Phantom of the Mall: Eric's Revenge - Richard Friedman 1989
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I really enjoyed writing a review for The Phantom of the Opera (1983), so I thought I'd write another review for another Phantom movie I watched today. Today I watched Phantom of the Mall: Eric's Revenge (1989), directed by Richard Friedman, Eric played by Derek Rydall. My rating is 2/5, and the movie sits at 11/13 on my Phantom list.
The story was all over the place and really confusing, and honestly I don't even think I got the whole scope of what was going on. I did however really like Eric - in this one he has a gym in his lair and does martial arts lol (so cute). His origin story is that he and Melody (this story's Christine) used to be boyfriend and girlfriend but he supposedly died from their house burning on fire (which the reason was POORLY explained). The movie was also very sexual, like too many long sex scenes that had to be skipped over lmao.
Sadly, we get almost no time with him and lots of time spent on random characters with little to no resemblance to Phantom characters. They weren't even likable in the slightest. So really the only thing I enjoyed was the tiny amount of Eric we see. I would rather rewatch the 1962 adaptation over this, and that's saying something (but still better than 1943 and Love Never Dies 🤮).
Let me know what you guys think of this movie and if you've ever seen it!
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Phantom of the Opera AU where all the different Phantoms (including Winslow Leach and Eric Matthews) have a sewer network and regularly visit each other
My contribution to this AU (yeets shitty black and white art at you)
Eric Matthews: Is that Freddy Krueger?
Robert Englund!Erik: Who's Freddy Krueger??
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Triple Threat Theater Episode 76:
Phantoms
Films discussed on this episode:
The Phantom Of The Opera (1962)
Phantom Of The Paradise (1974)
Phantom Of The Mall: Eric's Revenge (1989)
Runtime: 1 hour, 32 minutes
Hosted By: Joe Daxberger & Rian Miller
Subscribe to Triple Threat Theater on iTunes or check us out on SoundCloud.
Follow Triple Threat Theater on Twitter and Instagram.
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Adaptation Blues - Phantom of the Mall: Eric’s Revenge
[The following essay contains SPOILERS; YOU HAVE BEEN WARNED!]
Gaston Leroux’s The Phantom of the Opera has been adapted to other media so frequently that many of the story’s finer details have been lost in translation; only the broadest strokes of the plot have survived long enough to penetrate the collective unconscious.
Universal’s 1943 version of the tale, for example, reimagines the eponymous specter’s physical disfigurement as a hideous burn scar, rather than a birth defect as in the original novel—a change that has lingered in subsequent reinterpretations, much like Sherlock Holmes’ “iconic” deerstalker cap. The character’s morality is likewise malleable: Hammer Horror’s 1962 film emphasizes his sympathetic qualities to such an extent that he never even commits a single murder, with his misdeeds instead attributed to a mute, hunchbacked accomplice; at the opposite end of the spectrum, Robert Englund portrayed him as a sadistic servant of Satan—an irredeemable, unrepentant serial killer clad in a grotesque mask sculpted from the rotting flesh of his victims.
Phantom of the Mall: Eric’s Revenge stretches the premise to its breaking point, retaining only the most superficial elements of the book that inspired it. The conflict, at least, is familiar: a deformed homicidal maniac stalks the shadowy maintenance hallways and comically oversized ventilation ducts of a recently constructed shopping mall—and he is singularly obsessed with our beautiful heroine (mild mannered waitress Melody Austin, an adequate substitute for singer Christine Daaé—though the lead vocalist in a local garage band would probably have been a more appropriate analogue). That, however, is the source material’s sole contribution to the narrative; what remains is a rather generic, by the numbers, dime a dozen slasher flick—gory, sleazy, and utterly disposable.
Which isn’t to say that the movie is totally devoid of entertainment value; like Troll 2, The Room, and Miami Connection, its unintentionally absurd tone is sure to appeal to devoted connoisseurs of trash cinema. If nothing else, it's delightfully nostalgic: Sam Goody features prominently in the background of several shots, a pre-fame Pauly Shore performs an excruciatingly awkward striptease, and the excessively abundant action scenes contain enough roundhouse kicks to rival Chuck Norris' entire body of work.
And that is Phantom of the Mall: Eric’s Revenge in a nutshell: a misguided “modernization” that was hilariously dated from the very moment of its release.
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#FridayVibes with Joe Bob's Vicious Vegas Valentine 💔 Phantom of the Mall: Eric's Revenge #shudder #thelastdrivein #mutantfam #horror #JoeBobBriggs #DarcytheMailGirl
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Phantom of the Mall: Eric's Revenge - Richard Friedman 1989
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Just a few Ep284 Axl Weazle of Totally Pauly gifs I made🩷✨️[2nd is my favorite🥺]
Mini edit coming soon 🙃
And yes I had to add the exit screen as well for ✨️aesthetics✨️
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God bless Phantom of the Mall. Eric and his half-mullet and twirly karate. Not-Raoul just wanting his daily scoop. That one snake. Buzz.
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