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#I had this sitting in my drafts...
karlydraws · 1 month
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Yeehaw-verse
: let's get this already western themed media more western
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Showdown at Gunsmoke
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Ruby Ryder
(I know this rifle isn't going to work but I had to incorporate a cross somehow... I lack imagination )
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cleric4vampire · 1 month
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wyll.y.am ravengard, I love you so
everyone loves to put him in gold (rightly so) but my personal style is lots of silver jewelry + heavy eyeliner so that's what I gave him. also roses because he's so damn venusian
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charbies · 9 months
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walking the tundra
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greenllamas · 1 year
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The Downtown Collection (13 items) | greenllamas
The Downtown Collection is a 13 item set inspired by autumnal metropolitan street style and aesthetics. Let your sims live out their wattpad fantasies of being the “mysterious sim on the train”
This collection includes:
2 Hairs
3 Tops
2 Bottoms
2 Pairs of shoes
4 accessories (including an accessory jacket)
notes:
All items have LODs, shadows, spec, and bumps + custom thumbnails so you should be able to find everything in the same place as the rest of my stuff in CAS.
All items are tagged as feminine
For more details on how many swatches each item has + the names visit the item index linked below.
If there are any issues with the items PLEASE let me know and I will try to get them fixed asap!
DOWNLOAD (free)  | Item Index | Discord
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i-mode · 1 year
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puts this on the table and looks away slowly
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messiahzzz · 6 months
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i have seen several posts around that addressed how discouraging gale from taking the crown of karsus is “keeping him from realizing his true potential.” that tara is merely upset at his choice, instead of being utterly devastated at the loss of her little love. that it’s not a bad ending per se because to get there he didn’t need to sacrifice 7000 innocent souls in the process. gale isn’t continuing the cycle of abuse either, he still appears to love tav and does come back for them to offer them ascension. he wants them to be equal, so it can’t possibly be an unhealthy dynamic, right?
but what of gale himself, his own convictions, values, and everything he holds dear? everything flawed and human that shaped him into the person he is?
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player: are you saying you want to ascend? claim godhood?
gale: no, not like that. i don't want to join them. i want to better them. a god's powers, paired with a mortal conscience, a mortal heart.
gale’s motivation for acquiring godhood is that he will able to aid mortals in a way no other god has ever done before. he won’t hide behind pretense nor require blind devotion of his followers. he will understand and be able to empathize. he wholeheartedly believes that he will be different - he will act.
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gale: [..] the gods could aid us if they wished, but instead they cower behind ao. so let us act ourselves.
gale believes that by becoming a god he will kill two birds with one stone: aid mortals and acquire enough power to quash any of his insecurities and enemies in the process. that by ridding himself of every perceived flaw he'll finally feel like he will have enough to offer - maybe, just maybe he'll even be content. his flaws are merely holding him back from becoming the best version of himself, and by ridding himself of everything fallible, he will be whole. maybe this is what all of his suffering has led up to. maybe the orb chose him. maybe the reason he had to endure all the pain, isolation, and excruciating loneliness was so that he could realize that he was meant for something even greater. after all, power feeds ambition. and what is more powerful than a god? his convictions were certainly naive, he possesses enough knowledge to know better. don't get me wrong, part of him definitely wants to spite mystra a lil. but his intentions at that time were mostly pure. a reflection of his self-hatred and feelings of inadequacy.
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player: this is wrong, gale. that power will corrupt you, even if you can seize it.
gale: it won't, i swear to you. it's merely a tool - a means to an end.
once we meet gale at the party in his new godlike form, it is apparent that even with all the power at his fingertips, he has reached no greater knowledge about himself. his insecurities are still as present as before, he merely is less subtle in his compensation - repeatedly highlighting his grandeur and how dull life on faerun is compared to the wonders of elysium. it is also genuinely crushing to see how little he thinks of himself even now.
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gale: i was nothing. a drifting dust mote of a wizard, abandoned by my goddess, my powers lost, my reputation destroyed. and look at me now. i'm their proof.
any perceived dismissal of his Greatness™ is met with immediate disdain.
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gale: a bold decision to treat a divine being with such cold indifference.
nodecontext: aloof, annoyed you weren't impressed with him
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gale: you mortals do love to live dangerously, don't you?
nodecontext: the slightest hint of a threat - you've probably made an enemy here today. or at least, you've lost a friend.
he is still desperate to impress. emphasizing what an honor it is that a new-born god chose to bless their little soiree with his presence. gaze upon all his divine glory! gale has now become the embodiment of everything he criticized about the gods. his original intentions and plans are discarded and long forgotten. he assuages his erstwhile companions by telling them to simply pray to him, in case they should ever require aid. if they're lucky and their ambition pleases him, he might even deliver.
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player: what does the 'god of ambition' offer to his followers?
gale: i 'offer' them nothing. i inspire them to seize their destinies for themselves.
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player: interesting, so you help mortals help themselves?
gale: precisely. though that isn't to say i'm averse to the odd bit of direct encouragement.
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gale: [..] my aims are set a little higher than offering cursory blessings to just any half-decent spellcaster.
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gale: regardless, ethical quandaries are more the remit of my mortal devotees. they do love to talk, and faerun is starting to listen.
aiding "any half-decent spellcaster" is unbefitting of his status. he isn't concerned with questions of ethics and morality either. deeming such matters beneath his divine capabilities.
once gale has ascended and established his domain, what remains of the gale we knew? what of his mortal heart?
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minthara: your ambition is not cruel, but you fear that if you indulge it, you will lose yourself in the mysteries of the weave and unravel the world.
minthara: you are afraid of so many things, and it is that fear that keeps you true to yourself.
gale did lose himself and ultimately became one of his biggest fears. considering that his existence as a being of pure ambition leads him to constantly seek out greater heights, it isn't farfetched to believe that raphael's prediction will indeed come true.
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player[astarion]: ambition? finally, a god i can get behind...
gale: i assure you, this is merely the prelude to a far grander vision. elysium's in for something of a shake-up.
all that remains of gale is a thin veneer of the person he used to be. what he presents is a hollow echo of the old gale. he does retain some of his mannerisms and quirks, but he is definitely a lot colder and more condescending. if his personality already changed that drastically after a duration of only 6 months, what will he inevitability turn into when he has eternity at his disposal?
essentially, you are aiding gale in the eradication of himself. eradicating everything about him that made him into the loveable, charismatic, awkward, kind, buoyant person he was. everything about him that he perceived as defective, flawed, and lesser-than. before, his hubris was merely an expression of his own discontentment and low self-worth, but now he is hubris incarnate. all of his worst qualities have been amplified.
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gale: i am ambition incarnate. as indistinguishable from that most potent sensation as mystra herself is from the weave. and word is spreading.
nodecontext: palpable, almost unsettling excitement from him - hint of megalomania
he put his trust in tav, trusting their judgment and relying on them to nudge him in the right direction. after all, they had plenty of opportunities to show him that they are an ally worth following and confiding in. but in the end, the prospect of what he could be, the things he could give them, the enemies he could yet conquer, won over the desire to simply accept him and help him rebuild a life on solid ground. tav denied him the unconditional love he craves most out of their own selfish desires.
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tara: you were looking out for him. i expected better of you.
as i've already mentioned, gale desires nothing more than to be seen, accepted, loved, and valued. having a partner who wholeheartedly supports and believes in him is enough to make him feel content. most importantly - he just wants to live. to enjoy life with everything it has to offer. his ambition can’t be quenched because he hungers still. believing that only by acquiring more power will he finally be enough and reach said acceptance.
we see in his good ending that his own contentment was even able to influence and (temporarily) sate the orb's ever-present hunger:
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gale: [..] or perhaps the orb's hunger was fuelled by my own, and my contentment influences it in much the same way.
gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.
it is devastating that he doesn't reach the same feeling of fulfillment if he chooses to pursue godhood, and is instead compelled to continuously surpass his own accomplishments. not being granted rest or reprieve.
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gale: i achieved everything we hoped i would, and still i'm not good enough for you?
gale pursuing godhood isn't evidence that he "has been evil all along" or that he "just waited to be unleashed" either. we can't diminish tav's influence in this outcome, they are after all an extension of the player. able to steer every companion toward a path of redemption or to enable them in their worst traits. fandom has already established that by letting astarion ascend you are actively supporting him in becoming the very thing he despises most, putting your own ambitions and idea of what you want him to be above his healing, this is no different.
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tara: the gale i knew wasn't like this. he recognised his mistakes. he was contrite. all he wanted to do was live.
tara: unfortunately, he fell into company that turned his gaze towards foolishness. yes, i mean you.
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player: gale is his own man, tara.
tara: false. he was mine. though now he belongs only to his own pride.
yes, the epilogue cutscene is beautiful and there is something bittersweet and romantic about his love for tav being one of the few emotions that remained a constant throughout the past 6 months. he didn't need to come back for them, but he did cause he loves them still. no matter how warped his definition of love may be now. while it is abundantly clear that tav ranks lower on his priority list than they did before, his commitment remains.
gale fears isolation, hoping to never return to the time when he was hopeless and alone, stuck inside his tower. by heading in this direction he is once again creating a self-fulfilling prophecy.
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tara: [..] if i pretended you hadn't turned tail on every lesson you set out to learn, i'd have no right to call myself your friend.
morena may as well have already resigned herself to her son’s death. elminster partly blames himself. for his lapse in judgment, as well as being the one who plucked him from obscurity in the first place. mourning the kind, bright-eyed boy who cried at the scorched roses in his neighbor's garden. tara won't be here anymore to care and look out for him either. he has lost his oldest and dearest friend, the one who witnessed his downfall from grace and never left his side. who believed him to be the finest mind AND the finest wizard she's ever had the pleasure to know. who was certain that he’d find a way out of any crisis no matter the circumstances. ...and if tav declines his offer to ascend with him? what does he have left?
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gale: yes, i am rather radiant, aren't i?
tara: don't flatter yourself, gale. you've debased yourself in ways i could never have fathomed.
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tara: goodbye gale, i hope the heavens are worth it.
gale’s godhood ending deals with the loss of humanity, the loss of oneself, and everything one holds dear. it is a devastating and bone-chilling narrative. it is a tragedy.
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gale: i hope you don't think less of me. great ambition should not come at the expense of what you already hold dear. i see that now.
if gale could see himself, he would be horrified at the losses he deemed necessary to get here. he would be horrified at what he’s become.
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xiaowhore · 10 months
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scribbled hearts.
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premise. alhaitham learns to stop falling asleep in places that isn't his bed the hard way. (alternatively, in which the librarian doesn't follow the script to wake sleeping beauty.)
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Kaveh finds Alhaitham furiously scrubbing his face in the bathroom.
At first, he's absolutely ecstatic. For all that Alhaitham refuses to practice skincare, he's never gotten a zit on his face. An earth-shattering revelation to Kaveh, who maintains a strict nightly skincare routine—he's never gone to sleep without a moisturizing facemask. It's not the most infuriating thing about his roommate, but it annoys him that a guy who only washes his face in the morning has clearer skin than he does.
Is this it? Is Alhaitham receiving retribution at last? Is he finally suffering the consequences of his carelessness?!
But when Kaveh cranes his neck to get a better look at Alhaitham's face, he doesn't see any of the sort.
“Dude...” Kaveh can't even laugh due to sheer incredulity, staring at Alhaitham with a pitying look. Alhaitham thinks it would be less irritating if he just laughed in his face. “Did a third-grader pick on you?”
Alhaitham grits his teeth, wiping the remnants of ink on his face. He's mostly gotten rid of the sparkly anime eyes you drew over his eyelids, but it still looks like a fading black eye. The blush lines on his cheeks are a work in progress, but they'll disappear with some effort.
“They have the maturity of one, at least.”
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Alhaitham has met his fair share of librarians—there's the stern, no-nonsense kind he's gotten forehead flicks from every time he's caught dozing off on his thesis paper; the introverted bookish type who stutters as they nervously but firmly tell him off for hogging all the books a certain class needs for a report; the motherly sort who smuggles him coffee in his all-nighters when he looks like death itself...
And then there's you.
Cheekier than his brat of a roommate, you somehow manage to annoy him like nobody else can. He'd rather have you scold him for treating the library as a second bedroom than clip ribbons to his hair whenever you catch him sleeping. Hell, he'd take a skull-shattering forehead flick over doodles on his face any day. But even if he preaches his troubles to anyone willing to listen, they're never sympathetic.
Because for some reason, you're never like this to anyone else.
If anyone at campus were asked to describe you, they'll say you're a model student. Scholarly, courteous, standing tall with dignified grace; you're the perfect picture of a goody-two-shoes. Nothing like the childish brat who terrorizes his nap schedule on a daily basis.
People who have a vendetta against him is nothing new. What he doesn't understand, however, is what he did to be the object of your wrath.
“Maybe [Name] likes you. Kind of like how boys bully the girl they like,” is the ridiculous answer Kaveh gives him, dropping those words like they weigh nothing with a nonchalant shrug. Alhaitham would think it more likely for the reverse to be true; your insistence to dedicate your time into ruining his day is nothing short of admiration—surely a testament to just how much you hate him.
...Okay, so maybe Alhaitham could guess a few things for why. There's been a handful of times (read: it happens at least thrice a week) he kept you stationed at the library longer than you had to be because he fell asleep until closing hours, and he has a tendency to forget returning the materials he borrows for his thesis to the library...
So. Perhaps this was a consequence of his actions after all.
He argues that there are far more mature methods to resolve this issue, though.
Alhaitham stares at the crudely drawn portrait scrawled on his arm, deeply unimpressed. Although he's not one to boast about his looks, he's rather sure he isn't as much of an eyesore as you drew him to be, his nose an exaggerated point (a literal triangle) and his lips wide open as he drools, dangerously close to the rectangles he guesses are supposed to be books. Don't sleep on the reference books!! You'll get drool all over them >:(, reads the scribbled letters beside the portrait, an angry face scrawled haphazardly next to them.
(Still, by the corner of his eye, he spots a cup of his usual order of coffee, a neon pink sticky note pasted on the lid: Wake up and finish your report quickly, I have a show to catch at 8 :>
It would be easier to hate you if being bratty is all there is to your personality, really.)
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You scribble all over your notes.
It's a fact Alhaitham has known about you since long ago. Everything else about you is neat and orderly, but every page of your notebook has some sort of doodle on the corners. They range from meticulous side-profiles of whoever sits beside you that day to meaningless hearts and smiley faces akin to what a five-year-old child might make.
If you've chosen to be more artistic for the doodles you draw all over him, perhaps Alhaitham might not mind as much. It's unfortunate you much rather prefer drawing exaggerated tear streaks on his face.
“I'm quite certain this is a form of harassment,” Alhaitham grumbles, rubbing his face with makeup remover. As pointless as it is to express his woes to the cause of said woes, he finds himself seated before the reception desk to keep you company anyway. “I don't understand why you're still doing this.”
“It's a punishment for falling asleep and keeping me holed up in here to guard the library until it closes,” you drone, fixing the library cards. “And yet you still refuse to stop. Is it really so hard to go to the dormitory instead?”
Alhaitham shrugs. A sigh inevitably escapes your lips.
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Eventually, you run out of stupid things to draw on his skin whenever you catch him sleeping.
You start to write your shopping list on his arm instead.
“Why on earth would you need three cartons of eggs?” Alhaitham leans against the desk you're stationed at, reading the bulletpoints on his skin.
Eventually, Alhaitham gets used to scrubbing off your vandalism too. It's his personal brand of skincare.
“They're on sale today,” you reply, signing the papers requesting new stocks of books. “And I was planning on baking, so it's better I have plenty of ingredients for trial and error.”
“Sounds heavy,” he hums, eyes scanning the rest of your list. “Want me to come with?”
At that, your pen stops moving. “...Why?”
“I need to buy cereal.”
(No he doesn't. Kaveh went on a grocery run yesterday.)
“Sure, I guess...?” It's an unexpected development, but you wouldn't turn away an extra pair of hands. “Should we get going, then?”
“Yeah.”
You raise an eyebrow. “...But you didn't borrow a book today yet. Aren't you getting anything first?”
Alhaitham looks around. “The book I wanted isn't here, so I suppose I still have to wait a few days for it.”
“What is it?” You click your pen, reaching for your notepad. (You already have one of those, Alhaitham seriously sees no point in you writing down your grocery list on his arm.) “I'll tell you when it gets returned.”
“...No, it's fine. Let's go, the eggs you wanted might be all gone if we take our time getting there.”
You jolt up in alarm, slinging your bag over your shoulder. “You're right, we should hurry!”
For all it's worth, you're pretty gullible.
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“You're still keeping that up?”
Alhaitham looks up from his laptop, fingers halting in their movement. “What do you mean?”
Kaveh scrunches his nose, pointing at the scribbles on his palm. “Your weird mating ritual. Can't you two communicate like normal people?”
Alhaitham glances at the mess you've made of his arm, full of little messages and doodles you wrote back and forth to each other during Biology period. Alhaitham had been, perhaps for the first time, not feeling drowsy. Regardless, you've taken to treating his skin as paper (“Save the trees,” you told him once, ignoring the disbelieving expression on his face), and Alhaitham has already accepted that you won't stop doing it as long as you still find it amusing.
“We do talk. Normally.”
“And if you do, why are you still doing... that.”
Alhaitham doesn't have anything to say to that. He did think it was inconvenient to wash all the messages off, and there are far more practical modes of communication.
But for some reason, he can't find it himself to say that he outright dislikes it.
And maybe he traces the shapes you draw on his skin, in the private confines of his room where no one can see him. Maybe he admires the smooth strokes of your penmanship, the adorable curls of your letters, the bubbly font that always makes him chuckle because it's just so like you.
There are hearts sometimes, or even flowers when you feel like drawing something more detailed. The ugly sketches of him sleeping are somewhat annoying, but he still finds himself endeared. Though some things are appallingly inaccurate—you've done his nose a horrible injustice more than once—he notices the correct placement of beauty marks on his face, the sharp edges of his eyes, the meticulous dimple that faintly appears when he smiles.
A thrill runs through him when he thinks of you paying attention to him, more than you've ever given anyone else.
And, well. Alhaitham's certain he's been doing plenty of that for you.
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“Don't you think you're being unfair?”
You pause in your typing, averting your eyes from the computer monitor to glance at Alhaitham. “Unfair in what, exactly?”
He mindlessly spins a pen with his fingers, staring at the blank canvas that was your arm compared to the sketchbook you've made out of his. “You're the only one who writes on me.”
“What, you want to write your shopping list on me for a change?” you arch up an eyebrow, unperturbed. “I thought you said it was impractical.”
“I never said I wanted to write my shopping list.”
“What else would you write, then?”
Alhaitham reaches for your arm. “Give me your hand.”
You blink, not quite unwilling yet confused all the same. You offer your hand and he uncaps his pen, scribbling on your palm. You've never been on the receiving end of this little game, so you're not sure what to expect from him.
“There.” Satisfied, he lets go and stands up. “I'm going home for the day. Good luck with the rest of your shift.”
“See you tomorrow, I guess...?” you wave at him in farewell, but he's quick to spring on his feet and dart out the door. “What's his deal...”
You turn over your hand, seeing a string of numbers written in neat font.
“Oh.”
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Alhaitham feels silly for anticipating a text like some lovestruck teenage girl who exchanged numbers with her crush.
The blinking cursor on his blank essay document almost looks mocking, and as time passes by, the only word he's managed to type out is “The.” Even so, his attention is completely locked on his phone, devoid of any notifications.
If it weren't for Kaveh being nosy the other day, he wouldn't have gotten the idea of giving you his number. He did think something had to change, but he didn't know how to get there. But now that he's gotten this far, he can expect a little bit, right?
At last, his phone chimes its long awaited notification. Alhaitham is quick to ditch his laptop and shuts it closed, reaching for his phone where it sits on his desk. He swears he's never typed his password so fast before in his life.
Unfortunately, the text he's been anticipating for a good portion of the day is nothing but a disappointment.
Unknown number: eggs milk whipping cream flour
Unknown number: baking powder cocoa powder vanilla extract sugar
What was he expecting anyway?
He sighs and leans back on his chair, solemly pushing his laptop open. He doubts this message requires a response back.
Another notification lights his phone.
This time, Alhaitham doesn't even have the energy to unlock his screen. He squints at the notification preview.
Unknown number: wanna come over when I finish baking the souffles?
He doesn't quite drop his phone in shock, but it's a near thing.
You: I'll go carry the groceries too.
Unknown number: thanks! 💖
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kinnbig · 3 months
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✨ Simple Gif Colouring for Beginners ✨
I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.
when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!
a couple of things to begin with:
I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!
I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.
as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).
I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.
this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.
okay, full walkthrough beneath the cut!
contents:
1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!
1. intro
the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.
if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!
* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)
✨ natural gif colouring goals
part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!
in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:
brighten dark scenes
remove muddy, yellowish lighting or filters
saturate colours
correct any skin lightening filters or overexposure
make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos
this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!
✨ very very basic colour theory
[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]
the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).
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so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.
in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.
it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.
looking at the colour balance sliders on photoshop can make it easier to visualise:
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so making a gif more red also means making it less cyan.
removing green from a gif means adding magenta.
taking yellow out of a gif will make it more blue.
tl;dr:
neutralise yellows by adding blue (and vice versa)
neutralise reds by adding cyan (and vice versa)
neutralise green by adding magenta (and vice versa)
2. super simple colouring (the essentials)
starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)
some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.
I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.
so here is my base gif!
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it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.
colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:
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there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.
I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.
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✨ curves layer
the first thing I always do is a curves layer. when you first open one it will look like this:
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first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.
if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.
the next step is selecting the white and black points with the little eyedropper tools.
the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.
here's what that did to the gif:
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then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.
here's what the gif looks like after picking the white and black points:
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this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.
and this is what the curves graph looks like now:
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you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.
next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.
‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.
✨ selective colour (and skin tone correction)
skin tones are made up of a mixture of yellow and red.
removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.
adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.
selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.
I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.
in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.
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the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.
here's the result. Kim's skin is a lot less pink toned and much more natural looking:
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✨ hue/saturation
this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.
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I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.
clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.
I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)
then I increased the 'master' saturation of all the colours to +5:
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I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.
‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.
done!
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✨ saving and reusing colouring
you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.
each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.
I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.
✨ another one! (speedrun!)
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HI KEN!
the white point for the curves layer was in the window behind them.
the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.
3. other adjustment layers
imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.
✨ brightness/contrast
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pretty self explanatory!
I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 
the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.
✨ levels
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levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.
use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.
levels is a good place to start if your curves layer isn't working.
(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)
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on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!
✨ vibrance
vibrance... makes the colours more vibrant. it's more subtle than saturation.
it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.
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vibrance is much more subtle!
✨ colour balance
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colour balance affects the overall balance of colours within a gif.
it's good for scenes with heavy tints.
I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.
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✨ channel mixer
I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.
basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.
kind of the reverse of selective colour?
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so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.
this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)
(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)
4. troubleshooting
‼️curves
usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(
for example, with this base gif:
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using many of the brightest points as a white point turn it wacky colours, like this:
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yikes :(
some options for these cases:
try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.
try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.
skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.
‼️over/undersaturation
if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.
oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.
5. fin!
and done! I hope this was coherent helpful to somebody.
if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.
happy gifmaking 🥰
✨ some links!
photoshop basics by @selenapastel
gifmaking for beginners by @hayaosmiyazaki
gifmaking guide for beginners by @saw-x
dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)
beginner's guide to channel mixer by @aubrey-plaza
how to fix orange-washed characters by aubrey-plaza
colour correcting and fixing dark scenes by @kylos
does resampling matter? by usergif
how to put multiple gifs on one canvas by @fictionalheroine
watermarking using actions by @wonwooridul
resource directory by @usergif
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ronsenthal · 3 months
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What do we need to do?
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emblazons · 3 months
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"This Planet's Still A Kid. A Little Kid Sick And Trembling In The Middle Of This Huge Universe. Someone's Gotta Protect It."
The Party // Playable Characters in Final Fantasy VII (Rebirth)
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witchyafterdark · 2 months
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—Sebastian Sallow Headcanons; pt. 2
• The Pros and Cons of being with him •
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These are just some of the headcanons that might manifest if you ever think about dating this one of a kind man, Sebastian Sallow. Once again, these are my personal thoughts, so take them with a grain of salt. None of these screenshots belong to me. All credits to their respective creators and owners! 💚
・❥・ PROS
Being with Sebastian is like a breath of fresh air every single day.
Even in the most mundane of moments, he won't be short of new things and experiences to enjoy with you. He makes sure that you're always happy in his presence that every time you have to spend some time apart, you can't wait to see and be with him again.
Your safety and security is top-priority to him, in more ways than one.
He has no qualms in joining you break the curfew to go adventuring in the highlands. Whenever he gets the chance, he slips a vial (or five) of Wiggenweld Potions into your robes in case you go fighting spiders, trolls, and Ashwinders without him. And when you come back to the castle with scratches or marks on you, best believe he will fuss over you regardless if you're in public.
But it's the little things that really matter to him.
Whenever you spend the night in his dorm, he ensures you're comfortable in his bed; grabbing extra pillows, giving you an extra blanket so you don't end up struggling with him over it, and casting a warming charm over the foot of the bed to keep your feet cozy.
He might even start to buy ribbons or hair ties for when you need them but don't have any on you at the moment. You're thirsty? He has another water canteen for you. Your seasonal allergies bothering you? He's got another set of handkerchiefs just for you. Your neck hurts from being hunched over while reading? He won't even hesitate to massage the back of your neck in soothing motions. You missed breakfast? Don't worry, he pocketed and kept warm a bunch of fresh muffins just for you.
When you get sick, you can only imagine the things he would do to nurse you back to health.
Sebastian is actually an expert in time management. It doesn't matter if he has classes in fifteen-minutes. He would have asked the house elves to prepare you a hearty bowl of vegetable soup, personally brought it to your bed in the Hospital Wing, and he would truly spoon feed you without hesitation. He would also do all your missed homework for you, and duplicate all his notes for you to go through once you're well. And he will see to it that you're nursed back to health by hook or by crook. He will sneak up to the Hospital Wing in the middle of the night just to check if you're sleeping well, or if you're awake and you need anything from him. He's very, very caring.
Of course, not everyone is a fan of the Hero of Hogwarts.
So, when he hears some students spreading nasty rumors about you, or badmouthing you, he will see to it that this kind of defamation ends within the span of a day. He will not allow anyone to talk bad about you, and would protect your reputation to the best of his abilities; even if he has to... dirty his hands a lot.
You will always feel loved by him, in all the sense of the word.
Even though he would be mindful of his public displays of affection—he actually likes to keep more intimate moments with you a bit more private and "for his eyes only"—he doesn't shy away from holding your hand in public. One of the simple things he enjoys doing is to guide you around with his hand on the small of your back, always keeping physical contact with you. Sweet kisses, hugs, comforting words, unexpected and unprompted gifts, catching him staring at you lovingly (and him denying this cutely), and being at your beck and call are just some of the things he loves to give you.
Beyond the surface, he is actually very in-tune with you and how you fair in the relationship.
Sebastian can perfectly read a person within a given time period. He managed to become Ominis' best friend, who is quite aloof and very guarded. This is because Sebastian has a way of appealing to people in a genuine way. This quality of his definitely extends to your relationship with him. He already senses when you had a bad morning, or when you're not in the mood for anything. He also doesn't push you to explain yourself if you don't want to. He will, however, do whatever to make you feel seen and heard in the moment, and won't invalidate your feelings... as long as you see eye to eye.
→ His romantic and compassionate gestures would grow even further once you've both graduated from Hogwarts, and are free to explore the full extent of your relationship.
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・❥・ CONS
He is aware of the weight of his baggage in life, and is quite stubborn about it.
(This one's not so much of a disadvantage but just something to keep an eye on).
Dealing with a lot of traumatic events and death of family members since childhood is bound to change anybody, and Sebastian is no exception. And since things just kept piling up on top of the other as he grows older, he is surprisingly stubborn and immovable about the things that has happened to him. The devastation of Anne's curse and the subsequent death of Solomon had left an indelible mark on his own perception of himself.
If there's one thing about him that you should know, it is that he refuses to be treated as a helpless victim of circumstances. Even if you're coming from a place of good intentions and wanting to help him overcome his trauma, he doesn't like to be helped unless he asks for it. And more often than not, he prefers to bury his emotional torment under a cool and controlled façade.
Talking about wanting to help him heal from his past is one way to push him into becoming emotionally detached from you. He'd rather swallow all the hurt than trying to heal from them; because dealing with them, no matter how beneficial it can be for him, will make him face his perceived weaknesses and supposed failures in life. And if you really push him to talk to you about these things, he will end up projecting all that trauma onto you and the relationship to "give you a taste" of what you're asking for.
With that said, he won't allow you to sway him from things he set his mind into—even if those things are deadly for him and the people around him.
To understand Sebastian, you only need to observe why he does the things he do. He doesn't do things without a purpose, without reason. But when his reasoning becomes severely clouded by his need to succeed, no amount of effort to persuade him otherwise will help your cause. In his mind, you're either with him, or against him. This laser-sharp focus and tunnel-vision can be viewed in a positive light. But too much of something can lead to the worst outcomes. And in his oldest friend's words, "he doesn't know when to stop." He doesn't go to sleep when he's tired, he goes to sleep when he's done. And while that is an attractive quality to a certain point, he doesn't know his limitations. That means he won't stop unless he gets what he sought out to achieve, even with the risk of life and limb.
In the same vein, he will do absolutely anything to get what he wants; and won't take no for an answer.
The ends justify the means for Sebastian. While he can be the type to think before he acts, what usually happens is that he thinks at the same time he acts. And if you ruminate about it, that kind of behavior can be quite alarming due to the notion that he thought about the repercussions or the moral standing of a certain action, yet still acting upon it. He knows what he's doing is wrong but have no problem justifying what he does without hesitation. In a life or death situation, this kind of attitude is beneficial because he can think quick on his feet. But you're not faced with life-threatening situations every single day. This makes you wonder... what kind of moral standards does he have on a regular basis? And what would happen to you if you get in the way of his plans?
On top of it, since he knows how to appeal to people's feelings, he doesn't hesitate to use that to his advantage very well.
Simply put, he knows which buttons to push in order to get you in his side. He will try to make you see that he's doing very questionable—or even downright heinous—things for the greater good. And he can do it in the most genuine, convincing way. He knows that you're attached to him, and he will monopolize on it for the other reason that he doesn't want to go against the person he loves.
But if you try to stand up against him, and try to persuade him into dropping what he's doing, his demeanor will immediately change. He will perceive your lack of cooperation as an act of betrayal, and will resort to other methods of manipulation.
And while he is also hurting from your direct disapproval, Sebastian can find ways to slowly but surely twist the nature of your relationship with him to get you to become co-dependent upon him to break down your defenses. This kind of tactic can eventually degrade the quality of your bond with him, and by extension, the way you behave with him over time.
If you decided to put your feet down and stand your ground against his decisions, best believe you're dead to him.
Sebastian can grieve the loss of his relationship with you, his beloved, but he won't ever let it show in public. It's as if he doesn't know you to begin with. In his mind, if you can betray him like that, then he shouldn't associate with you at all. No matter how painful it is to swallow the bitter pill of his new reality, he'll stiffen that upper lip and act as if it doesn't bother him at all. He is very, very stubborn.
(And yes, this is quite reflective of how he is with us post-credits because let's face it, him not speaking to us anymore was like a slap to the face. Even Duncan talks to us!)
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So, do the pros outweigh the cons for you?
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explodingquails · 1 year
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"I just can't stand having anyone else betray me."
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taintedcigs · 6 months
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modern!steve harrington who’s head over heels in love w reader
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All Mashle magazine-exclusive artworks and posters released in 2023!
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taxkha · 1 year
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Sorry Klavier, Im sure he will get it one day
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melonnade · 9 months
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