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#I'm caught between the nostalgia from when I loved the adaptation so much
cidnangarlond · 1 year
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What were some of your fav films from last year, Jack? I haven't caught up on much of em yet so mine may just be the Weird Al biopic lol, but Glass Onion was fun too
See due to many reasons I wasn't able to go see really anything in theaters, if the movie had a theatrical release, so what I say here is based on opinions I've formed from various reviews, clips, posts, etc etc. That said, Glass Onion did seem to be a very good film, and the Weird Al "biopic" (I have it in quotes because making a movie about your life where every detail is completely wrong and is all fabricated on purpose is such an incredible move) I do very much need to see.
I did go and see The Batman in theaters which I enjoyed a lot and didn't even realize it was as long as it was. I did also see The Northman and enjoyed that too, but I do wish Mr. Skarsgard showed hog because it's only fair to have full-frontal male nudity if female actresses consistently do it. Barbarian I had a great time with because I'm familiar with the director-writer Zac Cregger's comedy work in Whitest Kids U' Know and it's great to see him transition into horror so smoothly.
Skinamarink personally is up there, people are of the opinion that it's a deeply polarizing movie and either you love it or hate it, and I loved it. I did also watch Banshees of Inisherin and didn't completely care for it or get the hype, I just wasn't crazy about it. Interesting story but I don't necessarily understand the amount of praise it gets, especially when people are praising Barry Keoghan for playing a man that is said to have some kind of mental slowness, or at least heavily implied, and people saying the scene between him and Kerry Condon where Dominic tries asking her out as she gently lets him down as "heartbreaking" like would it still be heartbreaking if he was just a guy and not "slow." It felt weird to see that opinion and people agree you know.
A lot of nominated and not nominated movies I still want to see when I have time, like X, Pearl, Everything Everywhere (desperately hoping it wins something major at the Oscars), Puss in Boots, Triangle of Sadness, Tár, Decision to Leave, another adaptation of All Quiet On The Western Front (but I still believe the 1930 adaptation will always be best regardless so I'm going into it biased here), Nope, RRR, Aftersun, The Menu, Babylon for shits and giggles.
I don't really care about The Whale because I'm not a fan of Darren Aronofsky - and people were saying The Whale felt exploitative, and it probably was because this is Aronofsky we're talking about what did you expect - likewise The Fablemans doesn't interest me I don't particularly care but I know Spielberg is going to get something because his name is attached to it aside from the fact it's a deeply personal movie but I'm just not interested. I'm not watching Top Gun: Maverick because I could not care less about it, Hollywood's nostalgia, Tom Cruise, and the insane amount of USAmerican military propaganda within it. The same goes for Avatar: The Way of Water because it's also shit and James Cameron's comments on Native Americans are deeply offensive and he should choke. I also don't care about Elvis but Hollywood loves a dead musician to make movies about
Unfortunately I do think Avatar, Top Gun, and Elvis will win a lot because The Academy is what it is, which is mostly rich, white, old nostalgia-loving people, which will be slowly but surely changing as the eldest members die off but it is what it is. I'd love Everything Everywhere to win a lot, I'd love to see Michelle Yeoh and Ke Huy Quan win, it'd be nice for Brendan Fraser to get an award but after what Hollywood did to him it would feel so disingenuous even if he did turn in what I heard to be an amazing performance. Jamie Lee Curtis is probably going to win Best Supporting Actress over Stephanie Hsu.
But these are just my thoughts and opinions and I would desperately love to be proven wrong dear god let the Academy prove me wrong. But after last year I am keeping my expectations so low. Take a shot for every joke or reference about "the slap" and you will be dead before the end of the night.
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pepimeinrad · 3 years
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not a fan of most of the changes they made in the pillars adaptation - they ruin much of the characters and the story.
I do think I would like an adaptation of TEatM better though, because there I’m not as attached to the story and could actually use some changes.
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helahades · 4 years
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The Goddess and the Grocer
(Steve Rogers x Fem!Reader)
Summary: Sappy and hopelessly romantic, the part time art student, part time grocery bagger, and full time fantasy creator Steve Rogers lives in his head, with you as his muse. Making puzzles out of your groceries, and portraits of your every curve and edge, he fears and craves every interaction, while living with you as a lover in his mind.
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A/N: Well. I have struggled with motivation for the longest. Something hit me though, and by something I mean other supportive writers and great friends. Hugest shoutout to @threeminutesoflife for being a darling and @imanuglywombat for making TWO beautiful mood boards I stare at more than Steve stares at the Peggy compass.
Warnings: creepy, obsessive Steve. ideation of creepy thoughts. food focused talk. mention of overeating. dub-con concepts. two mentions of alcohol consumption.
New blog, new me! I’ll take this moment to say I’m taking requests, and I love feedback even more than Steve loves you! hope you enjoy
Word Count: about 3k
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Now rain slicked, the sheen of oil and water twists the reflections of the tonights red, red, green—-“can I make the turn, no too late” on yellow—now red traffic lights into a twisted rainbow on the city streets.
Down those streets, and across a barren parking lot, parents, lovers, businesspeople and more squeak and clack and slap their rainy shoes on the old speckled tile at the entrance (that Steve had just mopped) as they do every week.
At the Potts Grocery Store, nothing ever changes. And never in the night.
It isn’t just night though, it’s dead night. The odd time after things have slowed for sleep, after the rush in between when people bumble in (promising themselves promises they won’t keep about doing the shopping sooner next month), after the ten minute period within which Dr. Banner wordlessly picks up the same array of bland teas.
The night has crawled beyond all the events that happen as they do, and entered the dead night.
Maybe Steve is too poetic—like his dad says he is—too tied up in fate, and hope in life’s mystique, but he holds hope for what happens where the night is dead.
When the night dies, and most are asleep, with it, facades die too. The only people to come in the dead of night, are drunks, doctors, various night shifters, and… you.
He hasn’t yet questioned your reason for showing up so late. Hasn’t really, technically, spoken to you at all, really.
Some part of Steve thinks, maybe if he startles you, says something that clangs too loud or awkward, all your pieces will blow away, like some agitated dandelion, and he will never know you again, if he ever even knew you at all.
No, Steve’s job isn’t to startle you, or to take up your space. It’s to try and meet your eyes as you hand him the reusable bags. It’s to try and figure out what meal you’re planning from what he’s bagging, and what he already knows lies unused in your kitchen. It’s to put the bags in your cart if you’ll let him.
He hasn’t seen you yet. It’s getting late, where are you?
Somewhere between cold fluorescent and neutral warm desk lamps, the lights of the grocery store seem to exist both to chase shadows on tired shoppers' faces, and to mock him, like a candle finally blown out by a stood up date.
Had he done something wrong the last time? If he had, that couldn’t be helped. You were wearing those shorts and looked like you had just gotten ready for bed and you had your hair pulled back, but just a little fell into your face anyway.
And your scent. It always wraps around him like the saccharine spice of pastries when he swings open the bakery door for his morning shift.
The moment you breezed by him after checkout was almost too much to bear. He caught the fresh damp scent of your tied up and deep conditioned hair. You smelled like fresh linens and a life he can only imagine having when he’s chasing orgasms alone and twisting up his sheets.
He could have devoured you.
But he didn’t.
Not even when your shoulder accidentally grazed him while you were rushing out in a frenzy.
“Oh my goodness, I’m so sorry,” came your frantic whisper.
He dreams of making you that delicate again. He thinks he could shape your unsure apologies in his hands like clay, or spread you thin on a canvas when you whisper so soft. But he didn’t do those things at all.
Steve being Steve, he tried to make his large frame slouch, your aura wrapping him up into a double life Clark Kent shyness, despite your gentleness.
He didn’t say a word.
A wordless, mirthless stretch of his lips. An “It’s okay, walk all over me” grin. You regarded him with a flicker of an odd glance, and then you were out the door.
As he finishes up with the last shopper in his lane, his worn Converse squeak as he leans his frame against the bagging station at checkout.
-
Last class, last week, his art teacher dropped a big assignment. Stuffy and sadistic, the man seemed to only eat the pain of lovers kept from expression, so of course, he relished in the moment he told the class to try a new medium, with a subject they hadn’t previously captured.
He seemed to look directly at Steve as he delivered the blow.
Steve's problem certainly isn’t creativity. It isn’t talent or lack of effort. He surely is adaptable, he rarely tells on his love!
For the still life project, he captured the tree that blocks your kitchen window. Heavy strokes in his sketchbook.
He even painted the park in blooms on a paper towel—yes a paper towel—when you justified to a cashier one day that all the crackers and deli meats were for a picnic.
So he has a muse. But he’s not a fool. Sometimes he spends so much time trying not to look like a fool, and paints so much around you instead of you, that it’s a self portrait of his own obsession.
Your face. Your curves. The many separated sections where he tried to master the texture of your hair. All those traces of you live in his sketchbook. Only twice has he turned in a portrait of you.
Being told he can’t have you makes Steve feel like he’s been too obvious. You’re his little secret. And he is no fool. He’ll have to be more careful. So here he is.
The canvas is as bare as the walls of his studio apartment.
Three jobs and a potted plant from his mom just aren’t enough to decorate life. He wishes he could capture sleep in a picture frame and hang it on the wall. When he got too tired and caffeine stopped working, he thinks he’d pick up those frames and absorb the sleep in the way he can absorb nostalgia when looking at a real picture.
Then, he thinks, that’s the sort of thing art majors say when they haven’t slept in three weeks.
The canvas is still bare. It isn’t like Steve. He always knows where to go, what he feels, what he wants.
His teacher told him to try something different. Had the nerve to clap Steve on the back after class and say something about stretching creative wings and finding a new muse.
He thinks the guy should have punched him in the face instead.
There’s nothing stuck about Steve. He knows what he wants and how to get there.
He also knows that schooling ruins the intent of art, he knows how to put love into colors, that art teachers know the least about expression out of everyone on earth, and that he works two night jobs a week to barely afford to be taught by that man anyway.
Life is full of oddities.
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Some of life’s oddities are right there in your cart as you approach. Steve notices the rain has frizzed your hair, the lovely heart shaped curve of your lips as they stretch into a smile, and the way you yawn before you say hello to the cashier.
He makes a mental note that your hair might have a warmer tinge when illuminated by the sun. You’re already his sun. His stars too. Maybe even his whole universe.
You’re always warm in his paintings. Anything to separate you from the dreadful scheme of this commercial death trap.
What’s for dinner this week?
Your groceries thump onto the counter in practiced succession. Perishables together at the front, and non perishables as neatly as possible following behind.
So thoughtful, my sweet darling.
Your produce today mostly consists of fruit. It reminds Steve of how practiced he is with a knife. How he’d slice up your apples just right for you. He has the practiced skills of an artist. He’d take care of you.
Bucky likes to tell him that cooking is the art and baking is the science. That’s meant to mean that it’s no surprise that Buckys got a perfect little life with a perfect little baker who smiles like the sun and only trusts Bucky in her kitchen.
...And it’s no surprise that Steve’s artsy streak has led him here. Thinking about folding mandarin slices between your perfect lips and letting the flavor explode across your tongue.
He thinks about kissing you. How you would taste tangy and sweet as you try not so hard to push him off so he gets back to cooking and doesn’t burn the house down.
The house. A house with you. A home.
He sees you’re wearing a sundress, and tries not to pity you for the irony. In the closet of some cookie cutter three bedroom, you might ask him how you look in it. He would beg you to wear it just for him a little longer, but ultimately, he would have been able to warn you about the rain.
You wouldn’t have listened though, my stubborn angel.
He thinks about your thighs beneath your dress, and the heat between them.
Sometimes, his dreams betray him, and he steps through the threshold to your shared home, not an artist, but a “Honey, I'm home” suit wearing prisoner.
He fears the simple life, but with you, he believes simplicity could be enough. Maybe he would be rich enough to buy you a million sundresses.
But without his art, he’d be powerless to show you how rich you look, bathed in color, divine from his perspective.
Without his art, he has no outlet for imagination. The only thing that gets him off these days is imagining what you look like under your clothes, and how it might sound if you spoke his name.
When you buy lotion, or a candle, he makes a mental note of the scent, and uses it to color his experience later. You like warm sugary scents, or natural outdoorsy ones, with no in between.
As you small talk with the cashier, your card slips from between your fingers and clatters onto the unswept floor. Finishing a thought, you delay in retrieving it, but by the time you’re leaning down, Steve’s already handing it back.
Eyes flitting up to meet the baggage boy standing up at full height, you melt into an easier smile.
You notice first that his eyes are incredibly blue behind the dark window frames, and second that his hands are incredibly warm as he hands your card back.
Frazzled, and just a bit smitten, you smile kindly.
“Thank you,” you say sweetly, regarding him fully, perhaps for the first time, and pausing only to let your eyes drift to the knitted cotton polo stretched across his broad chest—no, to the name tag resting on it…
“Steve,” you finish with a smile that makes it ring like an exclamation point. To hear you finally pronounce his name… it’s like church bells. But they’re muted because now he can only consider your eyes locked on his.
He’s never wanted to escape somewhere and go home with someone so badly. And would it be so wrong?
He could slice up fruit for you. He could bring sausages and deli meats and blocks of cheeses whole from the market where they slipped him things free. He’d slice them up nice and wrap them in cloth and surprise you with an old fashioned wicker basket picnic in the mountains.
He’d let you eat yourself round. And after you were full, he’d still offer to feed you grapes, to pour you more wine.
Steve never understood why the rich ate bread with olive oil, but God he wanted to be rich enough to give you that. All the things that sound ridiculous to people who work to live. He wanted to work so hard you’d never work again.
He wanted to kiss you dizzy, bunch up the fabric of your dress on your hip and tell you he loves you while you’re wine drunk. He’d carry you back to the car and surprise you with wildflowers in a bunch.
Later, he’d paint you nude with them in your hair, and he’d feed you more grapes.
He would tuck you in and wrap you up for later when you woke up missing him. Maybe he wouldn’t leave at all. Maybe you would want to spend the whole day with him too.
He’s got a twinkle of charm in his eye and just a bit of sadness that looks every bit like the starving artist people believe him to be. Bucky hasn’t stopped bringing him the leftover rolls at closing since he found out Steve spends more money on paint than meals.
And is it so wrong? As Steve looks into your eyes, he musters all that charm his mom said he was born with. He blinks brighter the twinkle in his eye.
“You’re welcome,” comes Steve’s gentle, but sure reply.
You pause at that, because really it’s nothing... But people always seem to say “Don’t worry about it!”, “It’s nothing”, or maybe nothing at all.
You pause at how the reaction seemed genuine, in a world of practiced replies, and on a day that you’re feeling shitty because the rain ruined your hair and happiness.
You smile at him again, grateful for a pocket of truthful kindness, and turn back to the cashier, effectively ending the interaction.
Steve’s mind is spinning in ways he just can’t bring himself to understand. So he bags your groceries. You forgot the reusable bags, he doesn’t pause to wonder why.
Click. Click. Click. Beep!
Tomatoes. He bags them with the apples. Double bags for good measure.
Beep.
Spaghetti. The good kind that most people overlook in favor of a more common brand. New bag.
Beep.
Frozen garlic bread. He adores you. You’ve got garlic and basil and more herbs than you’ll ever need at home. You’d probably make the spaghetti noodles and parmesan yourself if you could. But you love five minutes at 400 garlic bread.
He imagines your pretty little kitchen, with all its various knick knacks, smelling like garlic and tomato sauce. He can’t help thinking you’d be impressed with his chopping skills too. Just how his mom taught him.
He imagines cooking with you in the dead of night, instead of being here. He imagines you bending over with your legs straight and your back curved and the oven mitts on to get garlic bread out of the oven. You put the tray on the cold burners Steve’s not using.
Maybe he would ask you to try the sauce, he’d hold the spoon to your lips after blowing off for you. Your eyes always flutter closed to process the taste of things, and sometimes he swears he could read your mind.
Then they would open. Wide. The same way they did when you tasted the new product double chocolate brownie sample last Tuesday. You would tell him how perfect it is and praise how he finally isn’t shy about using garlic anymore. Turning off the burners, he’d pull you into his arms, he’d kiss you til you saw stars…
-
Walking you backwards, still entangled in the breathless kiss, he wouldn’t stop until you bumped the padded kitchen bench. Then he’d fall to his knees.
“Steve, honey”—
You’d cut yourself off with a breathy moan because he’d already be under your skirt.
Kissing up your thighs, flattening his tongue against you, kissing you gently, before sucking your clit, while working it with the tip of his tongue, he’d show you again, like always, how passionate of a lover he is.
You’d moan like heaven, because you are.
You’d lean back, propping yourself up on an arm and pushing the other hand through his golden hair. You just can’t stop your hips from rolling against his tongue that’s still worshipping you.
He won’t use his fingers. It wouldn’t be proper, he’s just been cooking. So instead, he uses those hands to pull your thighs up onto his shoulders.
Still swirling his tongue around your clit, Steve is drawing you closer, your body seeming to know it’s own ways to pull him to you too.
It’s electric. You can’t stop and you’d never want to. He’d make love to you every single—
-
That’s not where he is though. He grabs the paper bags he’s bagged up with your ingredients and some other oddities, and he places them in the cart you’ve pushed forward.
He tries not to think about the fact that you’re going home alone. He tries not to think about how he’ll be sleeping alone, and in cold colors. Tries to skip forward to later when he has all the time in the world to imagine the way things should be.
A quiet goodnight and you’re on your way. You’re careful not to graze him as you walk away, and he’s careful not to be obvious watching.
The cashier leaves the station, and Steve puts his head down as he passes, before looking up in your direction as he always does.
Except… when he looks up to see your sundress swishing, it isn’t. And you’re turned back looking at him with this funny little look.
You smile. A twinkle of embarrassment, nervous to have been caught looking. He tries not to chuckle for all the irony.
He watches you as you watch him just a bit longer, before your sundress swishes out the door, and the light of your halo fades into the distance, consumed by the rain.
-
By the time his shift is up, the rain has stopped and the sky is colored like a bruise. The sun knocks at a threshold unseen, just slightly feathering light through the sky.
Steve is dead tired, but he won’t sleep a wink. Once he arrives at his apartment, he begins the project.
A mixed medium piece. Acrylic paint, charcoal shadowed details. It’s a wicker basket, full of apples, grapes, and wildflowers.
-
Later, as the sun rises, and the painting is half done, he flops into bed, finishing up a stale roll from the bakery, and dreams about waking up to you.
He pretends there’s no job to be at in three and a half hours, but instead, that it’s a quiet Sunday, and he’s waking up to you in his arms...
Soft and ethereal.
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Thank you for reading!
Whether or not this is your type of writing, or you liked it at all, I just want to tag some authors who generally inspire me and helped in some way to motivate me posting my first piece: @threeminutesoflife @imanuglywombat @sherrybaby14 @jtargaryen18 @heavenbarnes @tropicalcap @allaboardthereadingrailroad @thotty-tatertot @sapphirescrolls
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videoplanchette · 3 years
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Okay to avoid ranting to legitimately everyone on my discord contact lists. I am a pretty big Goosebumps fan. I'm not going to say the largest there was. But one of my first impulse purchases, when the pandemic started, was getting a bunch of assorted Goosebumps books from the original 90s run. Goosebumps were one of the first series of books to get me interested in reading aside from Guardians of Gahoole. I was always intimidated by the Fear Street novels as a kid bc they looked way too scary from the lens of a 3/4th grader. I never got the chance to read them. Now that I'm quite a bit older I hope to one day get all the way through the R.L Stine books in production order. All this to segue into the new Fear Street adaptation on Netflix.
I'm not the pickiest person when it comes to movies, I don't approach them with the mindset that I'm going to hate something. I'm rather the opposite, I find that approaching something with a positive attitude typically gives me positive results. That being said I have a weird relationship with these movies. I feel like this should be something I really enjoy. Anyone who knows me knows I love horror, I love the 90s/80s vhs nostalgia punk setting, I love R.L Stine's both whimsical and clever approach to writing horror (which this movie did borrow from in the last installment.) I don't want to say I hated it, because I didn't. I really enjoyed what it had to say and the commentary it had about the systemic inequality between both towns, even if it was a little basic. It borrows a lot from the pages of Wes Craven when it comes to saterization and critique of horror tropes. I love the attitude the films had. I loved the soundtrack. I loved the representation this gave to poc without making it solely into racial trauma. In that regard, it was a total breath of fresh air. I loved most of the performances and I loved the jittery editing style that was still comprehensive. The characters while starting off unlikeable did eventually grow on me.
I don't want to dissuade anyone from watching the films, I implore everyone to watch these movies and reach their own conclusion.
Personally, for me, these films range on the side of a strong 6-7 out of 10. I live in a town very similar to Shadyside, not as much murder obviously, but still written off as white trash drug-addicted criminals. And there's something almost kind of like wish fulfillment about "it's just a curse" or "its just one bad guy" conclusion the movie comes to, where it feels really immature. Like the movie clearly has a lot to say about systemic injustice but the thing about systemic injustice is that it doesn't suddenly become unwoven after a person of power dies.
and the thing about Sunnyvale is that despite those people profiting off of a curse they didn't know about, there is very little done in the way to make them sympathetic. I don't think the narrative of the movie wants us to come to that conclusion esp since Sam (the main love interest of the film) is relatively harmless and moreso used as just a prop character is supposed to be "good". She is unwillingly moved to Sunnyvale after her mother divorces her father, so I don't think her or her family is the rich single entity the movie wants us to seek vengeance against. Yet it feels messy. Really messy. I'm going to link to a video from the channel folding ideas talking about the book of henry to sort of better illustrate my point about framing versus actual direction.
The way the movie also sort of scoffs at drug use, especially marijuana almost seems out of character for a movie made in 2021. I feel like that could be its separate post. Like it feels in character for a horror movie in the 70s and 80s, but with the more educated perspective in 2021, I feel like we all know that most of the over-policing on drugs came from the US government actively flooding the ghettos with narcotics in order to police them better?
If you didn't know that I'm going to link to a couple informative videos. I suggest researching further of course. these just provide the broadest strokes as to why the "war on drugs" was largely used as xenophobic and homophobic propaganda.
youtube
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But maybe that discrepancy was intentional? Like its baked in so many layers of irony, I just can't keep up with it? I dunno. Like it wants to say something about addiction, it wants to say something about the over-policing of drugs, it wants to say something about the opioid crisis-- but I couldn't tell you what it was. I legitimately couldn't tell you if this movie was on the side of addicts and drug dealers as the means of using any method you could for escaping poverty-- or actively finger-wagging at addicts for like... being addicts? And the self-harm thing in part two... I-- I genuinely don't know what to say about that other than it felt exploitive. like the ending of part two felt so... fucking weird? like it was funny in the way it just totally caught me off guard but it was out of keeping tonally with the rest of the work. I don't expect a horror movie of all things to get its commentary 100 percent correct-- that would make me an idiot. But I guess I am particularly tired of seeing this one trope repeatedly crop up. this post is getting a little out of hand so maybe next post I'll talk about the comparison between Fear Street, Goosebumps, and Scary Stories to Tell in the Dark.
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the-unshaped · 3 years
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CHAPTER ONE: WELCOME BACK TO BEACON HILLS
Chapter Text
"How's the first day back?"
Stiles Stilinski grinned as his oldest friend, Scott, slapped a strong hand on his shoulder. After what felt like a million years away from each other, he was back, his best friend standing beside him. It was a fantastic feeling.
Walking into the school was bizarre. He had felt nostalgia in the past but nothing to this extent before. Maybe it was because his last school was so much larger, but it seemed like every year they were making noticeable changes. Beacon Hills, on the other hand, was exactly how he remembered. The same white and black speckled linoleum floors, same painted mascot on the walls, same old lockers, same trophy cases lining the main hall.
Stiles was stoked.
Even the classes he'd taken so far, which would have ordinarily bored him since he'd learned a lot of what they were going over already, left him feeling almost giddy. The teachers didn't seem to share the sentiment, but fuck them. He wasn't going to let Finstock calling him Billinski a million times drag him down today.
Stiles and Scott had met up the day before, his dad surprising him with dinner and his childhood best friend as a gift for finishing all his unpacking, but it was even more exciting to know he was going to see him every day. They had talked at least once a week after Stiles finally broke and got Facebook eighth grade year and even more when they both had online gaming, almost every day. It was like they'd never stopped.
Stiles had been begging his dad to move back since the day they left, and he only got more persistent after his reunion with Scott, but no matter how hard he tried to convince him, no dice. That is until his dad's college friend, Adam Wilder, let him know that the Beacon Hills was offering full ride scholarships to the college of their choice to the top 5 graduates and was in need of a new sheriff. Not even John could refuse that kind of help. Despite his worry that he wouldn't be accepted as a transfer, he took a chance and put in an application. A month later and a million moving boxes later, Stiles was leaving his fancy Sacramento apartment and on his way home.
"Not bad, Scott. I've got Dad, my best bud, and my nightmares of a poorly-aged Lydia can finally be absolved because she is still as much of a goddess as the day I left, dare I say more. All is right with the world," he said, eyeing the lean strawberry blonde haired girl down the hall. Scott winced, and pulled at his lock, freeing it from the metal loop before opening it and shoving his math book inside. "I definitely missed this place. What more could I ask for?”
Scott scoffed and scuffed the toes of his shoes against the floor. "I can't imagine why anyone would miss this place."
Stiles eyed him, unsure if he was playing around or not. Leaving Beacon Hills, for him, felt like tearing off a limb, leaving something messy, jagged and bloody in its place. Sacramento hadn't been bad, per se. He made awesome grades and was in a club or two every year. He had some people that could pass as friends he hung out with occasionally, but it wasn't the same as the life he had in Beacon Hills. Also losing a limb, Stiles had survived the initial pain and adapted, but at the end of the day, he knew that it wasn't there and could feel the ache of its absence.
Stiles knew he was meant to be there. It was where he was born m. Where he learned how to tie his shoes and write his name. Where he and Scott made a terrible mess in the kitchen making treats for a fundraiser, and Melissa made them clean all day after school, scolding them even as she ate the last remaining cupcake. It was home.
The only difference between losing a limb and losing Beacon Hills was that there was always a voice in the back of his mind telling him that he could get it back, if only he could convince his dad. It was only a few hours away, and he would eventually be able to choose where he lived. Luckily he hadn't had to wait that long.
Stiles shrugged off Scott's dismissal. "I'm sure you'd miss it once you left."
Stiles closed his locker, and noticed Scott had gone quiet. He took a peek over his shoulder as he clamped his padlock shut and realized he had his eyes trained on an adorable brunette talking to a fierce looking blonde he had noticed earlier in their math class. Stiles looked between them a dorky smirk spreading across his face.
"You are so obvious, man. Your tail is practically wagging."
Scott's eyes shot up, eyebrows knit together. "What?"
"That girl. The brunette. You have your 'unrequited pining' look on your face," Stiles explained, shutting his locker door. Scott frowned, crossing his arms, even as he snuck another peek at her.
"It's not that obvious," Scott muttered.
"I've literally only been here for," he looked at her phone, then back up at Brennan, "three hours and forty-five minutes and I knew the moment you looked at her."
Stiles looked at Scott's downtrodden face then brightened. "Wait, is that Allison? Like love of your life, scary but amazing, Allison?"
The blonde glanced over at them, smirking at Scott. Stiles didn't seem to notice. Even if he had he would have no reason to suspect that she could hear anything he said, but Scott knew differently. He flushed, wrapping his arm around Stiles shoulder, whipping him around to face the lockers in a huddle.
"Dude," Scott hissed. "Keep it down."
"It is her! Holy crap," Stiles laughed. Scott just pouted, his eyebrows still pulled together.
"Yeah, yeah. You're brilliant. Can you shut up now?"
"Come on. You act like people are listening," Stiles said, craning his head around to look at the near bustling halls. "Trust me, we aren't that interesting."
"Speak for yourself. I'm plenty interesting."
"Oh yeah? Let my go ask how interesting you are," Stiles teased. "Yo, All-!"
Scott clamped a hand over his mouth, and Stiles was quick to retaliate.
"Did you seriously just lick me? How old are you? Stiles. Stop it!"
Scott dropped his hand with a scowl, wiping it on his dark jeans.
"I'll have you know, licking people could solve approximately 80% of the world's problems," Stiles said, hitting Scott suggestively. "Speaking of licking, how the hell did you get so built? I thought you sucked at sports."
Scott's scowl bled into a full blown grin, ignoring Stiles' sexual remark. "That was last year. A lot has changed. Now hurry up or we're going to miss lunch. And please try to control yourself a little, okay?"
Stiles gave him a questioning look, but didn't ask. He followed Scott through the halls, weaving through the people, trying to connect names to old familiar faces. Some people were easier to remember than others. He would catch flashes of memories from t-ball and baseball practices, or stories her dad had told him on the car ride here. He had only ever really been close to Scott before they left, but the familiarity was calming in a way he hadn't expected.
Stiles couldn't help but grin when they pushed through the heavy doors to the cafeteria.
The walls were a less than white white, dull and slightly grimy with age. They had long rectangular tables instead of the faux wood round ones at his old school, but honestly he liked these better, even if it was just a bit too much white all together for his taste. Too much like a hospital.
"Wow it hasn't changed at all," Stiles chirped. "I bet Mrs. Green still has that wild chin hair, too."
As if she could hear him, Mrs. Green looked up at him with a scowl. He waved at her excitedly, a lopsided grin painted on his face, and Scott shook his head in amusement.
"Hi, Mrs. Green!"
As they made their way through the food line, Stiles reminisced over the meatloaf and asked if they still had the breakfast pizza with white gravy and sausage balls he loved so much. Scott couldn't help but get secondhand excitement. It had been so long since he had felt normal like this. Not that he didn't like his life or that he didn't enjoy things the way they were, but having a friend that wasn't constantly caught up in his problems was nicer than he had expected it to be.
Stiles continued chattering excitedly up until the moment Scott sat down. At a table. With people. Very hot people. Stiles looked down at Scott with wide eyes, his mouth agape. Lydia Martin. Scott was friends with Lydia fucking Martin? How had this not made it into their text messages?!
Scott cleared his throat, obviously embarrassed.
"Guys, you remember Stiles, right? Stiles, that's Lydia, Allison, Isaac, Jackson, Boyd, and Erica. Cora normally sits with us but I think she-well, actually I'm not sure where she is today."
Stiles' eyes followed down the line, his face flushing. What the fresh hell? Scott was attractive in a totally platonic, nothing sexual way, and he would be blantantly lying if he said he hadn't noticed how fit he was now, but how the hell did they go from being the lanky dorks in class to Scott having supermodel-esque friends?
He immediately recognized some of the faces. Lydia, obviously. Scary hot blonde and Scott's crush, obviously Allison, from the hallway. Then, if his friends being hot wasn't weird enough, he realized with a start who the thin muscular guy was.
"Jackson. Jackson Whittemore? As in the Jackson Whittemore who shoved my Batman figure down the toilet?"
Stiles shook his head incredulously at Scott, like he had been personally victimized by the very thought of his seating partner, and Scott buried his face in his hands. Allison laughed, a musical sound that he had heard about in many different phone calls.
"You shoved his Batman down the toilet?"
Jackson smirked, shrugging slightly.
"Poor guy. So you were always a dick," Erica teased, peeking over the lip of her glass of water.
"We were like 6. I'm sure he's fine," Jackson said, leveling Stiles with a less than pitying glare.
Stiles muttered the contrary gruffly under his breath.
"You sure look tasty. Why didn't you tell us he was so fine, Scott?"
Stiles flushed at the blonde's words, not knowing how to comment to that. He looked to Scott for help, but he just shrugged as if to say, "she's always like this."
The man beside Erica, Boyd if Stiles recalled correctly, rolled his eyes, a knowing look on his face. He wrapped his arm around her and whispered something to her that made her giggle in delight, and Stiles was kind of scared to know what he said to make that noise come out of her.
Stiles, shifted back and forth on his feet, still standing awkwardly near the table holding his tray. He looked at the spot beside Scott, unsure. Out of everything he had prepared for today, this definitely wasn't it.
"You going to sit down Stilinski?" Jackson sneered.
"Actually I was thinking of enjoying my food standing up," Stiles shot back, biting into his roll dramatically. "I'd hate for anything else I love to end up in the toilet."
Scott grabbed the back of his jacket and pulled him down onto the bench with strength Stiles didn't know he had. He scowled but kept his mouth closed.
"Well, it's nice to meet you Stiles," Allison said. "Scott talks about you a lot. Like a lot a lot."
"Well isn't that a coincidence, because-" Scott jabbed him in the ribs as hard as he could under the table. Allison smiled bashfully and Lydia rolled her eyes.
"Ow! Stupid overnight muscles," Stiles muttered, rubbing his side. "Not fair."
"You know you aren't going to be eligible for Valedictorian or Salutatorian right?" Lydia asked suddenly, clamping her compact mirror shut. "The policy is that you have to be present for the entirety of your Junior and Senior year to qualify."
Stiles shrugged, trying to keep his overeager inner 9 year old self at bay. "Yeah my dad wasn't thrilled about that, but I told him I didn't care. My GPA is all that really matters. Well, that and my SATs and ACTs."
Lydia gave him an adorable half smile. "Its a shame. It will be nice to have some competition around, regardless. Scott says you're quite the diligent student."
Stiles gave Scott a look that he was too busy ogling to notice. That was strange. That was the second time they mentioned Scott talking about him, yet he knew nothing about any of them. "Is that right?"
Lydia quirked her head, looking between the two, and made a mental note of it.
The rest of lunch went by fairly smoothly, but Stiles couldn't really focus on the various conversations going on around the table, too busy trying to figure everyone out. He could tell that obviously Erica and Boyd were a couple, despite the remark about his attractiveness. Even surrounded by friends, and them frequently chatting with other people instead of each other, he could almost see the personal bubble they had around themselves, so thick it was almost tangible.
From what he could see, Allison and Lydia seemed to be best friends. He wasn't exactly surprised, pretty people always seemed to attract other pretty people, but the vibes they gave off were very different. They were constantly having silent conversations between themselves, checking for opinions as they listened to other people's stories and laughing at inside jokes together. Luckily for Scott, he noticed her eyes would stray over to him frequently, especially when he would start to laugh over something silly.
The most interesting observation seemed to be that while Stiles was away, Scott, Jackson and Isaac had gotten pretty close. Stiles didn't really remember much about Isaac, but he seemed nice enough. He was actually a lot like Stiles in that he was fairly smart, sarcastic, and generally nice to be around, but he had a air of newly self-built confidence around him.
Jackson was the opposite, but to Stiles' surprise, he wasn't as bad as he remembered. Jackson exuded cockiness, that he expected, but he could tell that Jackson was a lot less of a jerk than he used to be when he handed the rest of his food to Isaac before he even had the chance to ask for it. Stiles figured he would be the hardest one to understand, because nothing he said was actually what he meant.
Stiles' thoughts were interrupted when Scott tried to reel Stiles into a conversation about lacrosse, but Stiles was contented to listen to the three guys recap the season so far.
Stiles gradually started feeling a bit more comfortable than he had in the beginning, but something kept nagging at him in the back of his mind: why had Scott told his friends so much about him, yet Stiles was clueless about them? He had heard about Allison, mostly because that was all he talked about, but why hadn't he ever heard of his friendships with the others, especially after Stiles found out he was going to be moving back? They all seemed close. Really, really close. They talked about hanging out on weekends, going to movies, and playing video games all weekend, yet Stiles couldn't remember a single time Scott ever mentioned them.
It was strange. Stiles knew that it was crazy of him to make assumptions from a few passing comments, but something in his gut told him Scott was hiding something.
"Do you have any classes with us?" Isaac asked, holding out his hand expectantly. Stiles shifted so he could pull his schedule from his back pocket and handed it to him. Isaac and Allison looked over it intently, and Jackson snuck a peek, trying and failing to look like he didn't care.
"Chemistry with Scott and Isaac, Math with Scott and Erica, most of the classes with Boyd or Erica if not both, AP classes with Me and Lydia. How did you manage not to have a single class with Jackson?" Allison asked.
"Lucky I guess," Stiles grinned.
Jackson rolled his eyes and Scott elbowed him again. Stiles sucked in air through his teeth and rubbed it until the pain faded. #WorthIt.
"So Scott said your dad is the new Sheriff," Boyd said. It was the first time Boyd had spoken out loud.
"Yeah, he was a deputy here when we lived here before. I guess enough people remembered him from back in the day that when he was nominated, people accepted him."
"Did he tell you how the position opened up?"
Everyone at the table stopped, and eyes were on him. If they were trying to seem subtle, they had definitely failed. Fortunately, though, this Stiles had anticipated. He considered whether he should divulge his true opinions or keep his ideas to himself. After an encouraging nod from Scott, he shrugged.
"Dad told me what they are telling people happened, yeah," he said.
Boyd's flitted to Scott, then he forced a small smile.
"You say that like you don't believe the story."
"I don't."
Boyd looked at him expectantly, as if waiting for him to elaborate. Erica squeezed his arm gently, not tearing her eyes from Stiles, keeping her expression soft. Scott gave him a look and Stiles relented.
Stiles sighed. "My Dad is going to kill me." He looked up to the ceiling as if he were praying for strength to survive. "They are saying it was a mugging or something near the park. That the guy was at the wrong place at the wrong time, got his stuff taken and killed for his trouble."
"That's what I heard too. Sounds reasonable enough, right?" Allison asked, laughing nervously.
Stiles scoffed. "Sure, if he was getting mugged by Wolverine. I haven't seen the crime scene photos yet, but from the conversations I've heard the last few days about the absolute carnage left behind, I don't see how it could be just a simple mugging. They're missing something, they just don't want to admit it yet."
Stiles pretended not to notice Scott tensing beside him. It was no secret Scott wasn't a fan of blood, but he didn't want to embarrass him by pointing it out.
"What does that even mean?" Lydia asked.
"What does what mean?"
"Mugged by Wolverine?"
"Wolverine. You know. X-Men. Wolver-you don't-you don't know who Wolverine is?" Stiles asked, his hands flailing then falling flat on the table, his eyebrows furrowed in distress.
She gave him an incredulous look, her perfect curls bouncing as she shook her head. He ran his hand down his face.
Jackson handed Lydia his phone and her lips turned down. "Man in tights. Not bad."
Allison rolled her eyes and the bell rang, signaling the end of lunch.
"Nice to meet you, again, Stiles," Allison said again, grabbing her bag and pulling it over her shoulder.
"Yeah, yeah, it was truly a pleasure. I need to borrow your calculator so let's go," Jackson said, ushering her away. Scott huffed beside him, and Stiles rolled his eyes. Scott was as oblivious as always.
*****
Everything was messed up.
Cora honestly couldn't decide which was worse, living states away with a bunch of strangers that she couldn't get along with to save her life, or finally being able to come home and dealing with all the frivolous drama that came with it.
Don't get her wrong, she was glad that Derek allowed her to come back home. She loved him and she was really glad that finally someone was starting to treat her like an adult, but having to deal with school and her brother's complicated Pack dynamics was stressful.
Being back home was annoying. Living in South America was worse.
Being away from her home, the last bit of family she had left, it had almost killed her. She didn't want to eat. She couldn't sleep. When she did sleep, it was interrupted by nightmares. Often times she would wake up in the dark, thinking the smoke had enveloped her completely. If that weren't enough, she felt more isolated than she had in her whole life. She was the only human in the Pack, which she was used to, but at least when she was home she was bonded with her family.
She sat in the library, head in her hands, trying not to think about all of the homework assignments that were piling up. Derek had said school was one of the conditions to her moving back in with him, but what exactly did that mean? What was he going to do when she got her grades back? Was he going to ship her back off like Laura had? Would he even feel bad?
She sighed. That wasn't fair. Derek had never wanted her to go, but when Laura decided on something, there wasn't really anything anyone could do to change her mind. As much as Cora didn't want to, she was going to have to talk to him. Good thing talking about feelings was a Hale family specialty.
When the bell rang for lunch, she rolled her eyes. As if her brother and his Pack didn't have enough to argue about, Scott's token human friend was supposed to have his first day today. Not that she wasn't curious what all the hype was about, but she didn't understand why Scott was fighting so hard to let his friend in on all their secrets when he was constantly pointing out how dangerous it was to let Cora stay here.
So, just to spite him, she was here, continuing to work on homework she didn't know how to do, and was too stubborn to ask for help with.
Before she knew it, lunch was over with only a little bit of progress to show for it. She walked begrudgingly to Chemistry, knowing that Harris was probably going to pester her about her revisions from their lab the previous week.
Cora walked to her spot, sitting down, dramatically opening her Chemistry book. Her up and coming best friend, Nina, nudged her with her shoulder has she settled in beside her.
"Did you hear there was a new senior?"
"Unfortunately," She replied icily, pulling a snack from her bag. Nina gave her an odd look. She interpreted it as "what the fuck is up with you?" despite the fact that Nina would never actually use those words. "Apparently he's going to be hanging around my brother's group."
"Oh," Nina smirked, knowingly. "The Hot Hale Harem?"
Cora almost choked on her granola bar, making Nina's smirk grow to a full on grin. "What the hell is wrong with you?"
"You love me."
Cora rolled her eyes, but she couldn't help but laugh with her. Nina was different, but she honestly found it kind of refreshing. It was hard for her to remember to think about normal things like boys and shopping, but Nina didn't mind pulling her into her normie girl stuff.
"So, I was thinking," Nina started.
Cora took a deep breath. "No."
"You didn't even hear what I was going to say," she pouted.
"Fine. It'll still be a no, but continue."
"So you know how we have that test on Friday? I was thinking we could invite the guys to study with us."
(Find the rest on AO3 href="https://archiveofourown.org/works/27811303"><strong>The Unshaped</strong></a> (16100 words) by <a href="https://archiveofourown.org/users/Infernal_panda"><strong>Infernal_panda</strong></a><br />Chapters: 2/?<br />Fandom: <a href="https://archiveofourown.org/tags/Teen%20Wolf%20(TV)">Teen Wolf (TV)</a><br />Rating: Not Rated<br />Warnings: Graphic Depictions Of Violence<br />Relationships: Derek Hale/Stiles Stilinski, Allison Argent/Scott McCall, Vernon Boyd/Erica Reyes<br />Characters: Stiles Stilinski, Derek Hale, Scott McCall (Teen Wolf), Isaac Lahey, Lydia Martin, Jackson Whittemore, Vernon Boyd, Erica Reyes, Sheriff Stilinski, Melissa McCall, Peter Hale, Cora Hale, Laura Hale<br />Additional Tags: BAMF Stiles, Alternate Universe - Canon Divergence, Pining, Underage Drinking, Fluff, Angst, Fluff and Angst, Romance, Friendship, Humor, Slow Burn, Slow Build, Supernatural Elements, mentions of abuse, eventually, Happy Ending<br />Summary: <p>After leaving Beacon Hills at age 8, Stiles never stopped feeling the indescribable pull, beckoning him back home. A new Sheriff position opening up gives him the chance to move back, and it’s everything Stiles ever wanted. He has his dad, his best friend, and he’s back where he belongs. </p><p>His first day back doesn’t exactly go as planned, and now he is finding that he was even less normal than he thought. </p><p>****</p><p>A Hale Pack fanfic with all of our lovable characters as they try to integrate Stiles into their wolfyhood and crazy monster-filled lives with Stiles as their unknowing magic friend, and a bit of intertwined fates to keep things interesting )
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theplanetprince · 3 years
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I think those I've spoken to on discord already know my feelings on a lot of various horror movies, but I just thought I would post my thoughts here since this is mostly a horror(?) Or at the very least a blog where I talk about my relationship with writing/editing with horror content.
I am a pretty big Goosebumps fan. I'm not going to say the largest there was. But one of my first impulse purchases, when the pandemic started, was getting a bunch of assorted Goosebumps books from the original 90s run. Goosebumps were one of the first series of books to get me interested in reading aside from Guardians of Gahoole. I was always intimidated by the Fear Street novels as a kid bc they looked way too scary from the lens of a 3/4th grader. I never got the chance to read them. Now that I'm quite a bit older I hope to one day get all the way through the R.L Stine books in production order.
All this to segue into the new Fear Street adaptation on Netflix.
I'm not the pickiest person when it comes to movies, I don't approach them with the mindset that I'm going to hate something. I'm rather the opposite, I find that approaching something with a positive attitude typically gives me positive results. That being said I have a weird relationship with these movies. I feel like this should be something I really enjoy. Anyone who knows me knows I love horror, I love the 90s/80s vhs nostalgia punk setting, I love R.L Stine's both whimsical and clever approach to writing horror (which this movie did borrow from in the last installment.) I don't want to say I hated it, because I didn't. I really enjoyed what it had to say and the commentary it had about the systemic inequality between both towns, even if it was a little basic. It borrows a lot from the pages of Wes Craven when it comes to satirization and critique of horror tropes. I love the attitude the films had. I loved the soundtrack. I loved the representation this gave to poc without making it solely into racial trauma. In that regard, it was a total breath of fresh air. I loved most of the performances and I loved the jittery editing style that was still comprehensive. The characters while starting off unlikeable did eventually grow on me.
I don't want to dissuade anyone from watching the films, I implore everyone to watch these movies and reach their own conclusion.
Personally, for me, these films range on the side of a strong 6-7 out of 10. I live in a town very similar to Shadyside, not as much murder obviously, but still written off as white trash drug-addicted criminals. And there's something almost kind of like wish fulfillment about "it's just a curse" or "its just one bad guy" conclusion the movie comes to, where it feels really immature. Like the movie clearly has a lot to say about systemic injustice but the thing about systemic injustice is that it doesn't suddenly become unwoven after a person of power dies.
and the thing about Sunnyvale is that despite those people profiting off of a curse they didn't know about, there is very little done in the way to make them sympathetic. I don't think the narrative of the movie wants us to come to that conclusion esp since Sam (the main love interest of the film) is relatively harmless and moreso used as just a prop character is supposed to be "good". She is unwillingly moved to Sunnyvale after her mother divorces her father, so I don't think her or her family is the rich single entity the movie wants us to seek vengeance against. Yet it feels messy. Really messy. I'm going to link to a video from the channel folding ideas talking about the book of henry to sort of better illustrate my point about framing versus actual direction.
The way the movie also sort of scoffs at drug use, especially marijuana almost seems out of character for a movie made in 2021. I feel like that could be its separate post. Like it feels in character for a horror movie in the 70s and 80s, but with the more educated perspective in 2021 I feel like we all know that most of the over-policing on drugs came from the US government actively flooding the ghettos with narcotics in order to police them better?
If you didn't know that I'm going to link to a couple informative videos. I suggest researching further of course. these just provide the broadest strokes as to why the "war on drugs" was largely used as xenophobic and homophobic propaganda.
youtube
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But maybe that discrepancy was intentional? Like its baked in so many layers of irony, I just can't keep up with it? I dunno. Like it wants to say something about addiction, it wants to say something about the over-policing of drugs, it wants to say something about the opioid crisis-- but I couldn't tell you what it was. I legitimately couldn't tell you if this movie was on the side of addicts and drug dealers as the means of using any method you could for escaping poverty-- or actively finger-wagging at addicts for like... being addicts? And the self-harm thing in part two... I-- I genuinely don't know what to say about that other than it felt exploitive. like the ending of part two felt so... fucking weird? like it was funny in the way it just totally caught me off guard but it was out of keeping tonally with the rest of the work. I don't expect a horror movie of all things to get its commentary 100 percent correct-- that would make me an idiot. But I guess I am particularly tired of seeing this one trope repeatedly crop up. this post is getting a little out of hand so maybe next post I'll talk about the comparison between Fear Street, Goosebumps, and Scary Stories to Tell in the Dark.
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dereksteed · 4 years
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Book #5
Better late than never, book number 5 of an attempt at 50 is done after a several months long sidetrack thanks to a little pandemic thing. Anyway, book 5 this year was the first book in Lloyd Alexander's young adult fantasy series "The Prydain Chronicles." Written in the 1960s, I discovered it in the 80s in third or fourth grade thanks to some great cover art. I was right in the middle of an interest in sword and sorcery type fantasy stories, and the cover caught my eye in the elementary school library. I read the book and loved it, excited to discover it was a series of five books, but then disappointed to learn it was the only one of the series my school library had. The scholastic book orders (remember those?) saved the day at least partially, as I was able to order three of the five books in the series. I read those three a couple times each and they are still very fond childhood memories.
I knew when I started my book challenge this year I wanted to re-read at least one of these books. And while it seemed more quaint than epic to my adult mind, I still enjoyed it. Nothing really ground breaking here. The typical lowly peasant type gets involved in a major quest involving horrible evils and great battles. There is magic, legendary heroes, mythical swords, a princess and strange creatures. But the climactic battle between Taran, the assistant pig keeper turned adventurer, and the mighty masked warlord known as The Horned King, doesn't end typically as might be expected.
Overall, I enjoyed it again, but I have to be honest that without the bias of nostalgia on my mind, I may have thought it was too simple and standard if I had read it for the first time now. I'm interested to see how the rest of the series will hold up to my adult mind compared to the epic (and probably exaggerated by imagination and inspiration) memories I have of them.
So as another trip down childhood memory lane, I enjoyed revisiting this book and its world, but not as much now as my younger self enjoyed it.
On a side note, Disney released a somewhat obscure and nearly forgotten animated movie based on this series. It took and combined elements of the first two books, "The Book of Three" and "The Black Cauldron" into a somewhat loose interpretation of the books and characters. It was very dark compared to usual Disney fare, and actually had scenes cut that were deemed too gruesome for kids. It was the first Disney animated film to get a PG rating instead of the usual G. It's not a horrible adaptation, but there are many liberties taken with the source material, so it isn't the most accurate representation of the book.
My quick sketch from the book is from a moment during the climactic meeting of Taran and The Horned King, a crimson cloaked warrior with stained arms and an antlered skull for a mask. Of course I had to draw him!
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