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#Ray Kellogg
hereallalong · 6 months
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Ray Kellogg
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pookiestheone · 1 year
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Ray Kellogg
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oldshowbiz · 2 years
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The made-in-Texas B-movies of Ray Kellogg
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papermoonloveslucy · 1 year
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LUCY’S THIN BLUE LINE
Lucy and Law Enforcement ~ Part 2
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On “The Lucy Show,” Lucy Carmichael not only had multiple run-ins with the police - she actually became one for a couple of episodes!  Here’s a look at Carmichael and Cops! 
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“Lucy and Viv Become Tycoons” (1963) ~ When Lucy and Viv open their own business at home, they are visited by Sergeant Robbins (Bern Hoffman) to check on their permits and operating practices. In 1960, Hoddman appeared in the Lucille Ball / Bob Hope film The Facts of Life.
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“Lucy Drives a Dump Truck” (1963) ~ Driving a truck to a nearby town, Lucy and Viv are pulled over by a Brewster policeman played by Richard Reeves, a veteran of nine episodes of “I Love Lucy” including playing a policeman in “Equal Rights” (1953). This is his only appearance on “The Lucy Show.”  
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“Lucy and the Safe Cracker” (1963) ~ When Mr. Mooney gets locked in the safe (again), Lucy contacts a safe cracker (Jay Novello) and Sergeant Wilcox (James Flavin) is on the scene. Coincidentally, Flavin played the Immigration Officer searching for Mario Orsatti (Jay Novello) in  “Visitor from Italy” (1956). He will return to “The Lucy Show” two episodes later to play Sgt. Wilcox again in another bank-themed episode. He appeared in four films with Lucille Ball, including playing a police sergeant in Without Love (1945). During his long career he played so many officers of the law that his IMDB photo is of him in a police uniform!  
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“Lucy and the Bank Scandal” (1963) ~ Sergeant Wilcox (James Flavin) investigates a case of embezzelment at the Danfield Bank. Lucy suspects Mr. Mooney and digs up his yard to find the stolen cash. 
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“Lucy is Her Own Lawyer” (1964) ~ Officer Joe (Joe Mell) the Baliff, swears in Lucy Carmichael as well as Mr. Mooney and Nelson the dog! Mell returns as a Baliff in “Lucy the Meter Maid” (1964) and a Bank Guard in “Lucy the Stockholder” (1965). 
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“Lucy the Meter Maid” (1964) ~ Lucy joins the Danfield Police Force as meter maid. When Viv doesn’t feed the meter, Lucy issues her a summons and they land up in court. Once again, Joe Mell plays the Baliff. 
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“Lucy Makes a Pinch” (1964) ~ Still on the Force, Lucy is recruited to be part of a stake out. The episode features three of Danfield’s finest (left to right): Murdock (Jack Searl), Captain Bradford (Alan Carney), and Detective Bill Baker (Jack Kelly).  As a child actor, Jack Searl was featured in the 1932 film Officer Thirteen, about motorcyle cops. Alan Carney played a policeman in the 1963 comedy classic It’s a Mad, Mad, Mad, Mad World. In 1955, Jack Kelly appeared on a TV series titled “City Detective.” 
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“Lucy the Coin Collector” (1964) ~ When Lucy drops a rare coin down the sewar grate, she is consoled by a cop on the beat (Ray Kellogg).  his is the second of his seven episodes of “The Lucy Show.” He also did two episodes of “Here’s Lucy.” Just as in his other screen credits, most most times he played policemen, as he does here.  
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“Lucy and the Ceramic Cat” (1965) ~ While Lucy breaks into Bigelow’s Department Store, Viv stands guard, diverting the cop on the beat (John J. ‘Red’ Fox). Fox was best known for playing policemen, which is what he did on five of his eight appearances on “The Lucy Show” as well as three of his five episodes of “Here’s Lucy.”
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“Lucy, the Stockholder” (1965) ~ After buying a single share of the Danfield Bank for $32, Lucy the stockholder pays the bank a visit. She warns the lackadaisical guard (Joe Mell) that she has a nine year-old nephew who is quicker on the draw than him.
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“Lucy and the Undercover Agent” (1965) ~ Trying to get access to performer Carol Channing, Lucy charms Military Police (MP) officer Sol Schwartz. The character name was specifically chosen so Lucy can sing “Hello, Solly” to the tune of “Hello, Dolly”. 
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“Salute to Stan Laurel” (1965) ~ In a special tributing the late comedian, Lucille Ball is part of a silent movie sketch featuring Buster Keaton and Harvey Korman as a policeman in the park. 
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“Lucy Meets Mickey Rooney” (1965) ~ A silent movie sketch based on Charlie Chaplin’s The Kid features the Keystone Kops (Sid Gould, above). Keystone Kops are fictional, humorously incompetent policemen featured in silent film slapstick comedies produced by Mack Sennett for his Keystone Film Company between 1912 and 1917.
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“Lucy Goes to a Hollywood Premiere” (1966) ~ Mr. Mooney is questioned by Officer Collins (Robert Foulk) of the Beverly Hills Police Department. He doesn’t have a permit to sell maps to the movie stars’ homes and is hauled down to the police station. Foulk played the Brooklyn policeman on the subway platform in “Lucy and the Loving Cup” (1956). He will go on to play six characters on “Here’s Lucy,” two of them policemen. 
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“Lucy the Gun Moll” (1966) ~ Robert Stack plays Federal Agent Briggs in this satire on Desilu’s “The Untouchables.” Stack played G-Man Eliot Ness on the series and only agreed to the satire if the names were changed. 
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“Lucy and the Submarine” (1966) ~ Whe Lucy sneaks onto a submarine, she must get by a stoic Navy Shore Patrolman (SP) played by Steven Marlo. Marlo makes the first of his two appearances on “The Lucy Show.” 
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“Lucy and the Ring-a-Ding Ring” (1966) ~ Ray Kellogg plays the cop on the beat who discovers Mr. Mooney trying to get a nearly unconscious Lucy into his car because she has his wife’s ring stuck on her finger. 
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“Viv Visits Lucy” (1967) ~ To find a wayward Danfield boy, Lucy and Viv go to the Sunset Strip, where they are mistaken for hippie biker chicks by the police. Ray Kellogg plays the Motorcycle Officer (right) and John J. 'Red’ Fox plays Patrolman Harry McLeod (left). 
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“Lucy Puts Main Street on the Map” (1967) ~ Mel Torme is Mel Tinker, the deputy and Roy Barcroft plays his father, Police Chief Tinker, the law enforcement team in small town Bancroft. During his long career on screen, Barcroft played a sheriff 18 times between 1943 and 1966, including in Billy the Kid Versus Dracula (1966). 
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“Lucy Meets the Law” (1967) ~ Lucy thinks she’s being arrested for littering when she is actually being mistaken for a red-haired jewel thief. Claude Akins (Lieutenant Finch) is perhaps best remembered for playing Sheriff Lobo in “B.J. And the Bear” (1978-79) and its sequel “The Misadventures of Sheriff Lobo” (1979-81).
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Jody Gilbert plays the jail matron aka ‘Tinkerbell’. Gilbert will also appear in two episodes of “Here’s Lucy,” in one of which she also plays a prison matron.
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Ken Lynch (Officer Peters, left) started playing policemen on TV in 1950 and continued to do so for much of his career. Joseph Perry (Officer Miller, right) started his screen acting career in 1956. Perry played a policeman on “My Living Doll” (1965) filmed at Desilu. He appeared on the police-themed shows “Policewoman,” “Police Story,” “Barney Miller,” “Hill Street Blues,” “CHiPs,” “The Rookies” “The Mod Squad,” “87th Precinct,” “The FBI,” “The Rookies,” and “The Sheriff of Cochise” a Desilu Production. 
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“Lucy Sues Mooney” (1967) ~ Irwin Charone (Bailiff) makes the third of his five appearances on “The Lucy Show.”
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Two uncredited background actors play Officers of the Court. 
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“Lucy and the Stolen Stole” (1968) ~ Lucy and Mr. Mooney go shopping for Mrs. Mooney's birthday and wind up being arrested for possession of a stolen fur stole. The boys in blue are played by Ray Kellogg, Roy Shapiro, and John J. 'Red' Fox as Officer Shapiro.
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“Lucy Gets Involved” (1968) ~ At Phil’s Fat Boy Burgers, a policeman (John J. 'Red' Fox) interrogates motorcyclist Tommy Watkins (Phil Vandervoort) with Mr. Burton (Jackie Coogan) overhearing. 
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“Lucy and Sid Caesar” (1968) ~  A forger who looks like Sid Caesar is passing bad checks at the bank.  Lucy and Mr. Mooney try to figure out how to tell the real Sid Caesar from the forger.  They enlist the help of the authorities (left to right): Irwin Charrone, John J. ‘Red’ Fox, and Ben Gage.  Gage was mentioned on “I Love Lucy” in 1955. He appeared on “Our Miss Brooks” (filmed at Desilu Studios) and in Desilu’s “Star Trek.”  His last two screen appearances were in “Policewoman” and “Police Story.” 
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schlock-luster-video · 9 months
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On July 25, 1992, The Killer Shrews was riffed on Mystery Science Theater 3000.
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screamscenepodcast · 1 year
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Hand puppets, shrew facts, racism... it's THE KILLER SHREWS (1959) directed by Ray Kellogg! Produced by Ken Curtis and Gordon McLendon, this regionally produced film made over one million dollars -- so it has to be good... right?
Context setting 00:00; Synopsis 23:31; Discussion 34:31; Ranking 51:41
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otakunoculture · 7 months
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The Giant Gila Monster Special Edition, A Throwback to the B-Movies of the 50s
Although the #movies of yesteryears are largely forgotten by today's audiences, some movies like The Giant Gila Monster Special Edition (and Killer Shrews) are worth revisiting. #blurrayreview #horror #retro
The B movies of the 50s almost always have a familiar formula to them: they’re often populated with rock n roll, teens getting into crazy situations and feature giant monsters. It’s a formula that works and despite the bad acting or lacklustre direction. And whether fans of today can appreciate them, it depends more on getting introduced to the film. Thankfully Film Masters 4k restoration and…
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raynbowclown · 2 years
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I Passed for White
I Passed for White
I Passed for White (1960) starring James Franciscus, Sonya Wilde In I Passed for White, a middle class girl, who looks white but is “secretly” black, marries a wealthy white man. This leads to conflict, as she tries to hide her past from his racist family. (more…)
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intexda · 1 year
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georgeromeros · 2 years
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The Killer Shrews (1959) dir. Ray Kellogg
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brokehorrorfan · 9 months
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The Giant Gila Monster and The Killer Shrews will be released on Blu-ray together on September 26 via the newly-launched Film Masters. Both 1959 sci-fi horror movies are directed by Ray Kellogg and written by Jay Simms. 
The Giant Gila Monster stars Don Sullivan, Fred Graham, Lisa Simone, Shug Fisher, and Bob Thompson. It has been newly restored in 4K from 35mm archival materials.
The Killer Shrews stars James Best, Ingrid Goude, Ken Curtis, Gordon McLendon, Baruch Lumet, and Judge Henry Dupree. It has been newly restored in HD.
Both films are offered in 16:9 widescreen and 4:3 full screen aspect ratios. Special features are listed below.
Special features:
The Giant Gila Monster audio commentary by The Monster Party Podcast
The Killer Shrews audio commentary by film scholar Jason A. Ney
Ray Kellogg: An Unsung Master - Documentary on director Ray Kellogg narrated by Larry Blamire
Interview with actor Don Sullivan
The Giant Gila Monster radio spots
The Killer Shrews radio spots
Booklet with essays by film scholars Don Stradley and Jason A. Ney
In The Giant Gila Monster, a heroic teen attempts to stop a giant lizard from destroying a rural Texas community.
In The Killer Shrews, a small group of people are terrorized by voracious shrews in the midst of a hurricane on an isolated island, 
Pre-order The Giant Gila Monster / The Killer Shrews.
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hereallalong · 6 months
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Ray Kellogg by Champion Studio
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pookiestheone · 1 year
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Ray Kellogg Uncensored version
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loveisbraveandwild · 1 year
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2023 books (check out my storygraph for reviews)
january
unbought and unbossed, shirley chisholm
true biz, sara nović
yerba buena, nina lacour
the racism of people who love you, samira mehta
night, elie wiesel
seven says in june, tia williams
the reading list, sara nisha adams
finna, nino cipri
ace, angela chen
nightcrawling, leila mottley
the light we carry, michelle obama
how to resist amazon and why, danny caine
the daughter of auschwitz, tova friedman
kaikeyi, vaishnsvi patel
just as you are, camille kellogg
hijab butch blues, lamya h
february
a guide to just being friends, sophie sullivan
mean baby, selma blair
lavender house, lev ac rosen
loveless, alice oseman
the department of rare books and special collections, eva jurczyk
small game, blair braverman
wash day diaries, jamila rowser
the heartstopper yearbook, alice oseman
yellowface, r.f. kuang
stay true, hua hsu
the school for good mothers, jassamine chan
elatsoe, darcie little badger
under the udala tree, chinelo okparanta
there there, tommy orange
making a scene, constance wu
happy place, emily henry
i have a question for you, rebecca makkai
finding me, viola davis
wow, no thank you, samantha irby
march
lark and kasim start a revolution, kacen callender
mooncakes, suzanne walker
lies we sing to the sea, sarah underwood
the family outing, jessi hempel
dead collections, isaac fellman
ace voices, eris young
the anthropocene review, john green
mad honey, jennifer finney boylan & jody picoult
all my rage, sabaa tahir
hello, molly, molly shannon
fine, rhea ewing
nevada, imogen binnie
super late bloomer, julia kaye
love & other disasters, anita kelly
the boy with a bird in his chest, emme lund
the honeys, ryan lansala
the 57 bus, dashka slater
making love with the land, joshua whitehead
a history of my brief body, billy-ray belcourt
there are trans people here, h. melt
patricia wants to cuddle, samantha allen
babel, r.f. kuang
april
lessons in chemistry, bonnie garmus
ace of spaces, faridah abike-,ymide
the things we do to our friends, heather darwent
deaf utopia, nyle dimarco
black cake, charmaine wilkerson
simon vs. the homo sapiens agenda, becky albertalli
the things we couldn't say, jay cole
long black veil, jennifer finney boylan
good talk, mira jacobs
remarkably bright creatures, shelby van pelt
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ausetkmt · 11 months
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https://moguldom.com/445821/dr-ray-winbush-and-the-funded-attack-against-lineage-based-reparations-policy-3-things-to-know/?s=09
Dr. Ray Winbush And The Funded Attack Against Lineage-Based Reparations Policy: 3 Things To Know
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From L-R) Dr. Raymond Winbush (photo: Morgan State University), Jessica Ann Mitchell Aiwuyor (photo: National Black Cultural Information Trust), Dr. William Darity (Duke University), Kamilah Moore (photo: https://oag.ca.gov/ab3121/members/bios)
Reparations is a heated topic, not just between Black and White Americans but within the Black community as well. When it comes to who should receive reparations, there is a school of thought that it should be given to Black Americans in general. Other reparations scholars, such as Dr. William Darity, Duke University professor in the Sanford School of Public Policy, say reparations should only go to Black people who can trace their ancestry back to a Black slave in America.
Recently, there was a panel discussion featuring pro-reparations advocates, such as Dr. Raymond Winbush, who are against lineage-based reparations. Many of the organizations have ties to major funding. Here are three things to know.
1. Winbush: lineage advocates are like slave catchers
Raymond Winbush compared reparations lineage advocates to “slave catchers.” During the panel discussion, a part of which was posted on Twitter by an account named Non-Human Media, Winbush said people who demanded that reparations go only to those who have shown proof of slave ancestry were like “slave catchers” during slavery who insisted that freed Black people show their papers proving they were not slaves. He added that lineage-based advocates also want to depend on documentation that is created by white people. He added too that lineage-based reparation advocates were “pathologically anti-Pan-African,” meaning they were not advocating for the Black community worldwide.
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Pan-African activist Winbush is a research professor and the director of the Institute for Urban Research at Morgan State University. He has also served as a faculty member and administrator at a number of universities, including Oakwood University, Alabama A&M University, Vanderbilt University, and Fisk University.
2. Winbush and funding
Of the people on the panel, which also include Nkechi Taifa (founder, principal and CEO of The Taifa Group LLC, a social enterprise firm whose mission is to advance justice) and Akinyele Umoja (a founding member of the New Afrikan People’s Organization and the Malcolm X Grassroots Movement), Non-Human Media tweeted, “Reminder, these people were given a $500,000 grant from the MacArthur Foundation to “challenge cultural misinformation and disinformation surrounding reparations.”
Dr. Winbush’s research has received funding in the form of grants from the National Science Foundation, Cleveland Foundation, Job Training Partnership Act of 1982, West African Research Association, Pitney Bowes, Inc., the Ford Motor Company, and the Kellogg Foundation, according to his Morgan State University bio.
Also part of the panel discussion of anti-lineage reparations advocates was Jessica Ann Mitchell Aiwuyor, a cultural communications specialist based in Washington, D.C. area. She is the founder of the National Black Cultural Information Trust. According to her bio on the organization’s website, she is a descendant of enslaved Africans and maroons in Georgia and South Carolina. 
Additionally, Aiwuyor is a leader and advocate for multicultural digital media. She is the founder of Black Bloggers Connect, the first social network dedicated to supporting Black bloggers around the world, and founder of the Blogger Week Un/Conference, a multicultural social media networking conference held yearly in Washington, DC.
In 2021, the National Black Cultural Information Trust Inc. was awarded a grant from the John D. and Catherine T. MacArthur Foundation for its work to correct cultural disinformation, advance reparatory justice, and ​​share cultural information, stories, and resources that uplift the collective freedom of Black communities, according to a press release.
The grant is part of roughly $80 million in awards MacArthur announced in support of the foundation’s Equitable Recovery initiative, centered on advancing racial and ethnic justice. The initiative is funded by MacArthur’s social bonds, issued in response to the crises of the pandemic and racial inequity.
3. Lineage-based advocates: legally safest route
In a debate that threatens to divide the reparations movement, some advocates want reparations to be distributed based on race, going to all Black people in the U.S. Others, like reparations scholar Dr. William Darity, insist reparations must be based on lineage, paid only to descendants of enslaved people in the U.S.
Reparations based on lineage have a better chance of overcoming political and legal challenges, according to Erwin Chemerinsky, dean of the University of California Berkeley Law School.
Reparations based on lineage, as opposed to race, are less likely to be overturned in court, Berkeley Law School Dean Chemerinsky said during testimony in early March 2022 at one of the commission’s hearings, The New York Times reported.
The historic California Reparations Task Force, chaired by Kamilah Moore, elected to provide reparations based on lineage.
Moore is a reparatory justice scholar and an attorney. She was elected task force chairwoman at the group’s first meeting on June 1, 2021. When the task force opted for a lineage-based route, she said, that not going with a lineage-based approach would “aggrieve the victims of slavery.”
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On June 25, 1959 The Killer Shrews premiered in Dallas, Texas.
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Here's some new fan art to celebrate!
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