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#Pistols FX
tholosersclub · 2 years
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🖤 Louis Partridge Icons 🖤
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valentinedussaut · 2 years
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Pistols » Track 2: Rotten
“Do any of you imbeciles realise what’s happening here? He is one of the greatest guitarists in all of England. And you are an untutored genius that, with the right guidance, could change the world.”
“You’re a tosser.”
“Yes, I am. And I’m going to toss this boring, grey country with its corrupt Establishment right on its inbred, self-important arse. Now who wants to toss with me?”
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godblesshim · 2 years
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And now I understand you leave with everything I am
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monstersareinhumans · 2 years
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Louis Partridge as Sid Vicious (Pistol FX)
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salaciouscrumbb · 2 years
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johnny rotten: "we'll call you sid! after the hamster." sid vicious: "what's his second name?" johnny rotten: "hamsters don't have surnames." sid vicious: "well i'm gonna need a second name. for legal purposes."
genuinely wondering if this show is bad on purpose to better fall in line with the sex pistols ethos
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msawesomegeek · 2 years
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Pistol (the series) recommendation
Okay, hear me out, as a former emo kid/lets face it just punk wearing another disguise, of course I was going to watch and love this show.
Normally I'm all about movies, but I gotta say this show really did it for me. It sucks you in and it just keeps you glued to the screen, which lets face it, in this economy is all a show really needs to do. It has some great acting, and great lines. And I really did love the story and how they managed to make it so impactful and meaningful. And I think this show really does highlight why Danny Boyle can be a such a brilliant director. Same as he did trainspotting, and there are definitely some style parallels (not just because heroin was featured in both, though I do love that he sort of homaged himself with that scene in episode 6 where Steve throws himself on the bed). But it is truly brilliant the way this show is shot and edited. Not only does he nail the feeling of being nauseous or drunk or even high (Not that I've tried drugs that weren't for medical purposes but you get the point). He truly I think did both in this show and in Trainspotting, manage a very difficult balance. He seems to be able to brilliantly thread the needle between when to be serious and when not to be. He knows how to make partying seem fun, and when to make it seem like its not. He knows when this show needed to take something seriously and when we got to experience four boys (essentially) having fun and just hanging out with each other. And THAT is why I think he is so brilliant and I love that he tackles something like punk. Because yes, I know the punk I used to listen to weren't at all as edgy or even at all cool as the Sex Pistols became – however, the feeling this show presents, the feeling I assume that Sex Pistols did represent back then, that feeling carried on, into the punk that shaped me as a kid. Because like that woman in episode 2, which they barely touch on otherwise, because it gets overshadowed by the whole philosophy of: "Lets change the world" is really that punk is for the yes, kids, but it is for them BECAUSE, they don't feel seen or heard or able to do anything to get out of their situation. So they turn to the only form of anarchy they can: Music. And I think that both Pauline and the school girls both capture pretty well this overall message (at least in my interpretation): Behind all of Malcolms bullshit, behind the drugs and all of the talk from Sid about how: "Its all about image" Behind all of that lies why I loved this show and why I loved punk in the first place, because they were a way for the people to rebel when they had nowhere else to go. No where else to fit in. Yes glam rock was also for the outsiders, but punk? Punk is a way for people to say: I may not be able to change my problems or situation, but that doesn't mean I have to say thank you and be happy about it. So along with camaraderie, a pretty good comment on sexism in the music industry, some amazing fashion choices, and a style thats truly his own, Danny Boyle with this show truly manages to tell not only an amazing story, but a story that reminds you, that you don't have to take anyones fucking bullshit.
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vxnomoxz · 1 year
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Johnny *calming Sid down* Rotten
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souvlakiandcocaine · 2 months
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fx pistol (2022) episode 6
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isa6697 · 2 years
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tholosersclub · 2 years
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🖤 Louis Partridge🖤
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cjennies · 2 years
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Louis Partridge on Jonesy’s Jukebox
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the-fiction-witch · 1 month
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Not Here
Media - Pistol (Disney plus / FX) Character - Malcolm Mclaren Couple - Malcolm X Reader Reader - Y/n Rating - Cute Word Count - 700
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I hummed to myself as I worked on dinner watching over my hand mixer for a moment when I heard the phone ring. I turned the mixer off and brushed my hands over my little black apron seeing the flour now covering it but it didn't get anything on my red skirt so I suppose that is the trade-off. I looked over to the purple rotary phone on the table beside the sofa and I glared a moment at Malcolm as he sat on the sofa feet on the coffee table, leather trousers against the sofa, with his green dance shirt and a beer in his hand, as he works on though some paperwork with one pile on his left and one on his write as he shifts through the papers he's already typed up.
"You going to get that?" I cocked my hip and my eyebrow given I was in the kitchen and he was next to the phone,
"Not my house…" he shrugged,
"No but you do live here," I answered as I came over,
"Not on the lease as far as the landlord is concerned I do not live here," He said, "Or the police, or the council, or Viv."
I rolled my eyes and put the phone to my ear, "Hello?"
"Is Malcolm there?" The voice asks clearly Sid,
I glanced at Malcolm and mouthed to him 'It's Sid'
he immediately shook his head,
"He's not here Sid,"
"Well when you see him tell him to call me back," He demanded before the phone hung up,
"What did you do to him?" I asked setting the phone back on the receiver,
"He thinks I owe him money," Malcolm sighed,
"Do you?"
"…I don't Viv does," he shrugged,
"Alright," I chuckled heading back to the kitchen and getting on with dinner for a while more until the phone rang again, I cleaned off my hands and glared at him but he didn't move so I went bathe over and picked up the phone, "hello?"
"Hiya Y/n," Steve smiled down the phone,
"Ohh Hi Steve," I smiled,
"Malcolm about?"
I glanced up at Malcolm and he shook his head 'I'm not here,' He mouthed, "No sorry Steve he's not here," I answered,
"Alright tell him to call me when he gets in,"
"I will do, bye." I smiled,
"Bye!" He called before hanging up so I set the phone down,
"What did you do?" I asked,
"He thinks I have his car keys,"
"Do you?"
"… Actually, no."
"Are you lying to me?"
"I promise I don't have his keys, I did throw them in a drain though,"
"Alright," I sighed going back to cooking dinner and setting it in the oven, I set my apron on the hook and headed into the living room sitting in the chair given he was taking up the whole sofa with his paperwork, "What are you up to anyway?"
"Editing,"
"Alright Malcolm," I chuckled,
I heard the phone so I sighed and got up grabbing the phone and sitting on the arm of the sofa petting his hair he smiled and rubbed his head against me like a happy cat getting pets,
"We're popular today,"
"You're popular today," As I put the phone to my ear, "Hello?" I asked,
"Where is he!" Viv yelled,
"Who Viv?" I asked and immediately I felt him freeze up,
"Malcolm! of course!"
I glanced at him and he shook his head and moved his hand in a line across his neck "I am not here."
"He's out at the moment," I lied,
"When he gets in tell him to call me Immediately!" she yelled before she hung up,
I put the phone down and glared, "What did you do?"
"I haven't-"
"Malcolm."
"… I keyed her car," he sighed putting a cigarette in his mouth and lighting it up,
"Alright," I sighed, "I am not being your alibi again," I warned kissing his cheek and heading into the kitchen to check on dinner,
"But you're so good as an alibi darling," He pouts,
"No Malcolm," I sighed,
"Fine, Love you!" he called,
"Telling me you love me does not convince me to be your alibi but I love your too,"
"Fine, but if you won't be my alibi you can't get mad if I get in trouble,"
"Yes I can. And will."
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holyviolence · 1 year
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EYE CONTACT IN PISTOL (2022)
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dumspirovaniloquor · 1 year
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Johnny Rotten and Steve Jones' pictures from Amsterdam in 1977 is something that can be so personal--
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sexpistolsarchive · 2 years
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Steve Jones famous uncredited quote for NME (1976).
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burnedtaste · 2 years
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