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#Jermaine Harris
cassandragoth26 · 10 days
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Copperdale Institute, Summer 1999
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jacksfilmdiary · 2 years
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The Map of Tiny Perfect Things
2021
https://www.imdb.com/title/tt11080108/
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cityofchapin · 2 months
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The Map of Tiny Perfect Things
Don’t you just hate it when someone on the Internet feels the need to compare a movie to the book it’s adapted from? It bugs the piss out of me, right? It’s so annoying? I am so glad we’re in agreement, because last month, I decided to hunker down and watch one romcom flick a day for all twenty-nine of them (thank you leap year!). One of those movies was The Map to Tiny Perfect Things. Of course,…
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boomgers · 3 years
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Un día, posibilidades infinitas… “El Mapa De Los Instantes Perfectos”
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Dos adolescentes quedan atrapados en un bucle temporal. Él quiere salir de ahí, pero ella desea quedarse en él, y solo mediante el descubrimiento, en conjunto, de los instantes memorables, encontrarán sentido en la monotonía y una oportunidad de liberarse.
Estreno: 12 de febrero de 2021 en Prime Video.
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La película está dirigida por Ian Samuels y protagonizada por Kyle Allen, Kathryn Newton, Jermaine Harris, Anna Mikami, Josh Hamilton, Al Madrigal, Cleo Fraser, Vanessa Padla y Teance Blackburn.
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Detrás De Cámaras
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themovieblogonline · 1 year
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reppyy · 5 months
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goodblacknews · 1 year
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MUSIC MONDAY: "Bring It On Home" - A Famous Background Vocalists Playlist (LISTEN)
by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest) Happy springtime from your friend and selector, Marlon! Here’s a freewheeling playlist, and a seemingly random collection of tunes. Though what they all have in common is famous folks, sometimes uncredited singing backup. In some cases it is an established artist leading a hand, Like Stevie Wonder…
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stuff-diary · 4 months
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A Murder at the End of the World
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TV Shows/Dramas watched in 2023
A Murder at the End of the World (2023, USA)
Directors: Brit Marling & Zal Batmanglij
Writers: Brit Marling, Zal Batmanglij, Melanie Marnich & Rebecca Roanhorse
Mini-review:
I've been a huge fan of Brit Marling and Zal Batmanglij ever since their Sound of My Voice days, so I was really excited about their return with a murder mystery, one of my favorite genres. Thankfully, they managed to set up a pretty interesting mystery that got me hooked from its first episode. That being said, I was much more invested in the flashback storyline than in the retreat one, and I think I would have enjoyed a full version of that more than the actual show. And honestly, I didn't like the final episode. I understand the point of it all, but it just felt anticlimactic, and like it was trying way too hard to be deep and relevant. Regardless of my problems with some of the writing, I must praise the production design. All the sets look really expensive and luxurious, and they make for a fully believable futuristic hotel. To sum up, the weak ending means that A Murder at the End of the World is far from perfect, but it's still a pretty fun murder mystery with a touch of science-fiction.
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calciopics · 2 years
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#StopCyberbullyingDay
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To mark #StopCyberbullyingDay, we teamed up with leading online abuse charity The Cybersmile Foundation to highlight the real-life impact of abuse that takes place online through a series of edited 'selfies' from some of the biggest names in football.
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mixamorphosis · 1 month
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Blog post and linked up tracklist [HERE]
Tracklist
01. Willie Hutch - Your Love Keeps Liftin' Me Higher (Be With Records) 02. Gloria Ann Taylor - Deep Inside Of You (Luv N' Haight) 03. Mike James Kirkland - Love Is All We Need (Luv N' Haight) 04. Roy Ayers Ubiquity - Baby You Give Me A Feeling (Polydor) 05. Jermaine Jackson - You Like Me Don't You? (Motown) 06. Gwen McCrae - Rockin' Chair (Sequel) 07. Eighties Ladies - Turned Onto You (Original Selection Records) 08. Tony Joe White - I've Got A Thing About You (How Do You Are?) 09. Harry Nilsson - Love Story (RCA Victor) 10. Sue Barker - Lover Man (Hot Casa Records) 11. Milton Wright - All I Know Is That I Have You (Alston Records) 12. Aaron Neville - Baby I'm A Want You (BCI Eclipse) 13. Curtis Mayfield - Give Me Your Love (Love Song) (Curtom) 14. Eddie Hazel - Physical Love (Be With Records) 15. Lyn Collins - You Can't Beat Two People In Love (Get On Down) 16. The Voices Of East Harlem - Take A Little Time To Love (Just Sunshine Records) 17. Jean Adebambo - Paradise (Soul Jazz Records) 18. Sonya Spence - Talk Love (Attic Salt Discs) 19. Finley Quaye - Even After All (Epic) 20. Kellee Patterson - I'm Gonna Love You Just A Little More Baby (Hubbub Records)
Download available via [Hearthis]
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cassandragoth26 · 2 months
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Jermaine Harris (Faye's Twin) (Avant Gardes Club, Renegades Club)
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Prev: Jenna Akiyama
Next: Judith Ward
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hello-nichya-here · 6 months
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There is such a strange obession with always having to humble Michael Jackson.
He fits like the extrem case of a Tall Poppy Sydrome.
1# His brothers (Jermaine) how they say he wouldn't be Michael Jackson without the Jackson 5. Kind of dismissing his talent and wanting them to be a part of his success.
2# People who claim Joe beat talent into Michael. And is success is thanks to his abuse. If that was the case. What went wrong with the others then?
3# The constant comparsions with todays artists. Who not only benefit from the streaming era but are also way below him talent wise or impact wise. Taylor Swift, The Weeknd, Bruno Mars, Drake, Chris Brown... Them naming new King of Pops like Justin Timberlake, Justin Bieber, Ed Sheeran, Harry Styles. The comparsions can be looked as a compliment that he is looked as the standard or as an insult because they try to dismiss him and put him om the same level as these artists not respecting he is a league on his own..
#4 These stupid lists billboard or rollingstone put out ranking him ridiculously low. Like tf you mean Michael number #86 on the best singers list. Or the 20 best Halloween songs doesn't involve Thriller eventhough it's the most recognizable one.
#5 Claiming Eagles Greatest Hits was the best selling album of all time back in 2018. Eventhough it was only in the US. ( allegedly) But of course these trash tabloids had to make it look like it was the world.
#6 The stupid allegations. If they put any effort into reading would know are bs. When their smear campaign failed they just made it look like "separating art from the artist" bs.
#7 Them reporting other artist broke his record. Eventhough it isn't comparable. You can't compare Drakes shitty number ones who are mostly features in it or he features in them to Michaels number ones where he is mostly on his own and also wrote most of it. The songwriting is also something they can't believe and try to dismiss aswell. Also Drake has the benefit of the streaming era. Michael didn't. Aint nobody buying a bus tickets to drive 15 minutes downtown and purchase an album of Drake.
Their pathetic attemps really knows to bound. They would literally choke if they just admit he is the greatest.
The one about his father's abuse being the thing that "made him what he was", as well as the unfair slander against MJ for accusations that were so ridiculously they were laughed out of court are, by far, the ones that piss me off the most.
Joseph abusing his son was not the reason why Michael was the greatests, it was one of the many reasons why we lost him so soon. I'm always EXTREMELY suspicious when people try to push that kind of narrative of "abuse is not that bad and has positive consequences if you're not a crybaby", especially when it's someone in a position of power, because it just screams "I want to get away with exploiting people AND I want to be praised for it."
The lies of "Michael was a pedophile" are just the kind of stuff that breaks my heart and makes me furious. And I gotta laugh when the same people that tried to destroy MJ because of stuff they KNEW was bullshit now pretend it never happened or, like you said, use the "separate art from the artist" argument. It just proves that Michael had earned so much respect from both the public and the few decent people in the industry, AND was so fucking talented, that those idiots were eventually forced to realize that they would have made much more money celebrating him than they ever made by tearing him down
And we all know THAT is why they did it, the good old business model of "Give the public a great icon, then tear said icon to pieces in front of them." The people that are still on the hate/devalue MJ train are split between people that are too proud to admit they fucked up, and the people that built their entire lives around telling the public which popular thing is actually not that good (be it in a "I'm too good for stuff that the masses like" way or in a cancel culture type of way).
Plus, we all know Michael was not afraid to openly trash the media and even his own record label when they pissed him off enough, and you just know some rich assholes that are not used to people talking shit about them and getting away with it and still hold a grudge for it.
As for the comparisons with modern idols - it's not just things like streaming that make said comparisons not just unfair, but downright nonsensical.
The very fact that people will go "Oh, this person is the new Michael Jackson/King Of Pop" is already a contradiction. The reason Michael has the status he has is because there WASN'T a "king of pop" before him. He had people who influenced him and there were artists that were HUGE, sure, but there was no one that fit the role of "The MJ before MJ" so to speak. The closest "match" I can think of is Beatle Mania, and even then, that was a group. Even when people talk about the "most important/famous" Beatles, it's always Lennon AND McCartney.
Michael Jackson's fame as a solo artist was on the level of "People legitimately did not fucking know someone could be this famous" and to this day nobody has done it again - which is a big deal since, like you pointed out, it is a lot easier to have acess to an artist's work now.
And yet everytime one of today's artists is called "The new king/queen of pop" in some internet article it just never catches on... yet the title of said articles DON'T have to add a "(Michal Jackson)" after saying the words "King of Pop" because if you know these three little words, you know the ONE person they refer to.
Another important factor here is that all of these "new coronations" so to speak happen literally every year - to more than one artist. We are TOLD "this random music critic saying this about this artist is a big deal" but it doesn't match what we're SHOWN because, again, to reach Michael's level of fame, one would need to be literally "The only artist that matters, everyone elsa can just fight for the title of second best." If everyone is "the new MJ" then no one is, not really. At most they're just "Super popular artist" and there's nothing wrong with that.
Things like the internet and streaming have also made the term "fifteen minutes of fame" much more literal than it ever was. So sure, you easily find people that went viral - but how many of them had any real, lasting sucess? How many times did an artist do something cool that pushed to everyone all over the globe, and then just a month later they were a has-been?
And even the well-stablish artists of today, even though who started really young, don't have the same kind of long career Michael had because most artist don't start singing at the age of five, spend their entire childhood and adolescence gaining more and more fans, and then spend their adulthood as the biggest thing ever because they put out the first AND second best selling albums of all time. Michael had already been performing, and been absurdly famous, for nearly two decades when he finally released Thriller - which just got a 40th anniversary edition because even after four decades since it's debut, and 14 years since Michael letf us, he is STILL such a powerhouse that the world just had to celebrate his music once again.
Comparing that to artists that have only had one or two decades in the industry is ridiculous because of course they're gonna lose, just like their modern songs are obviously going to be front and center instead of the ones made decades ago, from an artist that is deceased and whose sales did not benefit from streaming, or even CDs, for a long time. And once again, the fact that Michael STILL has a presence on Spotify, Youtube, TikTok and literally very platform ever speaks volumes of just how solid his legacy is. Meanwhile all these singers he's being compared to are still making stuff that will one day become their legacy. It's comparing apples to oranges.
And since I mentioned the (ungodly evil thing) that is TikTok, that brings me to yet another major difference between MJ fame and modern fame: how artificial it all has become. Don't get me wrong, musical trends and popular "formulas" to make a hit have always existed, but things today are often SO calculated to have "viral qualities" (a part the is guaranteed to become popular on TikTok, never going over a specific length, everything needing either a sped up version or a slow reverb version, etc) that they might as well have been made by algorythm.
Meanwhile, Michael became the biggest singer ever because the priority when making anything was to make sure it was GOOD, no matter the style, length or topic of the song. Michael often said his approach when making records was to have no songs you can skip - compare that to artists and labels trying to make 20 seconds of a song catchy to blow up on TikTok, rest of the thing be damned, and you have yet another reason why MJ's legacy is solid, while plenty of promising new artists disappear overnight.
And, finally, we that brings us to the final difference between Michael and plenty of artists today: how he COMPLETELY altered the industry, in every way.
Michael Jackson is the reason why Superbowl performances are a thing, why music videos have all kinds of cool aesthetics and even enough plot to be considered short films instead just being an artist dancing to their own tunes on camera. He was the first black artist to ever have his music videos air on MTV. Fans passing out during his concerts was a regular thing. Plenty of artists all over the globe have him as a reference to how they should sing, dance, dress, or even just stand on stage because Michael had such presence he could stand on stage without moving for an entire minute then slowly, dramatically remove his sunglasses, and people would still be screaming their heads off.
Once again, let's look at Beatle Mania: it was a level of fame nobody had seen before, for artists that were breaking all the rules. But nowadays a group of young men playing love songs and having seemingly every teenage girl in the country following them around is nothing out of the ordinary, and while their songs are still fantastic, plenty of bands over the decades have done awesome things with rock music that are just as revolutionary, if not more.
Meanwhile, Michael is still THE reference, and his music is still the definition of "quality." If you hear his biggest hits, you can totally tell which bits modern singers were inspired by - yet if you didn't know who he was, you could wrongfully assume some of these songs are modern because they were SO ahead of their time they still sound groundbreaking today.
Seriously, there's a reason NONE of these artists that was ever compared to Michael tried to actually claim his title: saying you're as good as him is one hell of a bold claim that gives people a ton of impossibly hugh standards that you better meet, without flaw and making it look effortless, otherwise you look like the most arrogant person who has ever lived - and nobody wants to deal with that kind of pressure.
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quietfounder · 10 months
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@pillowdrawz remember how you wanted to find a voice claim for Aaron Jr? 
Well I couldn’t help myself and ended up rewatching episodes and looking up interviews to try to get a feel on what he could sound like and was able to come up with 5 possibilities:
Michael J. Woodard (Arlo the Alligator Boy)
Issac Ryan Brown (Raven’s Home, The Owl House)
Deven Mack (Ninjago, Daniel Spellbound, Sonic Prime)
Jermaine Harris (Saturdays)
Zeno Robinson (Big City Greens, Craig of the Creek, The Owl House)
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p1325 · 2 months
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Here's the list of the mixes I used: Jennifer Lopez - If You Had My Love (Pablo Flores Club Mix) Jennifer Lopez - Waiting for Tonight (Hex's Momentous Club Mix) Jennifer Lopez - Feelin' So Good (Thunderpuss Club Mix) Jennifer Lopez - Let's Get Loud (Castle Hill Club Mix) Jennifer Lopez - Love Don't Cost A Thing (Full Intention Club Mix) Jennifer Lopez - Play (Thunderpuss Club Mix) Jennifer Lopez - Ain't It Funny (Almighty Club Mix) Jennifer Lopez - I'm Real (Warren Clarke's Club Mix) Jennifer Lopez - Alive (Thunderpuss Club Mix) Jennifer Lopez - Jenny from the Block (Seismic Crew's Latin Disco Trip) Jennifer Lopez - I'm Glad (Paul Oakenfold Perfecto Club Mix) Jennifer Lopez - Get Right (Louie Vega Club Mix) Jennifer Lopez, LL Cool J , Jermaine Dupri - Control Myself (Jason Nevin's Electrotek Club Mix) Jennifer Lopez - Que Hiciste (Offer Nissim Club Mix) Jennifer Lopez - Do It Well (Moto Blanco Club Mix) Jennifer Lopez - Hold It Don't Drop It (Moto Blanco Club Mix) Jennifer Lopez - Louboutins (Jody den Broeder & Warren Rigg Club Mix) Jennifer Lopez, Pitbull - On The Floor (CCW Club Mix) Jennifer Lopez - I'm Into You (Dave Aude Club Mix) Jennifer Lopez - Papi (Rosabel Vox Club Mix) Jennifer Lopez - Hypnotico (Alessio Silvestro Club Mix) Jennifer Lopez, Pitbull - Dance Again (Toy Armada En El Sol Club Mix) Jennifer Lopez, Flo Rida - Goin' In (Gustavo Scorpio Club Mix) Jennifer Lopez, Pitbull - Live It Up (Edson Pride Club Mix) Jennifer Lopez, French Montana - I Luh Ya Papi (Mike Cruz Club Mix) Jennifer Lopez - First Love (Guy Schieman Club Mix) Jennifer Lopez - Booty (Luis Alvarado Shake That Club Mix) Jennifer Lopez - Ain't Your Mama (Barry Harris Club Mix) Jennifer Lopez, Gente de Zona - Ni Tú Ni Yo (Extended Mix) Jennifer Lopez, Skrillex - Us (Unknown Remix) Jennifer Lopez - El Anillo (RafaEl Deejay Club Mix) Jennifer Lopez, DJ Khaled, Cardi B - Dinero (Ronald Maximal & Javier Declara Club Mix) Jennifer Lopez - Limitless (Unknown Tribal Club Mix) Jennifer Lopez, French Montana - Medicine (DJ FUri DRUMS Circuit Club Mix) Jennifer Lopez, Dayvi, Víctor Cárdenas - Baila Conmigo (Chris Cox Club Mix) Jennifer Lopez, Maluma - Pa Ti (Los Padres & Jay Mac Club Mix) Jennifer Lopez - In The Morning (Macau Love Club Mix) Jennifer Lopez, Rauw Alejandro - Cambia el Paso (DJ FUri DRUMS EXtended House Club Mix) Jennifer Lopez - On My Way (Marry Me) [TELYKast Club Mix]
Jennifer Lopez - Can't Get Enough (Dario Xavier Club Mix)
#jenniferlopez #jlo #pop #house #fanvidfeed #viddingisart #megamix #house #remix #clubmix #djset
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reppyy · 5 months
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This is actually insane. That’s why every time his song starts I think it’s this other song. And the Dua Lipa and the weekend one? Wow
Very creative of him huh
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