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#Joss whedon is a dick
raisedbythetv89 · 13 days
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*tw* mentions of sa throughout the btvs series:
Expanding on the thoughts in this post about fandom culture and etiquette for how to make this a safer and more enjoyable space for everyone no matter who you ship
If you are a fan of btvs or ats no matter who your favorite characters are or who you ship - you have suffered at the hands of joss whedon's narcissistic personality and the subsequent emotional abuse he not only put the actors and his characters through but the audience as well
He gave us characters and relationships we fell in love with and then always, without fail, something horrible happens to one of them or they do something horrific and we're forced to cope with the emotional whiplash that happens every time he does it and decide if we love the character or relationship enough to cope with what joss did to them or if that's it for us enjoying that character or relationship
Like Bangel? Surprise! He's gonna lose his soul and completely psychologically destroy Buffy! AND THEN he's gonna come back and turns out he's been lying to this whole time to Buffy and he actually loved Darla so much he tried to be evil even with the soul first and actually stalked Buffy for a year before he introduced himself and fell in love with the sight of her crying at 15 and we made her look SUPER childlike and innocent to really up the ick factor!
Like Spuffy? Here take the most traumatic depiction of attempted sexual assault we've ever seen in the series that comes out of absolutely nowhere and is specifically designed to punish women after Spike was the only person who could be there for Buffy besides Tara as she battles her severe depression!
Like Tillow? Well Willow goes from empowering Tara and standing up for her to yelling at her to shut the hell up and then magically drugging and sexually assaulting her! and then when Tara calls her out on in she uses the "I didn't mean to" line and then is gonna use magic on her in the exact same way! and then we're gonna rush tara forgiving her just to kill her off!
Like Fuffy? Well Faith is gonna steal Buffy's body and then sexually assault both buffy and riley simultaneously while trying to goad riley into violating buffy's body as much as possible!
The list is truly ENDLESS you either survive on btvs long enough to do something horrific or you're killed off in a brutal, shocking and senseless way (I'm not going to list every single relationship and horrific event as it seems unnecessary and I know I can expand on the above example even further but again it feels unnecessary so please don't freak out if you feel I missed something this is by no means an exhaustive list)
Joss hates people, he hates women, he hates people of color, he hates his audience. Doing horrible things to people you claim to love is incredibly normal for him and any abusive narcissist because they don't love people or even see them as fellow humans - they're just things they play with for entertainment or to make them feel good about themselves which is why this is so prevalent in the buffyverse in the first place
Liking a ship where something horrible happens, you're not condoning it - it happened TO YOU. You were going along loving a character or relationship and then the creator got bored or angry and decides to throw a narrative punch just because he can and he likes the control it gives him to make a bunch of people react in certain ways emotionally and he loves to ruin things people love that's a huge thing for narcissists - if they see someone else feeling good about themselves or experience joy they want it destroyed
We have all suffered at the hands of this man, everyone has their favorite characters for very specific and deeply personal reasons. Just because you can't move past or accept certain behaviors from a character doesn't mean you get to dictate that for everyone else. Truly loving or connecting to a character means you have more capacity for forgiveness than someone who just liked them - and loving a character also usually comes with a deeper understanding of that character in the first place that can give you perspective and understanding that helps you contextualize the bad things.
Loving even the worst fictional characters literally harms no one, but attacking, shaming, judging, feeling superior to real people for their fictional tastes does so don't come on here and "well actually" me with "well MY fav didn't do [x]" or "MY fav never did anything.." because that's not the point. The whole point of this post is other btvs or ats fans who like different characters or ship difference ships are not you enemy - JOSS WHEDON is the only enemy here - be mad at him and only him, hate on other characters all you want but being cruel to other fans who don't agree with you is exactly what joss wants and we all hate that fucker so stop playing his game and don't be a dick.
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cryley · 8 months
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I've been consumed completely watching Buffy the Vampire Slayer. The vibes? *chefs kiss*
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it's like, is the cinemasins checkbox-ticking philosophy of movies ultimately rooted in annoying pedantry somewhere between totally out of touch and actively at odds with approaching the medium of filmmaking as any kind of actual art form? yes. but is it nonetheless fun to hit play on one of his stupid little videos for a dumbass fucking movie you really, really hate when you have a bunch of laundry to put away? i mean, i'm only human
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Feeling really nostalgic about July 17-18, 2008, the last time I believed in Joss Whedon
It was just cool, you know? Doctor Horrible's Sing-Along Blog dropped in three separate pieces over the course of the week. We'd get 15 minutes of story, and then two days to froth over the whys and wherefores in Livejournal comments before the next piece came out. And those days were so good.
Buffy fans are so fucking smart, y'all. They could combine academic rigor with unselfconscious fangirl squee. Squee was a hermeneutical method, a mode of interrogating the text--one we often dismiss and diminish, because if there's anything grosser than teenage girls getting goopy over a vampire they like, it's 30 or 50 or 70-year-old women getting goopy over a vampire they like. But it's similar to what I've seen called a "redemptive reading". You approach a piece of media specifically looking for its best parts, the pieces you love the best, and you allow yourself to fully embody the joy of liking something and caroling your joy to other people who like it too. In a perpetually burned-out time, squee can be like a desert oasis.
So the people who liked Buffy and Angel and Firefly watched Doctor Horrible in a manner both squeeful and intersectionally feminist, and saw all the amazing interesting things it was doing, showing how insecure geek masculinity fundamentally self-sabotages the main character, Billy, because the relationship he wants has been there in reach for months, and it's his own perception that he needs to be an alpha male warrior that has kept him from it. It interrogated the entire genre of costumed heroes, with two men thumping their chests and comparing their dick sizes, and none of them doing anything as direct and helpful for their society as Penny, the woman who stands on sidewalks collecting signatures to help a homeless shelter.
Part II came out on July 17, and the series would end with Part III on July 19. So on July 18, I spent most of the day reading Livejournal comments about it. There were all these theories: Maybe Penny was secretly Bad Horse, the archvillain whose approval Billy has craved since the beginning. Maybe she will collapse the love triangle with Billy's rival, Captain Hammer, by acting on her clearly-demonstrated discomfort and dumping him. Maybe Billy will learn that relationships are based on intimacy, not being The Best. Maybe Penny will become a superhero and replace Captain Hammer as Billy's nemesis. Maybe Billy will succeed and rule the world and give Penny Australia.
And then... none of those things happened. Joss Whedon ended the series in a way less progressive, less imaginative, less cool, than even the most half-baked fan theory out there. The story opened up possibilities to break out of an old, tired, toxic set of stories around men and women and sex and heroics, and then hid under a rock rather than change a single one of them.
July 19 was the day I concluded that while Joss Whedon might have his own baggage to work through about toxic masculinity, and artists have the right to make work meaningful to them, he wasn't making art that was meaningful to me. And I basically stopped expecting anything of him.
And then, for years, Buffy fans, educated and squeeful feminists and sharp pop culture critics, got told they were crazy histrionic SJWs for thinking Whedon didn't shit solid gold. For years. (I recently saw a video essay that included the line, "If you have the phrase 'mewling quim' branded onto your memory, you probably need some Metamucil" and, ouch, rude.)
There was so much excitement! A lot of us actually believed in the guy (although even then, there was enough evidence for many people to suspect what we now know to be 100% true about him.)
We wanted it to be good. We wanted to enjoy it.
I miss that feeling.
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buckttommy · 24 days
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Hi, I’m new to the fandom. I’m a little confused as to why people are upset with Tim’s response to the tantrums over the karaoke scene. I understand it’s not very mature, but I can also understand how he’s sick of certain types of fans losing their shit over the smallest things and calling it queerbaiting. I was just wondering if there was like a history of stuff like this or he’s done other things?? Thanks.
Tim's response in itself was a self-absorbed and condescending tantrum, so it's a bit pot-meet-kettle, there. He does, indeed, have a history of being a bitch, though, to put it bluntly, and is known for being unkind to fans. He came up under Joss Whedon, who also has a history of being unkind to fans, so he is just... all around kind of a bag of dicks. tbh.
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utilitycaster · 6 months
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you getting push back on that post is crazy to me isn't it enough to watch and get invested in something for what it is currently rather than what it will be? I have so many unfinished projects in my own life it'd be crazy to demand polished completion from everything I watch/read. my unfinished sketches and embroidery and abandoned dnd campaigns still brought joy and growth without having a polished thing to present at the end
So what's funny to me is like. I have referenced this before here and elsewhere but like, as a child, I was SO bad at ambiguous and sad endings and my mother was like, not unkind about this, but neither did she coddle it, and I think that laid a groundwork that was really necessary.
My tags, which got lost bc I did NOT expect that post to break containment, do actually touch on how Netflix and other streaming services canceling things to avoid paying people a fair wage fucking suck but yeah here's a list of creative endeavors I participated in or watched/listened to/read that do not as of this posting have endings and I still liked, and many of them aren't even directly attributable to capitalism because this is just a fact of life and art.
As mentioned, both A Song of Ice and Fire and the Kingkiller Chronicles.
Multiple D&D campaigns for sure (I actually don't make D&D characters without a game in mind and find it weird that people do and so I'm like why am I the one arguing for the beauty of the incomplete).
Multiple fics, both mine and others.
King Falls AM, a podcast I binged in like 2018-2019 and despite being a mystery never actually completed bc the creators couldn't agree.
I think Battlestar Galactica 2003 is one of the most brilliant shows of its era and also the finale, which happened when the creators intended it to, is really dumb, and that doesn't undo the fact that I loved everything else.
How I Met Your Mother ends really poorly in a way that arguably undercuts the whole series, but like, I still liked that too.
Ditto for Chuck, which also struggles in that it was on the chopping block most seasons so they kept ending in ways that probably weren't true to whatever the original vision may have been.
I saw Firefly on DVD after it had already been canceled, I think Serenity is good but I don't love all the choices, and Joss Whedon has since been revealed to be a dick but like, I enjoyed myself greatly while watching it.
As mentioned, Heroes. I didn't watch much TV until my teens anyway because we didn't have cable and our reception sucked and we were very much a book household, and this was one of the first series I recall watching from season 1 and it's also the first TV series where I was like yeah I don't care anymore, and it went on for 4 seasons and I think I gave up either late S2 or early S3.
I didn't watch Supernatural, Game of Thrones, nor Grey's Anatomy but all of those are famous for outstaying their welcome, sometimes it's better to burn out than fade away, etc.
I had already long outgrown Harry Potter and started to see its limitations by the time Rowling's transphobia became public but like, now it's not something I would ever recommend to my friends' kids or anything, and that doesn't undo the fact that I did greatly enjoy it as a child and teenager; it was indirectly the reason why I was introduced to the superior fantasy of Diana Wynne Jones, which I do still reread from time to time. (I think the "well I never liked it" mentality about works from artists who end up being terrible people is tied into the "I can't get invested in anything that might end in an unsatisfying manner." Tumblr University's media studies grads are not the brightest stars in the firmament, that's for sure.)
Like, cancellation (let alone cancellation specifically because of the unique shittiness of streaming services) is just one of the many reason things might end in a way you dislike or become difficult for you to enjoy at a later date, and that's just talking about television. Are you really going to deny yourself the joy of anticipation and watching a story unfold in real-time because the thought of something not satisfying you at every single turn is so unfathomable?
(oh, and because this is, as we know, a CR blog much of the time, I should add that this mentality is really pervasive which is wild because your average 3-season canceled Netflix show is probably the equivalent of maybe 9-10 CR episodes; thinking about how many people who now claim C2 is terrible watched 141 episodes and also the person who is iconic to me who unironically asked me what the point was in getting invested in characters who will die re: Chetney)
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really happy I'm not American. your country sucks more dicks than a kicked-out teenager forced to do prostitution to survive. also, you guys are so fucking fat and prude while we Danes and Swedes have nude beaches with children are allowed and you literally have to search to see fatties.
This seems like one of your first attempts at trolling, so I'm gonna be nice and give you some helpful tips.
Don't try to be witty. "your country sucks more dicks than a kicked-out teenager forced to do prostitution to survive" is much too long and comes off as you desperately trying to imitate the kind of quippy dialogue you saw in a Joss Whedon or Quinten Tarantino movie. If you really want to get somebody mad, stick to the basics. "Your country sucks" gets the point across clearly and has a much higher chance of provoking an emotional response.
You need a tighter focus on the specific thing I'm supposed to get mad at. In your ask, you mention two American stereotypes, that we're all fat, and that we're all prudes. Two stereotypes is probably the limit you can fit into one troll ask without seeming like you're just throwing things at the wall to see what sticks, but I'd still recommend sticking to one.
Don't give your target the ammo they need to drag your ass in your troll attempt. Right after you get into the fat and prude stereotypes, you mention your country has nude beaches with children as a positive, and right there I have at least three different ways I can turn this back around on you. And that's without going for the low hanging fruit and just calling you a pedo. Which brings me to
Don't troll on main. I know you think you're being brave by not going anon, but really you're just giving your target the opportunity to amplify your mistakes. Just a quick glance through your blog shows that you probably hang around at least a few people who are very judgmental and unforgiving of mistakes. Also that you like Hackers, which is a point in your favor. Your post style indicates you write with emotion and then send, instead of taking a moment to reread what you wrote and see if it will give the impact you're looking for. I've seen this lead to many unforced errors from people on social media. Usually in the form of a slur or seven, or suicide bait, or similar things. All of these things are, of course, expected from anons, but you might not like what happens if you slip up with your actual account. Callout posts and ostracizing from friends or mutuals who want to get back at you for some real or imagined slighty may just be the tip of that iceberg. If nothing else, it makes it much easier for some nefarious individual to mass report your blog and get it taken down when you troll openly. And finally,
Put some effort in. I know I already mentioned low hanging fruit, but I never explained why avoiding it is beneficial. Chances are, anyone outside your own age group (assuming the 1995 in your blog name is your birth year, which if it is, probably not the best thing to share online with how easy doxxing is these days) has been around long enough to get a few troll asks in their day. Especially if they're right wing political blogs. The "Americans are fat and prudish" stereotypes are old and played out. We don't particularly care what a bunch of Europeans who can't even handle mild summer weather think about our eating or bedroom habits. Hell, on the right, you're more likely to find people who take prude as a compliment. If you really want to bother us, you should pounce on the issues of the day. Take the dumbest possible position on a political issue and then earnestly act like it's what you truly believe. As a European, this should come naturally. It's your best shot at actually getting us mad. Though, we are pretty used to European lefties showing their whole ass when trying to comment on American politics, so your mileage may vary on that one. (Oh, a "mile" is a unit of distance measurement. Sort of like a kilometer, but bigger and better.)
I really do hope this helped. Good luck on your next trolling attempt!
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hello-nichya-here · 9 months
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I think I just ruined Xander X Anya as a ship for myself.
Okay, so a very cursed thought just crossed my mind and I cannot force it out of my brain, so I'm just gonna inflict that misery and suffering onto all of you.
Joss Whedon, infamous creep that claims to be a feminist despite hating women in general and pregnant women in particular, has repeatedly said he based a lot of Xander's personality off of himself.
For most of the show, Xander was in a relationship with Anya, a former vengeance demon that REALLY hated men - yet stops thinking they're all evil after falling for Xander.
...Was their relationship just Whedon sucking his own dick and bragging about how he's soooooo great even the feminist that is the biggest man-hater in the world would think he is not just a great guy, but a dream boyfriend? Was that what all of this was about all along? Everytime I liked a scene of these two, was I actually just enjoying Joss Whedon's weird ego trip?
I cannot unsee this. Somebody end me.
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scaryorganmusic · 1 year
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it's a tired subject specially on tumblr but. it's baffling to me how people don't see how far the jkr situation has gone. if we can please for once have nuance in a situation i am not saying never ever watch or read or engage with anything that "has problems" i'm not saying if an author has ever in their lives "been a dick" disown everything they've done, i mean fuck, i like joss whedon shows. her case is just unique, she's actively and openly spreading hate speech, she's an ideological leader for it, it's not concealed it's not an interpretation of the things she says it's all right there and the only reason people are able to look past it is because they don't consider transphobia to be as vile as other forms of hate speech so it doesn't really count i guess
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unfolded73 · 8 months
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There was a Joss Whedon quote from back in the day that said something like, I don’t give fans what they want, I give them what they need. But hey, Joss turned out to be a colossal dick, and it also turns out that you can give fans what they want without sacrificing quality storytelling. Ok maybe not all the time (and lord knows not all fans), but sometimes.
Thank you, David Jenkins, for giving us what we want so carefully and beautifully.
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donnerpartyofone · 7 months
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Have you ever read any of Grant Morrison's Doom Patrol comic book stuff? I think it's so weird and overlooked
Is it overlooked? Isn't there a recent TV adaptation of it? I'd agree that it's not as big as Avengers or whatever, but frankly anything that's *smart* tends to be a little more niche and not-for-everybody, and that kind of makes it special, not to be such a snob. But no, I never read it, it's a personal failing. My exposure to the British Invasion is kind of spotty to be honest; I read a lot of Preacher and Transmetropolitan, not very much Hellblazer for some reason, I forget what else. I read From Hell and V and Watchmen, naturally, but I never forgave Alan Moore for Lost Girls, what an obnoxious piece of shit! The major Grant Morrison title I read (setting aside little random things like We3 and some Seven Soldiers stuff) was The Invisibles, which I was really hot and cold on. It's a great repository for Morrison's amateur pop culture scholarship and it is written with a kind of infectious passion, but I felt like if the premise is "the stifling forces of order and conformity vs. the liberating forces of rebellion and anarchy", that gets kind of sabotaged by the fact that the chaos agents still have to be represented as cliches and stereotypes for them to be legible to the reader. Like a true non-conformist wouldn't just look exactly like Johnny Rotten or whoever, a real rebel wouldn't be so straight-from-central-casting. So there's kind of a big flaw in the basic conceit, because in order to have archetypal resonance, you have to default to preordained cookie cutter images (in this case of flappers and mods and harlequins and stuff), which is the opposite of the whole idea of the winds of change and the triumph of individuality and everything.
I'm sorry, this is totally not what you asked, I'm just riffing now. I have every reason to believe Doom Patrol is really great! Maybe I'll get around to it some day, but I haven't read a superhero comic in a long time. The last time I read them really devotedly was in a time before irony, to be frank, and sometimes I find modern titles a little too *knowing*, like a little too smug and proudly self-aware at the expense of having an engrossing narrative with convincing characters. (And if the only alternative is soapy fetishistic bullshit of the Joss Whedon variety then I am REALLY not about it) It's funny because I have this memory of reading Grant Morrison's Marvel Boy miniseries that was drawn by J.G. Jones when it first came out and I was a teenager, and it blew my mind so hard! I thought Jones was everything, I would have done anything to be able to draw like him, and it didn't hurt that I knew somebody who was friends with him and I got to visit his studio once and it was probably pretty obvious that I immediately fell in love with him. But that Marvel Boy series had a bit of a meta, post-modern quality to it, which at the time wasn't so common and I found it really excitingly intelligent--so I raved about it to this friend of mine, one of my best friends in high school who was slightly older and who I looked up to in some ways, and he just sneered and spat something about how it's fucked up that comics aren't this innocent thing for kids anymore, and he refused to do more than glance at the pages of this very slick, adult book that I loved and wanted to share with him. And I mean now that everything feels like its saturated with this juvenile sense of irony, I kind of get where he was coming from! Even though I still think he was being a dick to me at the time, because in hindsight I've realized how our friendship was a total one-way street and he would say this stuff to me about how I was "still a mystery" to him and he'd make it sound like he was anxious to get to know the Real Me, but if I let him in on anything he didn't directly relate to in a personal way then he wouldn't even tolerate a conversation about it. Ahem. This is also not part of your question at all. But now you know! My sincerest apologies.
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Top 5 Sci-Fi Movies on Netflix
5. Predestination (2014)
Genre: Science Fiction, Thriller
Actor: Alicia Pavlis, Annabelle Norman, Arielle O’Neill, Ben Prendergast, Carolyn Shakespeare-Allen, Cate Wolfe, Christopher Bunworth, Christopher Kirby, Christopher Sommers, Christopher Stollery, Dennis Coard, Dick York, Elise Jansen, Eliza D’Souza, Eliza Matengu, Ethan Hawke, Felicity Steel, Finegan Sampson, Freya Stafford, Giordano Gangl, Grant Piro, Hayley Butcher, Jim Knobeloch, Katie Avram, Kristie Jandric, Kuni Hashimoto, Lucinda Armstrong Hall, Madeleine West, Maja Sarosiek, Marky Lee Campbell, Milla Simmonds, Monique Heath, Noah Taylor, Noel Herriman, Olivia Sprague, Paul Moder, Raj Sidhu, Rob Jenkins, Sara El-Yafi, Sarah Snook, Sophie Cusworth, Tony Nikolakopoulos, Tyler Coppin, Vanessa Crouch
Director: Michael Spierig, Peter Spierig, The Spierig Brothers
Rating: R
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One of the most original time-travel thrillers since 12 Monkeys. A brilliant subversion of the Time Paradox trope, with enough plot twists to keep you entertained until well after the movie is finished. Predestination is an amazing movie with great performances from Ethan Hawke and Sarah Snook. It’s a movie that will feel like Inception, when it comes to messing with your mind and barely anyone has heard of it. It is highly underrated and unknown, sadly.
4. Train to Busan (2016)
Genre: Action, Adventure, Drama, Horror, Science Fiction, Thriller
Actor: Ahn So-hee, An So-hee, Baek Seung-hwan, Cha Chung-hwa, Chang-hwan Kim, Choi Gwi-hwa, Choi Woo-shik, Choi Woo-sung, Dong-seok Ma, Eui-sung Kim, Gong Yoo, Han Ji-eun, Han Sung-soo, Jang Hyuk-jin, Jeong Seok-yong, Jung Seok-yong, Jung Young-ki, Jung Yu-mi, Kim Chang-hwan, Kim Eui-sung, Kim Jae-rok, Kim Joo-heon, Kim Ju-hun, Kim Keum-soon, Kim Soo-ahn, Kim Soo-an, Kim Su-an, Kim Won-Jin, Lee Joo-sil, Lee Joong-ok, Ma Dong-seok, Park Myung-shin, Sang-ho Yeon, Seok-yong Jeong, Shim Eun-kyung, Sohee, Soo-an Kim, Soo-jung Ye, Terri Doty, Woo Do-im, Woo-sik Choi, Ye Soo-jung, Yeon Sang-ho, Yoo Gong, Yu-mi Jeong, Yu-mi Jung
Director: Sang-ho Yeon, Yeon Sang-ho
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A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.
The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.
It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.
3. Serenity (2005)
Genre: Action, Adventure, Science Fiction, Thriller
Actor: Adam Baldwin, Alan Tudyk, Carrie ‘CeCe’ Cline, Chiwetel Ejiofor, Colin Patrick Lynch, David Krumholtz, Demetra Raven, Dennis Keiffer, Elaine Mani Lee, Erik Weiner, Gina Torres, Glenn Howerton, Hunter Ansley Wryn, Jessica Huang, Jewel Staite, Linda Wang, Logan O’Brien, Marcus Young, Mark Winn, Marley McClean, Matt McColm, Michael Hitchcock, Morena Baccarin, Nathan Fillion, Nectar Rose, Neil Patrick Harris, Peter James Smith, Rafael Feldman, Rick Williamson, Ron Glass, Ryan Tasz, Sarah Paulson, Sean Maher, Summer Glau, Tamara Taylor, Terrell Tilford, Terrence Hardy Jr., Tristan Jarred, Weston Nathanson, Yan Feldman
Director: Joss Whedon
Rating: PG-13
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Serenity is a futuristic sci-fi film that serves as a feature-length continuation of the story-line from the TV program Firefly (2002–2003). The story revolves around the captain (Nathan Fillion) and crew of the titular space vessel that operate as space outlaws, running cargo and smuggling missions throughout the galaxy. They take on a mysterious young psychic girl and her brother, the girl carrying secrets detrimental to the intergalactic government, and soon find themselves being hunted by a nefarious assassin (Chiwetel Ejiofor). The first feature-length film from Joss Whedon (The Avengers), Serenity is a lively and enjoyable adventure, replete with large-scale action sequences, strong characterizations and just the right touch of wry humor. An enjoyable viewing experience that stands alone without demanding that you have familiarity with the original program beforehand.
2. Sorry to Bother You (2018)
Genre: Comedy, Fantasy, Science Fiction
Actor: Armie Hammer, Danny Glover, David Cross, Ed Moy, Forest Whitaker, James D. Weston II, Jermaine Fowler, John Ozuna, Kate Berlant, Lakeith Stanfield, Lily James, Marcella Bragio, Michael X. Sommers, Molly Brady, Omari Hardwick, Patton Oswalt, Robert Longstreet, Rosario Dawson, Steven Yeun, Teresa Navarro, Terry Crews, Tessa Thompson, Tom Woodruff Jr., Tony Toste, W. Kamau Bell
Director: Boots Riley
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In the year of the Netflix TV Show Maniac, another absurdist title stole critics’ hearts. Sorry to Bother You is a movie set in an alternate reality, where capitalism and greed are accentuated. Lakeith Stanfield (Atlanta) is a guy called Cassius who struggles to pay his bills. However, when at a tele-marketing job an old-timer tells him to use a “white voice”, he starts moving up the ranks of his bizarre society. A really smart movie that will be mostly enjoyed by those who watch it for its entertaining value, and not so much for its commentary. It is like a Black Mirror episode stretched into a movie.
1. Ex Machina (2015)
Genre: Drama, Science Fiction
Actor: Alex Garland, Alicia Vikander, Chelsea Li, Claire Selby, Corey Johnson, Domhnall Gleeson, Elina Alminas, Gana Bayarsaikhan, Oscar Isaac, Sonoya Mizuno, Symara A. Templeman, Symara Templeman, Tiffany Pisani
Director: Alex Garland
Rating: R
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Ex Machina is the directorial debut of Alex Garland, the writer of 28 Days Later (and 28 Weeks Later). It tells the story of Caleb (Domhnall Gleeson from About Time), an IT developer who is invited by a billionaire CEO to participate in a groundbreaking experiment — administering a Turing test to a humanoid robot called Ava (Alicia Vikander). Meeting the robot with feelings of superiority at first, questions of trust and ethics soon collide with the protagonist’s personal views. While this dazzling film does not rely on them, the visual effects and the overall look-feel of Ex Machina are absolutely stunning and were rightly picked for an Academy Award. They make Ex Machina feel just as casually futuristic as the equally stylish Her and, like Joaquin Phoenix, Gleeson aka Caleb must confront the feelings he develops towards a machine, despite his full awareness that ‘she’ is just that. This is possibly as close to Kubrick as anyone got in the 21st century. Ex Machina is clever, thrilling, and packed with engaging ideas.
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khukri · 1 year
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i NEEEEEEED to personally cut joss whedon's dick off for the entirety of dollhouse
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boypussydilf · 1 year
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looking for firefly posts on tumblr is just [promotional poster] [crusty weirdly colored gifset from 2012] [story about joss whedon being the absolute dickbag that he is] [different promotional poster] [crusty crunchy gifset from 2013] [story about joss whedon being a complete bag of dicks] [the first promo poster again]
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thepunkmuppet · 10 months
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Spike was an abusive piece of shit. Joss Whedon is a misogynistic abusive piece of shit. You're gross.
um. hi?
spike is an abusive piece of shit you’re 100% right. he’s also a made-up not real fake fictional supernatural monster with no soul who eats human blood. so.
joss whedon is a mysoginistic abusive piece of shit, again you’re 100% right. i like the fictional piece of media he created over 20 years ago, joss whedon himself can go swallow a dick
maybe don’t harass random strangers on tumblr yeah? bit cringe
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p.s. i know you are but what am i
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yo-nic-blog · 2 years
Text
If I didn’t have you, life would be blue,
I’d be Doctor Who without the Tardis,
I'd be a candle without a wick,
A Watson without a Crick,
I’d be one of my outfits without Dick-ie
I’d be cheese without the mac,
Jobs without the Wozniak.
I’d be solving exponential equations
That use bases not found on your calculator,
Making it much harder to crack.
I’d be an atom without a bomb,
A dot without the com,
And I’d probably still live with my Mom.
And he’d probably still live with his mom.
Ever since I met you,
You turned my world around.
You supported all my dreams and all my hopes.
You’re like Uranium 235 and I’m Uranium 238,
Almost inseparable isotopes.
I couldn’t have imagined
How good my life would get,
From the moment that I met you, Bernadette.
If I didn’t have you, life would be dreary.
I’d be string theory without any string.
I’d be binary code without a one, Cathode ray tube without an electron gun.
I’d be “Firefly”, “Buffy” and “Avengers” without Joss Whedon.
I’d speak a lot more Klingon:
qalopmeH QaQ jajvam.
And he’d definitely still live with his mom.
Ever since I met you,
You turned my world around.
You’re my best friend and my lover.
We’re like changing electric and magnetic fields:
You can’t have one without the other.
I couldn’t have imagined
How good my life would get,
From the moment that I met you, Bernadette.
Oh, we couldn’t have imagined
How good our lives would get,
From the moment that we met you, Bernadette.
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