Does anyone else just find Ringo absolutely adorable in these photos?? Like, the way he is sitting next to Brian. Or the way he's laying on the couch with his camera resting on his tummy. Or the way he's looking up at Paul with that sweet face and eyes and adorable nose.
Also, the way Paul is looking at George in these pictures like a proud older brother. He looks so sweet with him!
Ok, here me out. John and Paul, teenagers of Liverpool. Walking down the streets, leather jackets on, Elvis styled hair, guitars in hands, discussing Elvis. And then tiny little George running, trying to keep up!
And now, the odds and ends:
Paul's innocent peaceful face.
The way Paul's looking at the little girl.
John looks so sweet!
George and shy little Dhani!
Need I say anymore?
This is a cute Beatles appreciation post. Please appreciate!
Footage as featured in the special edition of Living In The Material World and the George Harrison Guitar Collection app — George playing Fred Astaire’s “Shine On Your Shoes” on the ukulele.
“The main thing was he was always around the house, playing his ukulele and smiling. I’d come home from school and he’d be standing in the doorway playing his uke.” - Dhani Harrison, Los Angeles Times, November 2002
“If I began to sing a song — any song — he would accompany and encourage me. If I played three chords on the uke (compulsory instrument in our home), he would be my band.” - Olivia Harrison, Harrison (2002)
“[George] had a lot of patience and he had time for people. If somebody truly wanted to know something, whether it was a guitar chord or something from the Vedas or how you prune a tree, if you were really curious, he had an endless amount of time. He actually sat with my mother and showed her how to play one chord on a ukulele so she could play along with him. He wanted everybody to have fun and join in. He was a Pisces; I think he liked the whole school going along with him.” - Olivia Harrison, Filter, Fall 2011 (x)
14 hours from 1995!! Finally using some of Olivia’s home movies!! Pete Best sent in something!!! Dhani crying?! OMG now the video is gonna kill me too okay thanks Peter Jackson
George Harrison turns his amp back on after police attempt to stop the rooftop performance. (Get Back, 2021)
George Harrison v.s. the police
“In Cleveland, without asking us, two senior police officers marched on stage and stopped our show completely because they said the crowd was getting out of hand. The safety curtain was pulled down, and we were ordered to our cars. With the cops shouting, ‘The show’s over, fellows, this is where we take over.’ It’s never happened to us before. But that’s the trouble with American cops – they’re over-enthusiastic, whether it’s for stopping shows, hurling us into cars, baton charging the crowd or just asking 30 autographs at a time." - George's column in The Daily Express (1964) [x]
"We've been and played here in Sydney, and it was the biggest drag of all time. The stage revolves every three minutes and we have to walk right down the aisles like boxers to get to the stage. At the first house I punched a policeman because he was shoving me like mad and some kids had a hold of me all at once and I was trying to get off the stage. I was swearing my head off at one policeman (sorry), and later the chief came and apologised to me." - George in a letter to his parents (1964)
“I noticed a police car. It says, written on the door, ‘To serve and to protect’, and that really sort of buzzed me. I was starting to wonder like, who are they serving, and who are they protecting? I mean that’s where it’s really at because maybe they do serve and protect, but you know…themselves or? Like, who? […] That’s the trick you see. They say, ‘It’s not me. It’s somebody up there telling me what to do,.’ and you can never find like, who is the guy at the top? Because they shift the load, you know? Take a load off Annie.” - George interviewed by Don Hall and Charles Laquidara (1968)
“George arrived home, with Mal Evans and Derek Taylor in tow. All the detectives instantly leaped from George’s settees to converge upon their quarry as he stormed, ranting and raving, into his kitchen. 'The foxes have got their lairs,' George shouted, 'and the birds have their fucking nests, but man doesn’t have anywhere he can fucking go without people breaking into his house!' Ignoring this tirade, the Drug Squad, charging him with possession of cannabis, produced two pieces of incriminating evidence. 'That one’s mine!' George snapped. 'But I’ve never seen this one before in me fucking life! You don’t have to bring your own dope to me house, I’ve got plenty meself! And you didn’t have to turn this whole fucking place upside down, I could have shown you where the stuff was if you’d asked me!' Their only response was to ask George to accompany them to the police station. 'Well, I don’t care where the fuck we go,' George retorted, 'just so long as you get all these fuckers out of my house!'" - Pete Shotton on the 1969 drug bust at Kinfauns [x]
"The prosecution had stated then that Harrison drove his car on to the busy junction of Wigmore Street and Orchard Street blocking traffic. When stopped by the Pc, Stephen Gardner he drove the car forward with the constable walking alongside and twice refused a requestion to drive to the offside of the road. Pc Gardner walked forward and stood in front of the car and Harrison advanced the car slowly and it hit the officer's knee. He drove against the officer three times. Police spent 15 minutes trying to get his name and address, but Harrison, who was heavily bearded, was finally recognized. Mr. Polden told the magistrate yesterday that Harrison was trapped in the boxed area. He was driving his wife's Mercedes, and drove slowly forward. He heard a hammering on the car roof. ‘Mr. Harrison's lot has been to find people hammering on the roof of his car and he did not associate it initially with police action.’
The policeman believed the driver was taking no notice of his signal. Harrison had the car radio on and did not hear the officer speak to him. When the policeman ran in front of the car Harrison realized for the first time he was being requested to stop ‘for reasons quite obscure to him.’ He decided to pull in to the near side and started to turn not realising he was being discourteous.
‘He should have stopped, but it stemmed from a misunderstanding. That is why he pleaded guilty.’ ‘Mr. Harrison's nature is such that the arrogant level of driving does not really enter into it. As far as a man in his position can have, he has a sense of humility. He is not capable of deliberately driving into a police officer, causing him to hurt. He took the whole business impassively rather than arrogantly.’” - Guy Rais, Ban on Harrison (1971) [x]
"George gives me a souvenir as I leave -- a baton belonging to the Chief Constable of Liverpool, which GH took off him at the Liverpool premiere of A Hard Day’s Night!" - Michael Palin, Halfway to Hollywood: Diaries 1980–1988
"I was 15 and then uh...had some little run-in with some policemen, and he told the policemen to fuck off. And that was when I realised he was actually cool, on my side, and not just a scary dad, y'know?" - Dhani Harrison, Living in the Material World
“‘He had the most distinctive voice, those funny little vowels. I always have that disconnect where I’m listening as a music lover and then I suddenly go, “Oh, oh, it’s you.”’
Her deep brown eyes — so similar to his — drift to the middle distance and there’s a beat of silence. That recognition is ‘not painful.’ Occasionally she finds herself listening to a song and it does not conjure him up just as he played it to her. “When that happens it doesn’t make me happy,” she laughs. She wants their connection to live whenever she hears his music. ‘Oh, wait, don’t ever let that become just objective, something that you don’t connect to.’
[…] The Scorsese documentary, instigated by Olivia, opens with Dhani being asked what he would say to his father if he appeared now. Dhani says he saw his father in a dream and asked him ‘Where’ve you been?’ and his father replied, ‘Here the whole time.’
‘What Dhani said was really very lovely. He had a lot of numinous dreams.’ She smiles and repeats, ‘Here the whole time.’ I ask Olivia what she would say to George now. She pauses.
‘I hope I told you everything. I hope I told you how wonderful you are.’” - article/interview by Helen Rumbelow, The Sunday Times, September 24, 2014 (x)