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my-chaos-radio · 2 months

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Release: April 25, 2011

Lyrics:

On my waist, through my hair

Think about it when you touch me there

Close my eyes, here you are

All alone dancing in the dark

Tell me baby if it's wrong

To let my hands do what they want?

Late at night I pretend we are

Dance-dance-da-dance, dancing in the dark

Dancing in the dark

Ooh-la-la, ooh-la-la, ooh-la-la

Dancing in the dark

Can you work on me?

Open my body up and do some surgery

Now-now that you got me up

I wanna taste it, taste it

And see those pocket aces

Wanna see who you are

Got a sex drive, just push to start

I got a sex drive, just push to start

Push, push, push, push to start

I got a sex drive, just push to start

On my waist, through my hair

Think about it when you touch me there

Close my eyes, here you are

Dance-dance-da-dance dancing in the dark

Ooh-la-la, ooh-la-la, ooh-la-la

Dancing in the dark

Ooh-la-la, ooh-la-la, ooh-la-la

Dancing in the dark

I love to flirt to see, I'm only talking to you

If you wanna surf my seas

Now that you got me boy

You know you better spice it, flavor it, get it right, savor it

Wanna see who you are

Got a sex drive, just push to start

I got a sex drive, just push to start

Push, push, push, push to start

I got a sex drive, just push to start

On my waist, through my hair

Think about it when you touch me there

Close my eyes, here you are

All alone dancing in the dark

Tell me baby if it's wrong

To let my hands do what they want?

Late at night I pretend we are

Dance-dance-da-dance dancing in the dark

Ooh-la-la, ooh-la-la, ooh-la-la, ooh-la-la

Tell me baby if it's wrong (Ooh-la-la, ooh-la-la)

Dancing in the dark (Ooh-la-la)

To let my hands do what they want (Ooh-la-la, ooh-la-la)

Dancing in the dark

Songwriter:

It's The Cataracs

Ooh-la-la, ooh-la-la, ooh-la-la

Dancing in the dark

Ooh-la-la, ooh-la-la, ooh-la-la

Dancing in the dark

Niles Hollowell-dhar / David Singer-vine / Devin Star Tailes / Mark Quashie / Erick Morillo

SongFacts:

👉📖

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entropy-sea-system · 1 year

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Relistened to The song 'I Like To Move it' (Madagascar soundtrack version) again, and its still a bop after all these years. Now that I know a bit about music genres, I thought it sounded kind of reggae, and apparently the Madagascar version is a remix. The original according to wikipedia(reliable source, I know /lh) has ragga/raggamuffin (which is a subgenre of reggae -as I guessed and dancehall genres) vocals by The Mad Stuntman (Mark Quashie)

#i like to move it #raggamuffin #madagascar #dreamworks #madagascar movie #animation #music #ragga

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mygl365radio · 1 year

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Join us every Saturday for an afternoon fix on Live In The Mix with Joanne Prince Bee at 12PM CST | 1PM EST. We #RECHARGE with a host of Guest DJs including DJ Dean, DJ Quashie and DJ Kwame. You don’t want to miss this. Mark your calendars. Exclusively on GL365 Radio and it’s affiliates and GL365 WebTV. www.gl365radio.com/live (at Katy, Texas) https://www.instagram.com/p/CqCTpq5tSDR/?igshid=NGJjMDIxMWI=

#recharge

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izatrini · 1 year

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Mark Quashie: The Mad Stuntman - Trinidad Guardian http://dlvr.it/SfxJ38

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charleshoyle · 3 years

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freenewstoday · 3 years

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New Post has been published on https://freenews.today/2020/12/23/guscoth-and-cobden-back-in-england-squad/

Guscoth and Cobden back in England squad

Layla Guscoth (right) ruptured her Achilles during last year’s World Cup

Layla Guscoth and Beth Cobden have been named in the England squad for January’s Netball Legends Series against Jamaica after overcoming lengthy injuries.

Defender Guscoth ruptured her Achilles during the 2019 World Cup.

That came just two months after Cobden ruptured an anterior cruciate ligament (ACL) for the second time in a year.

They have been named in a 15-strong squad for the four-match series, which takes place between 22-28 January.

“We have got an exciting team heading into this series,” said head coach Jess Thirlby.

“This series provides the opportunity to continue to test existing and new combinations as well as create connections between our rising stars and the more experienced players, some returning for the first time since the World Cup in Liverpool, which I know we have been eagerly awaiting.”

Serena Guthrie and Natalie Haythornthwaite will co-captain the team for the series, which marks the Roses’ first home international netball competition since the coronavirus outbreak.

They will play Jamaica for the Jean Hornsby Cup, named after the first black England netball player.

England squad: Eleanor Cardwell, George Fisher, Sophie Drakeford-Lewis, Helen Housby, Laura Malcolm, Serena Guthrie, Natalie Haythornthwaite, Beth Cobden, Jade Clarke, Imogen Allison, Fran Williams, Razia Quashie, Vicki Oyesola, Layla Guscoth, Summer Artman

Source

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bestdjkit · 4 years

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Reel 2 Real's Mark Quashie, Co-Writer of "I Like to Move It," Shares Statement on Erick Morillo's Death

"I am devastated to learn of Erick's death."

Following the news of Erick Morillo's death at the age of 49,Trinidadian-born artist Mark Quashie, who performed vocals on the late DJ's hit song "I Like to Move It" under his Reel 2 Real moniker, has shared an official statement.

"I am devastated to learn of Erick's death," said Quashie, who performs as The Mad Stuntman. "Even though he has not toured with me for some time, we still keep in touch and had talked recently about doing a new re-mix version of our song. The past month has been unsettling for Erick, to say the least. I offer prayers to his family and fans."

"I Like to Move It" skyrocketed to the top of the charts, emerging as a #1 hit in Belgium, France, Zimbabwe, and the Netherlands and peaking at #8 on the Billboard Hot Dance Music/Club Play chart. The single was also used prevalently in the Madagascar film franchise, reaching a global audience and solidifying it as a generational anthem.

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Police said Morillo's body was found on September 1st in Miami Beach. The Miami Herald reports that law enforcement and detectives are exploring a possible drug overdose.

Morillo, a pioneering house music producer, was recently arrested and charged with sexual battery on a woman in connection to a December 2019 incident. He denied the allegations and was scheduled for a court hearing this Friday, September 4th.

from Best DJ Kit https://edm.com/news/the-mad-stuntman-mark-quashie-statement-erick-morillo-death

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m80radiobolivia · 4 years

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Hallan muerto al DJ Erick Morillo, autor del hit ‘I like to move it’, en su casa de Miami El productor musical y DJ de renombre internacional Erick Morillo fue encontrado muerto en su casa Miami Beach (EE.UU.) a los 49 años, ha confirmado este martes la Policía local. En un correo electrónico enviado a la prensa, el portavoz del Departamento de Policía de Miami Beach, Ernesto Rodríguez, informa de que actualmente los agentes están en “las primeras etapas de la investigación para determinar lo sucedido”. Rodríguez detalla que poco antes de las 11.00 hora local se recibió una llamada desde el hogar del artista, en la calle La Gorce Drive, y que “las circunstancias alrededor de su muerte no están claras”. Morillo se consagró artísticamente en 1993 con I Like to Move It, una canción con influencias de Latin house mezclado con voces ragga, interpretada por el rapero oriundo de Trinidad y Tobago Mark Quashie, también conocido como The Mad Stuntman. La Policía ha abierto una investigación En las redes sociales, sus fanáticos lo describieron como uno de los “grandes” del género del House y un artista que “dejó un sello indeleble en el mundo de la EDM (Electronic Dance Music)”. “Sin duda, Erick Morillo tuvo un fuerte impacto en la industria de la música, en todo el mundo, pero quizá en ningún lado más importante que aquí, en la isla de Ibiza”, escribe la publicación White Isle Ibiza al anunciar su fallecimiento. Morillo lanzó un total de 12 producciones entre 2018 y 2020. La más reciente, Afrotech, fue una colaboración con el artista estadounidense Antranig. Entre las actividades que tenía para los próximos meses, estaba la edición de 2021 de Coachella, prevista para el segundo y tercer fin de semana de abril, y el festival Open Air de Ámsterdam en junio. La muerte del artista, de familia colombiana, se produjo después de que fuera arrestado hace un mes por la policía de Miami por cargos de agresión sexual. Según fuentes oficiales, Murillo había sido denunciado por una mujer que dijo haberse despertado “desnuda” en una habitación junto al DJ y sin previo consentimiento. M80Rádio. https://www.instagram.com/p/CEo_-xFn3JU/?igshid=s4wlr74820n2

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wowheadquarters · 7 years

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Interview with Lor’themar Theron

Q: How do you maintain your amazing hair?

Lor’themar: Shampoo, hairbrush, hair tie. Lor’themar: Being an Elf does a lot of the work for you.

Q: Why don’t you participate in the war against the Legion?

Lor’themar: (Fakes a surprise) There is a war? Lor’themar: Look, if they needed me there, they’d let me know. So far it seems people are good on their own. Lor’themar: Also there is this precedent saying that when Blood Elves mess up with the Legion, their leader joins the Legion and... Well, you know. That is just not happening.

Q: What is your relationship with the Alliance?

Lor’themar: I think we could mark it as... It Is Complicated.

Q: Do you have any pets?

Lor’themar: (Looks around on the Blood Elves he usually describes as whiny, useless and stupid) Lor’themar: Yeah. pleanty.

Q: What's your favorite color?

Lor’themar: Blue. Lor’themar: No, wait. Yelllow!

Q: Would you ever cut you hair?

Lor’themar: Not unless it was absolutely necessary.

Q: Have you ever kissed Sylvanas?

Lor’themar: Em... Lor’themar: Yes. Once. Forty years ago. We both were very drunk. Lor’themar: She broke my nose afterwards.

Q: How do you feel about the Darkspear? Have your feelings changed after they helped out in Zul'aman?

Lor’themar: I thought of the Darkspear Trolls as of fanatic zealots with blades, just like any other Trolls. I admit Zul’aman changed that. Lor’themar: The Darkspear are efficient and deadly intelligent fanatic zealots with very sharp blades.

Q: What did you think about Vol'jin? How was your relationship?

Lor’themar: Upon the first meeting, I immediately labelled him as the far most dangerous person in the room and he proved me right by noticing it. Lor’themar: We... Respected each other and did our best not to get into the other’s way. I like to think he thought of me as of someone equally dangerous as he was. Lor’themar: Which is the greatest compliment a Troll can ever give you.

Q: What was your impression of the other Horde races and how did it change over the years that you've been in the Horde?

Lor’themar: Orcs... Orcs were complicated. I was used to demon-driven no-thinking blood-thirsty savages with axes and maces. Within the Horde I found proud and honorable warriors, philosophers, calm shamans. It was confusing and truly a lesson about stereotypes. A lesson I am still taking. Lor’themar: I already knew Trolls back from home. The Darkspear are however more... How to say it. Macabre, that is the word. I have already told you how much and in which way had my opinion changed. Lor’themar: Tauren are kind, close to the Earth and they have a plenty of simple yet so often missed wisdom. They deserve far better from this world and I still stand behind my words as I did the day I had met Cairne. Lor’themar: Forsaken. One one side you have the whole undead thing. On the other hand, Sylvanas. I still don’t know what to think about it and I don’t want to think about it. They are doing their best, that is for sure, but I doubt their efforts are... Anything close to Sylvanas’ ideals. The ideals back from the days when she was the Ranged General of Silvermoon anyway. Lor’themar: Goblin are lazy, snobbish, selfish, care little for others, their nature is destructive, their empathy is lacking, their knowledge is great but misused. However, unlike the Sin’dorei, they actually have their shit together, which is quite patriotically humiliating. Lor’themar: Pandarens are confusing. A nation so lacking war experience should be also lacking war efficiency. And here we come - they don’t. In fact, they are similar to Trolls because they are very easy to underestimate for slow, dumb, focused on their strange religion and cuisine... Yet they can snap your neck just by looking. Deadly fluff balls.

Q: How would you react to Blood Elf halflings? Do you consider them citizens? The Siame-Quashi and the Farstriders have been hanging around Zul'aman for quite a while now and there's rumors...

Lor’themar: Halflings happen. I assume it is in Human nature to breed it if it has two legs. Lor’themar: The law actually says that the halflings take the citizenship of their mother. Lor’themar: About the Siame-Quashi and Farstriders... Yes, there are children. I wasn’t asking questions and I am not going to. And you should follow this. Lor’themar: Or you can be nosy and have an upset Troll having you head as a ball for their weird child. Your decision.

Q: You were a ranger before becoming the Regent, but we always see you with a sword instead of the classic bow. Is there a reason?

Lor’themar: Yeah, there is a reason. Lor’themar: (Heavy sigh) Look, shooting 20 arrows into somebody isn’t as satisfying as chopping them to pieces. Also swords don’t run out of ammo. Lor’themar: I still use bow, tho. If needed.

Q: Had you tried the arcwine? Or do you want to try?

Lor’themar: I... I try to stand out of drugs, and yes, magic is a drug. My drinking is just as bad as it is now. Lor’themar: Personally I think that drinking magic is just... You know, wrong. The Sunwell is slowly getting better anyway, so there is no need to drink liquid arcane alcohol. Lor’themar: I am not saying that if you¨d brought me a bottle, I wouldn’t take a toast.

Q: Had you already considered leaving Silvermoon to someone else?

Lor’themar: (Looks left; sees Halduron and Rommath arguing with each other as thought they’re about to kill each other) Lor’themar: (Looks right; sees the elite Silvermoon guards focusing on doing their nails, shields and swords on the floor) Lor’themar: Yeah... I had considered it. Lor’themar: I would actually love to see the fireworks if I let someone else be in charge.

Q: And in the case you were free from the regency, what would you do? Is there a place you want to discover?

Lor’themar: I suppose I would either go back to being a Farstrider or retire somewhere far far away from all Elves and mages. Lor’themar: That sounds like I’d live in Torchkeep in that case. Far away from all demons too. No Torchkeep. Lor’themar: Plaguelands. Far away, not really frequented, a lot of things to fight with. Plaguelands would be ideal.

Q: Let's say that something happen to Sylvanas and she decide to make you the new Warchief, your reaction?

Lor’themar: First, nothing is going to happen to Gen- Warchief Windrunner. Second, even if something had happened to her, she wouldn’t name me in the position. She knows how I hate such positions. Lor’themar: But if she’d named me the Warchief... I think I would play a hot potato, threw that title at Baine and noped the fuck out of Azeroth and no one would see me ever again.

#Lor'themar Theron #Sylvanas Windrunner #Rommath #Halduron Brightwing #Vol'jin #Troll #Blood Elf #Orc #Tauren #Goblin #Pandaren #Undead #WoW #Warcraft #World of Warcraft

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guayafulloficial · 4 years

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Productor de música Erick Morillo fue encontrado muerto

Productor de música y disc jockey Eric Murillo fue encontrado muerto en la ciudad de Miami a sus 49 años.

Murillo es conocido por trabajar en varios palos como por ejemplo el 1992 "Muévelo"junto a El General y en el 1993 la canción que no deja de sonar en los juegos de baloncesto o juegos deportivos años tras años en America, "I Like to Move It" junto al cantante Mark Quashie.

La policía de Miami recibo una llamada ayer en la mañana y se dirigieron a la casa del fallecido. La causa de su muerte es desconocida. Los detectives a cargo del caso no encontraron indicios de que haya sido un caso criminal en contra del señor Murillo.

Nuestro más sentido pésame a sus familiares, amistades, fanes y colegas.

Descansa en Paz, Eric Murillo

Vean su nuevas noticias y para más estrenos, entrevistas y cobertura de eventos sigan nuestras redes sociales para ponerse al día con Guayafull:

Instagram: @guayafulloficial @guayafullpr @lulamamichula

Facebook: @NoticiasGuayafull1

Twitter: @GuayaFull

YouTube: Guayaful

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promomagazine · 4 years

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Adidas Originals X NBHD from Taz Tron Delix on Vimeo.

Adidas Originals X NBHD

DIRECTOR: TAZ TRON DELIX

EXECUTIVE PRODUCER: KADRI MAHMOUD

AGENCY / CREATIVE: SUPERIMPOSE STUDIO

PRODUCER: NICK HAYES

1st AD: TY HACK

PRODUCTION ASSISTANT: CARLA STEINBERG

PRODUCTION ASSISTANT: ALESSIO CAMPO

DIRECTOR OF PHOTOGRAPHY: RUBEN WOODIN-DECPAMPS

FOCUS PULLER: JACK EXTON

2ND AC: MARK GEE

CAMERA TRAINEE: RHYS WARREN

STEADICAM GRANT PHILLIPS

RUNNER: ARABA QUASHIE

RUNNER: DUNCAN BRADLEY

RUNNER: GEORGE BRERETON

GAFFER: GREG KRZESZOWIEC SPARK TEAM 1: RORY HARBORNE

SPARK TEAM 2: FABIO DOMINGUEZ SPARK TEAM 2: EDEL GARDNER

PRODUCTION DESIGNER: LIZ EL-KADHI

ART DIRECTOR: WYNDHAM HARRIS

ART ASSISTANT: ROMAN TIKADAR

MAKE UP ARTIST: BOBANA PAROJCIC

HAIR: YOSHI MIYAZAKI

STYLIST: : CHARLOTTE MOSS

CAMERA DRIVER: FRED FULLER

LIGHTING DRIVER: CHRIS PRENDERGAST

MINIBUS DRIVER: ZOEY KELLEY

PRODUCTION DRIVER: JACK TILL

EDITOR: FOUAD GABER @TRIM & TAZ

COLOURIST: BRENDAN BUCKINGHAM @THE MILL

SOUND DESIGN: PATCH ROWLAND @ FINAL CUT

MUSIC SCORE: LORD PUSSWHIP

SPECIAL THANKS TO

ARRI Rental uk, Cinelens

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chocolateheal · 5 years

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Seven Society Of Female Artists Tips You Need To Learn Now | society of female artists

Last month, a record-breaking hundred and twenty-seven women were affidavit in to the U.S. Senate and the Abode of Representatives. Now forty-four women accept taken over the walls of Gracie Mansion, the official home of the Mayor of New York but additionally “the people’s house” of New York City. The break is “She Persists: A Century of Women Artists in New York,” an aggressive exhibition inventively curated by the adolescent art historian Jessica Bell Brown, at the allurement of Chirlane McCray, the city’s Aboriginal Lady. Sixty paintings, sculptures, videos, prints, textiles, drawings, and photographs are installed throughout the formally appointed apartment on the aboriginal attic of the Federal-style house. The after-effects are adapted and unexpected. Museum staples (the Abstract Expressionist painter Lee Krasner, the columnist Cindy Sherman) allotment the date with ascent stars (the sculptor Simone Leigh, the category-defying Mickalene Thomas). Bell Brown additionally introduces some unsung heroines—including the Aboriginal Lady’s backward mother, Katharine Clarissa Eileen McCray, who sewed and abstract hundreds of alluring bolt dolls that she dubbed “Quashies,” in account of own mother’s West-African beginning name. Three are on display, apery her daughters, Chirlane, Cynthia, and Cheryl.

The ancient McCray’s labors of adulation acquisition a arrant analogue in “The Advantages of Being a Woman Artist,” a 1988 affiche by the Guerrilla Girls, an bearding aggregate of changeable artists, which hangs in Gracie Mansion’s ballroom. The aboriginal “advantage” is “Working after the burden of success.” Historically, of course, the allowance of obscurity accept been exponentially greater for women of color. One agitating moment in the exhibition is a black-and-white account by an alien columnist (was she a woman, too?), documenting the Harlem Renaissance sculptor Augusta Savage in the aggregation of a arresting sculptural choir of cast-plaster abstracts that angle at accelerating heights to cumulatively advance the appearance of a harp. Commissioned for the 1939 World’s Fair, area it was put on display, the allotment was conceived to be casting in bronze, but the allotment was never secured, so it was destroyed already the fair ended. Beyond the pics-or-it-didn’t-happen desolation of the angel lies a adventure of #MeToo-style harassment, which Jill Lepore afresh brought to ablaze in an article and a consecutive book: the belled Joe Gould, a writer-fabulist, stalked Savage so relentlessly that she fled the city, in 1945, and died, forgotten, in 1962. (Happily, the New-York Historical Society will accessible a Savage attendant in May.)

The account of Savage hangs in the mansion’s Peach Room, abreast “Haven,” a agilely aureate painting by Elizabeth Colomba, from 2015, which portrays an abstract brace in the celebrated adjacency of Weeksville, Brooklyn. (Established in 1838, Weeksville was one of the aboriginal communities founded by chargeless African-Americans in the United States.) The august brace boring over their amateur at a cloud-clotted landscape: a storm recedes, dejected sky break through, achievement is on the horizon. The canvas hangs aloft a mantel on which a brownish baby of Eleanor Roosevelt gazes up, askew by her Weeksville neighbors. The cartoon is a Gracie Mansion fixture, not a allotment of the show, but this call-and-response is archetypal of Bell Brown’s active approach. In addition hasty cross-pollination, “Haven” hangs beyond from “Sun Spot,” a clamor of absorption corrective by Helen Frankenthaler, in 1954, in umber, russet, and black. This palette echoes that of Colomba’s painting, the acknowledged focal point of the room.

In the high-ceilinged ballroom, abreast the Guerrilla Girls poster, a vitrine is abounding with ephemera—campaign buttons, flyers, best editions of books—devoted to the incomparable, Brooklyn-born Shirley Chisholm, the aboriginal atramentous woman adopted to Congress. Not included is her acclaimed adduce “If they don’t accord you a bench at the table, accompany a folding chair.” Beyond the accessible ballroom, in the library, Bell Brown ups the ante on Chisholm’s admonition by installing two admirable Florence Knoll chairs, adipose in costly anthracite fabric. (The beat modernist, who is the abandoned decorative-arts artisan represented in “She Persists,” died on January 25th, at the age of a hundred and one, which lends the abandoned chairs an adventitious atramentous note.) They face “Lost in the Music,” a four-minute video by the artist-activist Tourmaline and the filmmaker Sasha Wortzel. It centers on Marsha P. Johnson, a annoyance aerialist who ample acutely in the Stonewall riots and who could abandoned accept dreamed of a bench at the Aboriginal Lady’s table. The aforementioned ability be said of the three sanitation workers crabbed the artisan Mierle Laderman Ukeles in a blush photograph from 1980, the year that Ukeles assured her months-long achievement of afraid the duke of anniversary of the city’s eighty-five-hundred “san men.”

This is hardly the aboriginal art exhibition at Gracie Mansion—it’s the third in the de Blasio Administration alone, and, afore Fiorello LaGuardia inaugurated it as the mayoral residence, in 1942, the architecture served as the aboriginal home of the Museum of the Burghal of New York. But the appearance is celebrated nonetheless, not atomic for the attendance of so abounding atramentous artists in a abode built, in 1799, by the activity of the enslaved. Those ancestors are not forgotten. Their ghosts accost visitors alfresco the advanced door, area Kara Walker’s brownish carve “Invasive Species (to be placed in your built-in garden)” is installed. The awash figure, whose two burst anxiety still advance ahead, is an anti-monument to racist brutality, which, horribly, additionally persists.

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djangogirls · 5 years

Text

The Impact of Django Girls Workshops in Ghana

This blog post was written by Noah Alorwu. Thank you, Noah :)

Women have been underrepresented in Technology, especially in our part of the world where it is the general conception that “women should only be concerned with domestic activities such as cooking, washing, and other basic house chores”, and even if a girl child is to be educated, she should settle for meagre roles such as teaching, nursing, or general administrative roles in the corporate ecosystem.

Initiatives such as Django Girls workshops are aimed at bridging the gender gap in Information Communication Technology and giving women equal opportunities to succeed in the industry.

Django Girls is a non-profit organization and a community that empowers and helps women to organize free, one-day programming workshops by providing tools, resources and support. During the event, women build their first web application using HTML, CSS, Python and Django.

Women are more powerful when they support each other and as such, Django Girls events is evidence of this wonderful fact. This is because about 50% of the total number of females who have ever coached were once participants who were able to build their blogs and decided to give back to the community.

Coaches: We’ve had different coaches from different parts of the country and even from Kenya and Nigeria who volunteered and made Django Girls events successful. There were times some had to travel long distances, and also even at night to be able to get to the event grounds in order to prepare for the tutorial session.

Gerald Pharin, Mannie Young, Ahmad Bilesammi, Christabel Atutonu, Abigail Mesrenyame Dogbe, Azumah Worlali, Kim, James, Hope Adoli,Carr Rosina Afua Ampomah, Jacky Kimani, Jacob Mensah Zigli, Anthony Mensah Addae, Kafui Alordo, Kwadwo Agyapon-Ntra, Mark Kwagbedzie, Michael Young, Miriam Adwoa Darteh, Rowland Kwame Vorsah, James Muriuki, Samuel Baafi Boakye, Mohammed Dawud, Paa JAKE, Doe Martin, Ezichi Ebere, Attablayo Prudence, Saviour Gidi, Dennis Quashie, Tenu Michael Sedinam Korku, Victoria Amankwa, William Kpabitey Kwabla, Gloria Boakye, Jida Asare, Martha Teiko Teye, Joey Daniel Darko.

Participants: The zeal and enthusiasm from participants to learn something new, improve on their programming skills and to meet distinguished coaches who gave more insights about the Tech ecosystem were impeccable! You should see the joy on their faces when they are able to print “Hello World”. Another remarkable thing that was noticed was how they were ready to help each other learn.

Experiences: Here are a few words from some of the attendees about their experiences.

Django girls workshop opened my eyes to prospects I look into for my career. Django girls taught me that I can solve problems in my own small way. Getting stuck and finding your way out when programming is very fulfilling. I’ve had a lot of A-ha moments with programming which pushes me to want to do a lot more. Django girls exposed me to such an experience and I’d be forever thankful for that ~ Rosina Carr Afua Ampomah

Django girls has instilled in me the will to code as a lady. Actually, I had little idea about what programming was but attending the workshop for two times has really taught me a lot. Sometimes many men feel coding was designed for them but with the help of Django girls, we are breaking all odds and boundaries. ~ Comfort Olantude Adebambi

Yeeeeaaahhh!!!

The Django Girls Workshop has been one of the best workshops I’ve attended so far.

When I first heard about it I applied to just go have fun since I am not an IT student and I know nothing about programming😅.

But during the workshop I got so excited about the whole thing and seeing other ladies enthused about the program really got me interested.

I attended two workshops. The first one I was a bit lost because I had no idea what was going on. So I applied again and after the second workshop I can proudly say I have good skills using the django framework and I have my own blog even though it’s not well developed😃.

The workshop has impacted me greatly.

It’s through these workshops that I developed interest in programming and I’m trying my best to develop in the field.

The Python language and using Github are all skills I acquired because I attended Django Girls Workshop💃🏽

The coaches and organizers are also so kind that they are always ready to share their knowledge even after the workshop.

When I finally make it in the programming field, I will never forget Django Workshop because that was where I got all the motivation and it was my first step into the field.

Much love to the Django Team ~ Irene Adinorkie Okutu

Well, I am very happy I had the chance to attend Django girls workshop. I first saw it on Facebook and it caught my attention. I was surprised to ever for the first time in my life, see a group of people who have taken upon themselves to teach girls about technology and other stuffs relating to the internet like creating a website for oneself. I applied and was so happy when I had a message that I have been selected to be part of the training. I have never regretted being part of Django girls.

One thing that fascinates me most is the willingness of the mentors to teach you at every time whenever I have difficulties. Thanks to Django Girls Foundation and dedicated mentors. ~ Gifty Otoo

Coverage: Since its inception in Ghana, Django Girls Workshops has been successfully held in the following cities/remote areas in Ghana: Accra, Kumasi, Ho, Tarkwa, Legon, Sunyani, Kwamang Ashanti, Sogakope, Winneba, Takoradi, Hohoe, Kwahu and Akosombo. Some cities have had the feel of it twice and so far the journey has been exciting.

More Django Girls events are yet to come and we entreat you to visit djangogirls.org/events to sign up for the next event close to you.

Click to view more detail description of the coverage map here

Sponsors: Getting local sponsorship for a workshop like this is so difficult that without the following organization and their continuous support, Django Girls workshop wouldn’t have reached more underrepresented women in tech in Ghana. We do appreciate your coming onboard to backing this cause: Python Software Foundation, Django Software Foundation, Gitlab, GitHub, Travis-ci, JetBrains, ict4d.at, elastic, pythonanywhere, icode Hub, ICT4D, stickermule, Torchbox, HelloWebApp, Google

Partners: Python Software Community Ghana, Khophi Photography

Conclusion Gradually, the mission and aim of the Django Girls Foundation are being met in Ghana, and we can boldly say that the Django Girls experience in Ghana has so far being super impactful and we are looking forward to more workshops and helping some of the participants gain leadership roles in the Tech Ecosystem.

The Dream is definitely on!

This blog post was put up by Abigail Mesrenyame Dogbe & Noah Alorwu

Django Girls is a non-profit that teaches programming to women all around the world. Want to help us? Support us!

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ryanwoolfolk · 5 years

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