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#José Clemente Orozco
random-brushstrokes · 8 months
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José Clemente Orozco - Dead Woman (1935)
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nobrashfestivity · 8 months
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José Clemente Orozco
from L'ABC no 15, November, 1 1925
La muerte en el impreso mexicano / Images of Death in Mexican Prints by Mercurio López Casillas scanned by ephemera assemblyman, 2009
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pausotonu · 1 year
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Hospicio Cabañas, Guadalajara.
By Paula Soto.
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rearte2 · 9 months
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by José Clemente Orozco, 1929
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the-cricket-chirps · 7 months
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José Clemente Orozco
Gods of the Modern World (From The Epic of American Civilization mural)
1932–1934
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José Clemente Orozco, El Fuego (Mexico, 1938), oil on canvas MFA Boston
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lapipaylafuente · 5 months
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La pipa y la fuente #70: Josué Mejía – Pieza: «Propuestas para una serpiente en picada», que se incluye en su exposición individual «Cuerpos cargados de turbosina», exhibida en Local 1 (@local1.mx), del 21 de septiembre al 22 de diciembre, 2023. | Invitado: Josué Mejía (@josuemeejia) - Conduce Jesús Pacheco Vela (@peach_melba). | Transmisión: martes 12 de diciembre, 2023, 17:00-18:00 h por Radio Nopal
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lisamarie-vee · 1 year
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aperint · 9 months
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El maravilloso pintor niño
El maravilloso pintor niño #aperturaintelectual #palabrasbajollave @tmoralesgarcia1 Thelma Morales García
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theories-of · 2 years
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José Clemente Orozco - The Franciscan and the Indian
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MWW Artwork of the Day (4/15/23) José Clemente Orozco (Mexican, 1883-1949) Los Desempleados (The Unemployed)(c. 1929) Oil on canvas, 65 x 52 cm. Private Collection
In "Los desempleados," three massive manly figures confront each other. Lacking any individuality, their concealed gaze prevents them from connecting to each other or the viewer.  Wearing hats and monolithic gray coats, they succeed in imposing their robust physicality while disguising their humanity. Conceived as automatons, these novel creatures seem to exist solely for the glory of the modern city. This modern-day sense of detachment is equally apparent in "Winter" (1932), another outstanding painting from this series currently in the collection of the Museo Carrillo Gil in Mexico City. "Los desempleados" embodies the New York collective psyche after the stock market crash of October 29. Profoundly somber, the picture alludes to the intense disillusionment brought forth by the sudden collapse of economic certainty. 
Orozco is a featured artist in this MWW exhibit/gallery: https://www.facebook.com/media/set/?set=a.327655050673204&type=3
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random-brushstrokes · 3 months
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José Clemente Orozco - Mexican Peasants Working (1929)
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peluxe · 2 years
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OROZCO
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courbet-nft · 2 years
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Lithographs by José Clemente Orozco at the Portland Art Museum
"La Revolucion", 1929 "Marcha de mujeres," 1929
"La Retaguardia," 1929 "Zapatistas (Generales)" 1935
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MUSEO IRREVERENTES: “Combate” (1927)
José Clemente Orozco (Mexicano, 1883-1949)
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the-cricket-chirps · 7 months
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José Clemente Orozco
Departure of Quetzalcoatl (From The Epic of American Civilization mural)
1932–1934
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