#Jean-Michel Laumonier

[waste-it-on-something-useful]

c[har]a[c]t[er]

Kieslowski: Dialogue (Elizabeth Ayre & Ruben Korenfeld, 1991)

#Krzysztof Kieślowski #Polish cinema #cats #interview #film #cinema #characters #La Double Vie de Véronique #The Double Life of Véronique #behind-the-scenes #Jean-Michel Laumonier #French documentary #Elizabeth Ayre #Ruben Korenfeld

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Jean-Michel Géridan, Esac Cambrai et Alexandre Laumonier, Zones sensibles, à propos de La graphique et le traitement graphique de l’information, 288 p., ISBN 978 293 0601 29 8., 2017. Ouvrage publié en co-édition avec l’École supérieure d’Art de Cambrai.

[waste-it-on-something-useful]

Kieslowski: Dialogue (Elizabeth Ayre & Ruben Korenfeld, 1991)

#Krzysztof Kieślowski #The Double Life of Véronique #La Double Vie de Véronique #1990s cinema #film #stories #French cinema #Polish cinema #interview #behind-the-scenes #Jean-Michel Laumonier #Elizabeth Ayre #Ruben Korenfeld

[waste-it-on-something-useful]

“And lately, it seems to me that I make films about people’s innermost thoughts and emotions, about what they do not show to anyone. To film that, I need an actor, glycerine tears and a fake death. Everything has to be fake in order to look real on screen. Thanks to all these fake things, I can breathe life into my story. It’s all more interesting in real life, but you should never film that in real life.”

- Krzysztof Kieślowski on why he turned from documentaries to fictional films

Kieslowski: Dialogue (Elizabeth Ayre & Ruben Korenfeld, 1991)  

#Krzysztof Kieślowski #fiction film #interview #1990s cinema #film director #behind-the-scenes #Elizabeth Ayre #Ruben Korenfeld #documentary #Jean-Michel Laumonier #Polish cinema