Ladies and gentleman of the jury, this is my case.
(*next day* I definitely got a little ahead of myself with that statement, but I was so happy to get through a single paragraph of a mild example without getting lost in all the other falsehoods that it made me giddy. I do feel unstuck though, and that's worth a lot.)
--
This was supposed to just be a copy of my “Delusional Lewisohn” website post but I started talking and accidentally wrote what I've been trying to say for months.
It starts as my contrasting paragraph of “designing Lewisohn”—how he normally does things—so it's a little stiff and compact, but I spread out fast and while it's probably riddled with typos, this is what he does. It's just usually worse and about more nefarious things.
“It could be they didn’t see much of each other in the summer of 1958.”
In “A BEATLE DIDN’T SAY THAT!” one of my examples was Lewisohn very designedly making it seem like Paul wasn’t around for John after Julia’s death using a combination of an altered quote from George Harrison’s mother and the contextual phrasing surrounding it. Many know of Mrs. Harrison reassuring George that she wasn’t going to die, but Lewisohn cunningly alters the rest of her words and his supporting sentences to make Paul seem unaffected and distant after John’s mother’s death, and to paint George and Paul both as relatively unconcerned, when what Louise Harrison specifically says is that she sent George around to John’s to bring him over so that he could play guitar together with Paul and George, and that “they always helped each other.” For Lewisohn to surgically alter the words that he does quote, chop off the rest, and then sew them back up with misleading insinuations to create not only a false—but opposite—impression of the boys’ closeness after John’s loss is unforgivable.
TUNE IN – Lewisohn
Asked some years later to describe how he’d been able to help John cope with the loss of Julia, Paul could remember nothing of the period at all. It could be they didn’t see much of each other in the summer of 1958. John was working at the airport, and Paul and George went on holiday together—adventurous for boys of 16 and 17. But Louise Harrison would recall how she encouraged George to visit John at Mendips, “so he wouldn’t be alone with his thoughts.” The awful fact that both his mates had lost their mothers terrified George: the penny dropped that his might die any moment too. “He’d watch me carefully all the time. I told him not to be so silly, I wasn’t going to die.”
THE BEATLES – Davies (cited)
Mrs. Harrison, George’s mother, remembers the effect it had on John. They were still practicing a lot at George’s house, the only house where they got endless hospitality and encouragement. (…) “When John’s mother did die, he didn’t seem to go off his head, but he wouldn’t come out. I forced George to go round and see him, to make sure he still went off playing in their group and just didn’t sit and brood. They all went through a lot together, even in those early days, and they always helped each other. George was terrified that I was going to die next. He’d watch me carefully all the time. I told him not to be so silly. I wasn’t going to die.”
Lewisohn doesn’t outright say that Paul wasn’t around when Julia died, but he strongly infers it—deceptively altering and truncating a supposed-Mrs. Harrison quote—turning George's mom talking about how close the three were at that time and how they helped each other, into support for his inference that Paul barely saw John at this time. He then adds an introductory statement that makes it seem as if Paul was nowhere to be found, without actually saying that.
Yes, that's what I said. It is all lawyer-speak narration. Look at his first two sentences.
Asked some years later to describe how he’d been able to help John cope with the loss of Julia, Paul could remember nothing of the period at all.
It could be they didn’t see much of each other in the summer of 1958.
But we know the secret. We know what Mrs. Harrison actually said. And so does Mark Lewisohn, by the way.
Now, Lewisohn tells us that someone, somewhere, "some years later" asked Paul this "question" that I literally cannot even comfortably end with a question mark:
“Paul, describe how you were able to help John cope with the loss of Julia?”
Really?
I'm not going to lie, I don't believe him, but even if we give Lewisohn the benefit of the doubt— **excuse me i can't stop laughing. one sec**
—even if we give Lewisohn the benefit of the doubt that someone, somewhere, at some unnamed time, asked Paul to describe how he was able to help John cope with the loss of Julia, just what exactly would we expect Paul McCartney's answer to that to be? Honestly, try to imagine the look on Paul's face if he was asked to describe how he helped John to cope after Julia's death.
“Paul could remember nothing of the period at all.”
Did an appellate lawyer write this? No, this is contract law genius. I can find the holes in almost any contract, and Lewisohn's own words around a misused quote are a work of legal art. He never quite says what you think he said.
But on the quotes, themselves, Lewisohn swings for the fences. He is without shame or fear. He has no qualms about putting quotation marks around any old thing he wants to say. One cannot go too many pages without finding something that shocks the conscience.
These are not “mistakes.” They are a very deliberate cutting and pasting together of historical figures' words to make them mean something different—and often opposed to—what the speaker intended. He then surrounds the misquotes with carefully worded insinuations that don't really say what you thought they did.
THE ACTUAL MRS. HARRISON “QUOTE”
Davies is very good at weaving together information-heavy exposition together with the quotes from his interviews, and since he interviewed everyone himself, he can tell us a lot in his own words.
What that does for you and me is that we get the context from the guy who asked the questions and spent time with these people, and that makes it a lot harder to get away with using these quotes out of context. Like, before we even get to the direct quote from George's mom, Davies is telling us what she remembers from the time. And it's a lot. Because that's when the boys practiced at the Harrison's almost every day. And it's awesome because her memories almost always include what the boys were eating at the time. (Seriously.) Like, she'd “given them all beans and toast” a few months before Julia died when she heard John say to Paul, “I don't know how you can sit there and act normal with your mother dead. If anything like that happened to me, I'd go off me head.”
Davies also calls Mrs. Harrison “one of nature's ravers.” 🥹
Everyone seems to agree that during this time the three were always at the Harrisons, and it's certainly the picture we get from Mrs. Harrison.
Davies is telling us all this, and leads into her direct quote by telling us what she “remembers.”
Mrs. Harrison, George’s mother, remembers the effect it had on John. They were still practicing a lot at George’s house, the only house where they got endless hospitality and encouragement.
And I trust Mrs. Harrison's memory because I am a mom, and I remember every trauma of my children's friends because I was the local Mrs. Harrison. We love those kids with all our hearts and they're so connected to our own kids that nothing happens to one without all of them feeling it. And the mom seeing it all. So how do we need Paul's answer to “Describe how you were able to help John cope with the loss of Julia?” when Mrs. Harrison has twenty stories, all with corresponding menus?
And Mrs. Harrison is saying that she sent George to get John out of his house so they could all play guitars together “in their group.” Not, George and John and no one knew where Paul was.
Where's Paul? Who could possibly know? “It could be they didn’t see much of each other”—but could it? It could be that Paul went ice skating in Sweden, EXCEPT HE FUCKING DIDN'T. Why are you lying to me in legalese in a Beatles biography?
“But Louise Harrison would recall how she encouraged George to visit John at Mendips” isn't true, but also isn't sane. If you pause and put as much thought into each sentence as was spent constructing them, you notice how many of them are patently ludicrous. Mrs. Harrison didn't encourage George to “visit” at Mendips because no child “visited” at Mendips. What are you even saying? To keep Paul and John away from each other you're talking nonsense. Visit? At Mendips? I can just picture John, Mimi and George sitting around having tea. But also, Mr. Lewisohn, those are not words that Mrs. Harrison said, and in fact, those words mean something completely different than the words she said.
What she said was she sent George over there “to make sure he still went off playing in their group and just didn’t sit and brood.”
And Nature's Raver Mom would see John not showing up like usual and would send her son out to make sure John knew he was wanted, and give him a little kick if necessary. She would want him in her house so she could feed him and make sure he was okay and to give him the comfort of playing music together with his friends.
They're the Beatles, and they got through it playing music. That's the real story, the true story, and a much better story.
And then she says “they all went through a lot together, even in those days, and they always helped each other.”
By cutting that out, leading into the quote you cut it from by speculating about where Paul was, and opining that maybe they didn't see each other much you are being purposefully deceptive and there simply is no other rational inference. None.
(I have tripled my website post now. I regret nothing.)
Let's take this baby home.
Because Mark Lewisohn completes the picture of John alone and ignored by George and Paul, and he does it by sneaking his own words into the mouth of George Harrison's dead mother.
I just want to make sure you got that. Like, let it sink in.
Mark Lewisohn changes Mrs. Harrison's actual words from “sit and brood” into “alone with his thoughts,” which further emphasizes the absolute absence of Paul and George. But he knows that John was not alone because he replaced Mrs. Harrison's words that said they were together playing music with his own words of John all alone. And then he has the nerve to even suggest that Paul and George are off together on holiday when John needs them most, while conjuring a parallel image of a traumatized John left separate and alone. (Except for his inner world.)
And I'm sorry, but I have to repeat it one more time: Lewisohn does all this by telling us that Louise Harrison said it. And although a lawyer could make a technical case that I am not being lied to here, I am.
Delusional Lewisohn is alive and well on my website. This has been Designing Lewisohn, signing off.
There's a lot, lot more and a lot, lot worse, but it's all of a piece. Not different in kind, just of degree. (But the degrees are significant.)
Tag 😏 @wingsoverlagos
34 notes
·
View notes
George Harrison + his passions
“George tried to teach himself. but he wasn’t making much headway. ‘I’ll never learn this,’ he used to say. I said, ‘You will, son, you will. Just keep at it.’ He kept till his fingers were bleeding.” - Louise Harrison, The Beatles
“He’d just go into another space. I felt maybe he was unhappy. He meditated for so long, for hours. It seemed to me as if he preferred to be in a meditative state than in a waking, conscious state. He liked the peace and calm.” - Pattie Boyd
“The house and the garden became an obsession with George. He found out everything there was to know about Sir Frank Crisp, how and why he built that extraordinary house and garden, why he wanted to re-create the Blue Grotto of Capri and build a mini Matterhorn in the Oxfordshire countryside. He wanted to get inside Sir Frank’s mind and fit into his old boots, and he seemed to want to do it alone. I can be obsessive, but then I get bored and need a change." - Pattie Boyd, Wonderful Tonight
"He’d garden at night-time until midnight [...] He missed nearly every dinner because he was in the garden. He would be out there from first thing in the morning to the last thing at night." - Dhani Harrison, Living in the Material World
“When she first met George she didn’t know what George was talking about half the time, he was always quoting Python or ‘The Producers’. He used to say to Olivia ‘Ah my little Swedish bombshell’ which she explained she obviously didn’t look Swedish, but it was a line from the movie The Producers.” - Greg, Olivia Harrison in Sydney
“Back at Friar Park, George runs through whole scenes of The Producers word for word - acting the parts out extremely well." - Michael Palin, Halfway to Hollywood: Diaries 1980–1988
"What was always embarrassing with him was that he knew everything backwards and forwards with Python, and he’d throw out a line expecting you to come back with whatever the response should’ve been. I didn’t know what he was talking about half the time." - Terry Gilliam, Concert for George (backstage interview)
"George quoted Bob like people quote Scripture. Bob really adored George, too. George used to hang over the balcony videoing Bob while Bob wasn’t aware of it. Bob would be sitting at the piano playing, and George would tape it and listen to it all night." - Tom Petty, Rolling Stone
"He got very into the uke. Actually, bordering on obsessively into the uke at some points, and uh, you know, he was taking me to George Formby conventions. That was when I started to notice that he was very into the ukulele. [laughs]" - Dhani Harrison, Breakfast with the Beatles
"I made some Rutle merchandise for Can’t Buy Me Lunch, but I gave it all to George who adored all Rutle stuff. I think the most successful present I ever gave him was a Rutle guitar, which Danny Ferrington made for me. It featured the Rutles looking out of the windows of a car, and George was thrilled with it." - Eric Idle, Greedy Bastard Diary
"The last time I saw George was in August, in Switzerland, on the Swiss-Italian border, where he was undergoing treatment for cancer. He played us all these old Hoagy Carmichael records. George had a lot of enthusiasms at various times, whether it was Bulgarian choirs or whatever. Once there was something he was enthusiastic about, he wanted the world to know." - Michael Palin, People
235 notes
·
View notes