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#Snedens Landing
federer7 · 5 months
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Rainer Pushing Car With Luggage on Top, Snedens Landing, New York. 2011
Photo: Rodney Smith
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hauntedbystorytelling · 6 months
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An Autumnal day
Rodney Smith ~ Zoe Inside Giant Ball, Snedens Landing, 2004 | src IG
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sadoldjonny · 3 years
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henk-heijmans · 2 years
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Twins in tree, Snedens Landing, New York, 1999 - by Rodney Smith (1947), American
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karinesauzedde · 3 years
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Rodney Smith (American, 1947-2016) Shirley in Eagle’s Mask, Snedens Landing, New York, 2003 #rodneysmith #shirley #woman #mask #countryside #eagle #bird #birdsofinstagram #birdphotography #birdstagram #strange #weird #handbag #fun #funnymemes #funny #fineartphotography #blackandwhitephotography #blackandwhite #bw #bnw #bnwphotography #bnw_captures #photo #photography #photographylovers #bnwmood #bnw_greatshots #bwphotography https://www.instagram.com/p/CUso-7fMYVO/?utm_medium=tumblr
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myhauntedsalem · 3 years
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Ghosts of Hollywood
Marilyn Monroe The Hollywood Roosevelt Hotel on Hollywood Boulevard is said to be the current residence of several ghosts of popular film stars. Marilyn Monroe, the glamorous and funny star of such pictures as Some Like It Hot and Gentlemen Prefer Blondes, was a frequent guest of the Roosevelt at the height of her popularity. And although she died in her Brentwood home, her image has been seen on several occasions in a full-length mirror that once hung in her poolside suite. The mirror has been relocated to the hotel's lower level by the elevators.
Montgomery Clift Another respected star who died before his time, Montgomery Clift, was a four-time Oscar nominated actor who is best known for his roles in A Place in the Sun, From Here to Eternity and Judgment at Nuremberg. His ghost has also been seen at the Roosevelt. According to some of the hotel's staff, Clift's spirit haunts room number 928. Clift stayed in that suite in 1953, pacing back and forth, memorizing his lines for From Here to Eternity. Loud, unexplained noises have been heard coming from the empty suite, and its phone is occasionally found mysteriously off the hook.
Perhaps it's fitting that the Hollywood Roosevelt should be the stirring place of celebrity ghosts since it was the site of the very first Academy Awards ceremony in 1929. In fact, the Blossom Ballroom, where the ceremony was held, has an unexplained cold spot - a circular area measuring 30 inches in diameter that remains about 10 degrees colder than the rest of the room.
Harry Houdini Houdini is best known as a magician and escape artist, of course, but at the height of his fame he was also drawn to Hollywood, where he made a handful of silent films from 1919 to 1923. With such titles as The Man from Beyond and Haldane of the Secret Service (which he also directed), the films were not regarded well enough to give him much of a Hollywood career. Houdini's interest in the occult was well known, and although he earned a reputation as a masterful debunker of séances, he earnestly sought contact with those who have passed on to the other side. Shortly before his death, Houdini made a pact with his wife Bess that if he could, he would return and make contact with her from the other side. Perhaps he truly has attempted to return. Some claim to have seen the ghost of the great Houdini walking around in the home he owned on Laurel Canyon Blvd. in the Hollywood Hills. Film historians Laurie Jacobson and Marc Wanamaker, in their book Hollywood Haunted, dispute this story, saying that "Houdini most likely never even set foot in the Laurel Canyon mansion he is said to haunt."
Clifton Webb Clifton Webb was a very popular star of the 1940s and '50s, earning two Oscar nominations for his roles in Laura and The Razor's Edge. He may be best known for his portrayal of Mr. Belvedere in a series of films. It's not too often that a ghost haunts the place in which the person is buried, but this seems to be the case for Webb. His ghost has been seen at the Abbey of the Psalms, Hollywood Memorial Cemetery, where his body is interred. But it seems to be a restless spirit, as his ghost has also been encountered at his old home on Rexford Drive in Beverly Hills.
Thelma Todd Thelma Todd was a hot young star in the 1930s. She was featured in a number of hit comedies with the likes of The Marx Brothers, Laurel and Hardy, and Buster Keaton. But that all ended in 1935 when Todd was found dead in her car, which was parked above the café she owned on the Pacific Coast Highway. Strangely, her death was ruled an accidental suicide, but many suspected murder and a coverup by powerful Hollywood figures. The building that once housed the café is now owed by Paulist Productions, and employees have reportedly witnessed the starlet's ghost descending the stairs.
Thomas Ince Ince is considered one of the visionary pioneers of American movies. He was one of the most respected directors of the silent era, best known, perhaps, for his westerns starring William S. Hart. He partnered with other early Hollywood giants such as D.W. Griffith and Mack Sennett, and founded Culver Studios, which later became MGM. Ironically, Ince's death overshadowed his film legacy. He died aboard William Randolph Hearst's yacht in 1924, and although the official record shows the cause of death as heart failure, the hot rumor is that he was shot by Hearst in a fit a jealousy over Hearst's wife, Marion Davies. Ince's ghost - as well as several other ghostly figures - have been seen in the lot that was once Culver Studios. Film crew members have seen the specter of a man matching Ince's description on several occasions; in one instance, when the workers tried to speak to the spirit, it turned and disappeared through a wall.
Ozzie Nelson Ghosts and hauntings are the last thing that come to mind when you think of the perpetually cheerful Ozzie and Harriet Nelson. The couple, with their real-life sons Ricky and David, were stars of the long-running sitcom "Ozzie and Harriet," noted for its good-natured, gentle humor. Yet poor Ozzie doesn't seem to be as contented in the afterlife. Family members, it is said, have seen Ozzie's ghost in the family's old Hollywood home, and it always appears to be in a somber mood. Perhaps he's unhappy about how another Ozzy and his family have gained notoriety on TV.
George Reeves From 1953 to 1957, George Reeves was TV's Superman. Reeves had been around Hollywood for a while, playing bit parts in such films as Gone with the Wind and dozens of B-movies, but it was "The Adventures of Superman" on TV that brought him fame. Reeves died of a gunshot at his home in 1959. The official cause of death was suicide, but that conclusion has been hotly disputed, with some believing that Reeves was murdered. Whether it was suicide or murder, Reeves ghost has been seen in his Beverly Hills home. A couple claims to have seen the ghost of Reeves - decked out in his Superman costume - materialize in the bedroom where he died, after which it slowly faded away. Others believe that Reeves succumbed to the "Superman curse," in which those associated with the fictional character over the years allegedly have met with disaster or death. But is there really a curse? 
More Celebrity Ghosts
Rudolph Valentino - This silent film heartthrob has been seen in the bedroom and stables of his old Hollywood home. Jean Harlow - The spirit of this blonde bombshell is said to haunt the bedroom of her home on North Palm Drive, where her husband allegedly used to beat her. Mary Pickford - This legend of the silent era - actress, writer and producer - was co-founder of United Artists with her husband Douglas Fairbanks and Charlie Chaplin. Comic Buddy Rogers, who lived in the house Pickford once owned, saw her ghost appear in a white ruffled dress. Grace Kelly - Princess Stephanie of Monaco believes that the ghost of her mother, Grace Kelly, helped her write a song from the spirit world.
Celebrities Who Have Seen Ghosts
Nicholas Cage - This Oscar-winning actor (Leaving Las Vegas) refused to stay in uncle Francis Ford Coppola's home after seeing a ghost in the attic. (Cage was also cast as Superman in director Tim Burton's film project, which was never made.) Keanu Reeves - The star of The Matrix films and Devil's Advocate was just a kid in New Jersey when he saw a ghost that took the form of a white double-breasted suit come into his room one night. He wasn't imagining it; his nanny saw the phantom, too. Neve Campbell - She's been in more than her share of paranormal-themed movies (The Craft, Scream), but she's had real-life encounters as well. A woman was murdered in the house she now lives in, and friends have seen her ghost walking around. Matthew McConaughey - This popular actor (Contact) says he freaked out the first time he saw the ghost of an old woman, whom he calls "Madame Blue," floating around his house. Tim Robbins - Robbins, who was nominated for an Oscar in Mystic River, didn't see ghosts, but strongly felt their presence when he moved into an apartment in 1984. Following his instinct, he moved out the next day. Hugh Grant - British romantic comedy lead Hugh Grant (Love Actually) says he and friends have heard the wailing and screaming of some tormented spirit in his Los Angeles home. He even speculates it might be the ghost of a former resident - Bette Davis. Dan Aykroyd - The Ghostbusters star (and Oscar-nominated for Driving Miss Daisy) has long had a fascination with the paranormal. He believes his home, once owned by Cass Elliot of The Mamas and The Papas, is haunted. "A ghost certainly haunts my house," he said. "It once even crawled into bed with me. The ghost also turns on the Stairmaster and moves jewelry across the dresser. I'm sure it's Mama Cass because you get the feeling it's a big ghost." Sting - Rock star Sting (Lock, Stock and Two Smoking Barrels) and his wife Trudie have seen ghosts in their home. "I was absolutely terrified," he said. "I now believe those things are out there, but I have no explanation for them." Jean Claude Van Damme - The Belgian action star (Timecop), also known as "Muscles from Brussels," swears he saw a ghost in his bathroom mirror while he was brushing his teeth. Richard Dreyfuss - He won an Oscar for The Goodbye Girl, but at one time had a cocaine problem. Visions of a ghost, he said, helped him kick the habit. "I had a car crash in the late 1970s," Dreyfuss said, "when I was really screwed up, and I started seeing these ghostly visions of a little girl every night. I couldn't shake this image. Every day it became clearer and I didn't know who the hell she was. Then I realized that kid was either the child I didn't kill the night I smashed up my car, or it was the daughter that I didn't have yet. I immediately sobered up." Ethan Hawke and Uma Thurman - This Hollywood couple was forced to flee their "dream home" in Sneden's Landing, N.Y. when it became all too apparent that it was haunted. They still are reluctant to talk about their frightening encounters. Belinda Carlisle - This pop singer and founding member of The Go-Gos, who appeared in Swing Shift and She's Having a Baby, says she saw a "misty shape" hovering over her as she lay in bed one night. She also says that when she was 17, while nodding off to sleep in a chair in her parents' home, she levitated and had an out-of-body experience. Elke Sommers - This German-born actress, who appeared in the 1966 film The Oscar, claims to have seen the ghost of a middle-aged man in a white shirt in her home in North Beverly Hills. Guests in her home have also seen the specter. So much paranormal activity was reported in the house that the American Society for Psychical Research was brought in, and which verified the unexplained events. The severely haunted house was bought and sold more than 17 times since Sommers vacated it, and many have reported ghostly phenomena. Paul McCartney - Ex-Beatle and Oscar-nominated songwriter ("Live and Let Die") says that he, George Harrison and Ringo Starr sensed the playful spirit of John Lennon when they were recording Lennon's song, "Free As A Bird" in 1995. "There were a lot of strange goings-on in the studio - noises that shouldn't have been there and equipment doing all manner of weird things. There was just an overall feeling that John was around."
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tondeuseshope · 4 years
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Tips voor het kiezen van de beste tondeuse voor mannen
Een van de uitdagingen bij het vinden van de eersteklas tondeuse voor mannen, om te bepalen welke mogelijkheden hoger zijn dan andere. Elke man heeft zijn eigen persoonlijke wens met betrekking tot het kiezen van de juiste tondeuse, en naarmate de technologie elk jaar vordert, nemen ook de mogelijkheden van de tondeuses toe. De meerderheid van de tondeusefabrikanten maakt duurzame en betrouwbare trimmers en veel hebben unieke mogelijkheden om jongens beter in staat te stellen aan specifieke behoeften te voldoen. Hoewel het kiezen van de juiste haartrimmer een kwestie van voorkeur is, helpt het om meer informatie te hebben over alle functies en add-ons voordat u die keuze maakt.
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Kies de verkeerde tondeuse en u kunt gefrustreerd raken elke keer dat u persoonlijke verzorging nodig heeft. Als je regelmatig trimt terwijl je in bad gaat en de versie met al die toeters en bellen niet waterdicht is, heeft het je zeker weinig nut. Hetzelfde kan worden gezegd voor de man die het beste eenmaal per week trimt om een ​​kijkje te nemen, die man heeft niet langer een koninkrijk van het apparaat nodig vol met een assortiment salonaccessoires. Als u nu een beetje onderzoek doet, zorgt u ervoor dat u vele gelukkige jaren kunt gebruiken terwijl uw haar er ogenblikkelijk verzorgd uitziet.
Wat is de tondeuse?
De haartrimmer knipt een grotere hoeveelheid haar dan andere conventionele haarknipsels. In vergelijking met een haartrimmer of scheerapparaat, zal de tondeuse snel en effectief grotere haarvolumes sneller afknippen. Hoewel het scheerapparaat en de trimmer zijn ontworpen om gemakkelijke verantwoordelijkheden te doen, zoals taps toelopen, detailleren en verfijnen, kan de tondeuse al deze dingen doen naast andere details. Nu u meer weet over wat de tondeuse uniek maakt, is het tijd om uitgebreid te praten over alle functies en factoren die de verschillen in die tondeuse maken.
Voordat u een keuze maakt uit de kwalitatieve tondeuse voor mannen, moet u zich de volgende elementen herinneren om u te ondersteunen bij het nemen van de maximaal geïnformeerde beslissing:
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Clipper Motor
De motor van de tondeuse is als de motor voor uw voertuig. Als je het handigst bent om elke dag snel heen en weer te gaan naar de supermarkt, kan een kleine motor in het voertuig prima zijn. Als je voor de kost rijdt, is de grotere motor een noodzaak. Hetzelfde kan worden vermeld voor de motor van de tondeuse. Als je het handigst bent om het haar vast te houden als je elke week uit de hand loopt, wil je dan geen effectieve motor. Als u uw haar extra vaak en voor langere tijd trimt, of als veel mensen in huis met een unieke haarperiode de trimmer kunnen lenen, heeft u een hogere beste motor nodig. Motoren variëren van Ac / Dc, magnetische motoren tot de roterende en draaistijl.
De bijlagegidsen
De meeste van de beste synthetische tondeuses van tegenwoordig hebben een assortiment bevestigingsgeleiders en kammen die variëren van slechts 1/16 inch tot een volledige inch. Hoe meer soorten lengtes, hoe meer de persoon de lengte van zijn haar consequenter kan wisselen. Verschillende kapsels vereisen unieke lengtebevestigingen, en veel herenkapsel heeft speciale lengtes, bijvoorbeeld een bijna trim aan de omtrek en een langere blik op de top, net als de flattop. Hoe groter de verscheidenheid aan hulpstukken voor bevestiging, hoe nauwkeuriger u unieke gebieden kunt bijsnijden. Hoewel die accessoires vaak een bijzaak zijn voor maximale jongens, moet je er goed op letten dat de extra bijlagen die je hebt, hoe gemakkelijker het zal zijn om je kapsel in de toekomst te veranderen zonder dat je hoeft te winkelen voor een nieuwe tondeuse. De grotere professionele tondeuses hebben kleurgecodeerde gidsen die een aantal wijdverspreide sneden kunnen uitvoeren.
Clipper Blades
De meeste jongens hechten nu geen grote betekenis aan de mesjes van de tondeuse, in feite zijn scherp dezelfde oude standaarden die gebruikt worden qua mesjes. Bedenk dat maximale haartrimmers bladen hebben als een manier om in lengte te variëren van zo klein als .2 mm en tot wel 13 mm kunnen kruisen, dit is een groot onderscheid in het haarkniptijdperk. Bedenk dat als de trimmer magnetische motoren heeft, de messen kunnen worden gemaakt van een buitengewoon duurzaam koolstofstaal dat zelfslijpend is. Voor de man die vaak de tondeuse gebruikt, is dit een eigenschap die zichzelf in een mum van tijd kan terugbetalen. Sommige bladen die synthetisch zijn met zirkoniumoxide zullen minder warmte afgeven, waardoor de snijervaring verbetert. Als je dik, grof haar hebt en de trimmer vrij regelmatig gebruikt, ben je misschien beter af met de titanium mesjes, ontworpen voor duurzaamheid met langdurig gebruik.
Clipper Size kiezen
Dus hoe kies je ongeveer de precieze maat van de tondeuse? Het is vrijwel afhankelijk van de stijl en het uiterlijk waar je voor gaat. Het is belangrijk dat de maat van de tondeuse overeenkomt met het kapsel dat u de meeste tijd zult dragen. Als u een plat kapsel houdt en het haar om de dag wilt knippen om die uniforme look te behouden, dan zou de lengte van de tondeuse in staat moeten zijn om een ​​kleine hoeveelheid haar te knippen. Als je het haar laat uitgroeien en het zo snel als een maand trimt, heb je de grotere tondeuse nodig, die gemakkelijk een groter haarvolume kan bijten. Als de trimmer instelbare plaatsing van kleine stappen heeft, experimenteer dan met een kleinere verkleining totdat u een gelijkmatige trim onder de knie krijgt. Op deze manier, als u een fout maakt, wilt u het blad het beste regelen om uw probleemgebied af te werpen. Een ander aspect waarmee rekening moet worden gehouden, is de
grotere tondeuses is dat ze een basis moeten prijzen, zodat ze ruimte innemen voor je aanrecht. Kleinere tondeuses kunnen in een lade of kast worden geplaatst.
Clipper Onderhoud
Als je een respectabele hoeveelheid geld gaat uitgeven aan de bevredigende tondeuse voor jongens, moet je ervoor zorgen dat je het apparaat ook goed bewaart. Door de messen en accessoires vaak schoon te maken, zorgt u ervoor dat de tondeuse goed speelt wanneer u hem nodig heeft. De kwalitatieve tondeuses voor jongens bevatten gedetailleerde onderhoudsinstructies om het haar uit de kleine gebieden in de trimmer te houden, en zorgen ervoor dat het apparaat voldoende smering heeft voor jarenlang ideaal gebruik. Bij de instructies wordt uw tondeuse geleverd met een bakje met glijmiddel en mesborstels. Lees de feiten zorgvuldig en net zoals u uw voertuig zou afstellen, zorg goed voor de tondeuse en hij zal jarenlang meegaan.
Het Clipper-ontwerp
Een van de dingen waar de meeste mannen geen rekening mee houden wanneer ze op zoek zijn naar de tondeuse, is het ontwerp. Meestal testen ze de prijs, ze bekijken de functies, ze doen de aankoop. De lay-out van de tondeuse kan onbelangrijk lijken, maar als u uw tondeuse regelmatig gebruikt, is dit een plek die u zeker moet onthouden. Zoals we eerder hebben aangehaald, lopen degenen die een kapsel met een platte kap of korter hebben, wekelijks herhaaldelijk over het haar voor wat uren kan duren. Wanneer de haartrimmer vol zit met functies die u niet gebruikt, kan deze omvangrijker en nuttiger zijn. Niet handig genoeg past het niet meer eenvoudig in de hand, dat geïntroduceerde gewicht kan na een paar minuten behoorlijk ongemakkelijk zijn. Als u het gebruik van de tondeuse vaak voorstelt, houd dan rekening met de ergonomisch ontworpen, nu niet meest effectieve, hij is kilometers lichter, hij ligt comfortabel in de hand, zodat u kunt herkennen wanneer u die precisiesnit krijgt. Overweeg het doek waar de tondeuse van is gemaakt, sommige zijn van hoogwaardig aluminium en verschillende lichtgewicht plastic.
De Clipper Speed
Clipper-snelheden variëren van fabrikant tot model en deze speciale snelheden kunnen een dramatische impact hebben op uw knipbeurt. Als u verschillende haarlengtes heeft of de trimmer deelt met anderen in huis, zijn variabele snelheden van vitaal belang. De aangename tondeuse voor mannen heeft tal van verschillende tempo-instellingen, variërend van 1900 SPM tot een indrukwekkende 3800 SPM. Als u uw baard aan het ontwikkelen bent en deze wilt terugsnoeien, zullen hogere snelheden een zuiveringssnede opleveren. Het haar in je gezicht is grover dan het haar voor je hoofd, dus hoe sneller de tondeuse kan knippen, hoe zuiverder de snede zal zijn.
Natte / droge tondeuse
Veel jongens geven er de voorkeur aan hun haar in het bad te knippen of met vochtig haar aan de gootsteen te staan. Als de haartrimmer die u gebruikt, synthetisch was voor alleen droog knippen, zult u genieten van trekken, vastlopen en trekken aan het haar terwijl het probeert te verminderen. De uitstekende tondeuse voor mannen heeft een dubbele stand waarmee je zowel droog als vochtig haar kunt knippen. Hoewel de dubbele vochtige / droge plaatsing in salons in het hele land bekendheid verwierf, vinden ze nu misschien hun weg naar de markt voor consumenten die hun haar thuis houden. Hoewel iets duurder, zullen de dubbele tondeuses het haar gemakkelijk maken, of het nu veel vochtig of droog is.
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Tot slot, stel uzelf zonder twijfel enkele eenvoudige vragen over de functionaliteit van de haartrimmer en u moet uw zoekopdracht vrij gemakkelijk kunnen afslanken. Met zo veel unieke mogelijkheden om uit te kiezen, begint u echt met het uitzoeken van uw kapsel, de frequentie waarmee u het haar knipt en eventuele add-ons die uw werk gemakkelijker zouden kunnen maken. Wanneer u zich concentreert op het voldoen aan uw specifieke behoeften, kiest u ongetwijfeld de beste tondeuse voor u.
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barcarole · 6 years
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George Balanchine and Tanaquil Le Clercq at Sneden’s Landing, New York, c. 1950.
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kvetchlandia · 5 years
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Rodney Smith     Victoria in Pool, Snedens Landing, New York     2001
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My Life With John Steinbeck by Gwyn Conger Steinbeck Chapter 5 excerpt -Men Cannot Read Maps Gwyn and John on the road again- Route 66
Throughout his life, John continually showed me that he was a man with a drive and energy that was remarkable and a determination that was unbelievable. Anyone who succeeds in life has to have a complete determination as well as talent. John was a powerhouse of single mindedness.
The summer of 1942 we prepared to leave a hot and humid New York for good old California. We ended the lease on the house at Snedens’ Landing. John decided he wanted to take everything with us, including our fine record collection and all our china, and pack it all into his grey-blue 1941 Packard convertible, which he called “Baby.” He called all his cars “Baby.”
“Why don’t we store the china?” I asked. “We’ll take it. We might be living in California and we’ll need it,” he replied. Even then he was not sure what he wanted to do, but his mind was made up about California, and when John made up his mind, that was it, nothing changed it. He built up the back of the car and fixed it so that Willie (our sheepdog) could ride high up and see out; he made it so Willie could be level with our heads. He sat right behind us.
I packed all his files and his clothes and he packed the car. We had a heated discussion over how to pack the records, some five hundred dollars’ worth of records. He packed them all one way, and I told him he should alternate, a hard end one side and then a hard end the other side. He became angry. When anyone argued with John, it was like talking to a brick wall. He was so adamant that I left him to it.
He piled the records on the floor and our luggage on top, and the rug on top of that for dear Willie. The unfortunate thing was that he had the luggage we were going to use from night to night packed in the trunk! “How are we going to have fresh underwear and other necessities?” I asked. We had a few choice words over that, very choice. “To hell with it,” he blasted at me. “You can last with what you have on until we get to Wake Robin!”
That was that! Wake Robin is in Michigan, and it was the home of Paul and Rhea de Kruif, his friends. Why argue, I told myself, it won’t do any good. I grabbed an overnight bag, opened two suitcases, and pulled out two pairs of socks and shorts, a couple of clean shirts and a sweater and put them in the bag. We started out for California early one morning.
It was such a beautiful day as we headed out through the country. After a while we came to an “Apples for Sale” sign, and he wanted to buy some. He came back with two great big bags of apples, plus a gallon of hard cider. He was as bad as a woman at a white sale! “We won’t stop for breakfast, we’ll eat the apples,” he said. We ate apples all morning. By noon John was feeling sleepy but we kept going and we stopped at some motel in Pennsylvania.
In those days, in the early forties, motels weren’t quite as lenient about taking pets, so poor Willie had to stay in the car all night. That upset us, and we didn’t sleep very well. And the apples worked on both of us all night long, too. Needless to say, it was a restless night. I would get up, throw on some slacks and take Willie for a walk, then take him back to the car and go back to bed after the bathroom. We didn’t get much sleep. Believe it or not, John found some ice and chilled the cider. That was our breakfast. The next day John really pushed the car, and we arrived at Wake Robin exhausted. I had suspected that I was pregnant, but the ride removed that problem and by the time we arrived in Wake Robin it was all over. John was greatly relieved, and so was I.
Wake Robin is a pretty place, and we spent four glorious days and nights there, cooking and drinking with Rhea and Paul, and John and I melted into each other bodies. John also cleaned some guns he had bought and had not told me about. Throughout our relationship and then our married life he always had to have loaded guns around the house. He had this maniacal attraction for possessing all kinds of firearms. Why, I don’t know. Guns create violence, yet in John’s writing there was such a wonderful bond with his fellow human, a feeling that was rich for the land, the sea and its people. There was no great emphasis on violence, just human failings and emotions.
Autumn was on its way and we repacked the car (thanks to Rhea’s support), and again headed west. John kept really pushing that car; he was simply anxious to get to his beloved California where we would stay with my mother and stepfather until we found our own house. I did not drive because I am near sighted. Besides, anyone else driving always made John nervous. Oh, I would relieve him for a while in some of those lonely parts of the desert so he could put his head back. After all, he was pounding out some ten hours a day on the highways. Nothing was going to stop him from getting to Los Angeles as fast as he could.
After we arrived in Albuquerque, New Mexico, he began to complain about his back; he did have a problem with his spine and legs. We decided to relax. “I’ve never been to Sante Fe,” he said. “Let’s go.” Now I love the Southwest, and travelled through it a lot when I was a kid. We stayed in some motel and John poked around the museum. He had a tremendous interest in anything historical, in fact, he was quite a historian. He went to all the Indian art stores and in one found an Indian blanket he liked and bought. That went piling into the car. The weight of “Baby” was something, what with the records, luggage, a ninety pound sheepdog and the two of us. When we hit bumps, and we hit many, we sure did know it! I felt then at any moment the transmission would go. Fortunately, it did not. In Sante Fe John asked me about Taos. “Did you like to hang around that place? How far is it from here?” “About seventy miles.” “Let’s go.” It was as simple as that.
So off we went to Taos, a place steeped in history, the resting place of the legendary Western hero, Kit Carson, and a place where there are many fine reminders of the Old American West, plus a marvellous Spanish restaurant that had been there since I was a child. Taos also has, among other things, a beautiful gorge where the Colorado River begins. John was intrigued with this town. We lunched at the Spanish restaurant where they still made sopaipillas; John had been raised on that kind of food and he ate six for lunch and six more with dinner. John never ran short of an appetite for solids or liquids.
We spent a perfectly wonderful time in Taos. We spent a night in a little hotel off the Plaza where people were nice to Willie. They had never seen an Old English sheepdog, so Willie had a ball, too, with all the Mexican dogs. Dogs are such wonderful animals, often human thinking, and kinder and more loving than many a man or woman. We played around, and were the typical tourists for two days, and then John was his serious self again and anxious to get to Los Angeles.
The only way to get back on Route 66 from Taos is through Sante Fe. We piled into the car and off again we went. John drove like Barnie Oldfield, the race driver, at the wheel, staring ahead as we moved along sixty or seventy miles an hour. If he wanted a cigarette, he just leaned over and patted me on the knee, which meant, “Light me a cigarette.” There was no conversation; that was his signal. Perhaps we might sing together to the radio with me carrying the harmony. After a brief stop in Sante Fe for gas we headed towards Route 66. We had been travelling for some time when I said, quietly, “John, I hate to say this, but I think we took a wrong turn.”
“No we haven’t. I studied the map this morning and we’re going to hit Las Vegas.” “Las Vegas?” I said with surprise. “Yes, I’d like to look it over, see what it’s like” he went on. Politely I said, “Well, I’ve been looking over the land and it doesn’t look familiar to me.” “Well, I studied the map and it says Las Vegas 150 miles, and the map isn’t wrong.”
How could Las Vegas, Nevada, be 150 miles from Santa Fe I asked myself? I shrugged my shoulders. There wasn’t any point in further comment. By this time, Willie was drooling over my neck and pawing me. “I think we’ll have to stop for Willie, darling.” “He’ll have to wait. I want to be in Las Vegas for lunch.”
I kept quiet, although by now I knew it wasn’t the right road. John asked me to reach in the funny box, the glove compartment, and get his dark glasses. I did, and put them on him. “John dear, if we’re heading west, why is the sun in our face and it’s already eight in the morning?” “For God’s sake, I don’t care how many times you’ve gone over this country with your family – I looked at the map!” was his retort.
Actually, we had already gone some ninety-nine miles due east! “I don’t think you know as much about this country as you say you do,” he said. “Want to stop the car and we’ll get out your compass, dear?”
He kind of laughed, but he was mad and drove on. We began to come across funny little towns and then, suddenly there was a sign that read “Las Vegas 25 miles.” “That’s impossible! We’ve only been on the road two hours, and if we’re going due west, how the hell can the sun be in our eyes?” I said. With that, he slammed his hands on the wheel and said, “Goddammit! I’m doing the driving.” “All right, all right,” I said and lapsed into silence.
Soon we came into something as well populated as Los Alamos bombing field – a few shacks and a sign that read, “Welcome to Las Vegas.”
There was never any arguing with John. He was right and I and everyone else were wrong. That was all there was to it. We came to this little town and spotted a kind of cantina. “It must be the outskirts,” he said. By now I gave up and he gunned the motor to a short rise. Over the top we found some men doing some construction work, a tough looking bunch. “Lock your door,” John snapped. I pushed the lock button. “Get the gun out,” he said. I did. Suddenly, there was no road and we hit bottom. We were stuck because the car was so damned heavy.
I realized that John was really frightened. We sat there as the wheels spun. “We’re going to have to get these men to help us, dear,” I said. “Let me do it my way,” he answered. Always, always it had to be his way, the Steinbeck way, never anyone else’s, because he said that was the right way. The men began to walk toward us. Whenever John was nervous or angry he broke out in perspiration. Sweat just ran down his face. The men came over, three of them, and one said in a heavy Spanish accent, “I theenk you’re going to need some help, meester.”
“I think I am,” John said through a window open about two inches. Right beside him he had a cocked thirty-eight. The men had brought some planks and pushed the car and we got out of the deep sand. “Isn’t this Las Vegas?” John asked, greatly relieved and very grateful. “Si,” answered the man. “Si, Las Vegas.” “Nevada?” “No, New Mexico.”
The rest of the day John did not utter a single word to me, and we never did reach Las Vegas, Nevada. He went back on Route 66. He still did not speak to me. I did not dare ask him to stop and let Willie out, and he did not ask me if I wanted to go to the bathroom, either. I knew that whenever he was in that kind of mood the only thing to do was shut up and be quiet.
We drove something like five hours in total silence. Finally, he stopped at a diner and said he wanted coffee. It came as a relief to me, not to mention dear Willie. I took Willie for some exercise and wrung his tights, as they say. We took off again, and still John didn’t talk to me. The radio was on, and, except for the purr of the engine there was total silence. Nothing to break the ice. In a way I was frightened. I was afraid that if we stopped for gas he might go off and leave me: that’s how angry he was over making a mistake. It was nearing twilight and the sun again was in our eyes. I broke the silence. “Where do you want to stop for the night?”
“I’m going right through to Los Angeles.” We arrived in Los Angeles the following morning and he had done nothing but pound that highway. It was almost daylight when we woke up my mother and stepfather. They were not expecting us until the following day. John was completely exhausted, and I wasn’t feeling any better. Even poor Willie was shaking. John had a stiff Scotch and mother made a pot of coffee. I don’t remember what John did, but I know I slept solid for twelve hours. It had taken us less than five days to get to Los Angeles from New York.
I don’t really blame John for his frustration. He had goofed, badly. I do not believe any of us want to make a mistake, even though of course we do. And of course, that time he did.
John decided to rent a house. He found one, furnished, in the San Fernando Valley. By this time he was involved in the filming of The Moon is Down, the story of the Resistance in World War II. That book sold over a million copies, and Twentieth Century Fox bought the film rights. The motion picture was released in the spring of 1943. Anyway, John arranged for the Haitian woman who had worked for us at Snedens’ Landing to join us. Her voodoo intrigued him, and besides, he loved the way she fried fish. She would not fly, so she came by train. She stayed with us the whole time we lived in that house in the valley.
John returned to a normal state of communication with the world around him, and his life once more was pleasant. We spent Thanksgiving and Christmas in the valley with Mother, my stepfather and numerous friends. There was plenty of party action, but John still worked. He worked Monday through Friday on the script of The Moon is Down but when the weekend arrived we saw friends and the corks were pulled. We had some great times with the Burgesses and the Milestones. We went to most of the Hollywood restaurants and usually ran into people we knew, maybe at Mike Romanoff’s or Dave Chasen’s, both heavy movIe star and celebrity hangouts. The Wagner boys were around and we often had dinner with them.
While we were in the valley, Jack Wagner approached John with an original story, but he could not write it. John did. I have the original outline of that story, which John typed. It was Medal For Benny that on screen starred John Arturo de Cordova and Dorothy Lamour.
The first part of January 1943, we headed back to New York. John decided he did not like Los Angeles any more nor did he like living in southern California either. It lacked privacy, he said. Being on the move again did not matter to me. We were together
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Rodney Smith ~ Zoe Inside Giant Ball, Snedens Landing, New York, 2004 | src The Estate of Rodney Smith on IG & Rodney Smith Archive
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DEFINITELY NOT T. Lux Feininger, costume for the Triadisches Ballett (Triadic Ballet) developed by Oskar Schlemmer, Weimar, 1919
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missnightterrors · 3 years
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A Brave Tory: Mollie Sneden, a Woman Far Ahead of Her Time
A Brave Tory: Mollie Sneden, a Woman Far Ahead of Her Time
In 1730, a man named William Dobbs ran a ferry across the Hudson River between Palisades, New York (Sneden’s Landing then) and Dobbs Ferry in Westchester County, New York. Who cares? (Read on and you’ll see why I bothered with this post.)Dobbs was assisted by brother-in-law Robert Sneden a carpenter by trade who had a farm. As time would tell, his wife Mary, always called Mollie, was just as…
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karinesauzedde · 2 years
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Rodney Smith (American, 1947-2016) Mia with a Pumpkin Head, Snedens Landing, New York, 2003 #halloween #happy #happyhalloween #pumpkin #trickortreat #child #kidsofinstagram #kidsphotography #kidstagram #newyork #fun #funny #funnymemes #portrait #portrait_vision #portraitmood #portraiture #portraitphotography #photo #photography #bnw #bw #bnwphotography #photographylovers #fineartphotography #bnw_captures #bwphotography #bwphoto https://www.instagram.com/p/CVtbCpQsV07/?utm_medium=tumblr
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myhauntedsalem · 4 years
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Ghosts of Hollywood
Even after death, some Hollywood celebrities can’t stop putting in appearances
Marilyn Monroe
The Hollywood Roosevelt Hotel on Hollywood Boulevard is said to be the current residence of several ghosts of popular film stars. Marilyn Monroe, the glamorous and funny star of such pictures as Some Like It Hot and Gentlemen Prefer Blondes, was a frequent guest of the Roosevelt at the height of her popularity. And although she died in her Brentwood home, her image has been seen on several occasions in a full-length mirror that once hung in her poolside suite. The mirror has been relocated to the hotel’s lower level by the elevators.
Montgomery Clift
Another respected star who died before his time, Montgomery Clift, was a four-time Oscar nominated actor who is best known for his roles in A Place in the Sun, From Here to Eternity and Judgment at Nuremberg. His ghost has also been seen at the Roosevelt. According to some of the hotel’s staff, Clift’s spirit haunts room number 928. Clift stayed in that suite in 1953, pacing back and forth, memorizing his lines for From Here to Eternity. Loud, unexplained noises have been heard coming from the empty suite, and its phone is occasionally found mysteriously off the hook.
Perhaps it’s fitting that the Hollywood Roosevelt should be the stirring place of celebrity ghosts since it was the site of the very first Academy Awards ceremony in 1929. In fact, the Blossom Ballroom, where the ceremony was held, has an unexplained cold spot – a circular area measuring 30 inches in diameter that remains about 10 degrees colder than the rest of the room.
Harry Houdini
Houdini is best known as a magician and escape artist, of course, but at the height of his fame he was also drawn to Hollywood, where he made a handful of silent films from 1919 to 1923. With such titles as The Man from Beyond and Haldane of the Secret Service (which he also directed), the films were not regarded well enough to give him much of a Hollywood career. Houdini’s interest in the occult was well known, and although he earned a reputation as a masterful debunker of séances, he earnestly sought contact with those who have passed on to the other side. Shortly before his death, Houdini made a pact with his wife Bess that if he could, he would return and make contact with her from the other side. Perhaps he truly has attempted to return. Some claim to have seen the ghost of the great Houdini walking around in the home he owned on Laurel Canyon Blvd. in the Hollywood Hills. Film historians Laurie Jacobson and Marc Wanamaker, in their book Hollywood Haunted, dispute this story, saying that “Houdini most likely never even set foot in the Laurel Canyon mansion he is said to haunt.”
Clifton Webb
Clifton Webb was a very popular star of the 1940s and ’50s, earning two Oscar nominations for his roles in Laura and The Razor’s Edge. He may be best known for his portrayal of Mr. Belvedere in a series of films. It’s not too often that a ghost haunts the place in which the person is buried, but this seems to be the case for Webb. His ghost has been seen at the Abbey of the Psalms, Hollywood Memorial Cemetery, where his body is interred. But it seems to be a restless spirit, as his ghost has also been encountered at his old home on Rexford Drive in Beverly Hills.
Thelma Todd
Thelma Todd was a hot young star in the 1930s. She was featured in a number of hit comedies with the likes of The Marx Brothers, Laurel and Hardy, and Buster Keaton. But that all ended in 1935 when Todd was found dead in her car, which was parked above the café she owned on the Pacific Coast Highway. Strangely, her death was ruled an accidental suicide, but many suspected murder and a coverup by powerful Hollywood figures. The building that once housed the café is now owed by Paulist Productions, and employees have reportedly witnessed the starlet’s ghost descending the stairs.
Thomas Ince
Ince is considered one of the visionary pioneers of American movies. He was one of the most respected directors of the silent era, best known, perhaps, for his westerns starring William S. Hart. He partnered with other early Hollywood giants such as D.W. Griffith and Mack Sennett, and founded Culver Studios, which later became MGM. Ironically, Ince’s death overshadowed his film legacy. He died aboard William Randolph Hearst’s yacht in 1924, and although the official record shows the cause of death as heart failure, the hot rumor is that he was shot by Hearst in a fit a jealousy over Hearst’s wife, Marion Davies. Ince’s ghost – as well as several other ghostly figures – have been seen in the lot that was once Culver Studios. Film crew members have seen the specter of a man matching Ince’s description on several occasions; in one instance, when the workers tried to speak to the spirit, it turned and disappeared through a wall.
Ozzie Nelson
Ghosts and hauntings are the last thing that come to mind when you think of the perpetually cheerful Ozzie and Harriet Nelson. The couple, with their real-life sons Ricky and David, were stars of the long-running sitcom “Ozzie and Harriet,” noted for its good-natured, gentle humor. Yet poor Ozzie doesn’t seem to be as contented in the afterlife. Family members, it is said, have seen Ozzie’s ghost in the family’s old Hollywood home, and it always appears to be in a somber mood. Perhaps he’s unhappy about how another Ozzy and his family have gained notoriety on TV.
George Reeves
From 1953 to 1957, George Reeves was TV’s Superman. Reeves had been around Hollywood for a while, playing bit parts in such films as Gone with the Wind and dozens of B-movies, but it was “The Adventures of Superman” on TV that brought him fame. Reeves died of a gunshot at his home in 1959. The official cause of death was suicide, but that conclusion has been hotly disputed, with some believing that Reeves was murdered. Whether it was suicide or murder, Reeves ghost has been seen in his Beverly Hills home. A couple claims to have seen the ghost of Reeves – decked out in his Superman costume – materialize in the bedroom where he died, after which it slowly faded away. Others believe that Reeves succumbed to the “Superman curse,” in which those associated with the fictional character over the years allegedly have met with disaster or death. But is there really a curse? Read “The Truth About the Superman Curse” by Superman expert Brian McKernan.
More Celebrity Ghosts
Jean Harlow – The spirit of this blonde bombshell is said to haunt the bedroom of her home on North Palm Drive, where her husband allegedly used to beat her.
Mary Pickford – This legend of the silent era – actress, writer and producer – was co-founder of United Artists with her husband Douglas Fairbanks and Charlie Chaplin. Comic Buddy Rogers, who lived in the house Pickford once owned, saw her ghost appear in a white ruffled dress.
Grace Kelly – Princess Stephanie of Monaco believes that the ghost of her mother, Grace Kelly, helped her write a song from the spirit world.
Celebrities Who Have Seen Ghosts
Nicholas Cage – This Oscar-winning actor (Leaving Las Vegas) refused to stay in uncle Francis Ford Coppola’s home after seeing a ghost in the attic. (Cage was also cast as Superman in director Tim Burton’s film project, which was never made.)
Keanu Reeves – The star of The Matrix films and Devil’s Advocate was just a kid in New Jersey when he saw a ghost that took the form of a white double-breasted suit come into his room one night. He wasn’t imagining it; his nanny saw the phantom, too.
Neve Campbell – She’s been in more than her share of paranormal-themed movies (The Craft, Scream), but she’s had real-life encounters as well. A woman was murdered in the house she now lives in, and friends have seen her ghost walking around.
Matthew McConaughey – This popular actor (Contact) says he freaked out the first time he saw the ghost of an old woman, whom he calls “Madame Blue,” floating around his house.
Tim Robbins – Robbins, who was nominated for an Oscar in Mystic River, didn’t see ghosts, but strongly felt their presence when he moved into an apartment in 1984. Following his instinct, he moved out the next day.
Hugh Grant – British romantic comedy lead Hugh Grant (Love Actually) says he and friends have heard the wailing and screaming of some tormented spirit in his Los Angeles home. He even speculates it might be the ghost of a former resident – Bette Davis.
Dan Aykroyd – The Ghostbusters star (and Oscar-nominated for Driving Miss Daisy) has long had a fascination with the paranormal. He believes his home, once owned by Cass Elliot of The Mamas and The Papas, is haunted. “A ghost certainly haunts my house,” he said. “It once even crawled into bed with me. The ghost also turns on the Stairmaster and moves jewelry across the dresser. I’m sure it’s Mama Cass because you get the feeling it’s a big ghost.”
Sting – Rock star Sting (Lock, Stock and Two Smoking Barrels) and his wife Trudie have seen ghosts in their home. “I was absolutely terrified,” he said. “I now believe those things are out there, but I have no explanation for them.”
Jean Claude Van Damme – The Belgian action star (Timecop), also known as “Muscles from Brussels,” swears he saw a ghost in his bathroom mirror while he was brushing his teeth.
Richard Dreyfuss – He won an Oscar for The Goodbye Girl, but at one time had a cocaine problem. Visions of a ghost, he said, helped him kick the habit. “I had a car crash in the late 1970s,” Dreyfuss said, “when I was really screwed up, and I started seeing these ghostly visions of a little girl every night. I couldn’t shake this image. Every day it became clearer and I didn’t know who the hell she was. Then I realized that kid was either the child I didn’t kill the night I smashed up my car, or it was the daughter that I didn’t have yet. I immediately sobered up.”
Ethan Hawke and Uma Thurman – This Hollywood couple was forced to flee their “dream home” in Sneden’s Landing, N.Y. when it became all too apparent that it was haunted. They still are reluctant to talk about their frightening encounters.
Belinda Carlisle – This pop singer and founding member of The Go-Gos, who appeared in Swing Shift and She’s Having a Baby, says she saw a “misty shape” hovering over her as she lay in bed one night. She also says that when she was 17, while nodding off to sleep in a chair in her parents’ home, she levitated and had an out-of-body experience.
Elke Sommers – This German-born actress, who appeared in the 1966 film The Oscar, claims to have seen the ghost of a middle-aged man in a white shirt in her home in North Beverly Hills. Guests in her home have also seen the specter. So much paranormal activity was reported in the house that the American Society for Psychical Research was brought in, and which verified the unexplained events. The severely haunted house was bought and sold more than 17 times since Sommers vacated it, and many have reported ghostly phenomena.
Paul McCartney – Ex-Beatle and Oscar-nominated songwriter (“Live and Let Die”) says that he, George Harrison and Ringo Starr sensed the playful spirit of John Lennon when they were recording Lennon’s song, “Free As A Bird” in 1995. “There were a lot of strange goings-on in the studio – noises that shouldn’t have been there and equipment doing all manner of weird things. There was just an overall feeling that John was around.”
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kvetchlandia · 5 years
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Rodney Smith     Bernadette Bowing, Snedens Landing, New York     2002
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