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a-libra-writes · 1 year

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Ok you did rocky and nico but what about Mordecai with widow reader with three kittens? (bonus if you include aunty Serafine and uncle nico)ps I love your writing!

This one is a bit different from the other widow-with-kiddo asks but I hope its still to ur liking ~

Firstly! Regardless if you're working the Marigold Room as a bartender or musician, or you're in the gang directly, the kittens are often at the hotel. The staff knows them, the managers don't mind because they stay away from guests, other gang members are familiar with them and make sure they stay outta trouble. The hotel's back rooms and staff quarters are like an endless maze to the kiddos, and they know the whole place like the back of their hands. ... Kinda.

Not to mention how they're doted on by everyone - Asa gives them candies, Nico tosses them high in the air, Serafine is kind of scary but she gave them these funny bracelets (made of bones??? but theyre funny and she's pretty so it's okay!), various hotel staff cooing over how cute and well-behaved they are.

And then there's Mordecai. He's pretty scary to adults, let alone kids. When he sees them skittering around in the peripheral of his vision, he has to frown even more. Who let these wayward children in here? He hears them running about the halls and empty offices while he's trying to do accounting. And as much as Mordecai wants nothing to do with them, he's a figure of great interest to your kittens. Someone who isn't cooing over them? Whose in an office way in the back, only one light on? The one who follows Mr. Sweet and dresses in all black? Their little imaginations run wild, even if you've plainly told them that "Mr. Heller" is your colleague and to leave him be.

The oldest one approaches him first. Which is to say, she lingers behind the doorway, peeking in and thinking he can't see her tail and ears sticking out. He hears the younger ones shushing each other. As much as Mordecai wants to be annoyed, instead, a painful deja vu comes over him. Your oldest finally patters in with a nervous "Mr. Heller?". Before he can ask what she wants, she plops a candy on his desk and runs off, the other kittens right behind her.

As much as the shadowy cat doesn't want the trio bothering him, he's torn about them being so fearful of him. All three of them stir up painful familiar memories of his sisters, but the youngest especially reminds Mordecai of Rose. He tries not to think of how old she and Eshter are now, if they miss him the way your kittens miss you when you're away. It's hard for him to keep up his cold exterior when those painful memories bubble up to the surface.

So when the oldest comes by his desk, he finally sighs and says with a frown, "All three of you, just come in and show me what it is." And the other two shuffle in, with their big eyes and hand-me-down clothes and it's just. Very difficult not to dismiss them.

The two youngest have decided he's their "secret friend", even if you were well aware of how they liked to pester your overly serious colleague. You'll watch your girls draw him alongside other people they know (why does he always look so shadowy and sketchy, even in crayon form?) but you don't know they like sneaking their drawings into his satchel or desk drawers. They'll leave wrapped candies and pretty strings and buttons too, to his exasperation. Eventually Mordecai walks over to you and drops a handful of the little treasures at your table.

"Gee, Mordecai, I'm flattered. You know what a guy/gal likes."

"Don't be ridiculous, I'm returning what your snooping progeny keep leaving me. Tell them to stay out of my things."

"Looks to me like they're trying to add some color to that depressing office you hole up in."

And so on, and so forth, you two really like to bicker, don't you?

(Oh, and Mordecai starts keeping the door shut and locking it, but then he hears giggles and sees them shoving the pictures and little things under the doorway.)

Now they aren't afraid of him at all, which means they want to run about Mordecai and get his attention. They'll giggle as they dart between his legs or "hide" under his coat. Their fur gets all over his black clothes. When they inevitably tumble and fall, he picks them up by the collar or under the arms and scolds them for running indoors. And he yanks them down when they get too rowdy and climb up furniture, or sometimes he finds the youngest one crying because she got lost and takes her back. If he catches any of the kittens with an unlaced boot or messy face, he stops them immediately.

"Stop! Lace up your boots immediately. You'll trip and crack your skull open. Don't run in the hotel lobby, either. This is an establishment, not a wild jungle you can traipse about in - keep still, what is on your face? Is that - syrup? Did you not think to wash your hands and face after - no, there will be no giggling about breaches of hygiene -"

(A few people are staring as Mordecai fusses over her, which he doesn't notice until a woman walks by and says, "oh, it's so hard at this age, isn't it? Don't worry, you're doing great." And he dies a little a lot inside).

He tried doing these things in secret, but inevitably one of the Savoys or Asa or you would spot him, and the youngest one loves prattling on about him. Asa, Nico and Serafine find "Nanny Heller" to be hysterical. He's going to throttle someone or plan a murder swear to god-

There's been several moments when you hear a high-pitched squeal that sounds like a scream, and you run over in a panic ... and oh, it's just Nico dangling one of the kittens upside down and pretending to lose his grip. False alarm - wait, why is Mordecai here too?

If you're a triggerman with the gang, it means you're keeping all sorts of odd hours. You've been with them for years and you're more than useful, so having the children set up in an empty office isn't looked twice at. They've got their bedding, some books and toys, and ... sometimes they're sleeping there more than they sleep at home, which you aren't proud of. It's not just the cost of childcare, but the odd hours and questions being asked about your job, especially if you're a woman.

The first time Mordecai came across this office was by accident, but he knew the children had to be staying somewhere. He walked up very quietly, and looking through the open doorway, saw the oldest doing her homework at the big desk while her two siblings slept under it, curled up with their pillows and blankets and stuffed toys. He didn't think he'd be affected so strongly, but it was painful. A very, very painful reminder, and maybe he saw himself a little too much in that girl, furrowing her brow and making sense of numbers.

You and Mordecai have had strange arguments about the the children, which was odd at first. You wondered why the so-called unfeeling triggerman cared at all. If he felt you were being too reckless during a job, he'd tell you as much, but there was more bite in his voice. He never outright said 'you have others depending on you', but it was in his tone. Many times you felt judged, or looked down upon - but a lot of these fights weren't about you specifically. It was the situation that upset him, the lengths one had to go to keep their family fed and safe in a clean environment. He was definitively projecting, and not always aware of it, or just in denial about it. Mordecai tried not to dwell on his own mother and sisters: what they felt when he didn't come home one day, when they read that letter explaining where all the money was hidden, when the realization sunk in for Eshter and Rose that their brother wasn't coming back. If they were sad, or angry, or resigned, or didn't think of him at all anymore. Or maybe they'd resent him forever.

Look he really doesnt want to be thinking about these things -

After long jobs, you'd wash the blood off and change shirts and tiredly walk all the way to the back rooms where your kittens were sleeping. Sometimes you stir the oldest awake so she can help you carry the other two to the car, but honestly, the only apartment a single parent with three children can get is pretty shit. So most times you just curl up on the floor with them, catching a few hours of sleep before you need to wake up the oldest for school.

You hold her hand as you walk through the back rooms and out the staff exit. Sometimes Mordecai sees you. You wear the same tired but persevering expression as his mother did, looking a mess compared to your well-put together daughter. He knows she washed up and dressed herself, and packed her own bookbag. She has that look of responsibility and eyes that are a little too old, and it's too familiar, so he looks away.

(Sometimes the oldest finds an extra sandwich in her bookbag, or new pencils and one time, a new pair of mittens. She feels like it's magic, so she doesn't want to tell anyone, otherwise the magic will 'break'.)

You and Mordecai already have a very strange relationship (can you call each other friends yet? You'd consider him that, or something more, but his feelings are something else entirely), and your kiddos would certainly add another layer of strangeness onto it. You might actually get to know him a little faster and closer than most do, or at least see a side that most people have never seen or even considered him capable of.

#mordecai heller x reader #lackadaisy x reader #also i hope it's not too OOC but i enjoy putting this emotionally repressed murdercat into Situations #yall know how He Is

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forgondor · 1 year

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I haven’t read the book so I can’t say but something that struck me in James Ivory’s 1987 Maurice is the fact that Maurice & Alec’s relationship is started by Maurice unknowingly sending a signal to Alec, which Alec largely misinterprets, but it works out anyways, and much later at the end, when they meet at the boathouse, Alec goes “did you get my wire” and Maurice goes “what” because again he completely missed that signal but it doesn’t matter because he’s here anyways. And it’s like. There were a million mistakes to make and a million mistakes they made, but somehow, they find their way to each other, almost unwittingly. Maurice says “It’s a chance in a thousand we met” but I don’t think that’s true. I think it was always going to be like this, in every world they would have found each other. It’s the way they fall into each other’s arms so easily and they try to get away from each other but they can’t and they’re separated by so much but they still collide... This story is SCREAMING at us that no matter how impossible it is no matter how alone and repressed you feel you mustn’t lose hope because your love will find you and you can’t avoid it! You will be happy!

#this isnt about being soulmates i don't really believe in soulmates nor do i love soulmate stories #this is about how queer people have never been alone and have always found each other throughout history even in the most repressed of times #this is about how maurice never gave up on his hopes for happiness and ultimately thats what brings him happiness (unlike clive)#if you trust life and you put yourself out there and you're true to yourself then happiness will find you #just dont lose hope #it's also when alec says 'when you arrived i thought I want that one and look at us now' its like well of course. of course #meant to be etc #also intertwined with the themes of nature and the natural and freedom etc #maurice #maurice 1987 #maurice and alec #maurice hall #alec scudder

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