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discord-lurking · 4 months

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Dungeons and Daddies Wiki Drama: A Greek Tragedy Told through the Medium of Forum Posts (Part 1)

Prologue

Greek tragedies are typically formatted in three or more acts interspersed with choral interludes, beginning with a prologue, and ending with an exodus. In these, protagonists often meet their downfall due to their fatal flaw, or hamartia: the ways in which the protagonists are their own undoing. Our own human failings are the things that bring us the most pain.

When considering a three-act Greek tragedy structure for this, my first thought was to use the Oresteia as a framing device, a trilogy of plays written by Aeschylus about Agamemnon's family in the aftermath of the Trojan War. Upon reflection, though, the themes of the Oresteia (revenge vs. justice, perpetuating a cycle of violence, honor and punishment) didn't quite fit the story I was trying to tell.

No, this is a classic tale of hubris: excessive pride and its ultimate downfall.

After all, what position could come with more power than that of wiki moderator for a Dungeons and Dragons podcast series?

Act One: The Beginning of the End

The D&Dads wiki has historically been... unhelpful, at best. (Source: Myself.) Trouble had been brewing for a long time.

Forum posts from spring 2022 began noting issues cropping up around the wiki. First, it was a complaint about anonymous users "disrupting" the wiki (specifically on Jodie-related pages) while also fixing mistakes in articles.

I'm unsure what specific "disruptions" were meant, but the proposal to ban anonymous users didn't garner much traction.

March 21st, 2022:

After little activity for months (only one forum post, related to infoboxes), wiki user TwoRatner had a radical proposition: wiki migration.

December 17th, 2022:

TwoRatner suggested an alternate platform that would have different editing options, then made a potentially-prophetic statement: the wiki might be cursed.

This warning went unheeded.

December 27th, 2022:

Ten days after the migration suggestion, TwoRatner came back to ask if there were any recent changes. This went unanswered for months until new user Penguinwithafancytophat reported adding art to character pages (including Glenn, a main season 1 character since the start of the podcast in 2019, who incredibly might not have had any official art on his wiki page before March of 2023).

Spring of 2023 seemed to bring along a revival of the wiki, with new editors coming in, engaging with the forum, and attempting to make suggestions on how to improve wiki organization.

March 31st, 2023:

May 27th, 2023:

July 17th, 2023:

October 2nd, 2023:

Interestingly, the only administrator seen to be interacting with these enthusiastic new editors? Gaycowboyrats. Let's put a pin in that.

Enter: the drama.

It started out simple enough- a forum posts for administrators to discuss changes that needed to be made.

November 3rd, 2023:

76 replies.

Seventy. Six. Replies. Each deeply interesting in its own way.

However, this is a Tumblr post, not an Hbomberguy video essay, so I'll keep it brief.

The discussion started out as one might expect a wiki admin discussion to start:

Mods discussed blocks, deleting stub pages, spam, etc. Standard wiki business.

The first reply to ping my interest:

Removing cast pages from a wiki about their work seemed like an odd decision, in my non-wiki-editor opinion, but the last line is what really stuck out: "Besides, I hate the idea of someone vandalizing the pages to defame them."

Several questions arose for me:

Was this a known problem? Were people constantly vandalizing cast pages?

Would a vandalized fandom wiki page really defame somebody?

Isn't the point of wiki editing to remove vandalization on articles?

The administrators began to stand out to me as deeply invested in a very specific sense of wiki justice.

Users TwoRatner, Brazil86, and TheOneTrueGod41 agreed with Honic's take.

Another thing to ping my interest: these users seemed to share a similar odd, slightly stilted, writing style. Almost Tommy Wiseau-esque.

Brazil86 expressed optimism about users engaging with wiki pages, something that would begin to set them apart from other administrators.

As I read, themes began to emerge: wiki justice, and incongruous one-liners.

Quoth Honic Washington: "I just found a wave of nonsense fish. My backyard is full of them. Hey, TOTG41, do you like jazz? I like jazz."

Truly, modern poetry.

Administrator Marth8204 suggested giving people more time. More time for what? Unclear. It seems a plan was afoot.

TwoRatner came in with a hot take: "I feel like we need a community more right now, than adding links that people can search for in the search bar."

Brazil86 agreed: Changing the navigation was less important than getting people editing and making friends.

Another theme began to emerge: wiki community as more important than wiki functionality.

Gaycowboyrats had some (incredibly reasonable) objections to this, pointing out that the wiki was a resource for many visitors who might not participate- something that is generally true of wikis as a form of content.

Honic Washington responded to this, the signs of wiki-related stress beginning to show.

Honic posts a long rant about the thankless task of moderating a wiki, which goes largely unacknowledged.

Notable TwoRatner quotes:

"You can't crack open a few omelets without punching a few egg-rolls."

"Now Freddie will get more money. What do you all say? I think I helped quite a bit."

Another theme emerges: discontent in the wiki moderator ranks.

Honic reaches full Joker mode. Again, this goes largely unacknowledged.

Honic: "I am leader. I am a painter! Keep your rules. Keep your status. Keep your friends."

"Keep your status"- words that will reverberate throughout the rest of this tale.

The final theme? Wiki moderator status, and the maintenance of it.

After Honic's bomb drop, conversation about regular wiki moderation continued, with mods considering the addition of a bot to make edits.

Admin Discussion Zone, first started by Honic Washington, ends not with a bang but with a whimper.

Over nearly a year of forum posts, patterns emerged.

Firstly- users attempting to engage in the wiki, wiki administrators not engaging with these new users, then wiki administrators bemoaning the lack of user engagement.

The notable exception was Gaycowboyrats, the only wiki administrator to engage with new users in the forums. Gaycowboyrats, the administrator whose (incredibly reasonable) suggestions ended with Honic Washington's villain-esque monologues and denouement as a moderator.

Secondly- administrators putting forth large-scale, drastic solutions to real or perceived wiki problems. This includes Cheesoid4 wanting to ban anonymous users, TwoRatner suggesting site migration, Honic deleting cast pages to prevent vandalism, and more to come.

Thirdly- wiki administrators seeming to share similar styles of speech and occasional non-sequiturs. Interestingly, this mainly seems to include the wiki administrators who agree with each other.

Funny how that happens.

Chorus

Stay tuned for Part 2, where the forum drama really starts to heat up.

#dungeons and daddies

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iintervallum · 12 days

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Sometimes I think about how the dndads cast should be on tumblr, with them having a subreddit(you know how they can be) and dndadstwt being like 10 people, tumblr would be the perfect place for them to see more of the fandom, if they wish to that is. Since quite a lot of people on here are way less honed in on negativity than reddit and twitter.

My edit of this is getting long lol so I'm putting it under a cut

Especially reddit, the people on there honestly I think just get too attached to a specific format or way of doing things, its a common pattern in any long running show fandoms i've been in where its reddit that constantly complains about the "good ol' days" and hate any new changes made. I would sometimes drop in and just see a lot of Scary hate at times, or people getting very irritated with the rule breaking, or just complaining that they're "forcing" the humor. I saw a post like that when i just started s2 and that couldnt have been more incorrect (yeah the piss jokes got a bit much but every other part was golden!...pun not intended)

There were absolutely points where I felt my interest wanning, but I think people would get pretty vicious about it and make a lot of mean spirited accusations. Like if anything the things I really enjoyed about this season was how different it was to s1, the contrast was really nice and i liked a lot of the story choices made, i still think about the apollo four teens and the fucking goof realm episodes, they were amazing. Which is why I remember thinking it was odd that they suddenly started involving the dads from s1 more, but knowing now that Anthony was struggling with people not liking this season as much it makes perfect sense.

Idk if it were just me, but i liked the earlier parts of the season for how the teens were still kind of discovering more about themselves and through gathering each anchor, learning more that their parents are people too, with their own fuck ups revealed and the teens have to clean up after them, so having it shift to be about Willy again was a little odd if i'm being honest(I didnt hate it but a repeat villian is hard to do, and for what its worth i think Willy did get the end he deserved and i loved the finale).

Funnily, in its own way it fits the theme of being a teenager and having to live up to your parents expectations. In a meta sense this being the successor to the first season and it being awkward at points and having issues with its identity is very fitting and just like how teenhood actually is.

I've gotten off topic but my point is fandom is just fandom, and letting it influence the way creators can view their own work is an interesting side effect of the internet and the way we navigate with the media we enjoy or hate. And spaces like reddit are grown in a way to encourage more brutally critical ways of analysing media which has very little consideration for the creator. By no means am I saying that the creators of things should be coddled, heck I literally airing my own annoyances with the podcast in space where i'm uplifting the positivity of tumblr over those spaces lol. I just mean that seeing the more genuine side of the fanbase would be more of a better time for them.

EDIT: (I just phrased things better, fixed the spelling and grammer errors and added more thoughts) The more I ruminate on this the more I think that it would honestly be a good idea. Like I do get the base worry of being too close to the more intense side of the fandom, as people on here are unafraid to gush about the show in ways that can be a little much and theres parasociality and all that jazz.

But it would be really good at least to see some actual genuine positivity, so many people provide their thoughtful meta and theories that even if widely off base are just interesting to read through because of how various different people see themselves in the characters they play. And even the critiques people give are not unkind, they come from a place of wanting to understand the choices made better.

I mentioned this in the old version of this post but having a blacklisted tag that only the people who don't wish their post to be seen by the cast use, something along the lines like how the magnus archives fandom has "do not archive", would be a very useful tool to create a barrier in the fanbase. I know i'm someone who feels very nervous about creators seeing the posts I make. Something like "not safe for dads" could work well or any other joke or pun about it being hidden. I doubt it would be filled with discourse or whatever it would mainly be people hornyposting since i know fandom well enough lol.

#aster.txt #dndads #dungeons and daddies #i think people understandably may not want the creators of things here because it's very fandomy #and that sort of known idea that the creator could be seeing what you post can make people be less honest #at least i never feel comfortable with the creators seeing my posts about things i get shy over it #like idk it's embarrassing lol: they know now how much i enjoy the thing they make #I've edited the post!#Please reblog this version instead its more comphrehensive to my actual thoughts #that arent just a half assed post i put randomly in the main tag #dungeons and daddies podcast #fandom commentary

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mochiwrites · 1 year

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This is probably one of the weirdest alliances Joel has ever been in. And he’s been in some pretty weird alliances before. The Red Banners are the first to come to mind on that one, with Ren’s weird accent and all that.

But The Bad Boys might just take the top spot.

Upon first glance, his alliance with them seems pretty well put together. Joel has partly teamed with Grian before, back on a world where he seemed to be chained to the red mist, blood thirsty and out for whoever he could find. It had been fun, when Grian was also red and they ran around together.

So he knows how Grian operates, how he thinks and functions. He’s a good ally, loyal and eager.

(Joel pointedly ignores how nearly every ally Grian has ever had has died permanently due to his own hands.)

And then there’s Jimmy and well… Jim is Jim. In a good way, whatever that means.

The fact of the matter is, they’re a good team. With their Bread Bridge and then Bread Bridge version two in the sky. The Sadder Badder Ladder podcast. Joel likes teaming with them.

But this? This is a bit odd, even for him.

They’ve pushed their beds together. It’s hard to cuddle on a singular bed, and well, Bad Boys call each other babe and all that. Joel isn’t going to shy away from snuggling with Grian and Jimmy, especially when Grian fits against his side so easily, and Jimmy can easily wrap them both in his golden wings. Grian’s sleek cat tail tangles with Joel’s own (perks of being a wolf hybrid and all that), and sleep is quite peaceful.

It doesn’t start out that way though.

“Griaaaan, come on!” Jimmy whines as they all settle in for the night. They’re on the dry part of the mansion’s roof, the moon high in the sky above them. It casts them each in its soft blue glow, illuminating their figures. “You did it last time!”

Which is why Joel can see Jimmy’s pout so well.

Grian hums nonchalantly, kicking his shoes off and laying back in his bed. His ears twitch. “You willingly offered last time, Timmy. And now it’s actually my turn.” He shrugs.

“Because you had a rough day!” Jimmy points out. He’s kneeling on his bed, body angled toward them both.

Joel himself is already laying down flat on his back. He’s waiting.

“If you wanted your right and proper turn, you shouldn’t have given it up!”

“Griannnnnn!”

“Timmmmm.”

This is something that happens every night. The three of them get ready for bed, and Grian and Jimmy bicker over who gets to listen to Joel’s heartbeat. Honestly, Joel doesn’t get it. He knows it’s related to some kind of thing that neither Grian or Jimmy will actually tell him about. He’d ask, but asking feels… wrong, almost. Like if he does, Grian and Jimmy will stop.

So he doesn’t really question it, instead letting it happen.

Even if it’s weird. It’s such a weird habit, but none of them ever talk about it in the morning. In fact there’s not even any mention of it when they wake up.

(In retrospect it isn’t that weird. It’s normal to listen to your partner’s heartbeat. But what’s weird is it’s Grian and Jimmy wanting to listen to his. His? Joel’s? The red, lone wolf?)

A head on his chest makes him pause, and he looks down. He sees two fluffy ears and ashen blond hair. “Hello Grian,” he greets, watching as the other snuggles close.

“Hi Joel.”

“Comfortable?” He lifts a brow.

“Quite.” Joel can hear the smile in Grian’s voice.

He looks over at Jimmy, finding the other pouting as he lays down beside them. Without a moment of hesitation, those golden feathery blankets are settling over the pair, drawing a content purr from Grian.

But Jimmy is still pouting, most likely bothered that he lost to Grian. Which honestly, did he expect anything different? In a match between Grian and Jimmy, the winner is already decided.

Joel sighs, “Here, Jim.” As per usual with their weird little routine, Joel holds his wrist out to him as he wraps his other arm around Grian’s waist.

Jimmy’s face brightens as the pout leaves his face, and he holds Joel’s wrist in both his hands, fingers pressing carefully against his pulse. Joel feels the tension leave his body almost immediately as Jimmy relaxes against him. “Thanks.”

“You’re welcome.”

He then hears Jimmy make a curious trill, “Grian? Are you asleep yet?”

“Yes,” Grian answers, even as he pops an eye open to look at Jimmy. “I’m the sleepiest lad you’ve ever seen.”

“He’s a sleepy lad, boy,” Joel jokes, making Jimmy choke on his laughter.

“Stooop!” he exclaims, but he’s smiling.

Grian laughs, “We better stop, Joel. Wouldn’t want Tim to become a mad boy.”

“Or a sad boy.”

“Stop, stop it! It’s sleep time!” Jimmy laughs again, Grian and Joel’s own laughter joining him. After a moment or so, Jimmy calms down and he looks at Grian, expression turning bashful. “G can I… erm…. can I have your wrist?” he questions.

Something in Grian’s expression melts, his gaze turning soft and empathetic.

(There’s another thing Joel will never understand about Grian and Jimmy. Whatever the connection is between them. The silent understanding, the way they take one look at each other and just seem to understand what the other is thinking. Upon first glance, you’d never expect that from their dynamic. Not when Grian is so set on being a menace to Jimmy. But Joel gets that special look when it’s just them. He gets to see the way Grian is always touching Jimmy in someway, the way he presses against him, almost like he’s clinging to him. The way Jimmy will tuck Grian against him, and hold him.

Joel feels honored, not just to see it, but to be included in it. Like he’s been given a special sort of trust that no one else has. Not that he’ll ever tell either of them, of course.)

Reaching over Joel, Grian offers Jimmy his wrist. And Jimmy takes it in one of his hands.

Humming quietly, Jimmy pressed his lips first to the skin of Grian’s wrist before doing the same to Joel’s. “Good night,” he chirps.

Joel feels Grian’s lips through the fabric of his shirt, the contact leaving him warm and contented. “Night, Tim.” He feels Grian’s tail tangle with his own, and his purrs are soft, soothing.

Though it’s a little difficult, Joel reaches for Jimmy, pressing a kiss to his head before doing the same to Grian. “Night.”

The Bad Boys are certainly a weird alliance, but Joel is an expert in weird at this point. It doesn’t matter all that much to him, because he’s given both Grian and Jimmy a piece of his heart anyways. Weird or not, it doesn’t change the fact that these two are his. And every wolf protects their pack.

#mochi writes #poly bad boys #smallidarian #smallidarity #gribeans #solidrian #trafficshipping #the bad boys #limited life smp #I hope these are the right tags Oh Boy #anyways I blame stellar for this #got me crying in the club over the bad boys and heart beats #smth smth grian as a watcher likes to listen to heartbeats of his partners because he spent so long looking at them live #smth smth jimmy as a listener likes to feel heartbeats because he’s spent so long listening

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rosielav · 1 year

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Rosie's Favorite (currently finished/caught up) Podcasts:

The Amelia Project - silly, quirky, morbid but almost always more jaunty and eccentric than completely dark. Great for anyone who loves 'narrator' or interview type podcasts. If I'm not mistaken, I've posted some of my thoughts on here using the pod's hashtag.

The Mistholme Museum of Mystery, Morbitity, and Mortality - another narrator type podcast, and probably my favorite of all time. The main voice you hear is perfect imo and keeps you engaged in all the right ways, bringing tension where it's needed, and levity where it's funny or odd. Absolutely consumed this podcast with a voraciousness I haven't felt for a bit. Keeps you guessing and always wanting more from every exhibit.

Victoriocity - excellent voice acting, interesting and unique premise and setting, and great plot. One of the podcasts I'm most looking forward to returning :) think steam punk but also it's the 1800s still in weird ways. If you love an old timey British accent, you'll love this haha.

The White Vault - probably my favorite specifically horror podcast, that makes you wait for answers in a craving sort of way, a longing to know what's going on, and not slogging through a bunch of filler to then get answers. It's great, gorey, geographically diverse fun. Interesting mashups of various cultures re: mythology, history, religion(?). Another on my list to watch out for the return of.

Midnight Burger: the quick pitch is - a time traveling diner that always services people in need, no matter what time, space, or dimension they may reside in. Excellent cast of characters, great development, wonderful implementation of a new character(s), and in general a very comfortable vibe to return to (speaking of, once I run out of recommendations I may relisten to this one). Highly recommend if you like sitcoms with time travel splashed with a bit of horror.

Edit: just finished up another one, so time to add it to the list!!

Monstrous Agonies: A radio show advice segment, about, by, and for the Creature Community. If you like WTNV, but find it a bit intense sometimes, or a bit too plot heavy/etc, you'll absolutely love this. Instead of the whole show, you just get the advice segment, but oh ho ho, is it so much more than that. If you're queer, BIMPOC, from a blended/mixed/broken/anything but 'typical' home... I think you'll like it. Very much what I would call 'easy listening', meaning you can just ease into an episode without having to remember a huge cast of characters, a plots b plots C plots meta plots... And it just feels *real*, in that strange and beautiful way WTNV does, but instead of a fictional town, the setting is the real world, with real problems, and real solutions. Sometimes you really do just need to howl or cry or chew on some slippers and that's OK. Highly recommend for ADHD havers or anyone with a short attention span who loves a soothing voice.

Edit: Another absolute banger to add to the list

Wooden Overcoats - how do I even properly describe the experience of this podcast. Let's start with the basics: It's the story of twins who run a funeral parlor on a small island, in a small village. Their family has been running said parlor for hundreds of years, as the only funeral directors on the island. Until one day... They aren't. A man arrives and sets up his own funeral parlor directly across the square, and boy, do things change for those twins. If you've listened to (and loved) Victoriocity, or The Amelia Project, I guarantee you'll enjoy this one. Strange, silly, and interesting things are always happening, except this one doesn't have quite as much drama (well...... Perhaps a different kind of drama. I'd call this an interpersonal dramedy, with emphasis on the comedy). An incredible listen, through and through. I thoroughly enjoyed every single episode, and the ending was quite safisfying :)

Another EXCELLENT addition to this ever increasing list of content!!! I'm not even finished with this one, I just love it so much that I can't help but add it to the list:

Mission Rejected - you know in those spy movies, where the spy gets a secret message from HQ and they say 'your mission, if you choose to accept it...' ok great. Now imagine if 007 said 'no'. This is the story about the backups, the team that takes the missions rejected by the Top Spy Guy. It's got diverse voice acting (in many senses of the word - you can tell the voices apart, it's not exclusively straight cis white dudes, etc etc), wonderful worldbuilding, great pacing, an excellent plot, I really could go on and on. I highly recommend this specific podcast to anyone who wants something light to get deeply invested in, that has a lot of comedy but also develops the characters outside of just their bits. 100/10 no notes

Edit: not sure which podcast/podcast enthusiast rb'ed this yesterday but I'm so glad more folks get to see this list!!! It makes me so happy that lots of folks enjoy this list, a d share their fave ones, and!!!! Aaaggghhhhhhhhh!!! I love podcasts and podcast enthusiasts!!!!!

Also I have another one for yall :3 if you're looking for another improv comedy to add to your list!!!

Hey Riddle Riddle - exactly what you think it is, but also so much more. Three friends/coworkers who also happen to be sensational improv comedians solve riddles and puzzles together, while also introducing bits and skits and reoccurring segments, so it never feels like 'just a Riddle podcast' (whatever that means). I have laughed every single episode, which is a big deal for me (some comedy podcasts only make me laugh every few episodes, and I require at LEAST one laugh per episode). I can genuinely say this is one of the funniest podcasts I've ever listened to, and the absolute best improv I've ever heard. I'm all for committing to the bit, and this one absolutely delivers on both the commitment part and the bit part haha. Seriously can't recommend this one enough if you maybe listen to a lot of drama/horror and need something easy to listen to (easy meaning there's not a plot you have to be intensely listening for, you can just enjoy it casually). 1000/10, please listen and also tell me YOUR favorite riddles :)

#podcasts #podcast recommendation #Midnight Burger #victoriocity #the amelia project #the mistholme museum of mystery morbidity and mortality #the white vault #I spent a lot of time in Midnight burgers first episode wondering if Zebulon was Paul F Thompsons lmao #Anyways I love these podcasts please someone ask me about them #I desperately want to interact with more podcast people #Yell at me about podcasts #Ask me about my favorite characters or episodes #monstrous agonies #wooden overcoats #mission rejected podcast #Skip Grainger has made me realize what a blorbo truly is. I love this man. I love him so fucking much. With his little filing systems.#I want to scrunch him down and put him in my pocket forever I wanna just rotate him around in my brain he's the perfect lil guy #Finally a man i could truly feel safe around like... This man understands platonic love like no other man I've ever seen #hey riddle riddle

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woebegonepod · 6 months

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Podcast more like odd cast. I'm weird folks

#woe.begone

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mostlyinthemorning · 5 months

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Noahvember Day 30 - The Final Noahening

Thanks to everyone who followed along with me this month and to those of you who voted and shared these posts. I had a great time digging through my Noah-junk drawer and I hope you all did too.

To wrap things up - here's a smattering of things that didn't fit anywhere else.

Thanks to @noahreids for the gifs.

This post really is me dusting out the corners for odds and ends without any consistent theme. Here are some links and videos:

youtube

vimeo

youtube

The Wigmore's World podcast interviewed most of the Schitt's Creek cast, including Noah, and they're all worth listening to.

This is a lovely article where Noah (and Catherine and Emily) talk about the person who helped them early in their careers.

A few favourite fics:

You And Me And This Temptation by leupagus

Fit by WellSchitt

Fire and Snow by iola17 / @beaiola

Until next time.

#noahvember nonsense #noahvember 2023 #noahvember #noah reid #Youtube #Vimeo

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the-boney-rolls · 27 days

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The Great Covid Beatles Binge, Day 3: The Rutles

This is gonna be short and sweet because it's just a good, funny movie! There's not much to say about it.

The going from car to car to car is very good and already I'm giggling. I know this was made before Broad Street but that's what this license place makes me think of. I'm gonna go off on a limb and say Paul was not making a Rutles reference and this was a funny coincidence.

All of the names are fantastic but I gotta give the award to Leggy Mountbaton.

I like how some things just aren't jokes, like Ringo saying he wanted to be a hairdresser.

“Goose Step Mama” !

Why is Eric Idle actually the best Paul I've seen? Petition for Monty Python to cast the biopics.

“Shoot me down in flames if I should tell a lie” I love how insane the joke lyrics are.

Another thing that isn't a joke, Dick Jaws “an unemployed music publisher of no fixed ability." Brutal. chef's kiss

The references in this are so specific. Almost complete shot for shot remakes of The First US Visit. This was made by people with deep Beatles knowledge. If I had watched this when I was a teenage fan I wouldn't have gotten 90% of the jokes.

And damn this is cram jammed full of jokes. I almost lost it at "A Cellar Full of Goys"!

Bill Murray the K! Incredible. The casting in this is a work of art.

Oh look, a Beatles podcaster

"Four Oxford history professors on a hitchhiking tour of tea shops in the Rutland area." I don't know, sounds like a great idea for a Beatles movie to me.

Eyyyyyy, there he is! The George character meanwhile is conspicuously under the radar. They gave him Paul is Dead instead of anything of his own! Hmmm

Can't not acknowledge "Things had gotten so bad that both Dirk and Nasty got married. Not to each other! To women." No comment needed.

Is this scene the entire reason Paul didn't like this movie? It is an odd take on Paul. It's almost like someone knew that portraying him as awkward around women would particularly irk him.

“The art had all been dropped out of tall buildings and then put on display” sounds like a plausible modern art exhibit.

The Yoko stand in is a literally Nazi damn!

The feet film! Oh my god, George, what did you tell them??

John Belushi as Alan Klein, another genius casting choice.

I'm just gonna end on this shot of punk Dirk, stand in for glam mullet Paul, my beloved.

What a great time! Even if they did have George spilling the tea to them behind the scenes, I feel like this was made with a lot of love, by and for the hardcore girlies.

#the beatles #the rutles #monty python #george harrison #paul mccartney #john lennon #ringo starr

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vintagerpg · 2 months

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Those were the days! This week on the Vintage RPG Podcast, we talk to Chuck Kranz and Adam Rose about their forthcoming RPG, Teenage Odyssey. Set in a small town in the early '90s, the game casts players as teens navigating humdrum lives that are periodically thrown into chaos by bizarre supernatural events. Featuring art by Marie Enger and a light and flexible system based on Chris McDowall's Into the Odd, the game is on Kickstarter RIGHT NOW!

#roleplaying game #tabletop rpg #dungeons & dragons #rpg #d&d #ttrpg #podcast #Marie Enger #Cannon Otter Studio #Teenage Odyssey

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acsredstringbrigade · 3 months

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Now that everyone, not just Backers and Patrons have had a chance to listen to the first episode, here are my thoughts. Note, spoilers ahead for all of TMA and the the first episode.

First, I do adore our main cast. Sam and Alice are both very entertaining, and Colin is easily going to be a fan favorite. Im unsure about the tension between Lena and Gwen, but we will see where that goes.

Second, FR3-D1 is apparently an old computer program, and clearly related to some facet of the Eye, given its abilities to snoop through the entirety of the internet and get personal information that definitely violates GDPR. Though the fact that the computers are this old, perhaps they are still analog, allowing them to get around the digital issues that were encountered in the previous podcast. Though there is some irony in an Eye based program searching through the World Wide Web for information.

Next, the added voices. The first two of the three are obviously Martin and Jon, aka Norris and Chester. The third voice, Augustus ... the only person I can think of who would have been pulled into an eye based program with them had to be Jonah. I almost wish it would have been Anabelle, and I do hope to see her later on, but with the masculine name, and a name that sounds as old-fashioned as Augustus, really couldnt be anyone else.

Then, that first incident (yes, I am calling them incidents, not statements, as they are ... distinct in important ways) was fascinating. Obviously, elements of the Corruption are laced throughout, but what fascinates me is how many other facets could be identified there. Stranger, End, Dark, and maybe Spiral. That, plus the fact that the computer can only take one code for each incident ... something is going on there, and it is something that may cause problems for our protagonists later on.

The interview between Lena and Gwen was interesting. (I will come back to this in a later post. There's a lot to unpack, but it is being overshadowed by the next point)

And finally, the incident involving RedCanary. The Canary puns are easily made, though canary in the coal mine seems to be the one they were going for, given the "Canaries dont belong underground" comment. Also, it seems as though the institute itself served as the Panopticon did in the first universe, the offices serving as the cells, and the top floor almost certainly the panopticon itself. That and the ritual down in the archives themselves was likely the place where Magnus died.

The blood stains, the symbols on the floor matching those on a carved box. And we don't know what the picture itself was of, since the moderator removed the image. But based on the reactions of those in the thread, it was some sort of gore, and something involving eyes.

I see two major possibilities. Either something like what happened to Albrect Von Closen, and the man died of internal eyes, and whatever had stalked him posted the picture of his dead body. Or, RedCanary was trying to post a picture of the box for a while before, and it finally posted after he opened it, revealing a set of eyes inside. If the latter is true, those are most certainly Magnus' eyes aka Raymond Fielding from Hilltop Road and the spider box. Either way has implications, and I am fascinated to see which theory holds more water.

Odd that The Magnus Institute had been put on the list of buildings that had already been cleared. Theoretically, that is a list that only a few people use. Then again, I am not a spelunker, so I dont know how tight-knit the community is. I wonder who put it on that list.

Similarly, who or what removed all the paper? Not even pulpy traces of ash? Where are all of the records of the archive?

And for that matter, who burnt down the Institute?

#tmagp #the magnus protocol #tma

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lacklusterhero747 · 1 year

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Sic Semper Tyrannis

In my experience, just as many TTRPG campaigns focus on war and conflict against the powers that be as focus on exploring the wild and untamed places of the world. From stories of the companions of The Inn of the Last Home in Dragonlance to the punk rock rebels and Anarchists of Shadowrun, many times the motivating force of the story is the direct fight for survival in a world that is hostile to the very people and heroes that inhabit it. It's a well tread set of story tropes that offer clearly defined goals and villains and in built sense of drama, so it's understandable why so many stories would choose to focus on these themes.

And sometimes, if you're lucky, you get to fight those battles from the cockpit of a giant robot.

Armour Astir: Advent is a high-fantasy roleplaying game about striking back against an authority that seeks to control you. It is a game of rival pilots clashing in steel-clad Astirs, of soldiers holding their own against the odds, and of spies and diplomats twisting the world to their ends. It is not a game of careful preparation or pleasant truces; It's hard to change the world without taking a risk.

I first became aware of this game because of the excellent podcast Friends at the Table, when they played the game as part of their Road to Palisade series of games, leading up to the third season of their ongoing Divine Cycle of games. Immediately I was taken by the combination of high fantasy magic merged with the classic tropes of mecha anime that were apparent in the game as written, even if the cast was hacking the material to make fit into their more futuristic world they had built.

I felt compelled to track it down to read it for myself.

Inside the PDF, written by Briar Sovereign, I found a love letter to the Mecha Genre, drawing inspiration from such luminary series as Mobile Suit Gundam and Escaflowne, putting you in the cockpit of giant suits of armor as you stride across the battlefields of a war against an evil power. But like the series it draws heavily from, it does so with a distinct focus on the pilots inside their Astirs, rather than just focusing on the mecha and the carnage they can bring. This is a game with stakes and in interest in the relationships between people. It's a game that, as the intro to this latest season of Friends at the Table puts it, is about Empire, Revolution, Settler Colonialism, Politics, Religion, War, and the many consequences there of.

Running off of a modified version of the Powered by the Apocalypse system, Armour Astir is built on already accessible system with a distinct interest in narrative storytelling. You work together with your group to define your Authority--the oppressive power that the group of players are fighting back against--and your Cause--the group that backs and hands orders down to the player characters--and build a world around these two groups and their seemingly irreconcilable differences. From there, the players build their characters from the available playbooks--The Arcanist, The Imposter, The Paradigm, The Witch, The Captain, The Diplomat, The Artificer, and The Scout--and collectively define the Carrier--their White Base or their Normandy--from which they launch their sorties against the Authority and where they spend their downtime between missions. It's an elegant way to frame a world in conflict, and once again as I will always point out, it's a game interested in the collective construction of the world in which you're going to play, thereby creating a sense of player buy in from the jump.

Still, even as a PbtA game, AA:A still manages to bring its own novel concepts to the table.

Presumably drawing inspiration from 5e D&D, the game introduces the concept of Advantage and Disadvantage to the system. Where normally you would roll 2d6+Stat in a PbtA game, hoping to roll a 10+ and succeed without a cost, Advantage and Disadvantage allow you to roll more dice, keeping a number according to their respective rules. And they stack! If you find your self with 2 advantages, for instance, then you would roll 4d6 and keep the best 2. Or if you had 2 advantages and 1 disadvantage, you would roll 3d6 and still keep the best two as advantage outnumbers disadvantage. The only caveat is that you can never roll more than 4 dice for a move.

Then there's the idea of acting with Confidence or Desperation. Certain moves, approaches, and situations can cause you to act with either of this conditions, and they fundamentally change how the dice are read. If you're acting with Confidence in a scene, any 1 you roll on a d6 is instead treated as a 6, while acting in Desperation makes any 6 you roll instead be treated as a 1.

These two rules alone could be enough for me to really consider the game an evolution of PbtA, as using the mechanics together allows you to deeply calibrate the odds of success or failure of a given move to really match the fiction of the story your telling, but the interesting ideas don't stop there.

The game asks you to define your character by a set of Hooks, which are short phrases that define how your character acts and thinks about the world and the people around them. They're guide posts for the player, reminding them what their character is about, but they're also guide posts for the GM and for the other players. They show what kinds of situations you care about and want to be drawn into, and they can be rewritten as needed, and deepened or loosened by various rules interactions that make the hooks easier or harder to change in play. Hooks can even be sacrificed permanently, crossed off your sheet forever and buying you a new advancement for your character and the ability act immediately with Confidence as your character commits themselves to the fight and how the war has changed them.

Meanwhile, the concept of Gravity Clocks, presents an incredibly dynamic way to represent the relationships between characters. Representing the attachments you have with people and groups, these clocks are countdowns to when a relationship might be challenged, confronted, or addressed. They can be one-sided, or they can be shared between two characters, and evoked to add numerical bonuses to rolls, the clock ticking forward every time it gets used in this manner. And when the six step clock fills up, the game asks you to Redefine, Commit, or Abandon the gravity between you and the subject of the clock. Each option presents its own ramifications, in addition to allowing you to take a new advancement for your character, and I could gush about them in detail for hundreds of words more, but I think it's better to simply let the game speak for itself if you choose to read it.

Finally, and perhaps most interestingly to me, is the concept of The Conflict Turn. Played out between Sorties by the player characters at the Carrier level, the Conflict turn is meant to zoom out and show the greater context of the conflict. Here players direct the broader course of the struggle by playing out Conflict Scenes, directing challenges at one another through role-played scenes, reminiscent of Mobile Frame Zero: Firebrands by D. Vincent Baker. It allows you to shape the course of the war and the world at a truly macro scale, and depict scenes and conflicts that might otherwise get lost in a narrow focused game about a single group of pilots on a single carrier, acting on a single front in the war. It invites players to step back and look at the whole picture and really think about what two deadlocked factions can do or must do in order to win a broader conflict. And what the consequences of those actions might be.

All in all, Armour Astir is a fascinating game that takes Powered by the Apocalypse in new and interesting directions. It offers novel new mechanical concepts to the system, while also featuring the familiar Playbook driven structure. The party's Carrier and their Astirs feature a refreshing amount of build it yourself by hand customization, and the freedom to craft your own world with a conflict you and your players will care about really makes the game shine in my opinion. Not to mention it's in built focus on both the micro and macro scale aspects of the greater conflict, each in their own time, without getting so lost in the weeds of spreadsheet style attention to detail of other mecha focused games like Lancer or Battletech.

If you've ever wanted to suit up in a giant robot and take the fight to the enemy, Armour Astir: Advent is an excellent option to fulfill that narrative fantasy.

#Armour Astir #pbta #indie ttrpg #role playing games #mecha #fantasy games

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tame-a-messenger · 4 months

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As someone who’s been watching Smosh for around 7+ years, Angela has to be the most impactful cast member. I think whoever casts them are phenomenal at their job and everyone is awesome but there’s just something about Ang. Out of all the cast, she’s definitely the person I warmed up to the quickest, I mean her first swear mints video was iconic. The “butter a**” was so clever and when I watched that for the first time, she swept me off my feet and that was only her 3rd video there.

As a fellow Long Time Viewer™ she really is one of the best things that has happened to Smosh.

I believe Patrick McDonald (used to be a Smosh skit writer(?)) was friends with her before Smosh and pushed her to audition (they both appear on a comedy skit podcast "Artists on Artists on Artists on Artists Podcast" (Damien has been on it aswell!))

I sadly was not a current watcher of Smosh (would click on the odd video once in-a-while) when Angela joined. I only saw her when she had been there for at least a couple months but I knew her from Starkid's "Black Friday" so when I clicked on a video that she was in I was SHOCKED. Like I couldn't believe my worlds were colliding? Lex? what are you doing there??

It has been so damn cool watching her blossom into one of my all time favorite Smosh cast members!

#angela giarratana #smosh #smosh games #smosh pit #smoshblr #AOAOAOAOpod #Damien haas #video

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panelshowsource · 6 months

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ok i finally listened and i watched taskmaster nz series 2...8 times

and i'm ready to offer my reaction & thoughts but please understand this is over 3000 words (which means it is too long to proofread) and it is so bc i do not know how to be concise but also bc i decided to a PROPER brain dump so if you like reading this kind of thing enjoy and if you don't do not click keep reading!!!

STREAM OF CONSCIOUSNESS WORD VOMIT INCOMING

i KNOW what i said. i KNOW i said i'd kinda watched s1 of taskmaster nz and it was okay and jeremy and paul were okay and guy william's outfit scarred me for life but all in all it was okay, and i can't say nz humour (which, and i stand by this, is a bit monotonous) is my fave, and i wasn't that excited about watching international taskmasters in general so i wasn't prioritising it. i know what i said!!!!!!!!!

but

i did what i was told incessantly to do and i watched taskmaster nz series 2. it's...it is. it is what everyone said it is. it's fucking hilarious. it's so good. it's one of it not the example of a perfect cast with perfect energy and synergy and banter and friendship and competition. everyone tried so hard and succeeded and failed in their own hilarious ways. the tasks are half-original, kinda-inspired (if not appropriated), simple even when they're cerebral, and very core-of-taskmaster-y. CHEF'S KISS — by tm nz standards

i watched the entire series...8 times? i have A LOT of opinions and i wasn't gonna get into all of them because i don't love to debate and am scared of being roasted lmao, but i'm being brave!!

BUCKLE UP FOR MY BRAIN

➜ imo there is no standout contestant, it's a matter of taste and they're GREAT, but all in all i think the season wouldn't have a single chance of being what it was — in its total chaos, moments of innocence, moments of genuine friendship — without david correos, who was more or less the heart of the season. it's very obvious and very cute he is friends with paul, laura, and guy irl (guy mentioned their team is actually in an improv group together he's very close to laura and presumably david), and real-life friendships bring out a series panel's comfortable dynamic much faster than if they're meeting for the first time. and on that note —

➜ as much as i enjoy non-comedians on the show, especially when they're people i really like, the cold hard truth is that the very very very best series of taskmaster are comedian-only lineups. pls do not come into my inbox rn with your recency bias and yell about s16 this is a dead serious, studied fact: series 1, 2, 4, 5, 7, 9 (i am excluding recent-ish series because legacy takes time to establish itself but imo 12–14 were very strong) being the epitome of tm, it's not a coincidence these lineups are more or less ALL standup comedians (richard osman gets a pass for producing cats does countdown and being, arguably, the ultimate comedy superfan). a big reason for this is that non-comedians — and they almost always admit this, in interviews or on the podcast — are very aware that they're out of their element, are the odd ones out, feel the additional responsibility of having to find their place and suss out the dynamic and be funny and fit in. sometimes they're not really that funny and it is what it is (and it's the show's job to edit them and encourage them in a way that will = entertainment; they know what they're signing up for, or the risk of them not fitting in well, when they cast these people). other times, it's not that they're not funny or capable, but that these overwhelming feelings hold them back: they don't pipe up, they don't speak when it's not their turn, they don't challenge greg or the other contestants, they don't fight, they don't tease. yes, when it's their turns to speak, they're often silly and fun, and when they do the tasks, they're often silly and fun, but they just don't hit their comedic potential — because they don't know how or they don't let themselves try. very understandable! it's very intimidating being on TASKMASTER with PROFESSIONAL FUNNY PEOPLE including GREG AND ALEX who are LEGENDS. but the best thing about comedian contestants other than their comedy is that they want spotlight and they want to be the centres of attention and they will take risks, so they (usually) make the most of their time, whether it's the recorded tasks or in the studio. THE POINT, IF I MAY BRING IT BACK, BEING TASKMASTER NZ SERIES 2 — matt heath not being a standup but being 1) an extrovert, 2) your standard entertainment industry attention seeker, and 3) very good friends with jeremy means we didn't get these obstacles from him. if anything, he was more relaxed and game than everyone else in the room at the start of episode 1 because he is already in the accepted graces of the literal taskmaster. he tried really hard, he fought hard, he teased hard, he laughed a lot. i get that being a funny guy radio dj may not seem that different to being a comedian, but it is, and he was SO good! —and every contestant who is a friend of a taskmaster is always good, that's another studied conclusion

➜ why was david naked all the time lmfaooo body positive KING his haircut is also adorable. speaking of a lack of clothes guy's shorts length was lovely for the eyes

➜ momentary disgression: i'm SO interested in the story david told on the podcast about russell howard going to one of his shows and then, like, immediately leaving as fast as possible when it was over because he cringed to death or was scandalised or something—imo it wasn't very clear just what david was implying russell said/felt and i'm really curious. if anyone has insight into this pls send it to me

➜ i don't think jeremy or paul get much better than season 1 and ultimately they're both just okay, and they will always be what holds tm nz back from reaching tm uk-levels of god-tier tm. i know a lot of people will like paul because he's attractive and he is friends with rose (and others) and from time to time he is amusing. sometimes that's all it takes, and if that's all it takes for you, that is well and nice. but...personally...i can't get over how QUIET paul is...alex isn't half as quiet as paul, very often asking questions throughout the tasks and making little passive-aggressive comments at someone's effort or even just looking at the camera...paul is so often just there doing and saying absolutely nothing, EVEN when he's involved in the task, and a healthy 60% of the time he's asked a question he does a very forced deadpan "okay" that just...like it's not funny — it doesn't hit that comedic beat — after the first hundred times. he may just not be a lightning quick improv kinda guy, and i think the inherent one-dimensionalness of his character hinders him, but idk he could offer SO much more during the tasks, especially when he already has a good irl dynamic with so many of them. there are times, during the tasks, he could just not be there. i also don't necessarily understand his character in that during the tasks he's exceptionally shy/reserved to the point of being mostly silent but then in the studio will pipe up and act "normal" in a way that seems like the real paul and not the character paul. idk. i just think...why isn't he more present and also more consistent. (and i'm gonna say something controversial here but i also watched guy mont spelling bee and paul was not very funny on that — again, quiet — and i think the truth is he might be a little boring at times. i said it. im sorry to everyone :() i think this is a common criticism of jeremy but i will agree that, while i do like him especially when he actually lets himself be silly and banter-y, it is BEYOND ME how he just flies through the prize tasks and the scoring. the prize task is practically show and tell with no comment at all from jeremy instead of a dialogue between the contestants and the taskmaster, and then half the time jeremy doesn't explain his scoring for anything. often i'm left thinking "how could someone show up with this bone-shakingly good prize and jeremy just nods and smiles and goes 'okay who's next'?" and maybe it's not jeremy, maybe it's the editors, but it drives me INSANE when that happens. greg would spend the whole hour going over the prize tasks if he could, just cuz he loves the banter and ragging on people — and the show is noticeably weaker when the banter is lost. hence my issue with, to bring it back around, banter-avoidant paul. (also sorry if it's annoying when i compare taksmaster uk and taskmaster nz, i don't mean to do it tooooo much but it's unavoidable at times, pls understand...) (also, i'm saying all of this without even commenting on the actual dynamic between the taskmaster and his assistant, but i'm not gonna touch that — despite the fact the greg/alex dynamic is the heart of tm and what every single contestant ever praises most about the show.) SO i do think the series having matt for jeremy and david (at least) for paul did help encourage them in being funnier than they may have been otherwise. (was guy williams being on series 1 why paul was..idk...like he was...on series 1? i also recently learned a lot of people don't like guy williams lmao very interesting...)

➜ it's hilarious to me that jeremy is OBSESSED with sports and greg LOATHES sports (except the darts lmfao)

➜ ngl i have always wondered why taskmaster uk didn't use their increased budget to do, like, 10% more landscaping — i get not wanting to make the place look TOO manicured but would it really kill them to just fix the cracks in the driveway? idk — but then i watch nz and do feel like it's a little too much of a set hahahah but i like the outdoors they really have a nice big yard to play in (the sewage ("legally it's not ☝️") pond is a choice tho...)

➜ i read about 100 reddit threads about te reo māori, how prevalent it is in school and culture, how many people speak it or even want to speak it, its roots, its appropriations — and the majority of new zealanders said they don't really care about it, it's not actual practical in the way chinese or german or whatever is, they don't think it should be mandatory in schools over other languages, etc. i found these reactions 1) mildly suspicious but idk how conservative the nz sub is but also 2) really surprising! BECAUSE there is WAY more te reo in the every day language of, at least, the new zealand convo i have witnessed on a few nz panel shows than i think they realise. the ones i've heard the most are a few different greeting lines to open episodes, pākehā, whanau, and kai, but there are TONS of te reo words and phrases sprinkled into everyday language and i felt like i was googling so much (even if the meanings were relatively obvious from the contexts). very interesting! off the back of that i had absolutely no idea people in new zealand said "en zed" to refer to nz in any capacity but it makes sense i just never thought about it before

➜ something i adored about the series — that we see less and less of each series from series 1 of tm uk — is editing in reactions from the panel in the studio while they're watching the task vt. it's HILARIOUS watching, say, tm uk s1 and seeing romesh smacking tim on the back, josh pointing fingers, roisin with her hands in her head, etc in real time as they're watching the tasks for the first time. editing this way also helps express the group friendship and harmony, which is so important to a successful season. tm uk NEVER does this anymore and it's one of my biggest criticisms of the show — but this series of tm nz did it so much and it was HILARIOUS watching the panel falling all over each other laughing at everything. they're so goofy

➜ the fake paul with the moustache was, in fact, a dish, whoever he is congrats on being hot

➜ very random moments i liked:

"you think she's doing great things for women in those boots? 🤨💅"

it was so underrated that guy's idea to transform a room was to turn it into a farm and he had people in animal costumes being sheep or whatever that shit was HILARIOUS

matt ziptying a brush to a helmet to look like an ancient roman cracked me up so hard "husband to a murdered child" ??? smh

when laura was trying to rope the cameramen into american pie-ing her wedding cake and paul went "don't ask them...because one of them WILL do it"

"a tongue kiss with an extra 10%? i'm not sure—" "10% extra, maybe thumb up bum" ????

matt forgetting his hometown and saying "i was born in oxford in england! i forgot… that was fucking ages ago!"

"because david eats something doesn't make it food :|"

"this reminds me of my mother's music group ...i hated every one of those bitches" like?? LMAO i NEED the story behind this comment

"one is south african, one is filipino...but they both like their balls...swiss"

"i'm fairly certain i'm not gonna crush this challenge, but i know at some point you and i are gonna box and/or wrestle, and i'm gonna crush that one"

matt being so serious that his dream animal is a horse

"i probably won’t even need the other food colouring but how good is it not to have paul in the room?"

why was jeremy so into those urinal cakes?? like okay jeremy hmm

every time jeremy and urzila flirted

when paul was convincing laura to go through with the sabotage and they agreed david probably wouldn't fuck over his team but guy definitely would lmfao

"tell me a little about yourself" "i'm paul" "...interesting. i love that about you"

it's hard to top david and guy being actually naked for the tie task but i actually think guy's farmer's tan stole the show

when guy was looking for paul in the rain and said "the irony is if paul was here we could talk about this weather, he loves that sort of shit" LMAO

urzila being the ghost of abe lincoln was actually genius and she deserved more flowers for that lateral thinking

♪im gonna gonna drown you / in your own blood♪ why is that so catchy?? "matt matt run him over like a cat" "david you shouldnt run over cats" but fr during the diss track task when matt said he was gonna eat their asses and also while they were dissing guy matt went "he's good looking though" 💀

in the secret shoelace task david said "i take solace in knowing that everyone else has go through this as well" was like a fucking mirror of the time josh widdicombe did a secret task and was like "i'm not the one who has to watch this five times" hahahaha also when they had so much time to kill paul was just reading the entire story of rumpelstiltskin please

when guy realised, during the milk/microwave task, that he should have listened to paul and like angrily laughed "i'm furious! i'm furious with everyone! this is a disaster!" you don't see that side of him often and it was so funny

➜ regardless of whether these yielded funny results (they did anyways of course), these were most of my favourite ideas for tasks:

transform this room when the lights go out

shoot a chocolate fish into the fishbowl and say the name of a different animal with each shot, most powerful animal wins

create a diss track about the members of the other team

the fucking abe lincoln one

the milk/microwave task (hilarious on both tm nz and tm uk)

also i personally want to play the celebrity name game from that one live task

➜ all in all the series had quite a few very simple tasks — build a tower of onions, squirt the sunscreen, fly, make the loudest noise — and that's something i really cherish and appreciate and feel is at the heart of what taskmaster is all about. i'd say tm nz, being in its baby era, is able to get away with having a lot more simple, straightforward tasks, which are far superior to some of the incredibly convoluted ones we see on tm uk. i see people say alllllll the timeeeeeee "it's not the tasks that matter it's how to contestants react to them + the editing" but i do not agree — plenty of tasks are duds because they are duds and not because everyone else failed to find the entertainment value in them. i would love to see tm uk work harder to bring the tasks back down in scale and convolution bc tm nz has been able to come up with quite a few that have never been done before so i know they can too

➜ something else this series does VERY well is little morsels on top of the established format: laura's sabotage, the brussell sprouts that kept floating throughout other tasks and then appear in another task!!!, paul and david's trip to christchurch, laura rounding up their girlfriends, the shoelace secret task, paul lying and fucking with the magnet, the crew "accidentally" (though i do believe it was an accident idk if we'll ever know) turning the lights off on david, even the abe lincoln task that took place outside of the taskmaster ranch — all of these things contributed to the format being more than just task/score, task/score, task/score. they felt like little cherries on top, extra content, at times extra suspense. felt like every episode had something a little extra funny in this way. very impressed by this stuff!

➜ task complaints:

alex has talked before about one of the central concerns of post-production being the ordering of the tasks and particularly choosing the very first task they show, which sets the stage for the panel. i actually feel like this series didn't do a good job in choosing their very first task, which surprises me bc that seems like an easy thing to get right with this series' group + task lineup. not a big deal but something to consider!

in the live task when they had to choose a weapon and half something (which i LOVE the idea of), it bothered me that they didn't measure by percentage and instead by actual kilo

is it just me or does tm nz feel like it sends a LOT of balloons into the air? have they ever specifically confirmed they retrieve all of the balloons they let go? ngl the amount of balloons they send off + the amount of food waste can sometimes be distracting

the piggy bank live task was totally fucked like the length of time it look paul to get the pictures of the piggies to jeremy was ridiculous and heavily disadvantaged everyone — and they didn't even show us all the piggie drawings????? HELLO I WANNA SEE THE PIGGIES??

jeremy giving guy's new zealand pillow 3 points was the worst scoring decision of the series

frankly it was GROSS when david sucked all of the room temperature tomato juice cans. but one thing i've noticed is — it may be a me problem? maybe an american problem bc we don't eat beans the way brits do? do nzers eat beans on toast? anyways — when it comes to people licking/eating cold/room temp canned goods. because i can name 10 different times i've seen contestants lick baked bean juice or spaghetti hoop sauce off their fingers and i just cannot imagine eating those things in any amount not heated up. cold bean juice? BLEGH

okay i'll wrap this up now because i wrote an incoherent outline of a thesis on this series but it was FUN as HECK and i'm so happy that funny people get to enjoy the legacy of a fan favourite series (on the tm podcast, guy seemed to take a lot of pride in this when ed mentioned it<3) and i like them all and i wish they would come back and do another 10 episodes. paul if ur reading this make it happen

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