook of Celebrity Studies by Anthony Elliott

Celebrity Culture and the American Dream: Stardom and Social Mobility by Karen Sternheimer

The Drama of celebrity by Sharon Marcus

Celebrity by Chris Rojek

Fans and Fan Cultures: Tourism, Consumerism and Social Media by Henrik Linden/ Sara Linden

Understanding Fandom: An introduction to the study of media fan culture by Mark Duffett

Fandom Identities and Communities in a Mediated World

#tell me if links dont work #anyway some of them I read parts of for class discussions and some papers #but there are more out t here #library

[singeratlarge]

HAPPY BIRTHDAY to the 1969 film ALICE’S RESTAURANT, Adam Arkin, Ginger Baker, The Beatles 1967 “All You Need is Love” single, Coco Chanel, Bill Clinton, songwriter Roger Cook, the daguerreotype (1839), Darius Danesh, John Deacon, Dave Douglas (Reliant K), Eddie Durham, Philo Farnsworth, Rob Fenstermacher, Jonathan Frakes (great to have met you), Ian Gillan, Fumio Hayasaka, Susan Jacks, L.Q. Jones, Margie Joseph, The Knack’s 1979 “My Sharrona” single, Billy J. Kramer, Deana Martin (great to have gigged with you), Diana Muldaur, Luis Muñoz, Spud Murphy, one of my heroes Johnny Nash, Ogden Nash, National Aviation Day (1939), Debra Paget, the 1944 liberation of Paris, Christina Perri, Beat Raaflaub, Eddy Raven, Gene Roddenberry, John Stamos, Jason Starkey, my excellent boss Nate Stevens, Clay Walker, Lee Ann Womack, and singer-songwriter and gospel music provocateur Edwin Hawkins. He challenged prevailing notions about sacred vs. secular and broadened the field for gospel music, bridging it with funk, pop, rock, and soul. Despite challenges to his early career and ministry, he earned many awards and made many well-received records, yet still kept his eyes on God. He’s best known for his recording of “Oh Happy Day, “ an extension of an 18th century hymn. Edwin updated it in 1967 and his worship group played it repeatedly at the Ephesian Church of God in Christ in Berkeley CA. In 1969 Hawkins took the church group and made a small budget recording of it on a custom label, with Dorothy Combs Morrison on co-lead vocals. Their modest production is lo-fi by today’s standards but—lo and behold—the track became a surprise international hit, reaching #4 in the USA, #2 in the UK, Canada, and Ireland, and #1 in France, Germany, and The Netherlands. 

Edwin’s version won a Grammy in 1970, has appeared in upwards to 20 movie soundtracks ,and has been covered countless times. It was also included on the RIAA Songs of the Century. George Harrison stated the song was a primary inspiration for “My Sweet Lord.” Here’s our modest take on it, and HB EH—thank you for making a joyful noise.

#happyday #EdwinHawkins #UnitedMethodist #choir #PhillipDoddridge #Acts235 #EphesianChurchofGodinChrist #Berkeley #California #DorothyCombsMorrison #GeorgeHarrison #MySweetLord #Grammy #singersongwriter #JohnnyJBlair #SingeratLarge #SanFrancisco #piano

#johnny j blair #singer songwriter #music #singer at large #san francisco #Edwin Hawkins #gospel #happy #Phillip Doddridge #Dorothy Combs Morrison #George Harrison #My Sweet Lord #Grammy #piano #Youtube

[boricuacherry-blog]

#susan j douglas #quote #jackie kennedy

[jdouglasdesigngallery]

MOOS HEART Susan Kolb, mixed media on canvas, 30 x 40 in, $3,500

#j. douglas design #susan kolb

[books-readers-blog]

Advance psychology books

Handbook of Social Psychology by Susan T. Fiske, Daniel T. Gilbert, and Gardner Lindzey

The Handbook of Psychological Assessment by Gary Groth-Marnat

Neuropsychological Assessment by Muriel Lezak

Handbook of Psychological Change by C. Robert Cloninger and Richard M. Steinberg

Clinical Neuropsychology: A Pocket Handbook for Assessment by Joel E. Morgan and Joseph H. Ricker

Cognitive Neuroscience: The Biology of the Mind by Michael S. Gazzaniga and Richard B. Ivry

Affective Neuroscience: The Foundations of Human and Animal Emotions by Jaak Panksepp

Developmental Psychopathology by Dante Cicchetti and Donald J. Cohen

The Handbook of Emotion by Michael Lewis, Jeannette M. Haviland-Jones, and Lisa Feldman Barrett

Abnormal Psychology: An Integrative Approach by David H. Barlow and V. Mark Durand

Theories of Psychotherapy and Counseling by Richard Sharf

Cognitive-Behavioral Therapy: Basics and Beyond by Judith S. Beck

Handbook of Positive Psychology by C. R. Snyder and Shane J. Lopez

Theories of Human Development by Barbara M. Newman and Philip R. Newman

Handbook of Child Psychology and Developmental Science edited by Marc H. Bornstein and Michael E. Lamb

Books to study about psychetrics

"An Unquiet Mind: A Memoir of Moods Madness" by Kay Redfield Jamison

"The Noonday Demon: An Atlas of Depression" by Andrew Solomon

"The Man Who Mistook His Wife for a Hat" by Oliver Sacks

"The Mind's I: Fantasies and Reflections on Self and Soul" edited by Douglas R. Hofstadter and Daniel C. Dennett

"The Social Animal: The Hidden Sources of Love, Character, and Achievement" by David Brooks

"The Psychiatric Interview" by Daniel Carlat

"The Neuroscience of Psychotherapy: Building and Rebuilding the Human Brain" by Louis Cozolino

"The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present" by Eric Kandel

"The Center Cannot Hold: My Journey Through Madness' by Elyn R. Saks

"The Brain that Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science" by Norman Doidge

"The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human" by V. S. Ramachandran

"Cognitive-Behavioral Therapy for Anxiety Disorders: Mastering Clinical Challenges" by Gillian Butler and Melanie Fennell

[xumoonhao]

what i read in april 2023 💖

(entries marked with an * indicate favourites!)

ONLINE ARTICLES:

*My Decade of Temporary Homes by Rachel Heng | Esquire

Calvinism and the American Conception of Evil by Douglas Giles, PhD | Medium

*How Snails Cross Vast Oceans by Thom van Dooren | Nautilus

J. Crew and the Paradoxes of Prep by Hua Hsu | The New Yorker

*Inside the Secret Working Group That Helped Push Anti-Trans Laws Across the Country by Madison Pauly | Mother Jones

*‘iPhones are made in hell’: 3 months inside China’s iPhone city by Viola Zhou | Rest Of World

The Giant Arcs That May Dwarf Everything In the Cosmos by Jasmin Fox-Skelly | BBC

The Unbelievable Zombie Comeback of Analog Computing by Charles Platt | WIRED

Astronomers Dig Up the Stars That Birthed the Milky Way by Lyndie Chiou | Nautilus

How a Chicago Dive Bar Exposed Corruption and Changed Journalism by Paula Mejia | Atlas Obscura

A Brief (But Complicated) History of Coffee and Tea by Michele Debczak | Mental Floss

Why the Animal Kingdom Is Full of Con Artists by Elizabeth Kolbert | The New Yorker

The Novelist Whose Inventions Went Too Far by D. T. Max | The New Yorker

America Doesn’t Know Tofu by George Stiffman | Asterisk Mag

He Spent 25 Years Infiltrating Nazis, the Klan, and Biker Gangs by Paul Solotaroff | Rolling Stone

The Pirate Radio Broadcaster Who Occupied Alcatraz and Terrified the FBI by Jacob Pagano | Narratively

The Thoughts of a Spiderweb by Joshua Sokol | Quanta Magazine

The Gambler Who Beat Roulette by By Kit Chellel | Bloomberg

How Susan Kare Designed User-Friendly Icons for the First Macintosh by David Kindy | Smithsonian Mag

A Turkish Bookshop's New Chapter On a Remote Island by Alexandra De Cramer | Courier

BOOKS:

Nothing to Envy: Ordinary Lives in North Korea by Barbara Demick (2009)

*Beautiful Country: A Memoir of an Undocumented Childhood by Qian Julie Wang (2021)

*When Breath Becomes Air by Paul Kalanithi (2016)

#i read a lot more articles than i remembered omg :o and fewer books than i thought ||orz #i also didnt realize i only read nonfiction or memoirs last month!!! they were all SUCH heavy books wow... #anyways!!! i cant believe i remembered to do this <3 #reading list #🎆.txt #will anyone care about this?? mayhaps........

[haggishlyhagging]

Media critic Jennifer L. Pozner has spent thousands of hours and an immense amount of patience watching both cable news and reality television, and understands better than the average person how alike they've become. "We treat stories that we would have never treated as journalism twenty years ago like headline news," she muses. And we treat reality TV the same way. More relevant to feminism, however, is how the reality genre has harnessed the belief in a postfeminist world and, in doing so, reframed retrograde gender dynamics as expressions of freedom and empowerment. Far more than any backlash could have predicted, the feminist rhetoric of individuality, opportunity, autonomy, and choice has been co-opted by a consumer media that has very non-ulterior motives for presenting women as willingly sexualized, hyperfeminine ciphers.

In Pozner's 2010 book Reality Bites Back: The Troubling Truth About Guilty-Pleasure Television, she asserts that one of the most jarring features of reality TV is the way it urges its female participants—and often, the women and girls who watch them—toward narrower and narrower definitions of beauty, self-worth, and success, as well as a truncated sense of what kind of life is possible and desirable, all while encouraging them to see other women only in terms of competition and comparison. But "reality" functions as a magic shield against accusations of racist and sexist cliché and regressive storylines: producer and participants alike will reason that if you put twenty-five women in a room with a man they barely know, of course the evening will end with the women sobbing, yelling, yanking each other's hair extensions out, calling each other sluts, and drunkenly slurring, "We're meant to be together" to floor lamps. Reality TV is part of an ongoing narrative of postfeminism that, like Wonderbra billboards once did, assures women that feminism has granted them the power and the freedom to be whatever they want to be. And if what they want to be just so happens to conform to a smorgasbord of insecure, catty, vapid, and villainous stereotypes that even Walt Disney's frozen head would reject as too cartoonish, who's to say that's not empowering?

Let's take The Bachelor because, since it's one of the highest-rated network shows for more than a decade, we kind of have to. Since its debut in 2002, ABC's reality flagship has drawn in advertisers' favorite cash-cow demographic, women 18-34, by the millions, and has served as a barometer of how young, heterosexual, and mostly white women are encouraged to alter their ambitions, personalities, and behaviors to compete in the dating market. The show, mused media critic Susan J. Douglas when it premiered, "offers highly normative female ‘types’ into which most women allegedly fall ... urged to place themselves on a post-feminist scale of femininity to determine how far they have to go to please men without losing all shreds of their own identity and dignity. In the process, young women calibrate, for better and for worse, what kind of female traits are most likely to ensure success in a male-dominated world." For twenty seasons, the series has confirmed centuries' worth of entrenched beliefs about what women want (marriage, money, the knowledge that they've beaten out masses of other women for the a man they barely know), and what men seek (a thin, deferential woman who's only as ambitious as she needs to be to bag a husband).

-Andi Zeisler, We Were Feminists Once

#andi zeisler #reality tv #postfeminism #american culture #sexist stereotypes