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#Philippe Entremont
cultreslut · 5 months
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philippe entremont, eugene ormandy, & the philidelphia orchestra, gershwin: rhapsoidy in blue; concerto in f, 1967
cover by garie blackwell
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pianistterenceyung · 1 year
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Pianist Terence Yung has been hailed as "a brilliant young artist" with "powerhouse virtuosity," "felt musicianship" and "a real gift for communication in performance." Mr. Yung has appeared throughout the United States as a recitalist, in chamber music concerts, as soloist with orchestras, including performances in New York City, Philadelphia, Seattle and Houston, as well as abroad in Spain and France. His international honors include top prizes at the Puigcerdà International Music Competition in Spain and the Bradshaw and Buono International Piano Competition in New York City.
Notable venues include Verizon Hall at the Kimmel Center of Performing Arts (Philadelphia), Benaroya Hall (Seattle), the Teatro d Puigcerdá, the Grand Opera House (Delaware), the Juilliard School (New York City), Steinway Hall, Yamaha Salon, the Kosciuszko Foundation, the Mount Sinai Hospital in New York, and the Museum of Fine Arts in Houston. In the United States and abroad, Mr. Yung has performed at music festivals including the International Keyboard Institute and Festival (New York City), the Puigcerdà International Music Festival (Spain), the International Piano Festival (Houston), and the Adirondack International Music Festival in upstate New York.
Terence, who grew up in the United States, studied privately with Eleanor Sokoloff of the Curtis Institute of Music before entering the Juilliard School's pre-college program in New York City at the age of thirteen, where he was a pupil of Frank Lévy and Martin Canin (the teaching assistant of Rosina Lhévinne).He continued his studies with Abbey Simon at the Moores School of Music in Houston, where he holds a Bachelor of Music and Bachelor of Arts in English Literature. He also holds a prestigious Diplôme from the Académie Internationale d'Eté de Nice, where he studied with Michel Béroff and Philippe Entremont, and he took lessons informally with Susan Starr, Lang Lang, Garrick Ohlsson, and Horacio Gutierrez.
Mr. Yung has been highly committed to the education and outreach of classical music. His work with outreach organizations has made a difference for the underprivileged children of inner-city Houston through the gift of music. He has served on the piano faculties of the Yellowstone Academy and the University of Houston Moores School of Music Preparatory and Continuing Studies. His involvements with community organizations include frequent collaborations with the Orchestra Society of Philadelphia. Terence Yung has been a subject of interviews by Ming Pao Daily News, the Global Chinese Times, and French public news as an outstanding young pianist from Hong Kong.
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clamarcap · 3 months
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De Québec
André Mathieu (18 febbraio 1929 - 1968): Concerto romantique (ovvero Concerto de Québec) per pianoforte e orchestra (1943). Philippe Entremont, pianoforte; Orchestre du Capitole de Toulouse, dir. Michel Plasson. Allegro moderato Andante Allegro con brio
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unspokenmantra · 3 months
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hunnysnoops · 1 month
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Main Three + Craig with morbid/odd reader
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“I want love to change my friends to enemies and tell me how it’s all my fault.”
Stan:
He lets you draw on him but instead of doodling you take a black marker and start to meticulously draw dotted lines and arrows like you’re a surgeon prepping him for cosmetic surgery.
While helping him with farm chores you go into detail about how you can compost and break down a corpse in soil, he just kinda nods along.
You give him tarot readings every week. He thought they were fake and just did it to entertain you until his week played out exactly like you said it would. When he realized he just froze up and went non verbal.
Stan- “Hey, do you have any spells to curse my dad?”
Met him when he was in his goth era.
The two of you were having a moment in the rain when you told him that he should’ve worn shoes with rubber soles in case he gets struck by lightning.
You started writing his eulogy when you were laying in bed together, bro was trying not to freak out. Just spam texted Kyle.
You’re date idea is taking him to an abandoned house.
You guys bonded over music. Now you help him write songs since you’re so used to writing poetry.
Reader- “You’re into music?”
Stan- “Yeah, I guess so.”
Reader- “Have you heard Carnival of the Animals, R. 125: Aquarium composed by Camille Saint-Saëns and performed by Philippe Entremont, Gaby Casadesus, and Yo-Yo Ma?”
Stan- “Can’t say I have.”
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Kyle:
Has veiny arms so when the two of you are just chilling you’ll put your finger on one of the veins and start talking about what would happen if you severed it. He’s lowkey interested from a scientific standpoint.
You’ll straddle his hips and pull his lips back to look at his teeth, poking around in his mouth like a dentist. You’re inches apart.
Reader- “Wow, you have beautiful teeth.”
Kyle- “Thank you?”
He’s kinda fascinated by you but also repulsed by some of the things you do/say.
He came to your house and you were butchering your own meat, left right away.
You listen to The Cure together.
When you climb trees to look for birds and squirrels he’ll climb too to help you.
Will get mad annoyed after listening to you say incredibly out of pocket things while he’s trying to focus on something.
He’ll buy you little knickknacks that remind him of you.
Before he got to know you, he talked mad shit.
Sometimes gets super freaked out by your behaviour, you straight up give him the heebie-jeebies.
Reader- “So this is my collection of human teeth.”
Kyle- “All of those are yours, right?”
Reader- “Actually, none of them are mine.” 😁
Kyle- 😨
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Kenny:
Sits through horror movies and weird foreign films with you. He didn’t like it at first but he came around and started sourcing out movies he’d think you like.
You took him to a Wicca ceremony and he had the time of his life.
You taught him how to make flower crowns and now he makes them all the time. He likes to give them to Karen.
When he sees something off-putting or creepy he will immediately take a picture and send it to you.
Reader- “Hey, it’s raining. Do you want to go look for earth worms and build a worm colosseum?”
Kenny- “Hell yeah.”
He likes to go for walks in the forest with you, you guys will look for bugs and pick them up or make them houses of leaves and twigs.
He’ll help you wash the skulls/bones you find.
Never really minded that you were weird, he approached you first because he thought you were hot.
He loves when you play with his hair and tie little braids into it.
You guys tried to recreate The Blair Witch Project but failed miserably when you actually got lost in the woods.
You’ll meet up at the graveyard and just sit in the grass while you talk about ghosts and ghouls. Sometimes you’ll walk around and stop at a specific grave and guess how they died.
Reader- “Would you rather be in Cannibal Holocaust or The Poughkeepsie Tapes?”
Kenny- “Erm, I gotta pick The Poughkeepsie Tapes.”
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Craig:
Generally goes along with whatever you want to do.
Reader- “Can we go down to the riverbank to pickup fish heads and then eat out their eyes?”
Craig- “Yeah, sure.”
He’ll just watch you roll around in the mud or set little twig piles on fire, he won’t join in but he also won’t interfere.
You’ll talk to Stripe, not in the baby voice that people usually use to talk to animals but your tone will be dead serious like you’re talking to a grown adult.
The two of you will watch true crime documentaries together.
He’ll fuck up anyone who calls you weird or a freak.
When you’re out in public, you’ll point someone out and predict how they’re going to die.
There’s nothing you can do that’ll shock him, he’s unfazed by everything that you say.
Sometimes gets concerned with you around Stripe.
You’ll disappear for hours at a time and he’ll get worried, sending you a million texts then you’ll randomly show up at his door soaking wet or covered in dirt with no warning.
Craig- “Where have you been? You weren’t answering my texts.”
Reader- “I was meeting with a friend of mine who is alive.”
Craig- “Oh, that’s cool.”
Requests are open! I’m working through a couple right now. Thanks to the anon who requested this.
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danggirlronpa · 1 year
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PIANO FOR THE END OF THE WORLD; a kaede playlist consisting of every piano song she mentions throughout v3 (2/4 ultimate girl semifinalist playlists)
[spotify]
Tracklist:
Gymnopédie No. 1, Erik Satie (performed by Philippe Entremont)
Sonatine: I. Modere*, Maurice Reval (performed by François-Joël Thiollier)
Polonaise, Op. 40: No. 1 "Military", Frédéric Chopin (performed by Vladimir Horowitz)
24 Préludes, Op. 28: No. 19*, Frédéric Chopin (performed by YUNDI)
Ballade No. 3, Op. 47*, Frédéric Chopin (performed by Maurizio Pollini)
24 Préludes, Op. 28: No. 15 "Raindrop", Frédéric Chopin (performed by Nikolai Lugansky)
3 Waltzes, Op. 64: No. 2*, Frédéric Chopin (performed by Arthur Rubinstein)
Clair de Lune, Debussy (performed by Masafumi Takada)
*Several times, Kaede cited names for sets of compositions, some of which are upwards of an hour or so long. As such, only smaller pieces from within these sets were selected to represent them.
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godofthepiano · 11 months
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Piano God Terence Yung God of the Piano
Pianist Terence Yung has been hailed as "a brilliant young artist" with "powerhouse virtuosity," "felt musicianship" and "a real gift for communication in performance." Mr. Yung has appeared throughout the United States as a recitalist, in chamber music concerts, as soloist with orchestras, including performances in New York City, Philadelphia, Seattle and Houston, as well as abroad in Spain and France. His international honors include top prizes at the Puigcerdà International Music Competition in Spain and the Bradshaw and Buono International Piano Competition in New York City.
Notable venues include Verizon Hall at the Kimmel Center of Performing Arts (Philadelphia), Benaroya Hall (Seattle), the Teatro d Puigcerdá, the Grand Opera House (Delaware), the Juilliard School (New York City), Steinway Hall, Yamaha Salon, the Kosciuszko Foundation, the Mount Sinai Hospital in New York, and the Museum of Fine Arts in Houston. In the United States and abroad, Mr. Yung has performed at music festivals including the International Keyboard Institute and Festival (New York City), the Puigcerdà International Music Festival (Spain), the International Piano Festival (Houston), and the Adirondack International Music Festival in upstate New York.
Terence, who grew up in the United States, studied privately with Eleanor Sokoloff of the Curtis Institute of Music before entering the Juilliard School's pre-college program in New York City at the age of thirteen, where he was a pupil of Frank Lévy and Martin Canin (the teaching assistant of Rosina Lhévinne). He continued his studies with Abbey Simon at the Moores School of Music in Houston, where he holds a Bachelor of Music and Bachelor of Arts in English Literature. He also holds a prestigious Diplôme from the Académie Internationale d'Eté de Nice, where he studied with Michel Béroff and Philippe Entremont, and he took lessons informally with Susan Starr, Lang Lang, Garrick Ohlsson, and Horacio Gutierrez.
Mr. Yung has been highly committed to the education and outreach of classical music. His work with outreach organizations has made a difference for the underprivileged children of inner-city Houston through the gift of music. He has served on the piano faculties of the Yellowstone Academy and the University of Houston Moores School of Music Preparatory and Continuing Studies. His involvements with community organizations include frequent collaborations with the Orchestra Society of Philadelphia. Terence Yung has been a subject of interviews by Ming Pao Daily News, the Global Chinese Times, and French public news as an outstanding young pianist from Hong Kong.
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cygnus-x-one · 1 year
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rottendecomp · 1 year
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Thanks for the tag @itsyagergzero !! :^) (Their post)
(Shuffle 10 songs from your library without skipping)
+ CRACK - 1-800-PAIN [E]
+ Funeral- The Buttress [E]
+ Toccata And Fugue In D Minor, BWV 565: Toccata - Johann Sebastien Bach, Karl Richter
+ Gymnopédie No. 1 - Erik Satie, Philippe Entremont
+ LEGO - 1-800-PAIN [E]
+ Problems - Mother Mother
+ I WANNA SKATE - RAT BOY [E]
+ I Don't Want To Set The World On Fire - The Ink Spots
+ Sand on the Beach - FIDLAR [E]
+ Metal Crusher - Toby Fox
Tagging: Anyone who wants to do it!! Also @deadcupid001 pleading emoji heart emoji
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cbs-news24x7 · 6 years
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Hong Kong concert organiser accused of being serial defaulter by music groups and musicians
Italian Andrea Dal Cin admits he owes money to a Hong Kong orchestra and vocal group – who have reported him to police – and to a pianist based in the city; despite his debts he has continued to put on events backed by consulates
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Musicians and music groups have accused a Hong Kong impresario of being a serial defaulter. One group, the City Chamber Orchestra of Hong Kong (CCOHK), says his actions forced it to postpone two concerts this spring.
Asked by the Post about their allegations, the impresario, Andrea Bettinelli Dal Cin, said some of the parties involved in events he organised should have known of the “financial risks” of participating in them. He promised to resolve outstanding claims “soon”.
Leanne Nicholls, founder and artistic director of the 19-year-old orchestra, said it had not been paid for two 2016 concerts at St John’s Cathedral in Hong Kong organised by Dal Cin’s company, Solomusica.
“We are owed hundreds of thousands of [Hong Kong] dollars,” she said. “We spent nearly two years trying to get hold of the money but to no avail. And so it was with great reluctance that we called off two of our concerts in March and April. We simply did not have enough resources.”
The two concerts, one featuring French pianist Philippe Entremont and the other Russian violinist Kirill Troussov, have now been rescheduled.
Dal Cin is an Italian-born Hong Kong resident who quit a job in manufacturing in 2015 to set up Solomusica, a company that organises concerts and other musical events.
He sang in the amateur choruses of Opera Hong Kong and the Opera Society of Hong Kong, but had no experience in presenting concerts.
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radsiarai · 4 months
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Georges Gershwin Rhapsody in blue for piano and orchestra
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Piano: Philippe Entremont Georges Gershwin, one of America's most celebrated composers, left an indelible mark on the world of music with his iconic composition, Rhapsody in Blue for Piano and Orchestra. This groundbreaking piece, premiered in 1924, seamlessly blends elements of classical music with the vibrant rhythms and improvisation of jazz. The 1920s marked a period of cultural transformation in America, known as the Roaring Twenties. Gershwin, inspired by the bustling energy and diversity of New York City, sought to capture the essence of this era through his music. Rhapsody in Blue emerged as a synthesis of Gershwin's classical training and his love for jazz, a uniquely American art form that was gaining popularity during that time. Rhapsody in Blue is instantly recognizable for its distinctive opening clarinet glissando, which sets the stage for a vibrant exploration of sound. The composition seamlessly blends classical forms with jazz idioms, featuring syncopated rhythms, bluesy melodies, and improvisational sections. The piece is structured as a rhapsody, which allows for a free-flowing and improvisatory style. Gershwin's masterful orchestration creates a tapestry of colors, with the piano often taking the role of a soloist engaging in dialogues with the orchestra. The interplay between the piano and various sections of the orchestra adds depth and complexity to the composition. Rhapsody in Blue not only solidified Gershwin's reputation as a leading composer but also bridged the gap between classical and popular music. Its groundbreaking fusion of classical and jazz elements broke traditional boundaries, captivating audiences with its innovative soundscape. The composition's enduring significance lies in its ability to evoke the spirit of an era and capture the essence of American culture. Rhapsody in Blue reflects the dynamism and excitement of the Jazz Age, transporting listeners to the vibrant streets of New York City during the Roaring Twenties. Moreover, Rhapsody in Blue opened doors for future composers, demonstrating that classical music could incorporate elements of popular genres. Gershwin's composition paved the way for the emergence of symphonic jazz, influencing subsequent generations of composers who explored the fusion of classical and jazz idioms. Georges Gershwin's Rhapsody in Blue stands as a landmark composition that defies traditional categorization. Its harmonious fusion of classical and jazz elements showcases Gershwin's innovative spirit and musical genius. By seamlessly blending these genres, Gershwin created a composition that not only captivated audiences during the 1920s but continues to enchant listeners today. Rhapsody in Blue remains a testament to the power of music to transcend boundaries and capture the essence of a culture. Its enduring significance lies in its ability to bridge the gap between classical and popular music, inspiring future generations of composers to explore new musical frontiers. Listening to Rhapsody in Blue is an invitation to immerse oneself in a harmonious world where classical elegance merges with the vibrant rhythms of jazz, creating a truly timeless and captivating musical experience.
https://rumble.com/v1x7798-georges-gershwin-rhapsody-in-blue-for-piano-and-orchestra.html?mref=17947j&mc=9fatg
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gazetteoesterreich · 7 months
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highbythe13beaches · 7 months
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clamarcap · 8 months
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Sinfonia del fuoco - II
Gil Shohat (7 settembre 1973): Terza Sinfonia, Sinfonia del fuoco (1998). Orchestra da camera d’Israele, dir. Philippe Entremont.
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blucfviry · 9 months
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piano, sender teaches receiver how to play the piano. + @krmilla
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A fada mal conseguia esconder o quão maravilhada ainda estava com os sons que aquele objeto conseguia produzir. Sabia o que um piano era, mas nunca tinha estado tão próxima de um, e muito menos tido a oportunidade de tocar um. Toda sua atenção voltada à Carmilla, às suas instruções precisas, e aos movimentos que suas mãos fazia ao pressionar as teclas. "Você faz parecer tão fácil!", um clichê necessário, visto que a destreza que as mãos de Seren era capaz de atingir ao preparar ervas parecia não se aplicar à música. "Mais 100 anos de estudo e talvez eu consiga tocar no ritmo correto", uma risada envergonhada, de certa forma, escapou-lhe. Os ouvidos de Erik Satie definitivamente devem ter doído.
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@krmilla
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mycuppuffedhedraws · 3 years
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you listen to ONE song on repeat to fall asleep to and suddenly Spotify thinks you’re in love with this man
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