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#I think they could've done it
vimbry · 2 years
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legitimately a great snufkin voice to me
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fandom-geek · 9 months
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i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.
most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".
even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.
hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?
the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.
bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.
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quesadilla-day · 1 month
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delicious jade 😋yummy yummy 😍
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sunnflower-clouds · 2 years
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Screenshot redraw go brrrrr
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fox-guardian · 1 year
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[ID: A digital drawing of Cecil and Carlos. Cecil is an older mid-sized white man with a graying lilac mullet and mustache, a lot of body hair, tan lines, long purple and teal painted nails, and purple eyeshadow. He is wearing a green cross wrap halter crop top, a teal miniskirt, a purple shoelace as a belt around his waist, furry rainbow legwarmers, and pink bunny slippers. He's holding a black cell phone with a pop socket with the Night Vale logo on it. Carlos is an older mid-sized Latino man with medium dark brown skin, black and gray curly hair with a matching beard, a lot of body hair, and a couple moles by his eye. He is wearing a white labcoat, dull red boxers, white crew socks and brown sandals, a small black stud earring, and large square glasses. The entire image has a magenta filter over it.
Cecil is sitting on a red cushioned stool with his legs crossed over each other and smiling down at his phone. Carlos is standing with one foot raised, hugging Cecil with one arm and holding his free hand over his shoulder with the other. They're both leaning into each other. Cecil says, "Carlos, look! I've been declared the "Ultimate Sexyman"!" And Carlos replies, kissing his cheek, "I could've told you that, my honey-voiced honey~" with "honey-voiced honey" italicized. end ID]
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good evening cecilsweep nation. i made a celebratory Them <3
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daily-dose-of-bucket · 2 months
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Day 34: get pixel'd
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my piece for the @moon-knight-zine Lunar Labyrinth! I drew this over a year ago so it's nice to have it see the light of day, it was such a pleasure to be part of this zine :)
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victoriaspriing · 8 months
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Imogen Heaney + Pink
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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oh-warizoro · 10 months
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Perfect take on Zoro. Perfectly executed by Mackenyu.
The way EVERYONE is trying to have him work for them. Mr 7, I'm here with an invitation. Captain Morgan, Join the marines or you'll die tied to a cross.
Luffy, sets him free, doesn't force him to join, let's him go, let's Zoro decide where he wants to be;
And Zoro finds out that place is by Luffy's side. Ain't that beautiful?
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koolades-world · 11 days
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I’m so proud of you for getting 2K followers!
Can you please do Simeon x reader (the two are already dating) with Simeon saying both prompts 5. "I’m here. You're safe with me" and 9. “are you bleeding?”
Please and thank you! :D
thank you so much!! i gladly will :))
i don't think i've ever written a dedicated piece for simeon so i'll put my whole heart into this to make sure it does him justice!
enjoy <3
prompts 5 and 9 w/ Simeon
It was getting late. The songbirds were asleep, and fireflies could be seen out in the open field near Purgatory Hall. The stars lit up the sky and if you listened close enough, you could hear demons laughing with one another. On any other day, the sight might be enjoyable and would be a great opportunity to gather loved ones to savor the moment.
But, it was too late for Simeon's liking. He was expecting you home hours ago. You had even called him, letting him know you were on your way home, and that you were running one last errand, despite the fact that you were out with friends. He didn't want to rush or question you though. You were an adult and your own person. You didn't need him looking over your shoulder. How he wish he did though.
He didn't want to call the brothers, because they would tear apart the Devildom searching for you, nor did he want to wake up his housemates out of fear they'd view him as irresponsible. He checked his D.D.D. for what felt like the hundredth time that hour, and after looking at the time, he decided he was going out to find you himself. If you were still running your errand, he could just apologize. He just wanted to make sure you were ok.
Just as he had gathered all his things and was about to put his jacket on, he heard the keys being inserted into the lock of the front door, and he heard it crack open. With the biggest sigh of relief he'd ever let out, he hung the jacket back up and rushed to greet you. You looked tired, and had your jacket oddly draped around you. But, he didn't question that. Instead, he was more focused on the bouquet of flowers in your hand.
"Sorry I took a while to get home. These are for you, sweetie. They took a tumble, so I'm sorry they look a little rough. " You held them out to him, and he felt as if his heart was about to explode from joy. Nobody had ever given him flowers before. He took them from you, and spun them around in his hands. He studied them closely, and found a little note stuck on a picket in the center. You watched anxiously as he removed it and read it.
"Mc. You're too kind. I'll have to make it up to you in some way." The note read 'because you deserve it <3' and Simeon was over the moon at the sentiment. There was no occasion. Mc just wanted to do something nice for him in a way he hadn't expected.
"I thought you might like them. No need to make it up to me. You're my boyfriend. That in itself is more than enough for me. You're my gift, silly." At your words, he threw his arms around you, unable to contain his feelings. He was usually so composed, but he just couldn't hold it in. He found it kind of ironic he found true happiness in the Devildom, but he could live with that fact as long as it meant he got to remain by your side.
In this hug though, something felt off. You leant into him heavily, which he might normally put off as you being loving and happy to see him again, but that combined with everything he'd observed when you'd entered, he felt as if he should at least ask. "Are you alright, my love?" He stepped back a little to scan you for any signs of harm. The way you wrapped the jacket tighter around yourself told him everything he needed to know.
"I'm alright. Just tired from my night out is all." You tried to comfort him with a warm smile, but he was quick to shut that down.
"Be honest with me. This isn't me trying to be mean, and you know that." He glared at you in a way you'd never seen before. With a sigh, you realized the act was up. You shrugged the jacket off, and at first, Simeon saw nothing wrong. But, as he looked closer, the fabric of your shirt looked as if it was damp.
"Are you bleeding? Why didn't you tell me as soon as you got home?" The flowers were quickly set on a nearby table as he rushed to your side to inspect you closer. You lifted your shirt just enough to show off the three evenly spaced slashes on your abdomen.
"I didn't want you to feel bad about the gift." You confessed. He was quick to put two and two together.
"Did you get this while getting my flowers?" Your silence was telling.
"I know what you're going to say, so you don't need to," you sadly told him. He put his arm around your shoulders and led you to the living room. He sat you down on the sofa and told you to hold still while he healed you.
"You should see the other guys." You weakly smiled at him, in hopes of trying to lighten the situation.
"There was more than one? We'll be talking about who did this later since I want to focus on your right now, but you can't casually mention things like that." Simeon sighed. He went silent after that to focus on healing you, and like magic, all that was left of the wounds was scars. Now, the two of you were just staring at each other silently.
"Why didn't you call me?" He remained in front of you to look you in the eyes.
"I had it. I didn't need any help." At first, you planned to stop there, but you couldn't hide anything from him. "They told me they'd hurt you if I tried to ask you for help, and I panicked. I was really worried about you, and they told me no matter what I did, I wouldn't be able to escape." You leant into him again, tears welling up in your eyes.
"Sweetie, it's alright. You did great." He wiped the tears as they fell. Despite the sparse amount of tears, you looked upset and worn down. "I'm here. You're safe with me." His words seemed to resonate with you, and you tightly clutched him as if he might vanish.
"Thank you. I love you." You rested your head on his shoulder.
"I love you too. Remember, your safety always comes first. Any world where you are is a world I want to be in." He gave you a kiss on the top of your head. "By the way, thank you for the gift, I really appreciate it," he told you, gently smiling.
"I thought you'd like it. They made me think of you when I saw them." He couldn't deny the fact that you were always on his mind, and it warmed his heart to know that you felt the exact same.
"Now, let's get you to bed. You need rest. I'll watch over you." With that, the two of you headed off so you could get your well needed rest. Simeone was glad you were safe.
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The more I think about it, the more... not exactly sympathetic, but more understanding of the Narrator's frustrations because He is operating under an insane set of restrictions to convince us to slay the Princess without making her enough of a threat that she can fight back. He's not even trying to thread the incredibly tiny needle Himself, He has to guide you into doing it without you even realizing it.
Like, the core problem is that the Player Character's belief (and the Princess's) literally shape reality. To demonstrate how great a change even a small shift in perspective can cause by your own actions alone, taking the knife or not taking the knife results in the Princess having a different personality and skillset from the moment you enter the basement. Taking the knife implies she's a potential threat and even before she sees that you have the knife, she speaks far more threateningly. If you talk rather than killing her right away, which further reinforces all the ways she's a potential threat (she's aloof, somewhat cynical, intelligent, well-spoken, and outright threatens you at one point), there's no way to kill her and also survive. And if you let her kill you after freeing her and the Narrator hijacks your body, she shows herself to be skilled with the blade and unflinching in putting you down.
But if you go down without the knife (signalling you don't see her as a threat, not even a potential one) she's much sweeter when calling to you on the stairs. She sounds harmless, scared, but a little hopeful. And when she kills you after you free her, she doesn't know how to use the knife effectively at all. She kills you while crying and stabbing randomly. She both doesn't want to kill you and is incapable of being an actual threat. You have to hold still and let her kill you.
Unless, of course, you try to kill her anyway, which means she's now fully capable of beating you to death with her bare hands, likely because trying to kill her implies another shift in view (probably due to seeing her try to gnaw off her own arm). She is a potential threat now, and of course attacking someone comes with concerns about them trying to defend themselves--how capable are they of fighting back? And of course she'd fight back, who wouldn't? All the Princesses fight back when attacked except for the Damsel because by that Chapter the idea that she A. can't, and B. wouldn't, is locked in by her inability to put you down efficiently the last loop and the Smitten's unfailing faith in her.
So as early as Chapter 1, from the moment you enter the cabin and even during your interaction with her, your thoughts and beliefs are shaping reality and that ability is incredibly volatile.
And that's part of the Narrator's problem! The Princess needs to be helpless so she can't hurt you or defend herself but in that case, what justification do you have to kill her? So she has to be enough of a threat in the future to justify killing her, but not at the moment, and killing anyone comes with concerns about them fighting back. The Narrator has to walk a very fine line here because even thinking it's possible she might have the ability to fight back or kill you means she absolutely can, but you also have to believe that she could possibly be a big enough threat that you simply can't risk leaving her alive.
So the Narrator has to go "Okay. There is a Princess. She is harmless. She cannot hurt you or escape right now and you have to kill her. Why? Because she will be a great threat in the future. Not right now, she's perfectly harmless right now, but you have to kill her. No, no, you can't talk to her and ask questions because she'll trick you into not killing her. What kind of threat? The world-ending kind so even if you doubt me you can't risk it, there's too much on the line if there's even the smallest chance I'm correct and you must do it right now. How is she capable of ending the world? Don't think about it, please please don't think about it."
(I also think that's probably part of why the Narrator made her a princess of all things. The stereotype around a princess locked away is that they're fairly helpless in a fight, simply waiting for someone to come save them, but also you could justify killing her because she's an oppressive monarch, in title at least. And, indeed, that is a perspective the Narrator pushes and one you can agree with. Not to mention all the story tropes where royalty or a maiden of some kind is infused with a special connection to the world or god--a Princess who can end the world just by the nature of her being is not far removed from those tropes)
I mean, trying to get someone to kill another person without thinking them as an immediate threat or questioning anything too deeply is a monumental task. And everything from the ethical questions you might ask to risk assessment all have the potential to make the Princess quite a threat. No wonder it goes wrong so fast.
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lloydfrontera · 6 months
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i think my issues with the canon romance at the end can be summarized by that competition alicia holds to win lloyd's hand.
she's like 'oh your new body sucks you need to marry someone who can protect you 24/7' so she holds a tournament to find the strongest woman in the continent and marry him to her so he'll have built-in bodyguard. which is objectively the funniest thing she could've done i love her so much. but. like. it's so unnecessary, redundant and also just,,,, factually incorrect??? ajdhka god lemme explain
here's how alicia puts it
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but,,,, lloyd already has a bodyguard who's at his side 24/7. like. that's very much a plot point of the entire novel. there's literally a character who's arc is about coming to care about lloyd above anything else and deciding to stay at his side for the rest of his life to protect him. like. that's very much a thing that happened. it literally takes us 320 chapters to get to that point why are you acting like you're doing something new here
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a swordsmanship competition. to decide who gets to marry lloyd. remind me what character have we spent the entire novel being told and shown over and over and over again is the most powerful and strongest swordsman in literally the entire world???
right. but he can't participate. because he's not a woman. which i think it's the point to this rant.
i don't think i need to spell it out but i'm gonna anyway.
the only reason javier isn't the one to end up with lloyd is because he's a man. because even by the in-universe made up requirements he's the most qualified one to do so, except that he's not allowed to even participate because he's not a girl.
and y'know what's the extra thing that just. makes me go a little insane because it's the one detail that makes me doubt for one second that all of this wasn't just pure chance or coincidence and instead is bk moon taunting us. y'know what it is.
what character is the only one who canonically can and has passed for a woman with no issue whatsoever in a seemingly out of nowhere gag that never comes up again. do you remember.
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right. yeah.
so we have,,, a character who is devoted to our main character and has sworn to protect him for the rest of his life with everything he has, who is the strongest swordsman in the entire world and who can easily pass for a woman.
and then the main character is supposed to marry whoever wins a competition to decide who gets to protect him for the rest of his life, who is the strongest swordsman in the country and where only women are allowed to participate.
and i'm not supposed to read anything into that.
okay. i feel like i'm going crazy this is me right now
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but seriously. this little tidbit that was probably just meant to be a joke about how alicia came to marry lloyd just,,, really highlights how unnecessary and redundant their romance feels to me
like. why would lloyd need to marry alicia. when he already has javier.
do you get what i mean
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ask-lu-wild · 6 months
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verflares · 2 months
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i miss her so bad (botw/totk zelda)
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tomaturtles · 1 month
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"I would be happy to have you fight by my side."
Kawoshin Week Day 4: Spinoffs!! Campus Apocalypse my dearest beloved
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