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#Lola Quivoron
artfilmfan · 9 months
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Rodeo (Lola Quivoron, 2023)
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rookie-critic · 1 year
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Rookie-Critic's Film Review Weekend Wrap-Up - Week of 3/26-4/2/2023
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This was a bit of a short week. I'm really winding down from my big run of pre-Oscars binge-watching, and have been enjoying the last couple weeks of casual theater outings and video games. This was an interesting and eclectic trio of indie films, though.
Rodeo (2022, dir. Lola Quivoron)
This was a character study that showed a lot of promise. A deeply flawed protagonist that you still wanted to succeed. A very interesting niche subculture as the main subject matter of the film in the form of a group of underground motorbike and ATV riders, and a gripping handheld-camera shooting style all showed so much promise for this French drama from last year. However, I was massively disappointed in the film's ending, which seemed to throw away all of it's potential for something wildly and unnecessarily abstract. It felt like we were coming up on a climax that was going to be a great payoff for all of the film's plot threads, only for the film to fizzle out within a matter of five minutes instead. Roll credits, go home, nothing to see here. It's not as egregious as something like Smile, which not only threw away it's character development, but actively shattered a very pro-healing-from-trauma message in the process. This is relatively harmless in comparison, and the rest of the film was quite good up to that point, so I'll just say that I didn't hate it.
Score: 6/10
Currently available for pre-order on Blu-ray & DVD through Music Box Films.
The Lost King (2022, dir. Stephen Frears)
This was a harmlessly good time. Sally Hawkins, as always, is an absolute delight and commands the screen with her every movement. She is convincing and demands that you empathize with her character Philippa Langley. I am aware that this film has a fair bit of controversy wrapped around it in how it handles fact vs. fiction in this true story. The film paints a very villainous picture of the University of Leicester, and there are claims that this portrayal is wildly hyperbolic and inaccurate. Granted, everyone I've seen complaining about the portrayal is either a graduate or an employee of the University of Leicester, but on the flip side Philippa Langley is an executive producer on this film. I'm choosing to believe the way the film portrays things as accurate. It is a little on the nose, and I'm sure they weren't as cartoonishly evil as the film conveys, but I can see academia treating a woman suffering from ME as horrendously as they do in this film, and I can't see a director as seasoned as Stephen Frears (whose directed movies like Philomena and High Fidelity) making a film that's blatantly propaganda. I enjoyed The Lost King, it maybe wasn't the best, but people interested in the history of it will surely find a lot to like here.
Score: 7/10
Currently Only in theaters.
A Good Person (2023, dir. Zach Braff)
This a very mediocre film that is saved by two spectacular performances. I've never seen either of Zach Braff's other films (I consider Garden State to be a pretty big blind spot in my viewing history), but man, just based off of this, I'm not super impressed in his ability as a writer/director. The dialogue in the film is packed with filler and faux-drama, and the whole thing just seemed so unforgivably on the nose that I just couldn't get behind the characters for most of the film. The movie is obsessively concerned with you sympathizing with both of its central characters that at two separate spots in the film they each say the actual line "I'm a good person." It's would be eye-roll inducing if Morgan Freeman and Florence Pugh weren't acting their asses off, and they do act their asses off. It might honestly be the best performance I've seen out of Pugh, and I'm so bummed that she delivers it in a film that is so undeserving of it. I'm being incredibly harsh on this, so I will point out that I didn't hate it, and if the script wasn't sabotaging the film so often, it would be great, even. Braff touches on a lot of important, timely topics here, and occasionally gets you to care about what he's saying. I'll even admit to falling for some of the emotional manipulation and tearing up a couple times. Would I watch it again? Absolutely not, but I'm positive there's an audience for this out there. Maybe you're one of them.
Score: 6/10
Currently only in theaters.
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oldfilmsflicker · 2 years
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new-to-me #408 - Rodeo
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moviemosaics · 1 year
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Rodeo
directed by Lola Quivoron, 2022
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Rodeo (2023) (Dir. Lola Quivoron - France)
After a chance meeting at an illicit "Rodeo" where riders show off their bikes and stunts, Julia strives to prove herself to a volatile, ultra-masculine clique, performing cons and surviving by her wits.
“Hot-tempered and fiercely independent, Julia (Julie Ledru) is a gearhead who thrives in hostile environments and turns every situation to her advantage. She has a talent for scamming condescending men who think it’s cute that she shows interest in their used motorbikes–and can’t fathom her riding away with gleeful abandon. Her obsession with the high-octane world of urban ‘Rodeos’ - illicit gatherings where riders show off their bikes and latest daring stunts - sparks a chance meeting with a volatile clique. Julia strives to prove herself to the ultra-masculine gang by performing cons and running errands for their incarcerated ring leader, Dom. She finds a surprising connection with Dom’s wife, Ophélie (Antonia Buresi) and son, a risky move that puts a target on her back. Julia is unsure who she can trust as the ultimate heist comes down the pike.”
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genevieveetguy · 2 years
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Rodéo, Lola Quivoron (2022)
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Un Certain Regard:
Un Certain Regard Jury's "Coup de Coeur", 2022 -
Rodeo (2022), directed by Lola Quivoron.
Julie Ledru as Julia; Mohamed Bettahar as Amine; Louis Sotton as Ben; Dave Nsaman Okebwan as Abra; Ahmed Hamdi as Mous; Junior Correia as Manel; Antonia Buresi as Ophélie; Yanis Lafki as Kaïs.
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mycinematheque · 11 months
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double-croche1 · 1 year
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[TOP FILMS 2022]
Voici notre sélection totalement subjective des 25 films qu'on a préférés en 2022 avec 15 interviews sur 25 ! 🎬✨ 1. ‘R.M.N.’ de Cristian Mungiu Interview de Cristian Mungiu : https://bit.ly/3WpvOiZ 2. ‘Licorice Pizza’ de Paul Thomas Anderson 3. ‘Great Freedom’ de Sebastian Meise Interview de Sebastian Meise : https://bit.ly/3jubwGu 4. ‘Pacifiction - Tourment sur les îles’ d’Albert Serra Interview d’Albert Serra : https://bit.ly/3PVmz7F 5. ‘Leila et ses frères’ de Saeed Roustaee Interview de Saeed Roustaee : https://bit.ly/3C2dK6f 6. ‘Le Serment de Pamfir’ de Dmytro Sukholytkyy-Sobchuk Interview de Dmytro Sukholytkyy-Sobchuk : https://bit.ly/3PS7JP6 7. ‘The Souvenir Pt. 2’ de Joanna Hogg Interview de Joanna Hogg : https://bit.ly/3FTDLWE 8. ‘Joyland’ de Saim Sadiq Interview de Saim Sadiq : https://bit.ly/3voTbNE 9. ‘Flee’ de Jonas Poher Rasmussen 10. ‘Godland’ de Hlynur Pálmason Interview de Hlynur Pálmason : https://bit.ly/3YSNPI7 11. ‘Red Rocket’ de Sean Baker Interview de Sean Baker : https://bit.ly/3I3bmjB 12. ‘Vortex’ de Gaspar Noé Interview de Gaspar Noé : https://bit.ly/3hT41s1 13. ‘Un beau matin’ de Mia Hansen-Løve Interview de Mia Hansen-Løve : https://bit.ly/3I3kvbL 14. ‘EO’ de Jerzy Skolimowski 15. ‘Piccolo Corpo’ de Laura Samani 16. ‘Close’ de Lulas Dhont 17. ‘La Conspiration du Caire’ de Tarik Saleh Interview de Tarik Saleh : https://bit.ly/3FUL8Np 18. ‘Les Crimes du futur’ de David Cronenberg 19. ‘Tori et Lokita’ de Jean-Pierre et Luc Dardenne Interview de Jean-Pierre et Luc Dardenne : https://bit.ly/3Ws50yz 20. ‘Saint Omer’ d’Alice Diop 21. ‘Les Poings desserrés’ de Kira Kovalenko Interview de Kira Kovalenko : https://bit.ly/3vBfsYR 22. ‘Sans filtre’ de Ruben Östlund 23. ‘La Nuit du 12’ de Dominik Moll 24. ‘Contes du hasard et autres fantaisies’ de Ryūsuke Hamaguchi 25. ‘Rodeo�� de Lola Quivoron Interview de Lola Quivoron : https://bit.ly/3PQrF5b A&B
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spoilertv · 4 months
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kunstplaza · 10 months
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qudachuk · 1 year
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Lola Quivoron’s gritty debut feature, largely using non-actors, follows a disaffected young female dirt biker who forces her way into this male-dominated subcultureThe first time we meet motorbike fanatic Julia (Julie Ledru), she is temporarily without wheels. Lashing out...
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movingspaceart · 1 year
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tomorrowedblog · 1 year
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Friday Releases for March 17
Friday is the busiest day of the week for new releases, so we've decided to collect them all in one place. Friday Releases for March 17 include Swarm, Shazam! Fury of the Gods, 10,000 gecs, and more.
Shazam! Fury of the Gods
Shazam! Fury of the Gods, the new movie from David F. Sandberg, is out today.
From New Line Cinema comes “Shazam! Fury of the Gods,” which continues the story of teenage Billy Batson who, upon reciting the magic word “SHAZAM!,” is transformed into his adult Super Hero alter ego, Shazam.
Inside
Inside, the new movie from Vasilis Katsoupis, is out today.
INSIDE tells the story of Nemo, an art thief trapped in a New York penthouse after his heist doesn’t go as planned. Locked inside with nothing but priceless works of art, he must use all his cunning and invention to survive.
Boston Strangler
Boston Strangler, the new movie from Matt Ruskin, is out today.
The film follows Loretta McLaughlin (Keira Knightley), a reporter for the Record-American newspaper, who becomes the first journalist to connect the Boston Strangler murders. As the mysterious killer claims more and more victims, Loretta attempts to continue her investigation alongside colleague and confidante Jean Cole (Carrie Coon), yet the duo finds themselves stymied by the rampant sexism of the era. Nevertheless, McLaughlin and Cole bravely pursue the story at great personal risk, putting their own lives on the line in their quest to uncover the truth.
Rodeo
Rodeo, the new movie from Lola Quivoron, is out today.
Lola Quivoron’s RODEO is a heart-pounding rites-of-passage drama about Julia, a young woman who lives on a housing estate and finds her thrills in motorbiking. She soon manages to force her way into this male-dominated subculture, and embarks on a life of crime.
Swarm
Swarm, the new TV series from Donald Glover and Janine Nabers, is out today.
From Janine Nabers and Donald Glover, Swarm follows Dre (Dominique Fishback), a young woman whose obsession with a pop star takes a dark turn.
Extrapolations
Extrapolations, the new TV series from Scott Z. Burns, is out today.
Extrapolations is a bracing drama from writer, director and executive producer Scott Z. Burns that introduces a near future where the chaotic effects of climate change have become embedded into our everyday lives. Eight interwoven stories about love, work, faith and family from across the globe will explore the intimate, life-altering choices that must be made when the planet is changing faster than the population. Every story is different, but the fight for our future is universal. And when the fate of humanity is up against a ticking clock, the battle between courage and complacency has never been more urgent. Are we brave enough to become the solution to our own undoing before it’s too late?
Sky High
Sky High, the new TV series from Daniel Calparsoro and Jorge Guerricaechevarría, is out today.
When you’ve got nothing, what’s the point of losing everything?
Agent Elvis
Agent Elvis, the new TV series from Priscilla Presley and John Eddie, is out today.
Elvis Presley trades in his jumpsuit for a jetpack to battle the dark forces that threaten the country - all while holding down his day job as the King of Rock and Roll.
Bayonetta Origins: Cereza and the Lost Demon
Bayonetta Origins: Cereza and the Lost Demon, the new game from Platinum Games and Nintendo, is out today.
Long before this trainee of the dark arts would come to be called Bayonetta, she took a fateful journey into the forbidden Avalon Forest. Alongside her was Cheshire, her very first demon, possessing Cereza’s stuffed toy. Play as both Cereza and Cheshire and search through the treacherous forest to look for the power to save Cereza’s mother.
10,000 gecs
10,000 gecs, the new album from 100 gecs, is out today.
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champi-pilze · 1 year
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Rodéo - Lola Quivoron (2022)
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statoprecario · 1 year
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40 Torino Film Festival | PREMI UFFICIALI e COLLATERALI
40 TORINO FILM FESTIVAL I PREMI UFFICIALI CONCORSO LUNGOMETRAGGI INTERNAZIONALIMiglior film / Best film (18.000 €) a/to:PALM TREES AND POWER LINES di/byJamie Dack (USA) Premio speciale della giuria / Special Jury Award (7.000 €), a/to:RODEO di/by Lola Quivoron (Francia/France) Miglior attrice / Best Actress, a/to:JULIE LEDROU per il/for the film RODEO di/by Lola Quivoron…
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