Hiii!! Ufff I don't know how to tell you that I love your take on Floyd. like some bad bad life decisions were taken (THAT SO!!! INTERESTING FOR HIM). Do you think he ever feels ashamed of himself when he looks at Branch's eyes, like "shit, this guy really believes in me" or "he doesn't even know everything I have done"? Like he has some really BIG "Love me Less by Max" vibes
They all really believe in his goodness which is worse
And OH he definitely feels so much shame and regret. I think a big part of why he fell as hard as he did was because he finally didn't have to be his brothers' mediator, and I guess at one point he forgot that he still needed to be the voice of reason for himself. His new band mates encouraging his reckless behavior didn't help. Honestly I personally think young Floyd was a very naive kid and very dependent on his older brothers but his strong empathy gave them all the impression that he was much more mature and independent than he really was...
So yeah... you can imagine that constantly partying, doing drugs and sleeping around wears someone down after a few years. I think Floyd also went gray like Branch (not for as long tho) and he broke up with the band wanting to go home badly, but he was also ashamed of showing his face after a number of years as a gray drug addict, so he kind of just ended up alone...
If we're sharing songs, I have to show you this one by Linkin Park because I think Floyd wrote it for Branch (and the rest of his family (and some parts also addressing himself)) while he was at that desperate and lonely period because I am also extremely emo
2K notes
·
View notes
Kokichisake-onna
*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”
Also here’s a random selection of derpy concept doodles for this comic :)
Thank you byeeeeee
2K notes
·
View notes
Culture Shock
[First] Prev <–-> Next
917 notes
·
View notes
aaa, just came across your and avis’ AU today and i just want to say its so AMAZING 🥹🥹!!! Would love to see more of Wasp and Mark from you guys 💓
Oh my goodness, thank you so much!! (♡°▽°♡) @avisisisis has such incredible ideas that rlly brought it to life when we kept chatting about it! I def gonna draw more of these two, because oh my goodness I love thinking about them! Working on a rlly quick comic to explore an idea, (just one page rlly) so here's a sneak peak! :D
Bonus fun fact for ya, I will always always always draw Wasp with two downward curls on his left side, while Mark always has a one curl on his left.
13 notes
·
View notes
superboy: the man of tomorrow 1 spoilers
(it's just one panel but below the cut just in case)
memory identification: go!
21 notes
·
View notes
[ID: A single panel from an old Batman comic, depicting Batman escorting a man dressed like him away from the viewer. Batman is saying, “Let’s go, son. Let’s get you some help.” Around them are several narrative boxes, in two different colors. The green boxes, cumulatively, read: “But the avenger within the Batman co-exists with the compassionate man. Batman is indeed two people… and both are Bruce Wayne.” The single yellow box reads simply: “The End.” /ID]
Excuse me as I just leave this here…
33 notes
·
View notes
Tell the truth comic fans challenge. When's the last time you read a comic and how many have you actually read?
P.S. This isn't me being gatekeepy btw I'm being genuine because I'm gonna be honest I've probably only actually read about five series and every thing else I've gotten from movies/series, online, or fanon. I know all the important events. Have I actually read them? No because my ADHD just wouldn't. And I can't be assed having to read important events if it's in a shit run by a bad writer.
16 notes
·
View notes
Iron Man (1968) #52
3 notes
·
View notes
hal built like persius by Antonio canova
TRUEEE!!! im ngl i sometimes use dramatic sculptures as refs when i draw him, i might've actually used that one at some point 😭
12 notes
·
View notes
TRIKARANOS CHAPTER I: S·T·T·L
TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.
⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!
⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)
⭐ alternative places to read it (coming soon!)
CREDITS all additional art used are in the public domain, and the specific images used are open access, etc
🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena
🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death.
🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons
📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)
UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!
I'm so fucking normal about Crassus and his family (<<< this is a lie)
Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.
Plutarch, Crassus
like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.
so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.
Crassus: A Political Biography, B.A. Marshall
also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.
Marcus Crassus and the Late Roman Republic, Allen Mason Ward
and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them
Marcus Crassus and the Late Roman Republic, Allen Mason Ward
finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.
Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson
and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free
A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone
565 notes
·
View notes
SUBTEXT
so I've focused in on Perceval and Bors before, and I've done Perceval and Gender (for more on this specifically, see: Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey) and did a whole comic that leaned into some subtext™ on temptation, but actually let's throw out the subtext! let's bring Augustine into this!!
Perceval, de Troyes (trans. Burton Raffel)
introduction to Confessions, Augustine (trans. Sarah Ruden)
so for perceval a knight is both the gender he wants to perform but also something that is expressly compared to god, and if god is a lover that seduces. well. does this not also apply to knights as well?
Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow
and while galahad might be the obvious choice, I think perceval's relationship with bors during the grail quest narrative is more interesting. it's not god that transforms perceval, it's the sight of knights for the first time. something in here specifically is incredibly intriguing to me, but there's a different text I need to finish reading to fully form some thoughts on it.
le Morte d’Arthur
and finally! tentatively. I think I might slowly start turning this idea I had a couple years back into a fully formed comic. we'll see! I had most of it blocked out, but halfway through reading augustine's confessions, I think was when perceval finally clicked for me as a character in a later narrative cycle setting. I think I might have to spend a lot of time doing some visual research first because my god I cannot consistently draw armor to save my life......back when I lived in new england, there was a museum with a wonderful medieval armor collection I could visit.....alas.........I will have to hit the books (literally, I have a collection of books on medieval armor but this is apparently the one thing I can't visualize properly in my imagination. save me, museum collections, you're my only hope)
⭐️ credits for the collage panels! (all open access or public domain, etc.)
-Saint George and the Dragon
-Saint George and the Dragon (different one lmao)
-Pages and Knights, Frontispiece for "The Man at Arms"
-Cloisters
⭐ if you like my comics and have a couple bucks, I have a tip jar (ko-fi)!
⭐ and other places I'm at! bsky / pixiv / pillowfort /cohost / cara.app
668 notes
·
View notes
How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)
AAAA THANK YOU!!
I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugar’s boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, but….. her expressions man…. she was always able to convey so much with SO LITTLE. (SU’s expressions are on another level of course, but I think AT’s are just so impressive to me because they’re dot eyes)
But the thing is!! I’m also a fan of deadpan. Which AT also does very well. It’s tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really don’t need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!
for example, a panel where the contrast between big and subtle expressions sells the contrast:
I don’t really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! You’ll feel a little stupid but it’s funny.
some misc expression tips:
Definitely prioritize eyebrows, eyes, and mouths!
Noses aren’t as important BUT flared nostril can totally sell an expression, so it depends!
Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!
Just subtly changing the placement of eyelids and location/size of irises can completely change an expression
Don’t be afraid to make your characters look weird or stupid.
Don’t reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA
Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters don’t say can speak louder than what they do.
some expressions I’ve done that have varying levels of nuance:
Also framing!! You can use the composition to help project how the character feels:
As for body language!
Having a better sense of three-dimensional form and anatomy isn’t necessary, but it sure helps a lot
Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people don’t just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.
Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful
Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.
Ultimately, if you want more lifelike expressions and poses, study from life!! Don’t worry about your drawing being “good” or “bad”, instead think about what can make it successful. Ask yourself, “is this conveying the expression I want to convey?” and if it’s not, figure out what you need to change to get it there.
3K notes
·
View notes
i keep the warmest truth.
Well you look at that. Another comic hahahaha why did I do this to myself—
But I do enjoy drawing this comic! It was a different kind of challenge, where this one focuses a lot on close-ups, so I need to learn about the subtlety of expressions. Can’t say I learn a lot (I use lots of copy-pasting of the same position lmao), but I still learn... something!
This beautiful one-shot fic is titled i keep the warmest truth by Dehawny. If I have to summarise the fic, it’s basically Ace!Gojou and Adorable!Yuuji. It's more like gray ace but better keep the “A” going, haha. And as usual, the fic is NSFW, so please do read the tags before you decide to give it a read.
Ace!Gojou is something I don’t know I need. I think I love almost every kind of Gojou headcanons, but Ace!Gojou holds a special place in my heart. I could be biased as someone in the ace spectrum, but the way Dehawny wrote Gojou and Yuuji’s interaction is truly heartwarming. And also a bit possessive, but I wouldn’t have it any other way. Possessive Gojou is my jam.
And Yuuji. Oh, dear lord where do I even start with this boy. I don’t have enough vocabularies to express how much I adore Yuuji. Him being his horny teen-self and constantly worrying about making the pleasure mutual is too much for my heart. And he’s still understanding of Gojou’s sexuality. Yuuji is kind, like that. Don’t mind me as I’m crying out happy tears in the corner.
Alrighty, below are my thoughts as I drew this, as usual haha:
After I got a taste with comic-making from my previous GoYuu comic, this one is a bit easier to plan once I narrowed down the scene I want to draw. I wanted the comic to start with Gojou positioning himself and Yuuji in the futon, bringing up Yuuji’s question weeks ago, but that means I have to draw 10+ pages and I was like, “haha nope”. I still love my hands, thank you very much. So I start with Yuuji’s reaction after Gojou explains a bit about his sexuality.
Panelling is still a struggle. In a way that I still feel that the layout can be improved, but I can’t for the life of me figured out what needs to be improved. I guess this kind of thing will come eventually, but not now.
During the sketching, I must say I got super hyped drawing Gojou’s eyes. That eye close-up? I really want to try making it as ethereal as possible in an achromatic setting. It’s intimidating, don’t get me wrong, but I have always loved drawing eyes since I was a kid and this is a fun thing to test my love for eyes.
If I have to complain… it would be the intimate position of them laying on the futon. I never really try drawing “couple-like” positions before, but it was really hard! Like, holy shit, can you guys stop being so awkward looking? Where the hell did I draw it wrong??? Thankfully references have helped me a lot with positioning.
The line art took sooo much time because I realise I want to make Gojou and Yuuji more… buff (kinda) so I need to re-sketch a bit :(( but the result is better than the previous one, so I’ll take what I can get haha. And I start to really like using screentones for shading—once I properly learn how to do manga layout, I think I might fall in love with drawing mangas!
But overall, this is a fun process to do, and I hope you enjoy the comic and this rambling of mine! :D
450 notes
·
View notes
Our stories aren’t the same, but maybe we can understand eachother regardless.
Here it is! Oh my goodness this took FOREVER but I’m really happy with the result (especially the cover!) I wanted to make a small comic exploring John’s boundaries and baby steps in trust and comfort, Caro’s transition, and how much things have changed in the many years they were apart before reconnecting. There’s always going to be new things when there’s almost a decade between the last time you saw someone. For some reason I decided it needed to be full color. Anyway enjoy this tender moment disguised as a thirst trap. ✨
I think this little life snippet stands alone, but of course if you want to know more about them, they are side characters in my webcomic Seemingly Dark, and the mains in my webcomic Mil-Liminal, both can be read on Webtoon and Tapas.
John (sometimes Sully) is he/him gnc grey ace and Caro (sometimes Angel that’s not their dead name though) is they/them transmasc nonbinary
Edit: fucked up a word in the last panel, fixed!
262 notes
·
View notes