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#Lee Tae-hun
alltrekvarnews · 1 year
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La Temporada 4 de 'Snowpiercer' no saldrá al aire en TNT, la temporada final Es Comprada por Tomorrow Studios....
La Temporada 4 de ‘Snowpiercer’ no saldrá al aire en TNT, la temporada final Es Comprada por Tomorrow Studios….
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jung-kyungho · 9 days
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joseon is the country that killed my parents. it's the one I escaped from. that's why I wanted to crush it, leave it, and go back to my homeland, which is america. but then I met a woman. she often made me waver. I knew you'd give me that look if I told you my story. I knew, but it still hurts.
Mr. Sunshine | 미스터 션샤인 (2018) Episode 10
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macaro-mochi · 2 years
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I find it so funny when people complain about Lee Jun Ho being "too perfect" or unrealistic because it's like???? Are we watching the same show???? Yes, he's amazing and I love him to bits, but he has some very real flaws like everyone else.
I'd argue that he cares too much about people, and as a result, he resists the urge to communicate his needs or express his feelings for their sake. This comes from a place of kindness and sensitivity, but it can be harmful. He was so scared of being irresponsible with Young Woo that he refused to tell her how he felt and she thought he didn't like her back.
But the reason he's so great is that he is reflective and works on these flaws instead of letting them ruin his life or hurt the people he cares about. Case in point: he overcomes his concerns and confesses to Young Woo (and now they're dating!)
And to me, that's extremely real because a lot of flaws can come from overcompensation, even if it's unintentional, and it's something that's rarely depicted- and even more rarely depicted well.
The show never spoon feeds the viewer and there are a lot of nuances to consider with each character and theme that it explores, and Jun Ho is no different.
So to conclude: Jun Ho best boy. But he also flawed and real boy.
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olvaheiner · 4 months
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Concrete Utopia (2023)
Directed by Eom Tae-hwa
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nikitinha · 8 months
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| Pinches of Mr.Sunshine ⏳
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i'm obviously horribly late to the party as always but all the modern AUs in my head are screaming
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fruchtchen · 8 months
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지저스 크라이스트 수퍼스타 (2022 - 50주년) - 마이클리 (지저스), 한지상 (유다), 백형훈 (유다), 김태한 (빌라도), 지현준 (빌라도)
Jesus Christ Superstar (2022 - 50th Anniversary) - Michael K. Lee (Jesus), Han Ji-sang (Judas), Baek Hyeong-hun (Judas), Kim Tae-han (Pilate), Ji Hyun-joon (Pilate)
https://youtu.be/cjFhWodk0JE
https://youtu.be/7Q6Sim0pcuA
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neovallense · 11 days
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Concrete Utopia (id, 2023)
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sloshed-cinema · 8 months
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Joint Security Area [공동경비구역 JSA] (2000)
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A picture really does say a thousand words. The final image of Park Chan-wook’s DMZ character study perfectly sums up the relationship between its four central characters as well as the overall tone that it sets in examining the human consequences of such a specific and thoroughly enforced piece of diplomatic work. The monochrome photograph captures Sgt Oh’s wry expression, Pvt Jeong grinning as he marches in the background, Pvt Nam against the wall and Sgt Lee moving to block the lens. There’s an irreverence hiding in plain sight here, a secret pact which Park teases out over the course of this military thriller. But even more brilliantly, the taking of the image itself served as a character beat earlier in the film. While it’s not the first time we meet Sgt Oh, this is his first true reveal, making the choice to hand a tourist’s hat which has blown over into the DPRK back over to the ROK. He’s stiff and militaristic, but capable of making humanistic gestures, we see here. Throughout the rest of the film, he is perhaps the levelest mind in the room. Though fervent in his dedication to the DPRK in his words, Oh seems to value the lives of those he cares about more when things get tense. He uses this zealotry to purposefully, perhaps, sabotage a cross-examination when Lee looks about to break and perhaps damage his future, and as we come to learn about the confrontation which sparked the investigation and film, Oh works to protect his brethren on the southern side of the border even after his comrade is shot. He’s a good man. They’re all good men, on some level. The central idyll is like a warm blanket were it not for the knowledge that this is doomed to fail violently, nightly gatherings of camaraderie. But we come as an audience to enjoy their time together goofing off and swapping cigarettes and stories. It’s a connection not seen anywhere else in this world of strict and arbitrary ceremony and custom. Even the woman investigating the incident, Swiss negotiator Maj Jean, is separated from her intimate connections, her father’s past as a North Korean general weaponized and herself distant from him. Everything is defined by this line in the sand, and yet four men found a way to step across it. If only for a moment. Neither Lee nor Nam escape the fallout, and Oh can only find the release of discharge. It’s a moment in time, a snapshot.
Director Park uses flashbacks and perspective to spool out the different potential truths at hand before revealing the full facts of the matter. It’s well-executed, but not exactly anything novel. What is more interesting is his effortless as usual command of visual storytelling through editing and motifs. Borders are at once very important and completely frivolous, as exemplified by the concrete band defining the split between the two territories. ROK soldiers line up in drills to shoot moving targets from a model version of this setup, but those same soldiers from both sides will in other instances line up to swap cigarettes and hunt rabbit in a whole different kind of war-game. Our secret friends become increasingly juvenile during their duties, early on making threats about shadows crossing the border, which escalates to a spitting contest. They can’t even maintain a straight face when on duty facing off against one another, which makes their later face-to-face encounter at deposition, when there can be no falsehood, all the more heartbreaking. Later, mulling her options, Jean walks back and forth on that line like it’s a tightrope, balancing geopolitical consequences. Park is never twee or kumbahyah, we should all just get along about it: klaxons warn of imminent invasion and the ROK border defense react, our central quartet mull the consequences of invasion and how they would have to shoot each other in such a scenario. He's not naive, but Park does arch his brow at the theatrics of it all.
Underneath all of this is a heavy layer of queer subtext. It’s almost full-on text, just have an orgy! The one thing holding this film back. Nothing’s perfect. But there’s a definite longing between these four, especially Nam and Jeong. The secrecy of night can hide these normal interactions which the outer world condemns. Further overtures are made and blissfully received as Nam witnesses a mirror being flashed from across the border and practically exits this plane of existence. Jeong enjoys the arts and receives his birthday gift rhapsodically. Coded messages—the passing of a Yankee lighter, whistling—take the place of conventional conversation. The memento of the landmine fuse intertwines intimacy of that first meeting with danger, a Very Queer Thing. Nam paints a dark line under his eye akin to Oh’s scar in homage to him. That’s right, I’m going full tinfoil here, this will DEFINITELY fit into my Grand Unified Gay Theory come hell or high water.
THE RULES
SIP
Someone says 'Commie' or 'bullet'.
A car with a diplomat flag on its hood appears in a scene.
Someone names a nation.
BIG DRINK
A flashback begins.
CGI(?) birds? Are birds real?
Song Kang-ho whistles.
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k-star-holic · 10 months
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Lee Byung-hun Becomes Young Tak'..Um Tae-hwa Director "Lee Byung-hun Acting = Real Movie" (Concrete Utopia)
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genkinahito · 4 months
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Concrete Utopia 콘크리트 유토피아 (2023) Director: Um Tae-hwa [Chicago International Film Festival 2023]
Concrete Utopia    콘크리트 유토피아  「Konkeuriteu Yutopia」 Release Date: 2023 Duration: 130 mins. Director: Um Tae-hwa Writer: Um Tae-hwa, Lee Shin-ji (Screenplay), Starring: Lee Byung-hun, Park Seo-joon, Park Bo-young, Kim Sun-young, Park Ji-hu, Kim Sum-young,  IMDB Based on a webtoon called Cheerful Outcast, by Kim Sung-nyung, Concrete Utopia is a disaster movie freighted with social critique…
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owlshellr · 1 year
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🎬Drama : Mr.Sunshine (2018) ⛅️🥹🫶🏻
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stuff-diary · 1 year
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Money Heist: Korea – Joint Economic Area (Part II)
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TV Shows/Dramas watched in 2022
Money Heist: Korea – Joint Economic Area (Part II, 2022, South Korea)
Director: Kim Hong Sun
Writers: Ryu Yong Jae, Kim Hwan Chae & Choe Sung Jun
Mini-review:
I feel like I was one of the few people that really enjoyed Part I and actually preferred it to the original. I hated the writing in the original show (I am a native Spanish speaker) and couldn't make it past the first few episodes, even though I found the story interesting. Now, thanks to this Korean remake, at least I can see how said story develops. Just like in the first part, this is a really fun and entertaining thriller with great acting, even if it requires you to suspend your disbelief a lot of the time. I'm really glad the writers wrapped up pretty much every plot thread, cause it makes the show a very satisfying watch. Like I said, the cast is amazing, but special kudos go to Park Hae Soo, who's clearly one of the best actors in the world.
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nikitinha · 8 months
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| Days without tears ☀️
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moviemosaics · 2 years
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Joint Security Area
directed by Park Chan-wook, 2000
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passionforfiction · 1 year
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Big Mouth
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This 16 episode long series had me at the edge of the seat from beginning to end. It kept me guessing and each plot twist made things more complicated. It was heart breaking in its injustice and there were things that were never really clarified. There were murderers that stayed unpunished and the mystery behind Chairman Kang was left in the air; but I still liked it. This is the kind of series that is best experienced without knowing much so I won't say anything else.
But if you like crime stories, i recommend this series.
Poster from Kepoper - https://en.kepoper.com/big-mouth-korean-drama/
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