#Liz Powell

[pierreism]

'Your Beautiful Self' by Land of Talk

Following 2021′s isolation-inspired Calming Night Partner, Liz Powell returns this October with her next LP, Performances, a title that addresses not just her duties as a songwriter, but the act of performance writ large: how we present ourselves to the world and the burdens of expectation, exposure and failure that comes with it.

“I needed to make a love letter to my teenage self by being more vulnerable and doing all the production myself,” she writes. “I'm performing what's in my brain but I'm tired of performing femininity for the music industry, femininity in my life, respectability, and vulnerability. I'm trying to grow out of these and break out of these roles in my life.”

The video is bookended with images of Liz looking away, as if disinterested in the gaze looking back at her. Performance is, ultimately, an act of giving. When that invariably drains you of your life force, who can we count on to give back? With her confessional and soul-searching music, Liz Powell creates a mirror that reflects humanity’s beauty back to us — if only we could just see it.

#Land of Talk #Liz Powell

[scifipinups]

Barbara Nichols The Twilight Zone 'Twenty Two' (1961)

#60s #1961 #liz powell #barbara nichols #the twilight zone #twenty two #supernatural #tv

[filmgifs]

Anyone But You (2023) dir. Will Gluck

#filmedit #anyone but you #romanceedit #2020s #romance #comedy #gif #liz #sydney sweeney #glen powell

[sailor-aviator]

Okay, so just got home after seeing Anyone But You. My honest take.

I went into the movie expecting it to be HORRENDOUS, but I can admit when I’m wrong. It was actually a pretty solid movie overall. The side characters were so fucking funny (GaTa you have my whole ass heart) and they held their own against each other.

Sydney Sweeney can’t act. I’m sorry, she can’t. That was the consensus coming out of the theater from people who didn’t even know the drama. Her lines fell flat and half the time I couldn’t figure out what she was trying to convey. The other half she was making this face: :3

I genuinely believe that if this movie had had a better female lead, it would have been a smash hit. Sydney just fell flat. I will give her this, I haven’t seen her in anything else (I’m not watching Euphoria, you can’t make me dammit), but not everyone can do comedy. Comedy acting is super hard, and she’s one of the ones that can’t do it, and that’s okay. Maybe she’s better in other things, idk?

Glen was pretty good, but we know he can do comedy, so that’s not really a surprise. I think he fell a little flat in this movie, but most of acting is reacting, and most of his scenes were with Sydney….so.

Anyway, I would say go see it. Not for Sydney or Glen, but for the phenomenal supporting cast. They were the ones that had me laughing out loud most of the time. Glen had his moments, but I’m not lying when I say GaTa and Bryan Brown were the true stars of the movie imo

#Liz’s personal tag #Liz’s thoughts #liz rambles #anyone but you #Glen Powell #my credentials? #several speech and debate trophies from when I placed at tournaments for acting #also I’m funny so I know funny I guess #also I have no credentials just vibes

[dontmeantobepoliticalbut]

Former acting White House Chief of Staff Mick Mulvaney was seen by reporters leaving his interview Thursday with the House Select Committee investigating January 6, 2021.

Mulvaney resigned from his position as special envoy to Northern Ireland in the aftermath of the January 6 attack on the US Capitol. He previously served as former-President Donald Trump's acting chief of staff until March 2020, when the President replaced him with Mark Meadows.

As he left the interview Thursday evening, Mulvaney told reporters, "I haven't talked to anyone in the White House for a long time," when asked if he spoke with anyone in the White House between December 2020 and the Capitol attack.

Asked by CNN's John Berman on Friday about his appearance before the Committee, Mulvaney said he was questioned about tweets and texts he sent on January 6, his involvement in Trump's campaign and discussions he had around election day. He also criticized the Committee and its structure as "politically biased" but said they are getting "good and sound information" from Republicans whom they have spoken with.

"It was not a fight, it was a free-flowing discussion of information that I thought was helpful," Mulvaney said on "New Day," adding that his testimony lasted about two and a half hours.

He also said there were general questions about processes in the White House, including how visitors would see the President and noted "clearly they're trying to figure out" how lawyers Rudy Giuliani, Sidney Powell and others in Trump's inner circle got the access they received.

CBS News reported earlier on Mulvaney's appearance on Thursday.

Rep. Liz Cheney, who serves as the Committee's vice chair, told CNN over the weekend that the Committee would likely be speaking with more people associated with the former President.

The Wyoming Republican said the Committee had "many interviews scheduled that are coming up. We anticipate talking to additional members of the President's Cabinet. We anticipate talking to additional members of his campaign."

The Committee has also been engaging with former Secretary of State Mike Pompeo, and he could sit for a closed-door deposition with the panel as soon as this week, multiple sources familiar with the Committee's schedule tell CNN.

Pompeo's potential appearance comes as the Committee has shown an increased interest in former members of Trump's Cabinet.

Another source connected to the Committee's investigation previously told CNN they are particularly interested in conversations surrounding the 25th Amendment after the events of January 6.

In the immediate aftermath of the attack, a growing number of Republican leaders and Cabinet officials told CNN that they believed Trump should be removed from office before January 20.

Invoking the 25th Amendment would have required then-Vice President Mike Pence and a majority of the Cabinet to vote to remove Trump from office due to his inability to "discharge the powers and duties of his office" -- an unprecedented step.

#us politics #news #cnn #house select committee #capitol riot investigation #capitol riot #trump administration #mick mulvaney #mark meadows #rudy giuliani #sidney powell #rep. liz cheney #mike pence #mike pompeo #25th amendment #donald trump #2022

[annepsilvaauthor]

Summer Nights (2024)

Staring: Glen Powell & Monica Barbaro

David: Can i call you 'Liz'?

Elizabeth: No.

David: Rude. And what about 'Miss Sunshine'?

Elizabeth: And what about you get the fuck out of my way?

David: Nah. I don't like it. Miss Sunshine is endgame!

Gifs multiple vias

#top gun maverick #monica barbaro #glen powell #natasha trace #jake seresin #hannix #jake hangman seresin #top gun cast #phoenix trace #tgm fic #hannix au #monglen #way better than Sweeney and Glen chemistry #summer nights #romcom #what is Hollywood waiting for? #take this two as the new Adlam Sandler and Drew Barrymore #anyone but you

[somediyprojects]

Designs from the 2023 Ornament Issue of Just CrossStitch magazine.

Comfort & Joy designed by Deborah Booth of My Big Toe Designs

Christmas Eve designed by Elizabeth Talledo of damesoftheneedle

Festive Ball designed by Sara Louise Greer of wickhamcottage

Gentle Glow designed by Cissy Bailey Smith of gentle_pursuit

Gingerbread Row designed by Susan Powell of ardithdesign

Happy Holiday Sampler, designed by Wendy Peatross of From the Heart - NeedleArt by Wendy (wendypeatross)

Winter Wonderland designed by Patricia Bage of Patricia Ann Designs

Simple Joys designed by Kristen Stoltzfus Clay of verityvintagestudio

White Christmas designed by Julia Rosenberg of cottonpixels 

Time for Christmas designed by Corina Ciocanu of happyxcraft

Christmas Chaos designed by Maria Warmke of stitcherhood_cross_stitch

Woodland Holiday designed by Nicole LaBranche of spot_colors

Have a Mod Christmas designed by Sunny Lofstrom of three_tiny_owls

Poinsettia Fairy designed by Kathleen Berlew of kberlew

Making Christmas Bright designed by Karen Bowen of kebstudiocreations

Decorating the Tree designed by Judith Kringle

Snow Deer designed by Karen Kirk of foxandrabbitdesigns

Mr. & Mrs. designed by Annie Craft of dirtyanniex

Frost Snow Globe designed by Laure Fontaine of Laine et Eau

Ready for Christmas designed by durenejonescrossstitch

Pink Poinsettia designed by Cyndy Young of luhustitches

Painted Leaves designed by Kate Spiridonova of katestitcher

Believe designed by Karen Kluba (kare.kluba) of Rosewood Manor

A Star for the Tree designed by Cassandra Cavalca Conforti of cassandra_fairywoolinthewood

Blackwork Christmas designed by Liz Almond of Blackwork Journey

Gingerbread Row, designed by Susan Powel of Laurel Susan Studio LLC

Vintage Trees, designed by Allison Petersen of cozycabinstitching

Joy to the World, designed by Olena Khirkh-Yalan of living.on.the.rainbow

Ice Skating Joy designed by Susan O'Bryant of sweetwingstudio

Be Merry designed by Eirinn Norrie of tangled.threads.and.things

#cross stitch #inspo #x #magazine #multi #durene jones #christmas

[filmnoirfoundation]

ASK EDDIE returns this Thursday, August 3, 7:00 PM PT to our Facebook page.

FNF prez Eddie Muller responds to film noir fan questions fielded by the Foundation's Director of Communications Anne Hockens . In this episode, we discuss “Sleep, My Love”, “Phantom Lady”, the precursors to Jules Dassin’s “The Naked City", film noir villains, our favorite character actors, Ida Lupinoand more. We also give our recommendations for books that were made into film noirs. On the cat front, Charlotte is a background player and Emily won’t come out of her trailer. Want your question answered in a future episode? We solicit questions from our email subscribers in our monthly newsletters. Sign up for free at https://www.filmnoirfoundation.org/signup.html

Everyone who signs up on our email list and contributes $20 or more to the Film Noir Foundation receives the digital version of NOIR CITY Magazine for a year. Donate here: https://www.filmnoirfoundation.org/contribute.html

Can’t join us on Thursday? No problem! A recording will be up on our YouTube channel, @NoirCity, on Friday, August 4: https://www.youtube.com/user/NoirCitySF

Note: Eddie will not be able to answer questions posted during the livestream nor ones left on our social media accounts

This week’s questions:

Do you think that the CRIME DOES NOT PAY shorts series is a precursor to films like THE NAKED CITY?

Liz

Keep seeing Alfred Newman name for music credits.  Was he the inspiration for Mad Magazine’s Character? 

Kitaman

How have the classic noirs and noir performers fared at Oscar nomination time? Any egregious snubs?

Ben

Why is Hitchcock's NOTORIOUS never shown anymore? And 1948’s SLEEP, MY LOVE with Claudette Colbert, Don Ameche and Robert Cummings. If it's in the "vault" any possibility of its ever showing

Jenene

I think PHANTOM LADY isn't merely overrated, it's awful. Really none of it rings true. The whole film is weak, I think. Most especially Franchot Tone. Interested if you agree.

Nick

The collision of humor and noir is an interesting topic, don’t you think? I was thinking about this recently when I saw Dick Powell in the very weird, 1951 film YOU NEVER CAN TELL.  What is your favorite example of humor in classic film noir?

Kingpin Johnny, Doylestown, PA

Is there an actor that has played a villain in more than one film noir movies? And the performance was memorable.

Jeff from Brooklyn

Who is your favorite film noir character actor and why?

Harry, West Chester, PA

My question is about Ida Lupino's story.  Did it become a movie, or maybe more important, could it?  Based on what you said it appears to be perfect for these times.

Barb

Can you recommend books to read that were eventually made into film noirs?

Valencia

By any chance, are Eddie Muller, Anne Hockens, and/or the Film Noir Foundation using Letterboxd? Letterboxd lets you keep track of movies you have watched. You can rate them, log them in a diary-style Brett- Edmonton, Alberta, Canada

I wrote a short film screenplay (6 pages) for a present-day noir which I sent to the Santa Barbara International Screenplay Awards, for analysis only. They gave it a favorable score, but I think it would have been higher if they read it as a film noir. My question is, if you are trying to write a screenplay reflecting the aesthetics of Film Noir, is there an organization I can send it to that can judge it for what it is?

William

THE TREASURE OF THE SIERRA MADRE: Noir or Not?

Doug, Silver Spring, MD

What are your opinions on these German crime films:

IT HAPPENED IN BROAD DAYLIGHT (1958)

THE DEVIL STRIKES AT NIGHT (1957)

WET ASPHALT (1958)

ALIBI (1955)

STOLEN IDENTITY (1953)

A DEGREE OF MURDER (1967)

WHIRLPOOL (1959)

And are there precursors to the currently popular Scandinavian noir films?

Greetings from the Netherlands, Maarten

Did you ever have the chance to meet either Siskel or Ebert, and talk about movies with them? Did they share any special insights about noir movies with you?

Dan from South Dakota

#film noir #film noir foundation #noir city #eddie muller #anne hockens #the naked city #sleep my love #phantom lady #cornell woolrich #you never can tell #character actors #ida lupino #the treasure of the sierra madre #german film noir #scandinavian noir

[dreaminginthedeepsouth]

Joel Pett, Lexington Herald Leader

* * * *

DUPLICITY DECEIT AND DECEPTION, SIMMERED TO PERFECTION IN A RICH BROTH OF HYPOCRISY

TCinLA

We knew it all along from its founding in1996 that Faux Propaganda Channel was as phony as a $7 bill, but seeing it in black-and-white on the page in the Dominion lawsuit filings really puts things in a different perspective, on a different level of reality. So, allow me to congratulate Faux Prop for following up their public exposure that they knowingly lied to their audience about the 2020 election with a demonstration of knowingly lying to their audience about the insurrection on January 6, 2021.

For all the time he has had his show on Faux Prop, which is now the number one show on cable TV, it has been self-evident that Tucker Carlson doesn’t believe most of the bullshit he spouts on his show. We can now enjoy that obvious truth more widely:

“We are very, very close to being able to ignore Trump most nights. I truly can’t wait. I hate him passionately.” — Tucker Carlson to his producer, January 4, 2021

"That's the last four years. We're all pretending we've got a lot to show for it, because admitting what a disaster it's been is too tough to digest. But come on. There isn't really an upside to Trump." — Tucker Carlson to his producer on January 4, 2021

“I hate him passionately. … What he’s good at is destroying things. He’s the undisputed world champion of that. He could easily destroy us if we play it wrong.” — Tucker Carlson to his producer on November 16, 2021

“The whole thing seems insane to me. And Sidney Powell won’t release the evidence. Which I hate.” – Tucker Carlson to his producer on November 16, 2021 on the eve of touting the bogus claims about Dominion

And then this last Monday night, Tucker Carlson initiated his bizarre shitshow of revisionism by insisting the violent Insurrection we all watched in real time, really wasn’t an Insurrection at all.

“Taken as a whole, the video record does not support the claim that January 6th was an insurrection. In fact, it demolishes that claim. The footage does not show an insurrection or a riot in progress. Instead it shows police escorting people through the building." – Tucker Carlson introducing his show on Monday March 6, 2023

The text messages and emails from Carlson that were revealed by Dominion Voting systems in their filing supporting a summary judgement against Faux Prop reveal the wildly pro-Trump stance Carlson and the network cultivated has been nothing more than a theatrical performance. Carlson, despite his long defense and promotion of Trump, even to publicly advising him on national security issues, has never been a real Trumper; he just played the role. His support of Trump and Trump-adjacent issues has been from convenience; or when not convenient, a demonstration of how much he fears Trump.

As the Atlantic’s David Graham put it regarding Monday night’s shitshow: “That Tucker Carlson thinks his viewers are stupid is not new, though his first swing at spinning unseen footage of the January 6 insurrection provides a fresh test of just how credulous they are.”

But Tucker’s bullshit convinced at least one idiot: Unreconstructed Afrikaner shitbird Elon Muck; his response being further proof that he is actually the opposite of the “genius” the tinny toy owners think he is. Following Monday night’s show, Muck went on another bizarre Twitter rant in which he attacked members of the House Select Committee that investigated the Insurrection last year. Demonstrating what a braindead boob he is, Muck un-ironically accused them of “misleading the public” while lashing himself to debunked conspiracy theories about the response of the FBI and law enforcement to the Insurrection. He specifically said Adam Kinzinger and Liz Cheney withheld evidence: “Besides misleading the public, they withheld evidence for partisan political reasons that sent people to prison for far more serious crimes than they committed. That is deeply wrong, legally and morally.” (We really need to stick this fuckwit in one of his tinny toys, stuff it in one of his toy rockets, and fire it into the sun, since unfortunately we can’t put him in a time machine and send him back to be thrown out that top story window by his school mates in South Africa back when he was 12.)

While Muck was demonstrating what a worthless piece of something one scrapes off their shoe he is, the family of Brian Sicknick - the officer who died the day after defending the Capitol - issued a scathing statement after Carlson tried to downplay the injuries Sicknick suffered at the hands of the traitors:

“The Sicknick family is outraged at the ongoing attack on our family by the unscrupulous and outright sleazy so-called ‘news’ network of Fox News who will do the bidding of Trump or any of his sycophant followers, no matter what damage is done to the families of the fallen, the officers who put their lives on the line, and all who suffered on Jan 6th due to the lies started by Trump and spread by sleaze slinging outlets like Fox.”

Capitol Police Chief Thomas Manger issued a rare statement ripping “offensive” and “misleading” statements about the attack:

“Last night an opinion program aired commentary that was filled with offensive and misleading conclusions about the January 6 attack,” Manger wrote, adding that Carlson’s show didn’t reach out to the police department “to provide accurate context.”

While the feral bedwetters of the House Republicans were pulling up their plastic pants, Mitch McConnell and other Senate Republicans quickly distanced themselves from Quiverin’ Qevin’s goatfuck:

Senator Thom Tillis told reporters: “I think it’s bullshit. I was here. I was down there, and I saw maybe a few tourists, a few people who got caught up in things. But when you see police barricades breached, when you see police officers assaulted, all of that ... if you were just a tourist you should’ve probably lined up at the visitors’ center and came in on an orderly basis.”

McConnell explicitly endorsed the Capitol Police chief: "I want to associate myself entirely with the opinion of the chief and the Capitol Police about what happened on January 6. It was a mistake, in my view, for Fox News to depict this in a way that’s completely at variance with what our chief law enforcement official here at the Capitol thinks.”

North Dakota Republican Senator Kevin Cramer said that to put what happened “in the same category as … permitted peaceful protest is just a lie.”

Mitt Romney called it “dangerous and disgusting” and compared it to Alex Jones’s portrayal of the Sandy Hook massacre.

South Dakota Senator Mike Rounds said, “I thought it was an insurrection at that time. I still think it was an insurrection today.”

Number Two Senate Republican John Thune said, “I think it was an attack on the Capitol. … There were a lot of people in the Capitol at the time that were scared for their lives.”

The Atlantic’s Tom Nichols thinks the whole thing will backfire:

“As counterintuitive as it might be, perhaps the best thing for American democracy would be for Carlson to keep bumbling his way through more January 6 footage and to keep images of the insurrection in front of millions of viewers for as long as possible.

“If that’s how McCarthy and Carlson intend to restore the image of the GOP as a normal political party, who are any of us to argue with such public-relations geniuses?

“I’m not sure longtime Fox News critics and observers could have imagined a day like Tuesday ever coming to pass. The cable news net’s lies, fabrications, bamboozlement, and misinformation all came home to roost in spectacular fashion.”

The best indication that young Tuck’ms has royally fucked the pooch in front of the world came from how Faux Prop started eating its own yesterday: last night Bret Baier - the “straight news” guy whose texts released by Dominion show believes that the network needed to use more than “mere facts” in determining if Trump had really lost the election - got together with Chad Pergram to counter-program Carlson’s second shitshow. It started with footage touting Carlson’s “new” surveillance video, but then ends with clips by Pergram in Congress quoting the Senators. The segment ends with a hilarious closing from Baier: “And to be clear, no one here at Fox News condones any of the violences that happened on January 6.”

No one deserves the public ass-kicking they’re getting more than the propagandist personalities, the “straight news” hosts, and the assorted gargoyles employed at the Faux Propaganda Channel.

However, Carlson’s antics demonstrate something larger and more important:

Republicans have created a 2024 trap for themselves with the way they are treating the January 6 Insurrection.

According to the feral bedwetters:

There was no insurrection on January 6, and also the people facing criminal charges stemming from January 6 are political prisoners.

This is Trump’s line that he started taking the afternoon of January 6. The party let him do it and said nothing. After doing so, they were forced to agree with him.

And that is a problem for 2024.

What does DeSantis say about January 6? Does he say Ashli Babbitt was a martyr? Does he say the people in the DC jail are political prisoners?

The Republican base says January 6 was a legitimate protest, that Ashli Babbit is a martyr, and that the DC Prison Choir are political prisoners.

What does DeSantis say if he’s the candidate in 2024 and what does that do to him with all the rest of the voters who know what they saw on January 6?

By covering for Trump after January 6, Republicans made it much harder for any other candidate to draw a contrast between themselves and Trump on this today. Worse, they gave Trump the ability to call out any Republican who doesn’t support him.

Watching Republicans try to deal with January 6 for the next 18 months is going to be a much better show than watching Faux Prop try to convince us there’s nobody in that building across the street from 30 Rock but the chickens.

Thats Another Fine Mess

#political cartoon #democracy #Joel Pett #Lexington Herald Leader #TCinLA #Thats Another Fine Mess #FAUX News #Corrupt GOP #Criminal GOP

[plungermusic]

“It’s Bluegrass, Jim… but not as we know it!”

Bluegrass, New Grass, Jamgrass … C&Ngrass? Plunger don’t profess to be authorities on the genre, although we know a bit, from Scruggs & Flatt through Sam Bush, to Bela Fleck and on to Greensky Bluegrass… and now Low Lily. 

Low Lily alumna Liz Simmons’ solo effort Poets really caught Plunger’s ear back in 2021, so we were interested to hear the band’s latest release Angels In The Wreckage. While Poets zips around genres like a pond-skater on acid - and very pleasingly so - Angels In The Wreckage is by and large a more cohesive affair, plying a steadier course through the waters of bluegrass and traditional roots music (albeit with scenic route diversions via the West Coast.)

Keeping true to the ‘his turn, your turn, my turn’ at the mic of old time bluegrass, the fourteen tracks alternate by songwriter and vocal lead, which subtly alters the feel and emphasis while maintaining the overall vibe, and at least half of the fourteen feature an echt 1-2 bass-and-drum pulse, in a very tasteful, understated upright-and-brushes way (from multi-tasking producer Dirk Powell and Stefan Amidon respectively) not “Techno! Techno! Techno!” or riotous rockablilly style…

Epitomising the rootsier, more ‘trad', vibes are the bustling brush-driven badlands two-step Aren’t I Good Enough, with Liz Simmon’s high, plaintive lead vocal counterpointed by Natalie Padilla’s fiddle and a low-harmony-underpinned chorus, while Liz and Natalie swap dextrous mini-solos towards the close; and Long Distance Love’s bouncy commentary on the woes of modern life has a conversely Old Timey feel - in Flynn Cohen’s lead vox, the harmonies, and the rustic-edged fiddle. Flynn’s own instrumental Keep The Pachysandra Flying is a shotgun-shack-meets-Bagpuss reel: a filigree mandolin opening (later joined by fiddle, guitar and bass) conjure celtic/Appalachian overtones; Natalie’s fiddle takes a turn with the melody before harmonising with the mandolin in a raucous hoedown crescendo to the finish.

Hints of West Coast influences come in the Laurel Canyon-y rework of Shawn Colvin’s hit Round Of Blues, with Liz’s airy vocal, delicate harmonies and a poppy middle-eight-cum-chorus; and in the breezy backwoods backporch two-step of Where We Belong, with somewhat Dead-ish timing and chordal progressions, and lovely Crosby, Nash and, erm, Nash three-part harmonies, while the mountainside hillbilly banjo and vox of the traditional sounding minor key Up On A Rock is punctuated by a very Nashesque sunny major chorus (and some very fine guitar/fiddle interplay between Flynn and Natalie). Peak Crosby & Nash comes in Lonely (probably Plunger’s favourite track): melancholic piano (from jack-of-all-trades Dirk Powell) introduces a very C&N, Cali-coloured slow country waltz with exquisite three-part harmonies, the fiddle and mandolin taking their turns at the bittersweet melody, and a spine-tingling near a cappella passage.

The hummed intro, Liz and Natalie’s honeyed vocal harmonies, restrained melodic guitar and banjo (yes, that’s Dirk again) over a half-speed bluegrass beat lend a dreamy sheen to Love And Loss, and the rural reverie continues in Captivate Me courtesy of Natalie’s keening tone and mantra-like repetition, melancholic fiddle and a banjo continuo. Completing an ethereal trifecta, the celtic-tinged One Wild World’s folk features delicate harmonies and a hymn-like chorus, plus wistful, aching fiddle matched with part-colliery-band/part-mariachi (layered) trumpet from Drake LeBlanc.

The trumpet bleeds through into the wholly different sonic universe of What’ll You Do: a ballsy defund-the-police-protest-inspired (we’re guessing) almost a cappella (barring body percussion and a smattering of kick-and-tom) field holler-cum-spiritual, and an air of protest resurfaces in the Woody Guthrie-meets-Julie-Felix (sorry, Plunger’s childhood’s to blame) state of the union lament of Could We Ever Be Great, complete with run outs for fiddle and Flynn’s guitar and some quirky timings.

Flynn’s second instrumental (guitar-only this time) Bastard Plantagenet Blues has the flavour of a English folk number, including a very mediaeval closing shift into the major, perhaps to prepare your ears for the closing track Wond’ring Again, written by Ian Anderson (yes, THAT Ian Anderson). The spookily prescient 70s folk-rock environmental warning is given an Americana wash by Liz’s gentle harmonies and Natalie’s eerie fiddle harmonics, while Flynn does a rather good job of Ian’s delivery and mannerisms, with all-rounder Dirk adding mellotron in the place of flute.

It may not be Bluegrass as we know it, but Angels In The Wreckage is a very polished, captivating collection of modern American roots music and we like it!

Angels In The Wreckage is available to buy or stream now, from here: https://lowlily.bandcamp.com/album/angels-in-the-wreckage

#low lily #americana #bluegrass #rootsmusic #angels in the wreckage

[lustbitten]

mobile friendly muse page

all fcs on this page are also available for new charas * means not yet added to full muse page

males:

andrew rogers / sebastian stan fc / heterosexual / 31-36 yo / mob boss august cowan / pablo schreiber fc / heterosexual / 41-48 yo christian deleon / lewis tan fc / heterosexual / 33-42 yo / handyman darren pittman / dacre montgomery fc / heterosexual / 28-34 yo grant carpenter / andrew lincoln fc / heterosexual / 49-53 yo / rich divorcee jason griffin / henry cavill fc / heterosexual / 35-39 yo jude vega / jon bernthal fc / heterosexual / 42-51 yo nicholas vaughn / ben barnes fc / heterosexual / 34-39 yo samuel hart / frank grillo fc / heterosexual / 48-54 yo vincent jimenez / pedro pascal fc / heterosexual / 44-52 yo

females:

addison greer / anne hathaway fc / pansexual / 36-42 yo aida warren / alycia debnam carey fc / pansexual (prefers ladies) / 26-32 yo arden blackwell / jessie mei li fc / pansexual / 29-34 yo celine houston / alexis ren or lili reinhart fc / pansexual / 25-31 yo channing graves / elizabeth olsen fc / pansexual / 28-34 yo cherry bennett / natalia dyer fc / pansexual / 22-28 yo frankie benton / jessica chastain fc / pansexual / 38-46 yo hanna burgess / madelyn cline fc / pansexual / 23-29 yo heather galvan / alexa demie fc / pansexual / 28-34 yo ivanna marks / camila mendes fc / pansexual / 26-31 yo maria almasi / may calamawy fc / pansexual / 34-40 yo marie mcdaniels / famke janssen fc / pansexual / 41-47 yo mayson hayes / morena baccarin fc / pansexual / 38-42 yo rowan dunn / grace van dien fc / pansexual / 25-29 yo stella monroe / dianna agron fc / pansexual / 26-37 yo

faces i'm willing to play

lili reinhart madelaine petsch sydney sweeney dakota johnson ella purnell sophie nelisse camila morrone savannah smith liz gillies alexa demie natasha lyonne oscar isaac jensen ackles glen powell charlie cox andrew garfield john boyega + more, just ask!

#excuse the spam lol needed to post this tho #lustbittensaved

[lesbiancolumbo]

this is the day that infuriates me the most i think, cuz her primetime lineup and beyond is great, but everything leading up to it....... no a place in the sun? no cat on a hot tin roof? to be fair, i think she is one of the honorees with the most placements in other days as well (she has movies on jane powell day, marlon, spencer tracy, laurence harvey, orson welles, etc) so that dwindled down her choices, but not enough of the weird liz career period for me and too much focus on her kid/early woman years. like, not even national velvet, arguably her most famous kid role? ok.

[sailor-aviator]

Am I seated in the theater to watch Anyone But You? Yes.

Are me and my friend going to make so much fun of it?? Also yes.

#Liz’s personal tag #it’s gonna be bad I can feel it #Glenyth I support you but that support only goes so far #anyone but you #glen powell

[seresinsbabe]

other than top gun and glen powell, what other hyper fixations do you have, and what other actors/actresses do you enjoy?

Hmm I would say my other hyperfixation comparable to TGM and Glen would be supernatural. But I also enjoy Liz Gillies, Chris Evans, Kat Dennings. My hyper fixations for the most part are ever changing

[jwclapton]

Get to know me better!

(Tagged by @modernmanblues! 🤍)

Favorite color: Any dark shade of blue – for example, Oxford Blue, my blog's (mobile) background color.

Currently reading: The Girl Next Door… and How She Grew (Jane Powell's autobiography).

Last song: Nazareth – Hair of the Dog.

Last movie: Bullitt.

Sweet/savory/spicy: Both sweet (ice cream; Italian ice) and spicy (taquitos; buffalo chicken).

Currently working on: Getting better sleep…

Thanks, Liz! I'll tag @myrestlessdreams, @norashelley, @screenclassics, @shedreamsintechnicolor, and @shelveddoll this time around.

[strinak]

Author Statistics

For 10 authors, I read their works into the double digits: Alessandra Hazard (x11) Kiki Clark (x12) Kati Wilde (x13) Shelly Laurenston (x15) AJ Sherwood (x16) Onley James (x20) KL Noone (x24) Charity Parkerson (x31) Megan Derr (x40) Mary Calmes (x44)

For 24 authors, I read at least 3 and at most 9 works: Andrea K Host (x4), Anne Bishop (x4), Brigham Vaughn (x3), Bruce Sentar (x3), Deacon Frost (x3), Eric Ugland (x7), Gail Carriger (x1)/GL Carriger (x3), Ilona Andrews (x5), Jennifer Cody (x4), Jordan Castillo Price (x3), Louisa Masters (x6), Lucy Lennox (x5), Lyn Gala (x3), Mell Eight (x3), Michelle Diener (x4), Naomi Novik (x3), R Cooper (x5), RJ Moray (x2)/Robin Moray (x1), Sam Burns (x5), Shirtaloon (x7), Stella Starling (x4), TJ Land (x9), Vasily Mahanenko (x3), and Wen Spencer (x5).

For 25 authors, I read exactly 2 works: Alex Gilbert, Alice Winters, Amanda Meuwissen, Amy Crook, Andy Gallo, Bettie Sharpe, Claire Cullen, David North, Eli Easton, Eryn Ivers, Isabel Murray, Jessie Mihalik, KM Neuhold, LC Mawson, Luke Chmilenko, Macronomicon, Ofelia Grand, Robin Roseau, Ryan Rimmel ,Sam Burns & WM Fawkes (with Sam Burns), Shannon West, Skylar Jaye, Tara Lain, TS Snow, and Victoria Helen Stone.

For 87 authors, I read only a single work: A Catherine Noon & Rachel Wilder, AC Wiggen, Allie Brosh, Amanda Milo, Andrea Speed, Anyta Sunday (with Andy Gallo), April Jade, Arden Powell, August, Brea Alepou & Wren Snow, Brooke Matthews, Bryce O’Connor (with Luke Chmilenko), Cale Plamann, Casualfarmer, Catelyn Winona, Chace Verity, CJ Carella, CM Blackwood, Courtney Milan, Daniel Rose, Danny M Lavery, Darktechnomancer, Dassy Bernhard, Delaney Rain, Delmire Hart, Devon Vesper, DI Freed, DM Rhodes, Eden Finley & Saxon James, EJ Russell, Elliott Kay, EM Lindsey (with Kiki Clark), Hayden Hall, HJ Tolson, Jenny Lawson, Jesse Q Sutanto, JK Jeffrey, KA Merikan, Kaleb England, Kaydence Snow, Kou Delika, Lee Hadan, Liz Talley, May Archer (with Lucy Lennox), Macy Blake, Margaret Atwood, Marie Cardno & Kalikoi, Michele Notaro, Michelle Frost, Michelle Kathleen Hodgson, Natasha Hunter, Nazri Noor, Philip R Johnson & Justin C Louis, Raleigh Ruebins, Ravensdagger, Regine Abel, Riley Hart, RJ Scott, Robert Bevan, Ryn Bretcher, Sam Starbuck, Samantha Cayto, Sariah Wilson, Sasha L Miller, Scott Browder, SE Harmon, Sean Oswald, Sebastian Hansen, Seth Richter, Sienna Sway, Sierra Riley, SJ Himes, Stephanie Burgis, Stephen L Hadley, Stuart Grosse, Suki Fleet, Sunny Hart, SunriseCV, Tansy Rayner Roberts, Tanya Chris, Toby Wise, Tom Watts, Toni McGee Causey, Travis Baldtree, Xander Boyce, Yamila Abraham, and Zile Elliven.

#books #books of 2022