#Marie Ellenrieder

[lollobarcollomanonmollo]

women artists that you should know about!!

-Judith Leyster (Dutch, 1609-1660)

During her life her works were highly recognized, but she got forgotten after her death and rediscovered in the 19th century. In her paintings could be identified the acronym "JL", asually followed by a star, she was the first woman to be inserted in the Guild of St. Luke, the guild Haarlem's artists.

-Artemisia Gentileschi (Italian, 1593-1656)

"... Si è talmente appraticata che posso osar de dire che hoggi non ci sia pare a lei, havendo fatto opere che forse i principali maestri di questa professione non arrivano al suo sapere". This is how the father Orazio talked about his nineteen year old daughter to the Medici's court in Florence.

In 1611, Artemisia got raped, and she had to Undergo a humiliating trial, just to marry so that she could "Restore one's reputation" , according to the morality of the time. Only after a few years Artemisia managed to regain her value, in Florence, in Rome, in Naples and even in England, her oldest surviving work is "Susanna and the elders".

-Elisabeth Louise Vigèe Le Brun (French, 1755-1842)

She was a potrait artists who created herself a name during the Ancien Règime, serving as the potrait painting of the Queen of France Marie Antoinette, she painted 600 portraits and 200 landscapes in the course of her life.

-Augusta Savage (Afro-American, 1892-1962)

Augusta started making figures when she was a child, which most of them were small animals made out of red clay of her hometown, she kept model claying, and during 1919, at the Palm Beach County Fair, she won $25 prize and ribbon for most original exhibit. After completing her studies, Savage worked in Manhattan steam laundries to support her family along with herself. After a violent stalking made by Joe Gould that lasted for two decades, the stalker died in 1957 after getting lobotomized. In 2004, a public high school, Augusta Fells Savage Institute of Visual Arts, in Baltimore, opened.

-Marie Ellenrieder (German,1791-1863)

She was known for her portraits and religious paintings. During a two years long stay in Rome, she met some Nazarenes (group of early 19th century German romantic painters who wanted to revive spirituality in art),after becoming a student of Friedrich Overbeck and after being heavily influenced by a friend, she began painting religious image, getting heavily inspired by the Italian renaissance, more specifically by the artist Raphael. In 1829, she became a court painter to Grand Duchess Sophie of Baden.

-Berthe Marie Pauline Morisot (French,1841-1893)

Morisot studied at the Louvre, where she met Edouard Manet, which became her friend and professor. During 1874 she participated at her first Impressionist exhibition, and in 1892 sets up her own solo exhibition.

-Edmonia Lewis or also called "wildfire" (mixed African-American and Native American 1844-1907)

Edmonia was born in Upstate New York but she worked for most of her career in Rome, Italy. She was the first ever African American and Native American sculptor to achieve national and international fame, she began to gain prominence in the USA during the Civil Ware. She was the first black woman artist who has participated and has been recognized to any extent by the American artistic mainstream. She Also in on Molefi Kete Asante's list of 100 Greatest African Americans.

-Marie Gulliemine Benoist (French, 1768-1826)

Daughter of a civil servant, Marie was A pupil of Jaques-Louis David, whose she shared the revolutionary ideas with, painting innovative works that have caused whose revolutionary ideals he shared, painting innovative works that caused discussion. She opened a school for young girl artists, but the marriage with the banker Benoist and the political career Of the husband had slowly had effect on her artistic career, forcing her to stop painting. Her most famous work is Potrait of Madeline, which six years before slavery was abolished, so that painting became a simbol for women's emancipation and black people's rights.

-Lavinia Fontana (Italian, 1552-1614)

She is remembered for being the first woman artist to paint an altarpiece and for painting the first female nude by a woman (Minerva in the act of dressing), commissioned by Scipione Borghese.

-Elisabetta Sirani. (Italian, 1698-1665)

Her admirable artistic skills, that would vary from painting, drawing and engraving, permitted her, in 1660, to enter in the National Academy of S. Luca, making her work as s professor. After two years she replaced her father in his work of his Artistic workshop, turning it into an art schools for girls, becoming the first woman in Europe to have a girls' school of painting, like Artemisia Gentileschi, she represent female characters as strong and proud, mainly drawn from Greek and Roman stories. (ex. Timoclea Kills The Captain of Alexander the Great, 1659).

#judith leyster #artemisia gentileschi #Elisabeth Louise Vigèe Le Brun #Augusta Savage #Marie Ellenrieder #berthe morisot #Edmonia Lewis #Marie Gulliemine Benoist #Lavinia Fontana #Elisabetta Sirani #women artists #renaissance #baroque #art #women in art #artist women #feminism #women history #radical feminists do touch #radical feminists please interact #history #terfblr #terfsafe #cultura #culture

[toanunnery]

Self Portrait

Marie Ellenrieder, 1818

#painting #art #portrait #Marie Ellenrieder #self portrait #woman #black #cross #lace #curls #1810s #19th century

[abwwia]

Marie Ellenrieder (20 March 1791 – 5 June 1863) was a German painter known for her portraits and religious paintings. In 1813, she enrolled in the Academy of Fine Arts Munich, making her the first woman admitted to an art academy in Germany. via Wikipedia

#Marie Ellenrieder

[artthatgivesmefeelings]

Marie Ellenrieder (German, 1791-1863) St Felicitas and her Seven Sons, 1847 Although there are several traditions surrounding the martyrdom of St Felicitas, the most pre-eminent is that the canonisation of the widowed Felicitas was the result of her refusal to Publius the Prefect of Rome – on behalf of herself and her sons – to renounce the Christian faith. The consequence of her refusal was that she was forced to endure the sight of her sons being put to death individually before being beheaded herself. In this depiction of the family before their matyrdom (or after in Heaven in the manner of a 'sacra conversazione'), St Felicitas is shown, gazing heavenwards, standing in the centre of a group consisting of her seven sons, all of whom are dressed in the Renaissance biblical style. St Felicitas wears a wimple and gold-edged scarf whilst her children are robed in simple tunics in an assortment of bright colours. Three of the male figures are shown studying religious texts whilst the others stare contemplatively about them as though in prayer.

#marie ellenrieder #german #german art #germany #western civilization #art #fine art #classical art #christian art #christianity #christian #catholic #catholicism #early christians #european art #european #st felicitas

[homomenhommes]

Portrait of a young man in profile to the left Anna Marie Ellenrieder ( 1791 –1863 )

[antoniettabrandeisova]

Self Portrait (detail), c. 1818. Marie Ellenrieder

#Art #Marie Ellenrieder #Women painters #German artist #Art detail #Artedit

[pintoras]

Marie Ellenrieder (German, 1791 - 1863): John the Baptist as a boy (1835) (via Staatliche Kunsthalle Karlsruhe)

#Marie Ellenrieder #women painters #women artists #german painters #religious art #nineteenth century #art #painting

[justineportraits]

Marie Ellenrieder    Girl on here knees discharges a flower basket   1841

#marie ellenrieder #kneeling figure

[artgowns]

Marie Ellenrieder, Self-portrait, 1818. Oil on canvas, 43 x 43.2cm. Staatliche Kunsthalle, Karlsruhe.

#marie ellenrieder #painting #portrait

[coltonwbrown]

Portrait eines jungen Mannes im Profil von links Marie Ellenrieder

#marie ellenrieder #portraiture

[classic-art]

Virgin with Two Angels

Marie Ellenrieder

#Marie Ellenrieder #art

[toanunnery]

Portrait of Maria Hutter

Marie Ellenrieder

#drawing #art #portrait #Marie Ellenrieder #woman #19th century

[abwwia]

What a treasure! - with a special dedication to @dinahvaginaart

Women Painters of the World, from the time of Caterina Vigri, 1413–1463, to Rosa Bonheur and the present day, assembled and edited by #WalterShawSparrow, lists an overview of prominent #womenpainters up to 1905, the year of publication.

How is this NOT ?! a compulsory book at the each and every #artcourse?! #artherstory

Here's the list of the painters (this will keep me busy for some time :)

Louise Abbéma

Madame Abran (Marthe Abran, 1866-1908)

Georges Achille-Fould

Helen Allingham

Anna Alma-Tadema

Laura Theresa Alma-Tadema

Sophie Gengembre Anderson

Helen Cordelia Angell

Sofonisba Anguissola

Christine Angus

Berthe Art

Gerardina Jacoba van de Sande Bakhuyzen

Antonia de Bañuelos

Rose Maynard Barton

Marie Bashkirtseff

Jeanna Bauck

Amalie Bauerlë

Mary Beale

Lady Diana Beauclerk

Cecilia Beaux

Ana Bešlić

Marie-Guillemine Benoist

Marie Bilders-van Bosse

Lily Blatherwick

Tina Blau

Nelly Bodenheim

Kossa Bokchan

Rosa Bonheur

Mlle. Bouillier

Madame Bovi[2]

Olga Boznanska

Louise Breslau

Elena Brockmann

Jennie Augusta Brownscombe

Anne Frances Byrne

Katharine Cameron

Margaret Cameron (Mary Margaret Cameron)

Marie Gabrielle Capet

Margaret Sarah Carpenter

Madeleine Carpentier

Rosalba Carriera

Mary Cassatt

Marie Cazin

Francine Charderon

Marian Emma Chase

Zoé-Laure de Chatillon

Jeanne-Elisabeth Chaudet

Lilian Cheviot

Mlle. Claudie

Christabel Cockerell

Marie Amélie Cogniet

Uranie Alphonsine Colin-Libour

Jacqueline Comerre-Paton

Cornelia Conant

Delphine Arnould de Cool-Fortin

Diana Coomans

Maria Cosway

Amelia Curran

Louise Danse

Héléna Arsène Darmesteter

Maria Davids

Césarine Davin-Mirvault

Evelyn De Morgan

Jane Mary Dealy

Virginie Demont-Breton

Marie Destrée-Danse

Margaret Isabel Dicksee

Agnese Dolci

Angèle Dubos

Victoria Dubourg

Clémentine-Hélène Dufau

Mary Elizabeth Duffield-Rosenberg

Maud Earl

Marie Ellenrieder

Alix-Louise Enault

Alice Maud Fanner

Catherine Maria Fanshawe

Jeanne Fichel

Author

Walter Shaw Sparrow

Country

United Kingdom

Language

English language

Genre

Art history

Publisher

Hodder & Stoughton, Frederick A. Stokes

Publication date

1905

Pages

331

The purpose of the book was to prove wrong the statement that "the achievements of women painters have been second-rate."[1] The book includes well over 300 images of paintings by over 200 painters, most of whom were born in the 19th century and won medals at various international exhibitions. The book is a useful reference work for anyone studying women's art of the late 19th century

Louise Abbéma

Madame Abran (Marthe Abran, 1866-1908)

Georges Achille-Fould

Helen Allingham

Anna Alma-Tadema

Laura Theresa Alma-Tadema

Sophie Gengembre Anderson

Helen Cordelia Angell

Sofonisba Anguissola

Christine Angus

Berthe Art

Gerardina Jacoba van de Sande Bakhuyzen

Antonia de Bañuelos

Rose Maynard Barton

Marie Bashkirtseff

Jeanna Bauck

Amalie Bauerlë

Mary Beale

Lady Diana Beauclerk

Cecilia Beaux

Ana Bešlić

Marie-Guillemine Benoist

Marie Bilders-van Bosse

Lily Blatherwick

Tina Blau

Nelly Bodenheim

Kossa Bokchan

Rosa Bonheur

Mlle. Bouillier

Madame Bovi[2]

Olga Boznanska

Louise Breslau

Elena Brockmann

Jennie Augusta Brownscombe

Anne Frances Byrne

Katharine Cameron

Margaret Cameron (Mary Margaret Cameron)

Marie Gabrielle Capet

Margaret Sarah Carpenter

Madeleine Carpentier

Rosalba Carriera

Mary Cassatt

Marie Cazin

Francine Charderon

Marian Emma Chase

Zoé-Laure de Chatillon

Jeanne-Elisabeth Chaudet

Lilian Cheviot

Mlle. Claudie

Christabel Cockerell

Marie Amélie Cogniet

Uranie Alphonsine Colin-Libour

Jacqueline Comerre-Paton

Cornelia Conant

Delphine Arnould de Cool-Fortin

Diana Coomans

Maria Cosway

Amelia Curran

Louise Danse

Héléna Arsène Darmesteter

Maria Davids

Césarine Davin-Mirvault

Evelyn De Morgan

Jane Mary Dealy

Virginie Demont-Breton

Marie Destrée-Danse

Margaret Isabel Dicksee

Agnese Dolci

Angèle Dubos

Victoria Dubourg

Clémentine-Hélène Dufau

Mary Elizabeth Duffield-Rosenberg

Maud Earl

Marie Ellenrieder

Alix-Louise Enault

Alice Maud Fanner

Catherine Maria Fanshawe

Jeanne Fichel

Rosalie Filleul

Fanny Fleury

Julia Bracewell Folkard

Lavinia Fontana

Elizabeth Adela Forbes

Eleanor Fortescue-Brickdale

Consuélo Fould

Empress Frederick of Germany

Elizabeth Jane Gardner

Artemisia Gentileschi[3]

Diana Ghisi

Ketty Gilsoul-Hoppe

Marie-Éléonore Godefroid

Eva Gonzalès

Maude Goodman

Mary L. Gow

Kate Greenaway

Rosina Mantovani Gutti

Gertrude Demain Hammond

Emily Hart

Hortense Haudebourt-Lescot

Alice Havers

Ivy Heitland

Catharina van Hemessen

Matilda Heming

Mrs. John Herford

Emma Herland

E. Baily Hilda

Dora Hitz

A. M. Hobson

Adrienne van Hogendorp-s' Jacob

Lady Holroyd

Amelia Hotham

M. J. A. Houdon

Joséphine Houssaye

Barbara Elisabeth van Houten

Sina Mesdag van Houten

Julia Beatrice How

Mary Young Hunter

Helen Hyde

Katarina Ivanović

Infanta María de la Paz of Spain

Olga Jančić

Blanche Jenkins

Marie Jensen

Olga Jevrić

Louisa Jopling

Ljubinka Jovanović

Mina Karadžić

Angelica Kauffman

Irena Kazazić

Lucy E. Kemp-Welch

Jessie M. King

Elisa Koch

Käthe Kollwitz

Adélaïde Labille-Guiard

Ethel Larcombe

Hermine Laucota

Madame Le Roy

Louise-Émilie Leleux-Giraud

Judith Leyster

Barbara Longhi

Princess Louise, Duchess of Argyll

Marie Seymour Lucas

Marie Lucas Robiquet

Vilma Lwoff-Parlaghy

Ann Macbeth

Biddie Macdonald

Jessie Macgregor

Violet Manners, Duchess of Rutland

E. Marcotte

Ana Marinković

Madeline Marrable

Edith Martineau

Caroline de Maupeou

Constance Mayer

Anne Mee

Margaret Meen

Maria S. Merian

Anna Lea Merritt

Georgette Meunier

Eulalie Morin

Berthe Morisot

Mary Moser

Marie Nicolas

Beatrice Offor

Adeline Oppenheim Guimard

Blanche Paymal-Amouroux

Marie Petiet

Nadežda Petrović

Zora Petrović

Constance Phillott

Maria Katharina Prestel

Henrietta Rae

Suor Barbara Ragnoni

Catharine Read

Marie Magdeleine Real del Sarte

Flora Macdonald Reid

Maria G. Silva Reis

Mrs. J. Robertson

Suze Robertson

Ottilie Roederstein

Juana Romani

Adèle Romany

Jeanne Rongier

Henriëtte Ronner-Knip

Baroness Lambert de Rothschild

Sophie Rude

Rachel Ruysch

Eugénie Salanson

Adelaïde Salles-Wagner

Amy Sawyer

Helene Schjerfbeck

Félicie Schneider

Anna Maria Schurman

Thérèse Schwartze

Doña Stuart Sindici

Elisabetta Sirani

Sienese Nun Sister A

Sienese Nun Sister B

Minnie Smythe

Élisabeth Sonrel

Lavinia, Countess Spencer

M. E. Edwards Staples

Louisa Starr

Marianne Stokes

Elizabeth Strong

Mary Ann Rankin (Mrs. J. M. Swan)

Annie Louise Swynnerton

E. De Tavernier

Elizabeth Upton, Baroness Templetown

Ellen Thesleff

Elizabeth Thompson

Maria Tibaldi m. Subleyras

Frédérique Vallet-Bisson

Caroline de Valory

Mlle. de Vanteuil[4]

Elisabeth Vigée-Lebrun

Caterina Vigri

Vukosava Velimirović

Ana Vidjen

Draginja Vlasic

Beta Vukanović

Louisa Lady Waterford

Hermine Waternau

Caroline Watson

Cecilia Wentworth

E. Wesmael

Florence White

Maria Wiik

Julie Wolfthorn

Juliette Wytsman

Annie Marie Youngman

Jenny Zillhardt.

#womensart #artbywomen #palianshow #womeninarts #greatfemaleartist

#greatfemalepainters #herstory #forgottenartists #mustread

#art herstory #women's art #art by women #women painters

[thecolorblockcurator]

Portrait of a Nun, Marie Ellenrieder 

#Marie Ellenrieder #art #art history #portrait #women artists

[pintoras]

Marie Ellenrieder (German, 1791 - 1863): Three young women (1849) (via Staatliche Kunsthalle Karlsruhe)

#Marie Ellenrieder #german painters #women painters #women artists #nineteenth century #art #painting

[lionofchaeronea]

Jesus as Friend to Children, Marie Ellenrieder, 1845

#art #art history #Marie Ellenrieder #female artists #Nazarene #Nazarene movement #religious art #Christian art #German art #19th century art