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theliterarywolf · 4 years

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Since you're an author, what's your opinion on the Internet Archive getting sued by publishers for piracy?

Oof, time to raise some eyebrows on both sides of this argument.

Let me provide an Abstract of all the points I'm going to tackle here (going full-on APA here):

While I do not believe that the Internet Archive should have been brought to court regarding this case, there does need to be a conversation had in regards to literature and book piracy. When it comes to creative fiction, memoirs, and independently-funded/created works, I don't condone piracy since authors and writers from those fields are scarcely getting paid for their work as it is. However, with textbooks and the like, due to the incredibly unbalanced 'cost-to-utility' ratio of most academically backed textbooks is horrifically skewed in favor of high costs, piracy should not only be accepted but encouraged.

Now, let's delve in:

With Internet Archive jumping in to fill a niche that libraries weren't able to due to the COVID-19 pandemic, I commend them on that. However, I don't imagine that they did much on regards to preventing people from making copies of the books they got from the Archive and distributing or even selling them. That's the case where I feel that publishers have a case in feeling as though their businesses are being attacked.

... However, this sentiment is biased from the point of view that the people who I really care about being affected by this sort of piracy are the writers themselves. I have been seeing numerous cases of recent writers who are barely breaking into their works being published being told that the publishing deals have been cancelled because someone has been distributing their works on piracy sites.

That. Is. DEVASTATING. Both fiscally and spiritually.

And I know that some of you may be thinking 'oh, that's so fucked up; that can't be happening!', but here's the thing:

The Western Book Industry is FUCKED.

I've mentioned this several times before but the whole thing is a slit-throat collection of cliques and archaic, unsustainable practices that people refuse to examine in favor of just head-hunting for people who can churn out 8 volumes of the same lowest-common denominator YA book to bring in a good few years' worth of royalty checks. The average literary agent or publishing house will not care if you have a dedicated following or customer-base if they see that any version of your work is being offered for free in any shape or form.

There is no reason to pirate a fiction book. Especially, to bring a related tangent, in the case of indie books or comics -- People, come ON. In those cases ESPECIALLY there's no reason to pirate since, more often than not, funds from sales of those books are going directly back into an author's hands rather than just a cut of them.

... Now, textbooks on the other hand?! Pirate them. If you can find a safe means to do it, pirate the hell out of any textbooks you need for school. Whereas fiction is typically priced accordingly based on a writer's skill and genre, textbooks are ALWAYS overpriced for what they are.

And talk about examples of 'planned obsolescence', depending on what field a textbook is centered on, some textbooks only have lifespans of a year if not SIX MONTHS.

And it's not like how, with a fictional book or memoir, you can resell them and the person buying them gets the initial worth of the book. With textbooks it's a literal gamble on whether you'll be able to resell since, again, by the time your underclassmen are taking your class, the book may be outdated and, ten to an even, a professor won't be lenient on them using an older edition.

And then the topic of keeping a textbook for reference. Well the information is constantly being outdated so, again, you're FUCKED.

Not to mention how, with my recent semester of grad school, I've been made privy to the fact that even some DIGITAL EDITIONS of textbooks (you know, the options most professors point out as a means to SAVE money but still have convenience of easy reference) have started running on SUBSCRIPTION SERVICE PLANS.

'Thanks for giving us money so you can have a digital textbook for class! Get ready to lose access to it in three months!'

Not to mention that a lot of textbooks' content is just bloat for the sake of the textbook writers flexing their egos. It's like those recipe websites where you just want to learn how to make cinnamon rolls out of leftover mashed potatoes but you have to scroll past a three-page anti-porn diatribe because the writer's daughters stumbled upon some smut because they didn't have Child Safety Settings on their computer.

So, in the case of a predatory industry like textbooks? I am all for piracy. If this lawsuit was focused primarily on textbook publishers being upset that someone's offering easier, more affordable options then I would say that the publishers can go fuck themselves. But with fiction and creative work, there's more nuance where such piracy could be seen as wrong.

UPDATE (6/14/20)

I just read through a detailed post explaining how the Internet Archive works which does include them implementing DRM to prevent copying/reselling. So, while I still stand to my points regarding book piracy being reprehensible (aside from the glutton that is the college textbook industry), this case really is that of certain scummy Publishers trying to stranglehold any venues of reading that they can’t get their hands on directly.

#books

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thepermanentrainpress · 4 years

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THE PERMANENT RAIN PRESS INTERVIEW WITH BROOKE LEWIS BELLAS

Her career has been prolific thus far, and keeps on getting busier. Brooke Lewis Bellas wears a number of titles – actress, philanthropist, producer, director, writer, life coach – and she doesn’t take any of it for granted. Her acting career has spanned nearly twenty years; an impressive variety of genres, characters and experiences to learn from. Aside from the screen, she is an activist for women and female empowerment.

How have you been keeping busy during this pandemic? During this period, have you learned anything new about yourself?

In all honesty, I sometimes feel guilty when I share that I have been as busy as ever! As an actress, producer, and philanthropist, so much of my “normal” life has been spent working from my home office, so, thankfully, I am still able to work and do all my media and press interviews, as I did prior to the pandemic. But, I so miss my people and social activities! I am currently in post-production on film and TV projects with various teams for Red Rooms, Stripped, and The Second Age of Aquarius. As we know, a lot has been halted with COVID-19, but we have managed to forge ahead slowly! I have been watching and voting on a lot of content as a Judge for The New York Chapter of The National Academy of Television Arts and Sciences (NY NATAS) and for the horrific Shriekfest Film Festival. I also worked behind the scenes to raise money for The Actors Fund and Frontline Responders Fund during this pandemic crisis.

In this pandemic experience, I have done some serious soul-searching and have learned a lot about myself! I have been compelled to reflect on life, work, and choices, and it has affected me both personally and professionally. It has made me realize that “the small stuff I sweat” on a daily basis in my career (like whether I booked the film or not) is truly trivial when we are facing life or death. It has given me the time I do not typically have, to assess the choices and mistakes I have made in my career, and how I plan to step back into my career space when this pandemic is contained one day. I am feeling more inspired than ever to create art, film, and TV with a greater purpose, with a purpose to serve the greater good, and to help and inspire others. I think this crisis is making everyone realize that life is short and precious, and I know I want to come out more courageous than ever as an actress!

You appeared at InHouse-Con’s Horror Movies Panel on August 1st. How special is it to still be able to connect virtually, from the safety of everyone’s homes? How was that experience?

Wow! I love that you asked this question about InHouse-Con, because it just occurred on Saturday and I am still reveling in it. What an incredible experience! It was an experience beyond anything I had expected. I am so blessed to be signed with Coolwaters Productions as my appearance agent for the last 13 years, and when Derek Maki invited me to participate with his horror celebrity clients, I was not sure what to expect in this new virtual world. What actually transpired was something that I personally was so moved by! This experience, to not only connect with the fans, but to connect with the “OG” Coolwaters Horror crew that I spent so many events and appearances with at actual physical horror and pop-culture conventions, throughout my career, was a gift. It really touched my heart to be able to spend a day with these folks virtually and to reminisce and experience the past, and to be in GRATITUDE for all the wonderful career moments that I have had. I think part of this virtual pandemic experience has, ironically, invited opportunities that we would not have had otherwise.

And albeit, I certainly miss the face-to-face energy and interaction, it just brightened my day to be virtually connected to actors whom I respect and admire. And, of course, to be able to have an opportunity to connect with the fans in this way, and to know that they still support my career and, in some way, I am able to connect with them to create joy and some semblance of “normalcy” by sending them autographed photos and memorabilia. It was very special and filled my heart during these challenging times.

You have been in the entertainment industry for many years across all different genres – horror, comedy, mystery, sci-fi – do you have a favourite to act in? How about your preference as a viewer?

Permanent Rain Press, thank you so much for recognizing that I have acted in all different genres, as I am grateful to be known in the horror genre and to be referred to as a “Scream Queen”, but I am sometimes challenged with proving myself and sharing that I have acted in so many other genres as well. I am often cast in comedy due to my quirky characteristics and persona, but, honestly, when it comes to acting, I am always seeking to play a very dark, dramatic, psychological, intense character role, as they are my absolute favorite. I love to dive into those deep, painful, emotional roles.

As a viewer, I love some great action film or television, and I am obsessed with mobster and mafia movies and TV... one of the things that has drawn me to act in that style genre over many years. I am absolutely guilty of being a huge horror fan, since I grew up in the 80’s and I love a good scare. But more often, I also love to “play detective” and watch a wonderfully smart mystery thriller from Alfred Hitchcock, Agatha Christie, or Brian De Palma, some of the filmmakers whom I deem to be the greats. But, if given the choice of what I prefer to watch, I am a cable TV junkie and you will find me binge-watching series, including Sex and the City, Outlander, The Sopranos, True Blood, and my latest obsession, Sons of Anarchy.

Let’s talk about your alter-ego, the funny and vibrant Brooklyn vampire, ‘Ms. Vampy.’ What do you enjoy the most about this character? Will you be reprising this role in the near future?

Ms. Vampy is a comedic mobster Brooklyn vampire with a heart of gold, and I am so proud of this character and all the projects that I have worked on with Ms. Vampy over many years. I most enjoy the fact that Ms. Vampy is all about positivity and supporting teen girls to face their fears and Vamp It Out! I am proud that I was able to create positive content for teenage girls with her, including, not only a streaming series, but authoring my book ‘Ms. Vampy’s Teen Tawk: There’s A Lotta Power In Ya Choices.’ And, make no mistake, I love that she is my alter-ego that I can tap into when I need inner courage or to be fearless!

There is actually a lot going on with Ms. Vampy behind the scenes, as we speak, so we can say we are “revamping.” My writing partners and I have been working on a new screenplay and TV pilot titled Vamp It Out, and you will be the first to have an exclusive that we were just accepted into both Action On Film MEGAFEST International Film Festival & Writers Celebration and Hollywood Dreams International Film Festival and Writers Competition in the screenplay category. We are vamping out with excitement and ready to celebrate!

You wrote, produced, and starred in this passion project as well. Being behind the camera and seeing your vision come to life, how special is that to you as an artist?

I sure did! And, I was forced to Vamp It Out every step of the way, as production is such a challenging process! My first two projects with Ms. Vampy began in 2008, and then in 2011, where I really did take the reigns, both behind the camera and in front of the camera. These projects have been some of the most challenging projects of my life and career, but some of the most rewarding. With any project, when you have a vision and you are able to bring it to fruition in whatever way, shape, or form possible, and that means whatever medium, whatever budget, whatever message you create, it is so fulfilling to know that your hard work is being developed, created, and produced, so you are able to share it with the world. I can assure you, Ms. Vampy is no stranger to... Blood, Sweat and Tears. Pun intended!

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You’ve worked on so many cool projects, in particular a lot of indie films. Independent film has reputation for focusing on the story with the team behind it incredibly passionate about their work. What has your experience been on these sets?

Separate of Ms. Vampy, can we refer back to... Blood, Sweat and Tears? You said it best, and I will flush this answer out, that as an indie filmmaker and actor, one must be passionate about the project they are producing and creating, as the experience is not always fun and exciting. And, we are definitely not in it for the money! In full disclosure, I have had some of the most incredible experiences of my life and career on indie films, and have been blessed to leave them with a new loving and supportive film family... while, on other indie films, I have left with the most empty feeling and wondering if I am worthy of more, if I am talented enough for something more professional, and I have left questioning my life and career choices. I have had the opportunity to work with incredible indie film directors who have pushed me beyond my limits and what I thought I was capable of as an actress, and I have left indie film sets feeling as though I may actually have known more than the director or producer, and like I could have given so much more of a performance as an actress.

I have stories that I will cherish till my dying days, and I have nightmares that still haunt me in my sleep. I think that we make the best choices we can in the moment, and do what we think is right, and sometimes we are still exposed to an indie film situation where it is almost impossible to believe what has transpired. Overall, I feel my positive and negative experiences have shaped me into who I am as a woman... as an actress... as a producer... and, have taught me the most valuable lessons and have shown me that I am stronger than I think I am. These experiences have really made me self-reflect during this pandemic and inspired me to choose projects that uphold my highest good in the future.

You are an advocate for women, their body image and self-confidence through Breaking the Chains Foundation. The non-profit uses creative outreach to raise awareness, advocate, and provide support. Tell us about your involvement, and why female empowerment is important to you.

I am a proud Celebrity Ambassador for the Breaking the Chains Foundation and getting behind our fearless leader, Debra Hopkins, to support this great cause. I was inspired to get involved years ago, because I have been an actress since I was young, I have battled weight issues since I was young, I have repeatedly gone up and down ten pounds, and because I am naturally short, curvy, and ethnic, ten pounds is a world of difference, and when you are on camera, you are consistently challenged with people who are judging you and soon you start judging yourself. So, for me, the Breaking the Chains Foundation has been such an inspiration, as it is a cause and mission that supports people with eating disorders, body image issues, self-esteem issues, and body shaming. I have been affected by all of this personally and professionally, and want to support young people who are also challenged with body image and self-esteem, and to support them in cultivating their inner strengths and healing through art, and that is what the Breaking the Chains Foundation is all about: being able to heal and create self-love through the arts, whether it be dance, painting, acting, etc… To me, that is all encompassing of what is so profound and special about this foundation.

I truly feel that our society has set women up to compete, and compare and contrast, with one another. It is the time in our world to break that cycle and allow ourselves to empower other women, to support other women, to not compete with other women, and to really ban together and know that Female Empowerment is the greatest power we have.

You don’t take work for granted, always grateful for your opportunities and the life you lead. What keeps you grounded and motivated on a daily basis?

I truly appreciate you acknowledging my gratitude, as I do not take for granted even the small opportunities that life has afforded me. As far as keeping grounded, well that is a tough one for me, as I often feel like I am just flying all over the place (and, I am not talking about Ms. Vampy)! I feel like I always have 100 responsibilities at the same time! That said, I do work equally as hard to stay grounded and motivated on a daily basis, and that requires commitment, organization, and finding life and work balance, which I am still working on diligently each day. I commit to hard work, then making time for my intimate connections to speak on the phone or spend in-person time with the people I love, which includes my newlywed husband, my family across the country, my friends, and my business associates that I am blessed to have in my life, often since childhood.

I also think it is incredibly important when you are in an industry as stressful as the entertainment industry, to make sure to have your stable of support people, and that includes my talent reps and extends to my life coach, Lori Bertazzon, my actress empowerment sessions with Michelle Colt, and my psychic healers like Mitra Rahbar, Marilyn Alauria and Chiara Maya. I could not possibly do this on a daily basis on my own.

You’ve described yourself as a ‘Glam Gal.’ If you had to pick one, what has been your favourite red carpet look over the years? How would you describe your everyday style?

Oh yes, I describe myself as a professed ‘Hot Mess Glam Gal.’ I love getting glammed, styled, and fabulous for all of the incredible Hollywood and Red Carpet events over the years (shout out to my Glam Goddess squad, Allison Noelle, who styles me for all events and film hair and make up and shout out to my hair cut and colorist Crystal Betke at Hairroin Salon). You are killing me by asking me to pick just one of my favorite Red Carpet looks over the years, as it is just not possible, because I have so many, but I will narrow it down to two. As my publicist, Jessica Katz, and I have discussed on many occasions, we will always be in love with my Red Carpet look at the 2018 Women In Film Crystal + Lucy Awards (left), and, truly, my absolute favorite is my Red Carpet look for the 2019 Costume Designer Guild Awards (right) with my fab friend, and Costume Designer, Marianne Parker. It is one of those looks that I refer back to when I set goals of what I want to look like on the next Red Carpet.

My everyday style is still Glam in some ways, let's just say ‘Hot Mess Glam’ downplayed a bit, as you will rarely find me outside of my house without hair somewhat done (albeit hot mess messy), make-up, nails and toes manicured, and high heels... and if you do, my face will surely be covered by my Dior glam sunglasses. I have mastered the art of being fashion shabby chic, as I will run out of the house in a Kaftan or sexy sweatpants and a cut off t-shirt, very Flashdance circa 80’s off-the-shoulder style or with a slit up the leg. Hey, I have my own Glam Gal thing working just for me!

You have a number of projects in post-production, including The Second Age of Aquarius. Tell us a bit about this one, and your character Tawny Stevens.

I am so grateful that I had acted in, and produced, a few projects that wrapped prior to COVID-19. My Psycho Therapy (Amazon Prime) film director, Staci Layne Wilson, wrote a film with Darren Gordon Smith (Repo! The Genetic Opera) titled The Second Age of Aquarius. Those two are so crazy talented. It is such a fun indie gem that was produced by Nancy Long. I do not want to give any spoilers, but it is a comedy, with a little bit of a Sci-Fi twist, a hologram, and a lot of music. It is really sweet and clever. The two leads are Christina Jacquelyn Calph and Michael Ursu. I am an Executive Producer and I act in it. I play Tawny Stevens. She is a young mom to Alberta Stevens, stuck in the eighties, as that eighties-style, New Jersey, rocker mom. Wait until you see my hair, my make-up, and my leopard pants. I did the Jersey accent. I can’t wait for the film to come out next year!

Tell us about your new film The Mourning. What drew you to this project?

Okay, since I am a Co-producer on this film, I will simply have to give you my producer-style pitch for it!

Odyssey Motion Pictures released The Mourning Drama/Mystery/Sci-fi/Romance on Tubi TV. Directed by Marc Clebanoff (Stripped), The Mourning stars Michael Rene Walton (20 Ft Below: The Darkness Descending), Louis Mandylor (My Big Fat Greek Wedding), Dominique Swain (Lolita), Sally McDonald (Crushed), Larry Hankin (Home Alone), Peter Dobson (Frighteners), Kinga Phillips (6 Ways to Sundown), Brooke Lewis Bellas (Sinatra Club), Frank Krueger (No Clean Break) and Bob Spillman (White Mule). Produced by Marc Clebanoff, Michael Rene Walton and Pepe Lobo. Co-producers Nadeem Soumah, Anoop Rangi and Brooke Lewis Bellas. Cinematography by Nadeem Soumah. Written by Marc Clebanoff and Michael Rene Walton.

Synopsis:

Aaron returns to his small Middle America hometown, inexplicably, not having aged a day since his mysterious disappearance in Desert Storm 20 years prior. Initially unable to speak, Aaron must come to terms with the losses and evolution of his loved ones in his absence. Concurrently, Aaron’s loved ones must come to terms with the reappearance of the boy who they grieved over and let go years prior. As Aaron begins to assimilate himself back into the lives of his family, his best friend and his long lost lover, it is slowly revealed that Aaron’s homecoming is not permanent. A conspiracy theorist and a mysterious angelic figure, both stalking Aaron, build toward a finale in which Aaron must tie up loose ends before disappearing again forever.

I was drawn to this project, as I am always grateful to have a direct offer for an acting role, and to step into a role that was written for me. In one scene, I am sort of the “comedic relief” character that lightens the dramatic and supernatural intensity. I got to play Lisa “Ass Face.” Lisa was the "unattractive" girl in high school who used to like Aaron and the lead guys. They never gave her the time of day, but when Aaron returns from his mysterious disappearance and reunites with his high school friends, he sees a "cute" girl at the local hangout bar and his friends tell him she is Lisa "Ass Face" from high school. Aaron cannot believe it and realizes how much things REALLY have changed, since his mysterious disappearance. Lisa gets drawn into the intense Sci-fi drama that ensues with Aaron and his friends and finds herself with more than a hookup!

I just fell in love with the themes of life, death, love, and romance in this story, and jumped on as a Co-producer, as well. We had the time of our lives filming this in Holland, Michigan a few years back and I am very proud of this indie film! Please help support it by watching now on Tubi TV streaming.

Our signature question – if you could be any ice cream flavour, which would you be and why?

Cookie Dough! Everyone loves Cookie Dough ice cream… and, even when the dough is raw and raw and exposed in imperfect proportions, we keep digging through and wanting more!

Photo credit to: Isaac Alvarez Hair and Makeup: Allison Noelle

#entertainment #feature #Interview #Brooke Lewis Bellas #Brooke Lewis #Katz PR #The Mourning #Ms. Vampy #The Second Age of Aquarius #actor #actress

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punkscowardschampions · 5 years

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Rio & Buster

Rio: McKenna, don't suppose you've got my debit? Checking around before I cancel it Buster: Hang on, I'll have a scout Buster: Not seeing it Rio: Great Buster: Want me to call the club? They might have it Rio: Don't bother, place was so sketchy they'd probably just keep it themselves if it wasn't knicked by a random Buster: I can't remember Buster: Where were we? Rio: Gonna get far calling them then weren't ya? Rio: Krystle Rio: first in a series of bad ideas Buster: Weren't complaining at the time Buster: I remember that much Rio: Speak for yourself, dickhead Rio: that was probably some other bitch you're 'fondly remembering' over there 👌🍆 Buster: Give me some credit Buster: Even if a thief has fucked yours Rio: What, not working on your overall score last night? Buster: Wasn't in the mood strangely enough, almost like I'd been at a funeral Rio: 🙄 what a terrible inconvenience for you Rio: not what she woulda wanted for you, respect the dead's wishes Buster: Too busy fulfilling the wishes of the living Rio: Sure, didn't need that much convincing Rio: Didn't fuck my brains out, lad Buster: I'm not the one acting like I did Buster: It happened I'm not gonna cry about it Rio: Fucking should Rio: Your Ma certainly would Rio: mine too if she weren't otherwise engaged Buster: Fuck that Buster: She's got room to talk Buster: Her and my dad grew up together just like we did Rio: Hm Rio: True enough, McKenna Rio: just following family tradition of being fucked up Buster: Following in my parents footsteps like a good lad Rio: well, I'd suggest you find another cousin to maintain the legacy with but if you go near any of them I will kill you myself Buster: Nice to know that's what you think of me Rio: Did you expect a different reception? Rio: What the fuck Buster: Don't drag them into this shit, alright? Buster: We did it. Us Buster: I'm not collecting cousins Rio: I'm not saying I didn't but I know my reasoning Rio: Why did you? Buster: 'cause I wanted to Rio: No shit, I knew that, I was there, remember? Rio: but why, and fuck it, don't need to tell me but ask yourself maybe Buster: I don't know what magic words you're expecting Buster: It's not that deep Rio: Don't be stupid Rio: I want to know what's wrong with you Buster: Ain't nothing wrong here Rio: Fine Rio: Whatever helps you sleep at night, McKenna Buster: I can pay for a shrink, Cavante, I don't need your amateur attempts Rio: So can I Rio: Dunno if the funds will stretch for all 9 of us though Rio: Spare a thought Buster: I already do Rio: Does your philanthropy know no bounds? Rio: Feeling the love Buster: Surprised you've got room next to the guilt Rio: what the fuck are you saying Buster: Such a big mistake, yeah? Rio: yeah, what else could it be? Buster: A good time Buster: They're in short supply around here right now Rio: Whatever you say Rio: Not like this kind of thing isn't what got me here in first place Buster: Drew being a perv had nothing to do with you Rio: You're wrong Rio: hardly one-sided either Buster: Yeah it was Buster: Everyone knows that Rio: I thought he was hot, I'd say as much, I flirted with him Buster: Even if you were wet for him you'd never have gone there Buster: You wouldn't do it to Indie Buster: She idolises that cunt. Or did Rio: Wouldn't I? Rio: Think what you like, I don't wanna talk about it anymore Buster: We don't have to, but come on, Rio, it ain't about what I think Rio: No, it ain't Rio: Don't matter what any of us think or say Rio: too late Buster: It's his fuck up Buster: not yours Rio: and where the fuck is he then? did you see him at the funeral crying his heart out? Rio: 'cos I fucking didn't Buster: No Buster: I wish I had, I'd knock him out Rio: Lol Rio: no one would be rushing to stop you Buster: Good Buster: You at home? Rio: why? wanna come round and meet the parents? Buster: Of course Buster: Parents love me Rio: you love yourself Rio: and stop trying to make me laugh Buster: Yeah, and? Buster: I'm not trying anything Buster: Natural gifts, babe Rio: Everyone's got to have something they're good at, suppose Buster: Man of many gifts Buster: Won't rub it in though Buster: Sore enough today, aren't ya? Rio: Don't push it, McKenna Rio: what I should have said Rio: nothing but grazes from the wall, handled worse Buster: I'll wait 'til tonight if you don't like it in the cold light of day Buster: Since you were saying everything but then Rio: and you've never said anything you regret in the moment, eh? Rio: must've said something to Chlo you didn't mean for her to be so 😍 Buster: What's the point if it worked at the time Buster: She heard what she wanted to hear, I never lied Buster: I'm not gonna feel bad for how she interprets things Rio: Heaven forbid Buster McKenna ever feels bad about anything 😜 Buster: Why should I? Rio: If you've done something wrong Rio: but fair on her, not saying otherwise there, she's clearly a 🐰🍲 Buster: Like I said, ain't nothing wrong here Buster: Cheers for the backup on that though Rio: Perhaps not in your fam Rio: but people as a whole would disagree there Buster: I can't speak for anyone but myself, babe Rio: You're seriously infuriating Rio: But I'm sure you already knew that 😏 Buster: Today I'm actually not trying to be Buster: It is what it is I guess Rio: Old habits Rio: Wouldn't be right if you were nice all of a sudden Buster: Yeah Buster: And I do aim to please so Rio: Thanks Rio: for not falling back on cliches 'cos you don't know what else to say Buster: Again, gimme some credit like Rio: Nah Rio: give you an inch, like Buster: Can't argue that, good as I am at it Rio: tell me, had you considered a career in law? 🤔 Rio: how's uni going anyway? Buster: Acing it as per Rio: 🙄 Glad I asked Rio: still, nice to be near Jay, less desirable to be near her Ma but what you gonna do Buster: Too right Buster: I've got her for a few days when I go back Buster: Chlo is treating this time in Dublin like it's a holiday and reckons she deserves one Rio: Naturally Rio: everyone knows how rowdy Irish wakes get Rio: practically Ibiza with the lads Rio: at least you actually enjoy having your kid around so not the punishment she intends it to be Buster: Exactly Buster: You can come see her if you're that way Buster: And want Rio: Better not, eh Rio: Cute distraction, as she is Buster: I'll pass it on Buster: She don't hold a grudge for long yet Rio: she can't even hold her own head up Rio: come for me when you've got object permanence, babe 😂 Buster: Made you laugh Rio: You're baby-brained, McKenna Rio: telling me you've got my nose in a sec Buster: You'd fall for it Rio: Fuck off 😂 Rio: Might not be a Mum but I've got 9 youngers I've been entertaining since the cradle days Rio: 10 if you count Indie Rio: well, back down to 9 now, ha Buster: How is she? Rio: Fucked Rio: Not only is her Dad worse than she let slide already Rio: well, you know Rio: Hi sis, bye sis Rio: I'm doing my best to look after her but Buster: If there's anything Buster: Call me, yeah? Rio: Yeah Rio: Got a cape? Buster: I'll splash the cash this afternoon Buster: Consider it done Rio: fit the ego Rio: oops i meant alter-ego Buster: Nah you didn't Rio: Nope 😘 Buster: I'll let you go and cancel your cards then Buster: Unless there's anything else Rio: One last thing Buster: Go on Rio: Reckon we're going to hell? Buster: Fuck that Buster: There's no god to judge us Rio: I'd like to think so Rio: so, just this once, take your word on it Buster: I won't tell anyone it's alright Buster: You can carry on letting everyone know I talk shit Rio: And who's rep are you really protecting there? Rio: Sneaky Rio: I see you Buster: You always have done Buster: Doubt yourself on whatever else you want but that's not up for debating Rio: Too right Rio: Buster I Rio: Never mind actually Rio: you can go Buster: Fuck off leaving me hanging like Buster: What? Rio: Hang on Rio: Just debating if I lie or that's even more shaming Buster: Just tell me Rio: I wanna see you again Rio: before you go Buster: I'll be there Buster: Where are you now? Rio: Sofa surfing Rio: Come get me Buster: Text me the address Buster: I'm getting in the car Rio: On it Buster: See you in 10 Rio: Hurry Rio: no don't Rio: that was a fucking stupid thing to say Rio: be careful, okay? Buster: I promise you

#*sobs*

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vinylexams · 5 years

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Dramathan - Into the Pink

I’m VERY excited to make this post because if you’ve been following VE for a while, you’ll recognize it as one of the only albums I’ve used this platform to help fund-raise to see it get pressed! Dramathan, or Jonathan as I know him, has been making noisy, DIY bedroom rock for a while now and Into the Pink is a big ol’ hunk of album with an even bigger story behind it. I won’t tell the story on his behalf, since there’s a pretty meaty interview waiting for you on our main website, but this album has a lot of backstory. Musically speaking, it’s really catchy pop-minded indie rock. It’s a little crunchy, it’s a little shoegazey, and it reminds me of the best-of-the-best college rock bands back in the mid and late 90s. Now, what’s even more exciting about this post is that it serves as your official heads up that I’ve also had a chance to interview Jonathan himself about this album and I’m including it in its entirety below the link to listen for yourself!

https://dramathantheband.bandcamp.com/album/into-the-pink

INTERVIEW:

Hi Jonathan! I’d love for you to tell us a bit about the album’s story and what you want us to know about the great music you’ve written here.

First of all, thank you! Not only for today, but for being one of the early supporters of this album. I’m aiming for brevity on this one because I know I have a lot to say! Into the Pink is my sophomore follow up to California Magick, both released on Kerchow Records. It is an album I wrote and recorded in its entirety all by myself. It documents these past couple of years full of love, death, redemption, depression,fame, triumph, fame, and a life changing cancer diagnosis. Jayne Mansfield’s Pink Palace was the inspiration for the title and thought of moving into the house of love. The remastered tracks are on Kerchow’s website and were the tracks used to press my new vinyl on pink wax! The vinyl can be purchased only through the Dramathan bandcamp.

Dramathan is a play on your name Jonathan, so tell us a little about that!

Like a lot of teens everything I experienced was just the end of the fucking world, a real costume drama. But in my defense my childhood was full of drama/trauma not completely of my own making. Yeah, I did wild things and was a chronic runaway. But what was I running away from? That’s the real question! But I digress. The short version is one day my mom called me that, it was funny and it just stuck. She was the only one who called me that for a long time. It’s in the Urban Dictionary and they describe it as “an over dramatic gay dude” (which I may or may not had a hand in coining) but I think of it more now as queer who puts an end to the drama and cuts through the bullshit. It’s a bit strange having a band name or persona that’s actually ridiculously personal. That’s kind of a running theme in my life. I mean, if you see my IMDB I play myself on The Fine Bros. React channel on Youtube. I’m lucky to have it though. It’s a name that really allows me to play to my moodiness musically and doesn’t pigeon hole me to a specific sound. Plus, It’s really the only good word play you can do with my name besides “Jon Not Thin” which is my IG handle, so there.

I shared a link to your GoFundMe page earlier this year to raise money for this pressing and also to help support your mother who is undergoing treatment for cancer. How has that campaign worked out?

In terms of funding, great. In term of community, it worked out better than anything I could have hoped for. I always thought I knew who my community was, but who it actually consisted of…well.. .that was a bit of a rude awakening. People that I supported by showing up to their shows, donating money to, or by lending my name to their events were nowhere to be found. That was until the buzz around Into the Pink started! It was fans of music not fame that lifted me up from its inception. There are so many people that claim to be supporters of poc-lgbtqia+-artists, so evolved in their inclusivity, but really are hypocritical or just surfing the trend for likes and followers. And these are things that shouldn’t be made trendy, because the problem with making them trendy is that trends go out of fashion and we are here to stay! These are real fucking people! The truth is people like me have to work twice as hard to get half as far in this industry. My therapist would say “thoughts are things” and ask “Is this a narrative you’ve created?” To that I say, ‘Yeah , thoughts are things and people can create a narrative, but reality is a thing too!’ And the reality is Into the Pink is album that was created on the island of misfit toys. It doesn’t really fit into one genre and there are people that get it and love it! Yes, I am aware that the story behind it resonates with a lot of people, but it wouldn’t be doing this well if it wasn’t a good album. Here is where I show my hubris. The people who funded it know the back story, but the majority of people buying the vinyl don’t. They want the music!!! I recorded this album all by myself, zero budget and on a phone! A damn phone, Nate! I had this one review where a sound engineer critiqued Into the Pink. Not a rock journalist mind you, but a sound engineer. They said things like “…not more than fuzzy guitars, drums and vocals…” well that’s what I had to work with! There was no producer and no studio! I love the Pixies but I’m not trying to be the Pixies! (another thing he threw out there, there are even references to the Sex Pistols which shows his musical pool to pull from). Black Francis isn’t recording in his bedroom in between taking his mother to chemo. I did win him over though and at the end he recommended it. A fucking sound engineer! He said I did “a remarkable job with the tools he was working with” and that all my songs were “catchy” a term I used to hate but now embrace as one of my strengths. All this is extremely important for any artist to know (esp. marginalized ones) and I’m not afraid to speak on these things and really show my seams, because I want people esp. queer or people of color to know it’s hard, but also know that they can do it!!! So many people finally get through the door and get a seat at the table in this industry. But then they shut the door behind them, barricade it! Because they feel like there isn’t room for anyone else. FUCK THAT! I’m all about breaking down that damn door and holding it open for others like me. I mean… the cream rises. You’re only afraid if you don’t have the goods. So, now I keep my circle tight, but right. Many of the campaign supporters were friends of React or Reactors themselves (Trudi, Ary, Faith and Jason). The trans community really stepped up and friends that know my mother. They know my mom has spent her entire life helping people, fighting for gay/equal rights by being part of ACT UP, a Brown Beret who helped raised money for communities where people couldn’t pay for their families’ own funerals, and a social worker who always went above and beyond as an advocate for the people she was assigned to. It was time to give back to the woman who had given so much all of her life.

If it’s not too forward, how is your mom doing? I know we’re all sending her lots of good vibes and thinking of her as she goes through treatment!

It’s rough. I didn’t know that the heart could break so many times in a day. How many times until it’s just broken, ya know??? Some days I hear my mom’s very distinct laugh and I am so grateful for that day and then the next moment I find myself frightened I might forget it someday soon. I want people to know how hard it can be so they cherish every moment with their loved ones without being a total buzzkill. I live my life pretty publicly/authentically, but I can only tell my side of it. I will say she’s a fighting and kicking ass, but for once I wish things could just be easy for her.

Tell us a little about you, the musician.

Well… I’m an autodidact. Before I got into punk I listened to a lot of female R&B groups, oldies and those old school Jamz like “Lookout Weekend” by Debbie Deb. My mom played a lot of Pat Benatar, The Cars, and Janet Jackson around the house so I learned a lot about hooks from those artists, at least early on. But I picked up on how to write harmonies from bands like Veruca Salt not the Beach Boys!

What is your approach to songwriting? Who do you credit as some of your biggest influences?

I’m a fucking workhorse when it comes to music! For every song on this album there are at least two others that didn’t make the cut! I will put out shit song after shit song until one feels right. (I shouldn’t say they were shit, but just weren’t up to my standards). I don’t wait for a muse to show up and guide my hands “Ghost” style. Sure, I get inspired, but I need to write and love doing so. This time though I stepped it up, I knew that I needed to write something people would buy! That’s the harsh reality of it. I still create without an audience in mind with the exception of a younger me. Growing up I always wanted to hear songs about boys loving boys, magick, poc, etc. So, I create what I want to see more of in the world and share personal experiences in hope to lessen others’ alienation. I also didn’t listen to any music while writing this album! I did have a vision board that had pictures of Deborah Harry, Debi Martini (whom I dedicated the album to), Jayne Mansfield and Patti Smith. Also, a list of bands I love including: Hole, Huggy Bear, Red Aunts, Helium, Julie Ruin, Free Kitten, Kaito, Veruca Salt, Slant 6, Frumpies, and L7. It was less a vision board and more of a reminder. Like REMEMBER WHAT YOU LOVE LISTENING TO and WHY! Hole will forever be my number one influence, I think Courtney Love is an underrated lyricist even if a vast amount of people think she is an overrated anything else. It’s funny because I grew up listening to noise bands, red aunts, but what comes out of me is this weird alt. pop! I mean, I don’t know many noise bands with bridges and a hook. Go figure!

If you got to collaborate with one famous musician or band (alive OR dead), who would it be and why?

Patti Smith, but what would I bring to the table??? She’s a Poet laureate! I would just prostrate myself at her feet.

What made you want to press this album on vinyl and how did you get connected with your label, Kerchow Records?

That was always the goal from day one. As a collector, why not my own wax? I read somewhere that on a digital format your ear/brain can get tired of the fixed sound. On vinyl it’s forever changing in the most miniscule of ways so it’s harder to tire of. We did do the cassette tape first because we weren’t fully funded and time was of the essence. The tracks weren’t mixed to my liking (my doing) but, I didn’t know how long we had with my mother. So, we released it just so my mother could see a tangible product. Not to mention Kerchow is famous for putting out tapes so I am honored to be their first vinyl release. I know they did one before, but it was combined label release with two other labels. Into the Pink is their first solely Kerchow vinyl. I first met Nick Dolezal in Fresno through my then boyfriend, Taylor Rosario-Price. Fresno is one of my hometowns. They have some of the best and worst people you will ever meet. Nick of Kerchow is one of the good ones. That is also how I met the brilliant Damaris Paz who made my vision for the cover come to fruition. All are amazing musicians/artists in their own right. I didn’t think they would be interested in my first album California Magick, because like I said before, my style didn’t really mesh with what I heard from their label or any for that matter, but I believe he was intrigued by how I was recording the songs before he heard the songs themselves. I didn’t even think to shop demos around for Into the Pink. They believed in me before the Youtube success and I’m all about bringing people up with me. They believed in me from the beginning so I wouldn’t just do one release and leave… it’s called loyalty!

What does the vinyl format mean to you? If you’re a collector, how did you get started and what types of records do you like to collect?

I started in my teens with whatever I could find at thrift stores. “Sounds to make you shiver” was a good one and probably the scratched to hell “Rumours” by Fleetwood Mac (which I still have). It started with riot grrrl releases! There was a time when whatever Kill Rock Stars put out without question, without hearing it, I would just buy it, because I knew it would be amazing. I have an affinity for the female voices so the majority of my collection is that. I have thousands of pieces of vinyl. Not to sound to snobby, but I only buy NM or Mint vinyl now.

Do you have any white whale records that you’ve never been able to find?

I’m going to say something I never thought I would say but I pretty much have all the records that I want. I know what your readers are thinking ‘well there you have it he’s not a real collector’, not true! It changed throughout the years. When I was doing my tumblr 365 it was an og pressing of Live Through This, got it. Not to mention a white label candy heart promo copy of Hole demos and rarities. Then it was all about getting them signed. I have signatures by: Kat Bjelland, Mary Timony, Louise Post, Janet Weiss, Theo Kogan etc. I even got The Craft soundtrack signed by Rachel True. Believe me, there are still records I would like to have but I know where they are. I still need singles like LaVern Baker “Voodoo, Voodoo”, Donna Lynn “I’d Much Rather Be with the Girls”, April Stevens “Kiss me tiger”, and Betty Lavette’s “Witchcraft in the air” It’s a cash issue as I am sure it is with a lot of collectors. Also, there are records that aren’t on vinyl that I’m waiting for like, Frumpies “One Piece”, the Jawbreaker soundtrack, Juliana Hatfield’s “Made in China”, even Sheryl Crow’s self-titled album lol!

Last Question! What’s a bit of Dramathan trivia that you’ve never told anyone in print before!

Until this album I had never wrote songs about one particular person. Even if it’s an it’s a very devasting break up song or about a boy (usually a diss track) it’s always snippets of many different experiences tied together. I feel in doing so, like, when you compile many different experiences that feel similar it has a synergistic effect and a lot more people can relate. Collecting all the teardrops to make the tidal wave sort of thing. Also, I feel like if I were to hone in on one person I would destroy them psychically! One song in particular is about my best bruja Lily. Who in my darkest hour showed up in my dream and I did the same in hers on the same night. She told me I “dream jumped” and as an avid student of the esoteric believe she saved me both in my dream and in real life because I was really depressed.

Also, I mention Angelyne in the album because we met for coffee and she drove me around Hollywood in her iconic pink corvette (for free I might add) and while writing L.A. Water I kept the pink quartz crystal she gave me in sight.

#dramathan #jonnotthin #finebrothers #finebros #adultsreact #diy #indierock #surfrock #california #pop #kerchowrecords

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