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blueberry-beanie · 2 years

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Foals at E-Werk Köln | 21 June 2022

A very long tale about the day I ended up in Köln instead of Berlin, met the boys at the record shop, got front row spots again and had a quite surreal experience overall.

It's half past six in the morning and I'm sitting on the sofa in an apartment somewhere in the east of Köln. It's a weird feeling to be here all by myself after what has happened in the past 24 hours. But wait, how did I end up in Köln? Shouldn't I have been in Berlin right because of the Aurora concert? Yeah well... about that...

I was supposed to go to Aurora's concert and had booked everything already. The catch was, I had to choose between Aurora and Foals, who somehow managed to be in Germany at the exact same time. I really love Aurora and I'm sad I didn't get to experience her live yesterday.

Rachel (whom I met in Berlin at the Foals concert) has asked me if I'll be in Köln. I told her no, I had other plans. Last weekend there was the Hurricane festival, which I was supposed to attend with Charlotte, but decided against it. Last Friday Foals released their new album and did a small livestream on Instagram – while sitting in Hamburg.

That was the first time I realised I was somehow quite sad, because I ended up crying at the kitchen table after returning from my riding lesson. On top of that, I somehow managed to miss out on both livestreams from Hurricane and Southside. But that alone wouldn't have been enough to change my mind.

A few days ago, a record shop announced there would be a signing session in Köln. Still, I had just met them a few weeks ago. On Sunday noon, I received a message from Mickey, whom I met in Amsterdam. He asked me if I was going to Köln because he has been thinking about going there last minute.

I told him, no, I'm not going, please give the boys my greetings. Then started crying. Now I was unhappy about the prospect of going to Berlin all alone instead of seeing some people again who are actually asking about me

Enter insanity. I told him that I was looking to change my plan. And we started planning out our trip. I don't know which part of this is more insane, maybe you can decide for me:

- Berlin tickets and accommodation are non-refundable, and I am not a millionaire - We have two days until the concert - for some reason (Billie Eilish and Lorde probably) the entirety of Köln is completely booked out, with prices starting from 110 € upwards for any kind of accommodation - this makes it way too expensive for getting a single room, so Mickey and I decided to share - I don’t know him other than having spent a few hours at a concert with him

But of course, why not, right?

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two days later, at home

Mickey said on Sunday evening, “Yes, let’s go” and I did not know whether to grin like an idiot or panic. So, I first grinned and then spent Monday and Tuesday morning with panicking. Seems fair. I don’t know why anxiety kicked in as much as it did, but it nearly made it impossible to prepare because I was shaking with fear.

I booked my trains and Mickey booked an Airbnb half an hour from the city centre and about the same time from the venue E-Werk. It was the only remotely affordable flat anywhere near we needed to be that did not just have one bed, but also a sofa. Oh well…

On Tuesday morning I was too nervous to eat anything and left the house with a bag of food and fear. In the train I tried to distract myself with Life Is Yours and Everything Everything, hoping that the uplifting music would relax me. That did not really happen.

At least both the train to and from Hannover were fairly punctual, and so were his trains. Finally in Köln, I discovered that the station in fact has two entrances on the same side. I told Mickey I’d wait in front of Kamps bakery and started scanning the crowd. And what a crowd it was. It seemed like the entire town was up and about.

Then finally, when I already thought we won’t find each other and maybe I don’t remember anymore how he looks like, Mickey suddenly materialised in front of me. I asked myself how I ever thought I won’t recognise him. We both said hi in a rather awkward way and had a moment of doubting whether we should hug but decided to go for it. It was already about 12:40 and we decided to go and look for the Underdog Record Store which was only a few minutes’ walk from the station.

I happily let Mickey navigate (although we made a few wrong turns) and we tried to somehow become more familiar with each other. I remembered him as a very nice person who was pleasant to talk to and this impression was only confirmed. He told me about his university courses and about how exactly he happened to somehow be based in three countries at once. We talked a bit about Foals, but also about how this entire situation is a bit funny.

At some point I joked that my best friend was kind of shocked I was about to just go ahead on a trip with a “friend” I had only known for a few hours, and he laughed about that and said he’ll try to be a good companion.

We arrived at the tiny record shop way ahead of time and discovered they only sell vinyl. There was already a small queue, but we wanted to check out a bakery for food (not tasty enough) and a nearby Saturn for the LIY album. Just as I predicted the CD cost insane 18 €, but I gulped my guilt down and bought one, because it felt odd to arrive without any of their music.

[x]

The previous day I had already printed out some photos of the band members for Mickey and bought a strong white cardboard for myself for Yannis to write the lyrics of Mountain at My Gates. I was unsure whether that wouldn’t be too much work, but when we arrived back at the shop and saw Rachel and her friends Lea and Maggie, I saw it was not more work than they had brought.

Lea had a whole assortment of CDs and a big print from ENSWBL 1 deluxe she wanted to get signed. She wore a Pidge t-shirt and turned out to be quite the superfan, despite this being her first Foals concert. That was a good thing, because she craved to be at the barrier, and I knew we would be really late that day. So we were lucky I knew Rachel and could just come and join them later.

Rachel showed us the papaya and lemon she brought for Yannis, and we all burst out laughing, because it was a reference to his tweets about favourite fruit the previous day.

Speaking of the devil – suddenly a black car with tinted windows pulled up at the store. The door opened – and a very smol and tired Yannis emerged. We stared at him and awkwardly greeted him, and he also said hi to us and proceeded to vanish inside the shop.

Yannis wore his red shirt with flowers that day, together with obligatory black jeans and white shoes. At some point he sat down in the little adjacent café and some woman, who seemed to be part of their team, brought a pile of cards and pencils. It was a bit odd because not only could we see him, but he was also watching us.

The awkwardness was alleviated by Jack suddenly appearing around the corner with his foldable bicycle, stylishly sporting one of Yannis old t-shirts, the grey-white-orange one with circle and spot patterns. He folded the bike and carried it in, greeting us in a good mood. By now it was already 2pm, but Jimmy was not here yet. He came a few minutes later with a woman and we were like “Hi Jimmy! You are late!” and he replied “Yes, I know I know”.

I was starting to get quite nervous because we were one of the first in line, right after Rachel, Lea and Maggie. We caught a glimpse of Yannis with his papaya and giggled about it, but then it was suddenly our turn. I had joked that Mickey had to go first in case they will eat him alive, but they were in contrary incredibly sweet.

[x]

Mickey put the photos on the table to sign and they said the photos look really cool and wanted to know where they are from. I said, these are my photos and pointed out which are from Amsterdam and which from Berlin and they complimented me about them. He asked Yannis if they can play his favourite song Exits, but he politely denied, saying that they may play it at a later point. Mickey also asked them to record a small birthday message for his friend Sasha. Jack was the one talking, and the others just chimed in with Happy Birthday.

Now this was all taking quite a bit of time and their assistant woman (or whoever she was) wanted us to take a photo and move along but I said I still had some things to sign, sorry. The boys were very patient, but this woman clearly was not. Understandably so because there was quite a queue.

I started telling Yannis “Umm, hi I don’t know if you remember me, but we met in Berlin, I was the one who gave you the letter from Nikol.” And he was like “oh, yes, sure, I remember!” and proceeded to thank her for the letter and the Chili. He said he liked it very much and “it is made of ceramics, right? I wore it a few times, it’s great” and the others also seemed to know what he was talking about. Then he said, without me mentioning it, “and thanks also for the soap, it is really good”. By that time my heart had already melted, to be honest.

I asked them if they could sign the CD for Nikol and they all proceeded to do so, but then Yannis wanted to write her name and asked me “How do you spell that?” and my brain sort of short-circuited and I forgot the alphabet and helpfully said “err, with K”. Thankfully Mickey had not lost his brain and spelled it out for him.

To the dismay of the woman timekeeper I also asked Yannis very messily with compromised grammar whether he could write the chorus of Mountain at My Gates down for me “because it’s my favourite song and um err I always listen to it when err I- I think I can’t go on anymore and and I would hang it up on my wall and look at it” *facepalm*. Yannis said “yeah sure I’ll do that” but then he realised he did not know the lyrics and was like “umm oh I need to look that up” and I think even had the audacity to say “oh you should know your own lyrics” (while being too star struck to know them myself, mind you) and he apologetically told me about how it was difficult to remember them but how about I just leave the paper here with him and he’ll do it in between and hand it out to me later?

Of course, I agreed with that and was so happy and then we had to take one awkward photo in which I stood next to Jimmy and didn’t know where to turn myself… and then it was over and we went out.

I immediately sent out a voice message to N telling her about the Chili and then took a photo of the signed things. N first did not realise it is a signed CD and thought it is a card, but she was really happy about the news.

Mickey and I waited around for a bit to get the written lyrics. When the woman gave them out to me along with a little card, I couldn’t believe the precious gift I was holding in my hands. That song had really guided me through some heavy things and given me a lot of energy. To have it handwritten by the person who came up with the song in the first place is an invaluable gift.

We also sent everything to Charlotte, and she started screenshotting it and was excited for us. She did not know we’d be in Köln and so it was a surprise for her. Meanwhile she was already on her way to Glastonbury. Rachel and the girls departed after exchanging approving glances at each other’s signed things.

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Mickey and I turned to go back to the main station to get some food and get the train to our accommodation. On our way I asked him about his family and about his friend Sasha. Since he is Ukrainian, he had quite some things to tell about how he and his family experience the war. Thankfully they are all alright, although the situation is of course less than ideal.

At the main station Mickey got himself some sandwich and was kind enough to sponsor my vegan couscous. We sat on the steps leading up to the Kölner Dom and talked about work and university, before going in for a quick glance at the Dom. We then took the train with the number eighteen and made our way to the accommodation, which is in a part of the city that reminded us more of a village than a big city.

I was a bit nervous because he was so spontaneous with determining when we had to get out, but he just laughed and told me to relax. Granted, my sixth sense saved us from missing our stop. Still, he was good at navigating, and we made it to the house with the number twelve, located in a quiet street.

After ringing the doorbell once or twice a nice woman opened the door and told us to come in. She asked why we are in the city and we tried to explain in English and German that we were here for Foals and the city is packed because of Billie Eilish and Lorde. She was very nice and showed us to our flat upstairs and explained how the key worked. After introducing us to her sweet black curly dog, we were left on our own.

The flat was quite big, with a corridor, a bathroom to the left, a kitchen straight ahead and a huge living and sleeping room with a wooden balcony. The living room had a huge double bed and a foldable sofa, as well as a dinner table and a TV. The balcony led out into the garden with a view on an idyllic pond. To be honest, if it had not been for the price, I’d stayed in this flat for much longer than one night.

We freshened up a bit, re-packed our bags and headed out to catch the train to E-Werk. It was around 4:30 pm by now and I was nervous about the state of the queue waiting for us, although I knew Lea was already there. The train took its sweet time to arrive and we had to catch a bus after.

By now all nervousness had disappeared and I was just happy to have a companion with me. He told really funny stories, like the one about his colleague telling the waiter in the restaurant “Ich warte!” in an attempt to practice his German. Mickey himself has quite impressive German skills although he claimed that Dutch has ruined his pronunciation (which was nearly perfect the whole time).

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We finally arrived at the venue with the bus, together with another dude wearing a Black Bull t-shirt. Apparently the bus stop is just in front of E-Werk. Me wanting to be at E-Werk for Coldplay in 2014 made me think it’d be a beautiful venue, but it really was quite small and shabby-looking with huge windows.

Said windows were almost shattering from the sound of Egyptian Blue soundchecking. Thankfully Rachel and the others were already there and I also saw the guy from Berlin with the Inhaler t-shirt (and again I managed to not ask his name, goddamn me, I am hopeless). He was wearing a Foals t-shirt today though and sat next to us all on the steps.

We had to admit Egyptian Blue sounded better from the outside than the inside of the venue and joked we’d just stay out here until they were done. Suddenly we noticed Jack behind the bushes next to the tour bus inconveniently parked in plain sight. He was talking to the guy in the Black Bull t-shirt, who had told us earlier that he missed the signing session. I guess he wanted a private signing session now, but security dared to disagree and sent him out.

We did not remain seated quietly for long, though, because N sent me a tweet with the coordinates of a hidden vinyl. Mickey and I got up and running down the street in an attempt to get there first – too late! Only minutes after the tweet the vinyl had already found a new owner. It was great fun though running down the street and giggling, not caring what people thought about us.

By now it was almost half past six, nearly time for doors to open. Security took care to make rows and more and more people appeared, making us glad that we had a good spot. Mickey still needed to send me my ticket which he had gotten from Ticketswap.

And then it was time. Thankfully nothing happened, the tickets were valid, no questions about my bag… and Rachel did not even have to lie down on the floor like Charlotte to secure our spot. Again a perfect spot, right where Yannis would be!

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The only thing was that this time I was sandwiched between Mickey and the huge Berlin guy (I swear next time I’ll ask his name). But I tried to see the positive sides: with such strong guys next to me it was certain Yannis would come here for What Went Down. If only security had been this strong too… but more of that in time.

Now it was waiting time again. When Mickey went to the bathroom, some drunk guy from the back already wanted to steal his place, claiming he “just had to touch the barrier once to see how it feels”. Like dude… no. Touch it after the concert is over. We met Paula, who brought a bouquet of pink roses to the concert.

We were all very “enthusiastic” about Egyptian Blue who played as bashingly loud and bad as usually. But thank God that was over soon. And then they started to build up the Foals stage! Yannis microphone was set up right in front of my nose, a bit too much in front of me for my taste because I knew it’d be in the way all the time.

Mickey noticed that there appeared to be no screen this time – just a black huge banner that reminded us of something we could not point our finger at. We engaged N as a detective and found out it resembled the pattern on the black LIY vinyl. I prayed that the light would be good enough for photos.

And suddenly, shockingly on time, Foals appeared onstage with the known intro music and Wake Me Up. Yannis was really right in front of me again and had made the effort to change into another shirt (actually one of my faves). I felt like I overdosed with Foals in the last month, because not only was this the third concert but I also spoke to him twice. This all felt too unreal to be true.

He was in a good vocal shape, but somehow the vibe was different from Berlin and Amsterdam. They seemed to be a bit tired, although they tried to play a good energetic show. I remembered my purpose of a photographer and started testing out my new prism, to the surprise of and displeasure of the security guy in front of me. Well, I know it looks weird, but the results are worth it, man… and if even Foals say the photos are good…

At first the setlist had no surprises, only when they got to Looking High, we all got excited because that was a rare one. They had last played it in the UK, and only four times. Mickey was already sad because he thought they scrapped Life Is Yours, but to his surprise they played it right after.

I found the crowd to be more drunk but less enthusisastic than in Berlin and I missed Camille and Charlotte for the In Degrees jumping marathon and “Brighton Rock!” yelling. I think they should play Spanish Sahara right after in Degrees so we can all have a rest on the Floor, to be honest.

Yannis was a bit forgetful that day (although not with the Mountain at My Gates chorus, bless). He messed up the beginning of Looking High, and I have heard better performances of Inhaler. However he said “Dankeschön” in a very sweet way even twice, so my heart melted anyway. I will miss him a lot, because that was definitely the last concert of the year. I hope I can memorise how wonderful it is to have a whole concert (or three) to just see all with my own eyes and even speak to him on multiple occasions.

He came down to the crowd for Providence, but I did not catch his hand this time, only his shoulder on the way back (green shirt still leads in terms of softness, but this dotted one is a close second!). During the Encore break I told Mickey that we really need to go and get some food and drink after, because I felt really weak. No surprise in that.

They came back to play Black Bull and then – What Went Down. Now was the chance. We gave everything and hoped he would come to us. He gave away his guitar, climbed down and got up right to us. I thought this is too good to be true, and truly, it was: he decided not to climb up on the barrier today. I suspect, maybe he was being tired but also security stood there like it was their first day on the job and showed no signs of wanting to help him get up.

I can’t blame him for not doing it, but I was a bit sad still. He briefly went to the spot where Rachel and Lea stood, but then he climbed back up on stage. During Two Steps I already noticed just how exhausted I was. And then, suddenly it was over, and they disappeared.

We had no luck with setlists, drumsticks or plecs and they closed the stage area really quickly. I noticed that the entire right side of my T-Shirt was completely soaked in sweat, and it was not my own. My jacket, meanwhile, was safely waiting for me at home… We briefly said goodbye to our friends and then Mickey and I quickly got out to catch the bus.

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Somehow the rest of the evening added to the sense of all of this being completely unreal, like a glimpse of stolen life. I am well aware that many people do things like this on a regular basis and it is no big deal to go to a concert last minute in another city and meet new people and hang out with them.

However, for a home-sitting lonely introvert like me this is really far away from my usual life and still causes me to have some feeling as if everything is just another story I made up in my mind.

At the train station all food shops except one lonely Rewe were closed, so we went to get some shockingly healthy food (“let’s get Papaya with lemon”) and ended up with yoghurt, cereal, apples, wraps, a big bottle of sparkling apple juice (sadly no Sprite, sorry). We somehow forgot how thirsty we were and did not think of buying two bottles, so we shared ours while waiting for the train.

In the train we reviewed the setlist (Mickey was actually the one who created the concert date on setlist.fm) and realised they left out Late Night and Black Gold in favour of new songs. Then we arrived in our “village”. It was dark and I had no idea where we were going. Normally I’d be in panic in this situation, but oddly I felt very safe and incredibly happy in that moment.

We quietly snuck into the flat to not wake the owners downstairs. After eating and washing we talked for a while and it was sad he had to wake up so early next morning to go back, because late night talks are the most interesting. But it was already late, and we had to sleep.

I fell asleep and woke up startled by something when it was already morning. I turned around to find Mickey standing right next to me. I managed to say “oh my god”, and probably scared the hell out of him with my reaction because he asked “Are you ok?”. We had an awkward moment and finally managed to say “…good morning?”.

The goodbye was just as awkward as our greeting less than 24 hours earlier. We first stood a few metres apart and he was not sure about going for a hug or not. He told me to write to him when I was safe at home and suddenly I was all alone.

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I needed an hour to somehow get myself together enough to function again. I ate up, packed and dressed and left the flat after 7:45 to get a train to the botanical garden.

I think it is almost a tradition for me to visit the botanical garden in each city after a concert. There is something meditative and soothing about them, I thought, wandering through the Flora next to Köln Zoo.

Nobody was here yet except for some runners. I had all the time in the world to take as many photos as I wanted and calm down my hopeless brain. Amongst the roses and pink flowers I thought that this would be something Yannis enjoys: first a crazy concert and then the garden.

Afterwards I headed back to the main station in hope of visiting some museums. But the city center is not a welcoming place early in the morning. Most shops are closed and all the construction sites did not help with navigation.

The museums started scaring me, so I thought, “screw this2 and wanted to go to another park. But first I had a whole odyssey trying to find affordable vegan food (which turned out to be disgusting, sadly). In the park I sat down on a bench near the big pond to eat and write to N. By that time it was really hot already. I managed to get lost with google maps and eventually settled under the shade of a big tree.

There I found a four leafed clover which I showed to N and to Mickey, who did not know the concept of them as lucky charms. A mail reached me: my green patterned shirt had arrived, and I would be able to pick it up soon.

Then it was already time to go back to the station and catch the ICE to Hannover. The train was very full, and the air was thick. I originally wanted to write down my adventures but found myself almost sleeping instead. Even worse, we were significantly delayed, and I missed my second ICE by a minute. That meant I had an odyssey with two Metronom trains until I finally arrived in my home town, exhausted and ready to just eat and sleep.

It has been two days now and I still feel like it was all a fever dream, even as I sit on the sofa and look at the photos I took. Not entirely sure how any of this qualifies as a travel or concert diary still, but it sure as hell is a lot of reading material to remember.

#my concerts #foals köln #foals #yannis #jack #jimmy #my photo #liy

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laresearchette · 1 year

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Sunday, December 18, 2022 Canadian TV Listings (Times Eastern)

WHERE CAN I FIND THOSE PREMIERES?: 1923 (Paramount +) HANUKKAH ON RYE (W Network) 8:00pm WHEN CHRISTMAS WAS YOUNG (Global) 8:30pm

NEW TO AMAZON PRIME CANADA/CBC GEM/CRAVE TV/DISNEY + STAR/NETFLIX CANADA:

CBC GEM MY SALINGER YEAR

CRAVE TV B&B MERRY MENORAH IN THE MIDDLE

NETFLIX CANADA LETHAL WEAPON 2 LETHAL WEAPON 3 LETHAL WEAPON 4

FIFA WORLD CUP SOCCER (TSN/TSN3/TSN4/TSN5) 9:45am: Final: Argentina vs. France

NFL FOOTBALL (TSN/TSN3/TSN4) 1:00pm: Eagles vs. Bears (TSN/TSN3) 4:00pm: Patriots vs. Raiders (TSN/TSN5) 8:15pm: Giants vs. Commanders

NHL HOCKEY (TSN5) 2:00pm: Sens vs. Wild (SN) 5:00pm: Penguins vs. Hurricanes (SN) 7:30pm: Rangers vs. Chicago (TSN3) 8:00pm: Jets vs. Kraken (SNWest) 10:00pm: Flames vs. Sharks

NBA BASKETBALL (TSN4) 6:00pm: Warriors vs. Raptors (SN1) 6:00pm: Nets vs. Pistons (SN1) 9:30pm: Wizards vs. Lakers

FIVE MORE MINUTES: MOMENTS LIKE THESE (W Network) 6:00pm: Returning to her old home for the holidays, a young widow's Christmas wish for her son gets answered in unexpected ways.

DR. SEUSS' HOW THE GRINCH STOLE CHRISTMAS (2000) (CBC) 8:00pm: A curmudgeon (Jim Carrey) living atop Mount Crumpit sets out to quash the yuletide preparations of the Christmas-loving Whos of Whoville. Anthony Hopkins narrates.

THE BIG BAKE (Food Network Canada) 8:00pm (SEASON FINALE): When it comes to gifts and coal, only Santa decides who's naughty or nice! Brad Smith makes sure the baking teams are on their best behavior as they create cakes inspired by Santa's list for judges Ron Ben-Israel, Eddie Jackson and Danni Rose.

A CHRISTMAS TO TREASURE (CTV Life) 8:00pm: Sparks fly between former best friends Austin and Everett as they reunite for a holiday treasure hunt.

SANDI TOKSVIG'S TINY CHRISTMAS CHALLENGE (Makeful) 8:00pm: Sandi Toksvig presents a tiny Christmas competition in which eight amateur crafters get festive and make miniature Christmas trees, dinky decorations and teeny turkeys.

CHRISTMAS ON MISTLETOE LAKE (Super Channel Heart & Home) 8:00pm: Interior designer Reilly finds herself this Christmas in the town of Mistletoe Lake with no place to stay. She accepts an offer from Ray to stay on his boat and helps him renovate it for the town's Christmas Harbor Festival.

CHRISTMAS LUCKY CHARM (City TV) 9:00pm: Just as Jessica leans into her unlucky love life and swears off dating for the Christmas season, a handsome gallery owner moves in across the street.

AUSSIE GOLD HUNTERS (Discovery Canada) 9:00pm

OUTBACK OPAL HUNTERS (Discovery Canada) 10:00pm: The Bushmen's super digger is damaged; Pete and Sam hunt for better opal dirt.

THE CURSE OF OAK ISLAND (History Canada) 10:00pm: The discovery of mysterious ship logs provides more evidence that a 1746 French armada led by the Duc D'Anville landed on Oak Island; at the Money Pit, the team gets closer to getting a team member underground.

GREATEST HOLIDAY COMMERCIALS COUNTDOWN 2022 (Global) 10:30pm: Counting down 12 of the world's best holiday commercials; a look at other great commercials that capture the true spirit of the holiday season.

#cdntv #cancon #canadian tv #canadian tv listings #the big bake #aussie gold hunters #outback opal hunters #the curse of oak island #fifa world cup #NFL football #nhl hockey #nba basketball

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rcmndedlisten · 1 year

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Alternative rock is somewhat subjective, being the wilder, weirder extension of rock 'n roll traditionalism that exists somewhere between indie rock study and an ever-present punk energy. Its texture and tone may vary from artist to artist, but it’s primarily fueled by the inimitable electricity of the guitar. That brings us to the best albums from that scene in 2022, which does its most to keep that in mind, but also recognizes that alternative rock in its modern state encompasses a spectrum of emotional gravitas and amperage that continue to move its dial forward...

Alvvays - Blue Rev [Polyvinyl Records]

Blue Rev is the execution in how you make a dream pop in vivid, singular display. The third full-length album from Alvvays establishes what we’ve already known since 2014′s promising, assured guitar-pop display of a self-titled and 2017′s more refined sophomore follow-up, Antisocialites, that when the chemistry between color, texture, sound and emotion hit at just the right angle, it piques the senses inside and out in a way which makes you feel like you’ve tapped into another dimension or gravity.

Bartees Strange - Farm to Table [4AD]

Bartees Strange arrived on the scene with an anomaly of a debut in 2020′s Live Forever. The D.C.-based songwriter knew he had something to prove but didn’t let any of his underdog status shake his confidence from showing the world why he was a star that showed in the way he built worlds with genre-melding dynamics as an indie rock polymath punctuated by a natural rap and R&B swagger. On his follow-up, Farm to Table, Strange reaps what he sews in a post-fame recollection in an album that seeks out bigger spaces and fills them accordingly: festival stage-sized twilight production, a battle for authenticity, a showcase of vulnerability, and a boundless style he continues to hone as is own.

The Beths - Expert In A Dying Field [Carpark Records]

The Beths are over standing in the background on Expert In A Dying Field, the sophomore outing from the the New Zealand rockers, and it's a level-up letting the rest of the world know that. Still, vocalist and guitarist Elizabeth Stokely remains ever-the-introspect in her lyricism, compartmentalizing relationships in every definition down to the microscopic degree. Scuzzed out in wholly alive electricity, however, the Beths making self-reflection sound like a fearless excavation of your place in the world when everyone around you is either coming or going.

Camp Cope - Running With the Hurricane [Poison City / Run for Cover Records]

Since the release of 2018′s breakthrough sophomore outing, How to Socialise & Make Friends, the world has given the Melbourne trio even more kerosene to douse on what once a sound on the brink of being consumed by inner fire. Instead, they’re approaching life’s messiness with a kindness for the self that’s reflective in more room to breathe and a sunset pastel jangle that is still wildly punk and feeding off the emotional, except it all being contained within Camp Cope’s inner storm.

Caracara - New Preoccupations [Memory Music]

New Preoccupations is a nearly fragile-to-the-touch document of Caracara frontman Will Lindsey's road to sobriety and recovery, with the Philly indie rockers approaching their long-awaited sophomore effort with the kind of unassuming gratitude for life's rougher teaching in clarity that can only be learned upon understanding why those lessons on falling down are set for us in the first place. Sonically, Caracara discover precision in their own sound that compliments these realizations in a clarified turn toward Aughts-era emo-rock that maneuvers through closing corners with enlightenment.

Dehd - Blue Skies [Fat Possum]

Dehd broke through the noise and malaise of 2020′s worst parts using the most critical elements of post-punk and a seemingly infinite jolt of energy and pop bursts. Their third studio effort Blue Skies embraces a confidence in finding out what’s on that other side in spite of what may be pulling you back, with the Chicago trio taking what they’ve already grown and known in their surf-sided punk sound, and detail it with further depth in the studio with synths and layers of drum machines that revel in higher def colors in their weather alongside refracting their kinetic energy by the multiple across its 33-minute play.

Dry Cleaning - Stumpwork [4AD]

Stumpwork accentuates the hyper-observational properties of Dry Cleaning’s artful post-punk while bending the sharper angles of its predecessor into a brain stew to compliment the deeper thinks, as the South London band peers even further into the self-referential, focusing on shifting relationships, grief, and – thanks to Florence Shaw’s microscopic eye on the mundane – making the everyday occurrence witnessed a tale of fascination.

Empath - Visitor [Fat Possum Records]

Visitor is very much a change in chemical reaction for Empath, though, with tracks like its slow-swirl opener “Genius of Love”, the key bedazzled “Diamond Eyelids” or the dreamscaped drifts of “Elvis Comeback Special” pulling back their racing churn to a streak of intimate moments stuck in forever. This moves the blurry patterns of light and noise into a fuller scale sound-and-sensory-linked experience where exhilaration maybe isn’t an instantaneous drip like its predecessor, but rather something where the chemical release hits you over a cast of time.

Enumclaw - Save the Baby [Luminelle Recordings]

After breaking through obscurity and a hometown burnout scene last year with their hugely promising Jimbo Demo EP, Enumclaw are learning to reconcile where they come from with where they’re going on another impressive collection of saccharine indie rock that harbors the weight of their world with equal sighs of regret and relief. Alongside producer Gabe Wax, they give the crusty pop textures of their early work a proper wash, revealing a depth detail in their melodies syrupy noise and an added ache to vocalist Aramis Johnson’s inner admissions pouring out.

Hellrazor - Heaven's Gate [Self-released]

Heaven’s Gate, the second album from former Speedy Ortiz guitarist Mike Falcone’s band Hellrazor, isn’t really taking any modern, stream-baiting trends into account, which in turn already sets it as an outlier on the scene’s current landscape. Now joined by bassist (and Jobber frontperson / bandmate) Kate Meizner alongside drummer Michael Henss of HEELE, the dream of ‘90s grunge and noise rock lives on in nightmarish form. You’ll hear gristle of early Nirvana, Hum, and Unwound rattling through the Justin Pizzoferrato polish, though its weird turns make it known Hellrazor are more than just descendants of ancient astronauts.

Horsegirl - Versions of Modern Performance [Matador Records]

Almost effortlessly, vocalist and guitarist Nora Cheng, guitarist Penelope Lowenstein alongside drummer Gigi Reece surpass all buzzy expectations that come with being a group of young artists with an assured entry point of a first impression that celebrates the joys of music discovery and the darker shades of classic ‘90s indie guitar rock inspo with their own youthfully sonic persuasions. Every generation deserves their own homage to the greats while making a statement of their own, and Versions of Modern Performance is Horsegirl’s own way of doing just that.

Knifeplay - Animal Drowning [Topshelf Records]

Knifeplay are not outright dream-pop, slocore, or shoegaze, though there are plenty of moments throughout the listen drenched in heavy distortion, an eerie peak into Americana and its murky reveries, nor are they grunge revivalists, even if they pile sludge over something ascendant. The only certain thing is that the Philly five-piece’s debut album, Animal Drowning, has bound light and darkness into their own singular prism of alternative rock in a way that breathes a new life into it, and ponders it all deeply.

Maneka - Dark Matters [Skeletal Lightning]

Devon McKnight has led the great underground punk band Grass Is Greener, played guitar in the always cantankerously colorful Speedy Ortiz, and as his own solo outlet as Maneka, put a face behind the feedback. Dark Matters, his second full-length, is a special one, though, that witnesses McKnight coming into his own by focalizing the experience of being Black and an artist within spaces still very primarily designed around Caucasian comfort and throwing out the creative rule book in the process to reflect a polymathic ear that seamlessly fuses together every generational facet of indie rock, punk, mercurial hip-hop, and shades of goth in between.

Nilüfer Yanya - PAINLESS [ATO Records]

Nilüfer Yanya has found a lane of cohesion with PAINLESS, the London-based multi-faceted songwriter’s sophomore effort. This is not to say her debut, Miss Universe, was amiss in that regard, but the fluctuating style guide it presented in experimenting with borders of indie rock, pop and R&B were – while excellently crafted – running adjacent with one another in the same, er, universe. PAINLESS is a parallel world to all that, where lines of conductive arpeggio, hypnotic trip-hop influenced beats, and sweetened soft soul rhythms are texturized through her creative gaze.

oso oso - sore thumb [Triple Crown Records]

sore thumb, the follow-up to oso oso’s 2019 breakthrough, basking in the glow, was recorded across a month before guitarist Tavish Maloney‘s passing last year, and furthers his spirit in the sound by embracing their inner weirdness more outwardly here in a crucial hang that lets loose a lot of the weight of the world basking on the glow shouldered and reveals the band’s pop-centricities to get lit to in lieu of adulting’s stranger surroundings.

Pictoria Vark - The Parts I Dread [Get Better Records]

The Iowa City-based songwriter and bass extraordinaire’s full-length debut channels smaller moment against a vastness packed in with descript reflections on adulting, relationships, and moving around personal hells as those memories haunt her many sea changes every step of the way. Funneled through an emo-adjacent alternative rock craft, each track is steady rolling thunder that can either crest in her voice’s calm or crash waves of emotions, making it feel like Pictoria Vark has assigned a melancholy wistfulness to their passing.

Pinkshift - Love Me Forever [Hopeless Records]

Love Me Forever, Pinkshift’s debut full-length, fulfills all promises and expectations behind their early buzz in aligning them with the likes of greats Paramore, My Chemical Romance and Jimmy Eat World as a band who are going to take over the scene with huge anthems barreling through pop-punk, hardcore, and very emo’d out haunts and devastations, be it the universally romantic, political or the entirely personal, from the life and times experienced by frontperson Ashrita Kumar alongside guitarist Paul Vallejo and drummer Myron Houngbedji.

Pool Kids - Pool Kids [Skeletal Lightning]

The soaring trajectory of emotive pop rock anthems of the Tallahassee band’s self-titled sophomore effort promises the scene’s next big star power songwriter in frontwoman Christine Goodwyne, who alongside founding member in Caden Clinton on drums, fully realize their depth in word and hook with the addition of guitarist Andrew Anaya and bassist Nicolette Alvarez, creating hushed romanticized reflections that crystallize across electrical lines straying from the path of conventional symmetry, yet still pull you into their undertow.

Soccer Mommy - Sometimes, Forever [Loma Vista Recordings]

You probably didn’t have an indie rock darling like Soccer Mommy linking up in the studio with Daniel Lopatin of Oneohtrix Point Never (and more recently, some of the most entrancing electronic-pop production these last few years with the Weeknd and Caroline Polachek) on your 2022 bingo card, but it works to Sophie Allison’s benefit on her third full-length, Sometimes, Forever. The growing pains of 2020′s color theory are starting to feel more distance along with her distance gaze of bedroom pop, revealing bolder lines surrounding her think bubbles without losing any of the impressionistic character of her everyday morbidity.

Special Interest - Endure [Rough Trade]

Unlike the aggressive flashbulbs and industrial rot schisms that were right in the trenches of our turgid political landscape on their 2020 breakthrough, The Passion Of, Special Interest’s follow-up is no less a call to arms from the fringe, but is its own violent neon dance rebellion at that where commandeer and vocalist Alli Logout, guitarist Maria Elena, bassist Nathan Cassiani and electrician Ruth Mascelli build a dark disco around the bold movements of the club kids, gothic freaks, indie sleaze, and punks. It’s a space where many sounds of rage coexist and express themselves in the same, single energy to celebrate whoever it invites while rising against any and all oppressors together.

Sweet Pill - Where the Heart Is [Topshelf Records]

The Philly indie-punk quintet’s first round presents something that’s much needed in the emotive rock realm, with these 10 tracks showing off both a muscularity gained from its members reps in the hardcore scene, but also a pop fluency thanks to the malleable performance of vocalist Zayna Youssef embedded around its smart, emotive punk with infinite promise. American Football, Paramore and Algernon Cadwallader equally walked their own paths so a band like Sweet Pill could come along and discover where the hidden intersects run.

Wet Leg - Wet Leg [Domino Records]

Wet Leg ultimately will wear you down whether you like it or not in spite of their very TikTok-able takes by contuining to show up to the party (even if they themselves don't want to be there!) The self-titled debut album from the Isle of Wight duo of Rhian Teasdale and Hester Chambers is that obligatory buzz record for the young, stoned and buzzed that pulls off messy fun with a post-punk finesse. Add in hyper-self-aware sardonic quips, and it's easy to hear how their cool factor radiates effortlessness.

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x--daughters-of-darkness--x · 2 years

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NITA STRAUSS Officially Joins DEMI LOVATO's Touring Band, Performs On 'Jimmy Kimmel Live!'

Former ALICE COOPER guitarist Nita Strauss has officially joined the touring band of singer Demi Lovato. Nita's new gig was first reported as a rumor on Monday (July 11) on the Metal Sludge web site.

Nita made her live debut with Demi Thursday night (July 14) with a performance of Lovato's new single, "Substance" on ABC's Emmy Award-winning late-night show "Jimmy Kimmel Live!". Video of the appearance can be seen below.

Lovato is about to hit the road in support of her eighth studio album, "Holy Fvck", which will be released on August 19 via Island Records. The LP's first single, "Skin Of My Teeth", was made available last month.

The follow-up to last year's "Dancing With The Devil…The Art Of Starting Over", "Holy Fvck" is reportedly a departure from Lovato's typical pop aesthetic and features a more punk-rock-flavored sound.

Lovato implied that "Holy Fvck" would usher in a new era for her after she posted a photo in January along with the caption, "A funeral for my pop music." She later told Rolling Stone that fans can expect to hear some "heaviness" in her new sound.

"It's a new era reminiscent of my first era," she said. "I'm ever-evolving, ever-changing. I'd like to put the rest of my music behind me and start fresh in this new era for this next album — but I do that every album cycle."

Lovato recently announced a fall tour in support of "Holy Fvck" featuring special guests DEAD SARA and ROYAL & THE SERPENT. The trek will launch September 22 in Wheatland, California and through November 6 in Irving, Texas. Prior to that, Demi will make appearances at the Illinois State Fair on August 13 and Iowa State Fair on August 14. She also has a seven-date South American tour scheduled for late August and early September.

On Monday (July 11), Nita announced that she would sit out Cooper's fall 2022 tour. She has also scrapped the festival dates her solo band had planned for the rest of the year. The 35-year-old said in a statement that her "touring year" was "still VERY full" and revealed that she was "on a flight straight into the next adventure," adding cryptically that she would "be on stage again much sooner than you think."

A couple of Nita's Cooper bandmates commented on her post, with guitarist Ryan Roxie writing: "No words — just notes... and lord knows we harmonized a lot of them over the years... nothing but love and respect." Drummer Glen Sobel added: "You're super pro and prepared no matter what the situation. We're gonna miss you but we're also proud to be associated with Hurricane."

Strauss had been playing with Cooper since 2014 when she replaced Australian musician and former Michael Jackson player Orianthi. She joined Alice in time for a mammoth MÖTLEY CRÜE tour. She was recommended to Cooper by the legendary rocker's former bass player and WINGER frontman Kip Winger.

Last October, Nita shared "Dead Inside", her first new solo music since the release of her debut album, 2018's "Controlled Chaos". The track is her first-ever solo collaboration with a vocalist, David Draiman, frontman of Grammy-nominated rock icons DISTURBED.

Nita released "Controlled Chaos" to mass acclaim from fans and media alike, with Metal Injection calling it "a great debut that — as its creator intended — leaves no doubt", and Guitar World stating "'Controlled Chaos' is a panoramic view of Nita Strauss's many strengths".

As well as performing with Cooper, Nita has also played with R&B star Jermaine Jackson, early MTV darlings FEMME FATALE, video game supergroup CRITICAL HIT and popular tribute band THE IRON MAIDENS.

In April 2020, Nita launched "Rock Guitar Fundamentals" — a three-module online guitar teaching program suitable for learners of all levels. The course is available at www.iwanttoplayguitar.com.

Nita's solo live show is mostly instrumental in nature, combining originals with covers.

#Nita Strauss #2022 news #well WTF Nita???#going from the legendary Alice Cooper to this????

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nowheregeneration · 6 months

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Rise Against Live at Hurricane Festival 2022

#yeah i posted gifs of that before but they were all slightly different sizes and that was slowly driving me crazy #rise against #my gifs #....and i fixed the layout (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)⁠✧*⁠。#Live at Hurricane Festival 2022

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hlseydaily · 1 year

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August 20, 2022 | Halsey performing ‘Hurricane’ at Kraków Live Festival!

#halsey #halseydaily #dailyhalsey #halseysource #halseyroom #hotelhalsey #halsey daily #love and power tour #love and power tour krakow #krakow #krakow live festival #tw flashing #tw flashing lights #concert #instagram

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luizlara04 · 7 months

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Dave Grohl’s collaborations

It’s not news Dave Grohl is one of the most beloved people of the music universe. In addition, he is a very talented musician who sings and plays a lot of instruments. Here we’ve got the recipe to the high amount of collaboration he already had over about three decades of his career.

It is a long list with various artists, from different styles, such as rock(obviously!), pop, hip hop, electronic. The list has names like Puff Daddy (Dave plays drums), Queens of the Stone Age (Dave plays drums and percussion), David Bowie (Dave plays guitar), Tony Iommi and Bryan May, legends of the guitar, from Black Sabbath and Queen (Dave plays drums and sings), The Bangles (backing vocals from Dave), Lemmy Kilmister, legend of Motorhead (Dave plays drums), The Prodigy (Dave also plays drums), Liam Gallagher, Rush, Bruce Springsteen, Slash, Jimmy Page and John Paul Jones (legends of Led Zeppelin), Garbage, Nine Inch Nails, Ghost (Dave plays drums in all of these) and so on.

There is another one I haven’t mentioned yet, that is my favorite: I’m talking about one of the greatest living legends of the music, Sir Paul MCCartney! It happened first in December 2012 during a “Nirvana reunion” concert, Paul joined Dave, Pat Smear and Krist Novoselic to perform “Cut Me Some Slack” to raise some funds to help the hurricane Sandy victims. It happened again last year, June, 2022, during the famous Glastonbury festival, in England. It was the first time Foo Fighters performed, since Taylor Hawkings, former drummer, died. They played “Band on the Run”, a classic from the “Wings”, one of Paul's bands and “I Saw Her Standing There” classic from The Beatles that needs no explanation.

Well, let us wait for the next great Dave Grohl’s collaboration!

That 's it! See you soon!

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chorusfm · 9 months

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Something Corporate Announce Las Vegas Show

Something Corporate have announced a headlining show in Las Vegas on October 20th. Ahead of their performances at this year’s sold-out When We Were Young, beloved early 2000s pop-punk band Something Corporate has announced a pre-festival headlining show at the House of Blues Las Vegas for Friday, October 20th. This will mark the first official headlining gig from the original lineup of the Orange County quintet – Andrew McMahon (vocals, piano), Josh Partington (guitar), Kevin “Clutch” Page (bass), Brian Ireland (drums), and William Tell (guitar) – in 20 years. Pre-sale tickets for the official When We Were Young: Sideshow will be available starting Tuesday, August 15th at 10am Pacific Time with various pre-sale options running through Thursday, August 17th. The general on sale will commence on Friday, August 18th at 10am Pacific Time. PRESS HERE for more info and to purchase. “When we got back together for my birthday show, everything just clicked and we knew it was time,” shares front man Andrew McMahon. “We’re all so excited to play these songs again and to share a stage together. I think it’s going to be a cathartic weekend for all of us.” Something Corporate first formed in 1998 when its members were in high school and in a short period of time created quite the stir before going on hiatus in 2005. During its tenure, the highly adored SoCal band released multiple albums, including their major label debut, Leaving Through The Window, in 2002 via MCA Records/Drive-Thru Records, which premiered at the top of the Billboard Heatseekers Chart, and 2003’s North, which entered the Billboard 200 at #24. In addition, they toured extensively worldwide, including a summer on the Vans Warped Tour, graced the cover of Alternative Press magazine, and performed on late-night TV including an appearance on Jimmy Kimmel Live!. Collectively, Something Corporate – hailed as “one of the most respected groups in the scene with their incredible hooks and emotionally transparent music” (Alternative Press) – has sold over 1 million total records. The five-piece has reunited for various appearances over the years, most recently in September 2022 for McMahon’s 40th birthday concert in Anaheim, California. The surprise 6-song set included the fan-favorite “Konstantine” along with “Fall,” “Woke Up In A Car,” “Straw Dog,” “Hurricane” and “She Paints Me Blue.” --- Please consider becoming a member so we can keep bringing you stories like this one. ◎ https://chorus.fm/news/something-corporate-announce-las-vegas-show/

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concerthopperblog · 1 year

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The Rock Resurrection Tour featuring Skillet, Theory Of A Deadman & Saint Asonia

Saint Asonia is a Canadian American rock group consisting of members from previous bands such as Three Days Grace & Staind. The band formed in 2015 after Adam Gontier (lead singer & guitarist) left Three Days Grace a couple years earlier. In May 2015 the band released its first single “Better Place” after teasing it for a while. Saint Asonia was an opener on the main stage at the Rock On The Range festival while they debut their first single among other songs from their previous bands. Fast forward to 2022, Saint Asonia released not one but two EP’s called Introvert & Extrovert. During this particular concert, seeing this band was a first for me. I had no idea who they were until they started playing a couple songs from Three Days Grace, and part of me knew that this singer used to sing for them. I’m excited to see what this band has in store for the future.

Setlist:

“Better Place”

“Above It All”

“The Hunted”

“Never Too Late” (Three Days Grace cover)

“I Hate Everything About You” (Three Days Grace cover)

“I Don't Care” (Apocalyptica cover)

“Devastate”

“Let Me Live My Life”

I grew up listening to Theory Of A Deadman due to my parents love for Rock music. Theory Of A Deadman also known as Theory & TOAD debuted in 1999, I was only one when they started playing shows. The band has released 8 albums to date. Since they debuted, they have had 9 of their songs enter the top ten of the US Billboard Mainstream Rock charts. "Bad Girlfriend", "Lowlife", "Rx (Medicate)" and "History of Violence" have all been number #1 on the charts. The band’s music covers a variety of hard topics to talk about such as prescription drug addiction to Domestic violence. TOAD has also had a series of accomplishments with their history, TOAD has done many covers for many different WWE events taken place and were also featured on the WWE Wreckless Intent album. The band had a song alongside Skillet and many other bands on the Transformers: Dark Side of the Moon soundtrack. When the band came closer to closing out their set, one of their fans caught the attention of the singer Tyler Connelly with a giant poster. The band signed the poster that the fan handed them. I can’t wait to catch Theory Of A Deadman when they go back on tour again in the future.

Setlist:

“Ambulance”

“Bitch Came Back”

“Blow”

“Two of Us (Stuck)”

“Not Meant to Be”

“Dinosaur”

“Santa Monica”

“Hurricane”

“Wicked Game” (Chris Isaak cover)

“Lowlife”

“History of Violence”

“Friends in Low Places” (Earl Bud Lee & Dewayne Blackwell cover)

“Angel”

“Hate My Life”

Encore:

“Rx (Medicate)”

“Bad Girlfriend”

Skillet is a Christian Rock group from Tennessee with the current line up of John Cooper, Kory Cooper, Jen Ledger and Seth Morrison. The band’s name came from the encouragement of John’s pastor. He had encouraged John and other band members to start up a side project after their original bands disbanded. The name is meant to be funny. Since the band was made up from a diverse music background that the pastor felt like their name should be Skillet because he felt they were like “southern cooking, where you just toss a bunch of different things into a big ol' skillet and see what it turns out like.” The band had only been named Skillet for a month before getting an offer from a large Christian Rock record label. The band has released 13 albums to date. I was excited when Skillet finally took the stage. I love the energy that the band has to bring, you can just see the emotion on their faces unlike other artist’s. Before playing the third song of the evening, John attached smoke cannons to his arms and started shooting smoke out in the air. Skillet had Adam Gontier of Saint Asonia join them on stage for their song “Finish Line.” The band played a plethora of songs from their album Comatose to songs from their latest album Dominion.

Setlist:

“Feel Invincible”

“Rise”

“Surviving the Game”

“Legendary”

“Awake and Alive”

“Hero”

“Not Gonna Die”

“Whispers in the Dark”

“Psycho In My Head”

“Comatose”

“Finish Line” (With Adam Gontier)

“Monster”

“Rebirthing”

“The Resistance”

The Rock Resurrections tour is half way through their run. Don’t forget to check if they are coming to a city near you!

02.17 Gary, IN @ Hard Rock Live 02.18 Green Bay, WI @ Epic Event Center 02.19 East Moline, IL @ The Rust Belt 02.21 Milwaukee, WI @ Eagles Ballroom Club Stage 02.22 Detroit, MI @ Fillmore 02.24 Reading, PA @ Santander Arena 02.25 Boston, MA @ Roadrunner 02.26 Bangor, ME @ Cross Insurance Center 03.01 Rochester, NY@ Main Street Armory 03.03 Cleveland, OH @ Agora Theatre 03.04 Mt Pleasant, MI @ Soaring Eagle Casino – Theatre 03.05 Cincinnati, OH @ AJB Music Center 03.08 Pikeville, KY @ Appalachian Wireless Arena 03.10 St Louis, MO @ The Factory 03.11 Springfield, MO @ Shrine Mosque 03.12 Tulsa, OK @ Tulsa Theater 03.14 Houston, TX @ Bayou Music Center 03.15 Dallas, TX @ The Factory 03.17 Kansas City, MO @ Midland Theatre 03.18 Omaha, NE @ Baxter Arena 03.19 Denver, CO @ Mission Ballroom 03.22 Phoenix, AZ @ First Arizona Federal 03.24 Reno, NV @ Grand Sierra Resort – Grand Theatre 03.25 Wheatland, CA @ Hard Rock Live 03.26 Los Angeles, CA @ Wiltern

#concerthopper #concert photography #alternative metal #metal #new york #music #review #concert review #theory of a deadman #skillet #2023

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