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screen-universe-official-thingie · 4 days

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Fictionals' True Form anatomy sheet

Tw: Body horror galore

This has already been done a while back, but I somehow didn't get around to posting it.

I've been considering fixing some things, but eh, I'm now lazy, so here's some artist notes instead as well as some close ups

↓↓Close ups and notes under the cut↓↓

Notes: Yes, I didn't know that the female symbol only has one horizontal line and you'll be seeing this reoccurring mistake all over the sheet. Here, you'll see a familiar art work (assuming you've seen it, if not, here it is) of my adoptive mind children SpongeBob and Lusamine peeling themselves. Everyone looks practically the same regardless of their vessels' assigned sex. What only sets them apart is their "hair" styles or other aspects reflecting their vessels.

Yep, these actor mofos are eldritch entities made entirely out of glowing white nerves and a kind of cancer or at least is based off of a kind of tumor called the teratoma. The typical rl teratoma aren't usually cancerous, but they can be at times. Let's say that these mfs are the cancerous types, I like to jokingly call them magical cancer nerve people who wear meat suits of the characters for our entertainment.

Yes, their true forms are a fuel for their magic/powers and allow them to live for a very long time as long as their game and animated series keep pumping out content and not meet the specific conditions for permanent death

When all or most of their true form is outside their vessel, the only organs that stay intact are the epidermal system and eyeballs. The eyes roll back and hide away the iris and pupils upon the peeling. Other internal organs get disintegrated

Here, we'll use Skinwalkermine's and SkinwalkerBob's skin removal art as reference.

(Yes, I did SpongeBob's stand alone True Form drawing too, he's the first Fictional to have his TF drawn and imagined when the concept was first introduced. It's just that I didn't post it because it's the second or third digital drawing I've drawn and I wasn't very good at it back then)

Do note that removing the meat suit and being outside of it is painful as shit. It's best to stay inside and play the part.

(Ngl, this looks very... Uhhhh... Unfortunate and horrible out of context, please help)

Her eye rolls back and shows some nerve, just as seen in the sheet

TW: Eyes everywhere (They represent the audience)

As you can see here, both of their exterior flesh suits stay intact and just go limp from the lack of support.

This is where the teratoma inspo comes in. When inside their vessels, they create other internal organs to make their vessels fully functional. Then they go organ mode and latch on to the brain stem and somewhere where the limbic system is located. This allows them to show their emotions in extraordinary ways.

Fictionals are very expressive creatures, they use their magic to enhance their expressions as a reflex. This makes it easier to convey their emotions and feelings on the screen. It also gives them a difficult time to lie to both their creators and their fellow actors.

(I want to make sense of why and how animated characters make wacky and exaggerated expressions or how game characters have emote signs above their heads. This is the world building explanation for it)

Nipple privileges removed. Point and laugh.

Note: This is the error I was talking about. The thinner, leaner waist is supposed to represent the male vessel, but my dumbass put "F" for female instead. There's also a typo, whoops.

But yes, both sexes get Barbie dolled. Mainly because of censorship laws and genitals aren't needed to begin with. Fictionals live long lives and the creators would just make more of their kind anyway. It also prevents them from reproducing unneeded extra babies and interfering series production should things like pregnancy, relationship complications, and child birth occur.

This resulted to a majorly aroace normative society and Fictionals see things like sex and marriage as foreign, non existent concepts. An act of fiction and another scene demanded by the director if you will. Though, marriage and romance are possible between Fictionals, but they're very rare and are seen as unnecessary and strange.

Both sexes sharing certain places such as the locker rooms and bathrooms have been normalised. There's nothing else to see between their legs.

The only bottom hole Fictionals have is the cloaca. Yes, they have chicken assholes and that's the only out for bodily waste like feces and urine.

"But Sea, how would they make NSFW content?"

Good question...

They have undergarments taking the resemblance of the nipples and genitals should they act out things like hentai. Think of them as stage props, it's like that. They look and act just like the real deal, but they're not functional. They're there for the looks only.

Fictionals' true forms' heads or faces don't have noses, ears, and mouths. All they have are their own eyes and so called "hair". Their hair is not actually made of hair, they're just nerves, tumors, and muscles clumped up together to look like hair.

I'm considering replacing their feet with roots, I think it makes a lot more sense. Their feet aren't functional to begin with. They move around on their long hands should they tear off their vessels. It also adds a certain cryptic vibe when they're on their hands instead of being bipedal. While they can kneel on their legs, they'd struggle having their hands off the ground for a long time.

Bonus stuff in here

#immersive daydreaming #art #screen universe #paracosm #Skinwalkermine...#SkinwalkerBob...

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frostycatblr-fandom-files · 9 months

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I See You : Crosshair x Fem!Reader

Warnings and Information: Going with a 13+ rating just on account of language in the form of Star Wars and real-world swearing, just to be cautious. Self-indulgent modern AU fic, but you can read it too. This is practice for Crosshair's character as well as something mildly therapeutic. I'm… fine, but not fabulous, y'know? Job hunting is not exactly fun, so I'm just writing out my frustrations. How many Clone cameos can I fit in here? We'll find out together. They're not dead, what are you talking about? Empire gets compared to any one of those multimillion-dollar companies that treat you like shit no matter how good of a worker you are with Palp as the soul-sucking CEO in modernized terms. Rare fic without minor instances of Mando'a, but plenty of my stylistic and narrative use of italics. Minor proofreading.

Word-count: 4,237

The phone rings. You put it up to your ear so fast you nearly drop your cell in your haste to answer, not even looking at the screen. You should've. It would have saved you time, the realization that these people were not reaching out to get back to you about your job application. You hang up halfway into the pitch about repairing damaged products you don't even own.

The lid slams to the washing machine."Oh, fuck me!" you yell, groaning loudly.

You're of two minds; be consumed with your frustrations and take it out on the washing machine, or just clean the paint stains out with your tears. You're sure that'll work just as well as the detergent in order to get out that large smear of phthalo blue. Except, it won't, and the sooner you get this load started, the less time the paint has to set and stain. The lid is lifted.

Footfall softer than falling snow, Crosshair makes his way in from some other part of the shared house, his expression passive as he observes you dunking fistfuls of dirty clothing into the wash-drum. "Is that an invitation or a request?" He at least waited to make his remark until he was certain you noticed him and gave him a trademark "what the kriff do you want?" sort of look.

Knuckles pale as you grip the lip of the machine with one hand. "I'm not in the mood for your-"

"No; I know you're not." Crosshair interrupts you. "But I came to see if you hurt yourself, mostly."

"I'm fine." you snarl, slam-dunking the last of the clothing from the hamper anchored against your hip. "I slammed the lid." A neat brow buckles just a fraction, all the response you get as you push your way past him, returning to the small office that served as your art studio in this house. You're really not in the mood. You were a whirlwind of emotion, most of it negative.

You can feel his eyes from the doorway, trained on the back of your neck as you work. Gosh you made such a mess, you shouldn't have used so much paint thinner. "Go away, Cross. I need to clean up my easel and see if I can't salvage this portrait of…" You stop, breath hitching when you hear Crosshair clear his throat softly. He's directly behind you now, his voice taking on a slightly serpentine quality in its softness.

"Your clean shirt's on backwards, doll."

You shake your head, stubbornly refusing to believe him. "Nice try. Not while my hands are dirty. Tell me again once I get this mess cleaned up."

Wordlessly, Crosshair plucks the runny canvas from its easel and makes sure not to take it beyond the edge of the tarp. Hunter would be disappointed to find a mess on the beautiful hardwood floors so soon after he's treated them. And you'd be disappointed with yourself to give a portrait to an important friend in its current state. What should have been beautiful, angular and geometric lines are little more than a royal mess.

"Just go ahead and trash it for me…"

The same brow arches. "Why?"

"Because I don't want to give Hardcase a painting that looks like that..." you reply, huffing in your disappointment and frustration that you'd gotten so sloppy with your oils. "I said his portrait would be perfect practice for crisp, angular forms with that beautiful pop of blue from his tattoo and this is… far from it."

Your housemate looks at you with mild surprise. As far as mild surprise goes for Crosshair, anyhow. He wouldn't look quite so aghast like Wrecker, or frown quite so deeply as Echo.

"Who are you and what have you done to the Bob Rossified [____] we know and admire? What happened to the happy accidents?" Ordinarily, the comparison to the famous art instructor and television host would have made your face burn brighter than your favorite brand of alizarin crimson paint.

Instead, you scoff at him. "Very funny..."

"I'm serious." Crosshair insists, setting the portrait back on the easel once you've wiped it down, "What's the matter?"

You shouldn't snap at him, but your mouth just runs away from you. "I thought I got a call back from the place I applied to. I was wrong! It was some damn spam call, and I don't know if I'm relieved or disappointed. Okay? Happy now?"

The palms of his hands flash in a surrendering fashion to you before he speaks. "I'd say you're more angry than disappointed." Sighing, you take your cleaning rag and do Crosshair a favor by removing the thinned, blue oil paint from his hands after he notices it himself. "Kriff. Sorry."

Gently, you assure him you'll take care of it. That it's no trouble. That he's right, after some thought, "I guess… I am angry. All these places that are supposedly so kriffing desperate for employees sure take their damn sweet time. Or they seem to be hiring everyone but you. It makes me feel… invisible. They should have called me by now! Right…?" Crosshair looks at the calendar tacked to the wall of your little studio, where it's written in your favorite color the day you applied to the art supply store. They definitely should have by this point, he agrees.

"Have they reached out by email?" he asks gently, watching as you take that same cleaning cloth and gingerly wipe down the bottom edge of the canvas. He's convinced you for the time being not to break it over your knee and pitch it into the curbside bin until you at least give yourself an hour away from your brushes to think it over.

You shake your head, "I've been checking every day. Nothing." You now wash your brushes before the paint gums up the bristles, at least. And then you promise you'll lay aside your brushes and go grab a bite to eat with him. "And most places these days, they're likely to actually trash your résumé if you call them to 'follow up' on your application process. That old piece of unsolicited advice needs to die out, pronto. Just because it worked for- for- Agatha and her generation, doesn't mean it works for mine!"

Crosshair snorts.

"What?"

"Agatha?"

"Shut up… I could have gone with Karen and been unoriginal." you grumble, gingerly fixing the arrangement of your fan brush.

Crosshair retorts sarcastically, giving you a playful smirk. "The 1930s called, they'd like to know why you're using such a dated name." Ordinarily, Crosshair stays out of your hair (and your studio) by never bothering you as you work, but it's clear that he's trying to cheer you up, even a little.

"Unless the 1930s is offering me a job," you start, plucking the thin script brush from his dexterous fingers just as he begins to twirl it, "it better not bother me by calling…"

"The art store will call you eventually, I'm sure…" he tells you, the grim frown matching your souring expression. "You love art. You're a creative person. What better person to work at a place like that than someone who could practically recite an episode of The Joy of Painting in her sleep?" You point out, playfully, that Tech could recite an episode of Painting in his sleep just as easily as you. But at least you crack a smile as you do so, so he lets it slide. "Okay, you and my brother." Cross concedes, thinking back to the time the household decided to try a "painting party" to break up the seasonal gloom last December. "Maybe Hardcase and Wrecker too, if the pocket squirrels make an appearance."

Here, you finally chuckle. "Forgetting Fives would be criminal. Or how concentrated Dogma gets."

Cross just nods agreeably, hoping to keep a good thing going. "I wouldn't dare. My point is, you'd be amazing at an art store. They'd be lucky to have a gal like you who gives a kriff about art working for them."

You flash Crosshair a confused and crooked smile as you set down the last of your brushes and tighten the last twist-cap on your tube of oil-based paints. "You think so?" You're surprised how… sincere Crosshair sounds. You had to do a little metaphorical arm twisting just to get him to join you when the only spot left in the living room was a seat on the couch next to Rex.

Cross just nods decidedly. "C'mon. Let's grab a burger or something. My treat." A burger sounds great, you tell him, fixing your shirt so it's not on backwards before you stroll out the door.

Maker above, did he really mean his treat. Crosshair took you both down to the best burger joint in the city, where the two of you ate your respective orders and split a carton of fries with the house seasoning and plenty of salt.

"Oooh, kriff me…" you moaned blissfully, sucking your fingers clean of the granules of salt and seasoning, "these fries hit the spot every time." They're probably your favorite thing here, honestly. Perfect amount of crispness, balanced flavor, and hot; never ever tepid or cold. Cross snags a few more fries from the carton before nudging it your way, inviting you to polish off the rest. "You don't want any more?" you ask, curious. "There's still plenty in there to share."

He offers a lazy shrug, "I'll think about it." He slips his phone from his pocket when he hears a ping, and he hums thoughtfully after reading the message. "... Think I should let Wrecker find out on his own that he's home alone?" You can only shake your head disapprovingly of the wry smile, mouth too full of food to chastise him. While Wrecker and Crosshair weren't afraid of messing around with one another, you worried about it getting out of hand on occasion. "Fine. I'll let him know we're not home so the big guy doesn't worry, doll. In fact…"

Cross types down a message much longer than a simple courtesy "we're not home" text, and then cleans up the discarded burger wrappers and straw sleeves, snagging a few more fries once you say you can't possibly eat another bite. "Good. Not a lot of fun when you go shopping hungry."

"Didn't we just make a grocery run two days ago?" Crosshair shakes his head, then pitches everything into the large garbage receptacle as you grab your things. "Not that kind of shopping then." you determine. There were a lot of possible options, but you didn't have to slog through another massive grocery list, at least. "Where are we going?"

"You'll see." Crosshair replies simply, holding the door for you to follow after as he steps into the parking lot. "I had an idea." Now you really wonder where you're going, or what he has planned. Crosshair and spontaneity get along about as well as a Tooka and bathwater, sometimes.

You have to remind yourself that Crosshair wasn't a complete stick in the mud all the time, and when you first met him, he was still working for the same company that his other brothers had quit once they found out what kind of person the man who ran this multimillion company turned out to be.

First found himself working under some bloke named Edmon down the managerial line, before he was arrested for embezzlement. Then a real asswipe of a superior named Nolan took over, and after someone got hurt really badly on a "company retreat" and Nolan refused to call for an ambulance, Crosshair finally came to his senses about the place.

They don't give a shit about how loyal of a worker you are, just like Hunter, Wrecker, Tech and Echo warned him. They were right all along.

You thought you mattered to us? Please… Someone younger and desperate enough will come in and take your place if we feed them enough honeyed lies!

So Cross stole Nolan's car and drove himself and the injured coworker down to a hospital two hours away from the company retreat. Crosshair had known the guy for less than 24 hours (or something like that), but Mayday's injury helped Cross come to realize that the company was a sinking ship. So he got them both out. Now, Mayday and Cross spend every Sunday night checking in on each other. Cross works odd jobs from home, mostly, and Mayday… Well he was content with not being employed for a while.

The longer Crosshair has been living at home with his brothers again, the more he's starting to get (some of) his old sense of self back. He's no longer couch surfing because he didn't want to deal with his brothers fussing over his choice to remain with the company.

He was never, ever kicked out.

Cross had always been welcome to come back home, with a spare key tucked under the welcome mat if he ever needed it.

You'd been the one to find him letting himself into the house at three in the morning after Mayday talked Cross into going and seeing his brothers. You were "leasing" a room from the brothers at the time, and they had let you know the deal about Crosshair. "Please don't call the police if you ever find someone who's just… let himself into the house. That's our brother. We've been worried about him. He's made choices we don't agree with, but he's still our brother. We care about him."

Of course, Cross had no warning about you, but he eventually warmed up to you in time after you had practically broken Hunter's door off its hinges to let him know that Cross was here and he was tackled into the coffee table by the biggest of his brothers in Wrecker's excitement.

That spare key under the welcome mat now sits on your ring of keys, which you fiddle with in your hands the longer you and Crosshair drive through the city.

"Isn't this the way downtown?"

"Mhm."

"Still won't give me a hint, Cross?"

"No." he chuckles, pulling the steering wheel into a smooth left turn. "You'll see soon enough, doll."

He's taken you to the art store, to your surprise. The one you applied to. Not that specific location you applied to in town, thank the Maker, but the chain, rather. "I haven't been to one of these places in years…" Cross admits softly as he pulls himself out of the car. "Figured while we were out of the house, we'd stop by."

"How come?" you ask. You'd recently just bought a bunch of paint, so it's not like you needed anything in particular, really, maybe just wanted… There was one particularly pricey art supply you've had your eye on and lusting after for a while now, but given your current unemployment status, you're really trying to control your spending. "You got a project in mind, or somethin', Cross?"

Shoulders bounce. "Not really."

"So… what are we doing here?"

"Looking." he declares, steering you into the store by your shoulder. "Lookings always free. So is anything you can apply the five-finger disco-"

"Cross!"

"I'm kidding." he declares semi-defensively, laughing at the expression on your face. "C'mon, doll, you know I'm kidding. Hard to smuggle out a whole canvas or large pack of… whaddya call those markers? Cop-picks?"

Mild mortification turns into bubbly giggles over his decent effort to pronounce the brand name. "Copics. They're called Copic markers. And, they're kind of a scam." He just looks at you with an expression of confusion, so you figure you better explain. "Here, lemme show you." Taking his hand, you lead Cross down to the aisle dedicated to sketch pads, pencils and markers. On the shelves, there's dozens of specialty packs and bundles with quirky names.

Oceanic, "Beach Blast!", and skin tones are all prominently stocked for the summer. Singleton markers are what you're looking for though. You pluck a Copic Classic from one of the slots, and point to the price sticker.

A whopping 9.65 credits for a single kriffing marker. "Keep that in mind," you say, as you scoot down the aisle and show him the stock of Ohuhu brand markers, "and compare it to this." You select a similar color to the Classic in the Ohuhu brand, and tap the price sticker. A far more reasonable 2.49 credits.

He scratches the back of his head and neck. "What the kriff…? Is there a significant difference in the brand or something?" He's not exactly all that artistically inclined like you are, so to him, he's not sure if there's anything he's seeing that warrants such sticker-shock for a damn marker.

"Just the name, really. Copic markers aren't really the end-all-be-all of alcohol-based art markers anymore. Ohuhu branded markers are just as good as Copics, and you get more markers for say… fifty credits in Ohuhus than Copics." you explain, putting the markers back in their respective slots. "I won't bore you with more details that go into it, but that's the bare bones of it."

Cross nods politely to indicate he's listening to you, lifting a pack of art markers off the display to give it a closer look. Once he has satisfied his curiosity, he puts it back and glances at the different sketch pads. "And these probably tell you what they're best suited for, somewhere." You confirm his thought with a simple nod, tapping one of the sketchbooks. Drawing pad, 64 pages best suited for graphite, marker and colored pencils.

"They'll often tell you either on the cover, or on an inside page, sometimes. Depends on the brand."

You're getting the feeling that maybe Cross is looking for something after all, but he won't admit it to you. He keeps asking you question after question as you go down each aisle of the store. If there's a section dedicated to a particular craft you're not very familiar with, the two of you just look at the items in silence for the most part. You're (pun not entirely intended) pouring over all the different resin supplies together when Crosshair asks you another question to break the silence.

"Do you ever show your art online? Some kind of… creative forum, or something? Or is it all just personal projects, like the portraits you've done for Rex and the one you're trying to do for Hardcase?"

You chew your bottom lip for a moment as you mull over what you'll say. "I… stopped. For a long time."

"Why?"

You huff softly, returning one of the unusual resin molds back to the shelf. Little space shuttles and UFOs and such. (Space travel… wouldn't that be something?) "I couldn't get out of the trap of comparing myself to others. I don't know if you could call it imposter syndrome, or anxiety, or what. But I just felt… small. Unnoticed. Invisible." Crosshair frowns, stepping closer to you to allow someone with a large cartful of yarn and children's paint sets squeeze past. She looked like a teacher, gentle and kind and so, so tired. But she gave the pair of you a kind smile as she moved down the aisle and pondered over the different bags of beads one could buy in bulk for crafts.

"That's the second time you've used that word, [____]."

You give him an inquisitive look, surprised by his statement. The rare use of your name. "Wh-what word?"

"Invisible." Crosshair answers, closing that gap between you further when his hand reaches out to cup your face for a moment to scrutinize you, study you. "Is that how you feel?"

"I guess?" you start, but you think a little more, and you find that, yes, sometimes you do feel invisible. "I feel like… people don't… notice me. Like I'm trying to do it all damn wrong. It's been fucking weeks and places won't call me back! Or I'll post things and it gets a handful of interactions when I put the effort into it, but the shit I don't, that's what fucking blows up and goes viral. I don't fucking get it and I… sometimes I just don't know why I bother trying to apply myself when I'm just… invisible and unseen. This shit sucks, Cross." you admit a little bitterly. You take a deep breath and apologize for swearing in the store, in case the other customers can hear you. You apologize again when the tears begin to prickle and well in the corners of your eyes for getting so worked up, but you're just kind of at a loss for what to do next. You've tried so many things… you just feel like you're talking to yourself because no one will answer your applications.

Crosshair doesn't say anything for a while, and you don't take it to heart. He's not the chattiest of your housemates, as you learned a long time ago. Sometimes, he did have things to say, but he wanted to take some care with his words if Cross sensed he needed to be a little more delicate.

And he could be surprisingly good at being delicate when the need arises.

Assuringly, tenderly, Crosshair brushes the tears from your eyes and motions for you to follow him. "I see how much this stuff matters to you. If a stuffy old art store can't see it, just know that I see it. You're not invisible to me, kid. I see you." He's brought you to the paint section, coming to a stop in front of the selection of oil paints in particular.

"I may not understand all of… this," he gestures broadly at the display of thick, silver-foil tubes of paint, and selects a beautiful cerulean blue off the rack, "but I see how much this means to you. You know your shit. You're getting better all the time. I see that. One day, I think people will see that you know your shit too, and you won't have to feel so invisible anymore. But I see you. Hunter, and Wrecker and Tech, and- your friends see you, doll. You've got such a passion for these things… but you're…"

You wait for him to continue for a moment, wondering what he wants to say. You decide to hazard a guess when all he can offer is a soft shrug when he finds himself at a loss for words. "Beating myself up, too much…?" You eye the tube of paint in his hands, and wonder for a moment why he's been taking so many things off the shelves only to look at them before putting them back in their proper place. Tech's told you Cross has sharp eyesight, perhaps more on the farsighted side if anything. (Was he more farsighted than you initially assumed?)

"Perhaps." Cross admits, softly juggling the tube in the palm of his hand. "If nothing else I said sticks with you… I just hope that the fact that I see and recognize your efforts does, doll. I know I'm only one person, but sometimes, just hearing it from one person is all we need."

You feel your cheeks pinch with a little smile hearing him say that. One of those things, one of those times where someone says exactly what you needed to hear when you didn't know you needed to hear it most. "That's… awfully nice of you to say, Crosshair. Thank you…"

"I should give some credit to Mayday," Crosshair admits with a soft laugh, now pulling a tube of cobalt and ultramarine blue off the shelves, "he's the one who's been encouraging me to… do what feels right, if he thinks I'm feeling a little lost between the odd job. And doing what feels right includes helping you restart that portrait of Hardcase if you really think you need to trash the first one."

"Is that why you keep grabbing all those different blues?" you giggle, watching him now idly shuffle three different tubes of blue oil paint in his hands.

Crosshair nodded, making you laugh as he grabbed a fourth tube with a wink. "Yeah. I noticed that you didn't have these blues back at home. And that you use phthalo blue a lot like a certain painter."

"Are you comparing me to Bob Ross again?" you tease, stifling a laugh as you make your way to the checkout together. You've been away from your brushes for more than an hour at this point, and you're itching to get back to the process of creating while you still have the time to do as much as you want; before you're hopefully contracted with a job offer and have less time to dedicate to such things.

"Maybe." he purrs mischievously, ringing up each of the paints before carefully wrapping them up in their own separate plastic bags for the trip home. "If I am, do I get to see you paint?"

You can only shake your head with a gentle laugh. "We'll see, Cross."

That's good enough for him, he says as you collect the receipt from the self checkout machine, just so long as you promised you'd give yourself a little more grace and faith that soon enough, you'd get the job offer you wanted.

Some days will be easier than others… but you'll do your best, you promise. You're pretty sure you can manage that.

[Masterlist] [Requests: OPEN]

Tagging: @the-hexfiles who wanted to see some soft!Crosshair <3

Note from Frost: Apparently Mayday got assigned some kind of "Work Dad who takes care of and looks out for the younger employees" vibes while I was writing this self-indulgent (and mildly therapeutic) quick-fic, lmao. And hopefully, this ends up being good practice for soft!Crosshair down the line, as it comes into play in the next long-form series I'm working on. Yeah maybe it's perhaps a tad too out-of-character, but kriff it.

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