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raeynbowboi · 4 years

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Bob’s Burgers 10th Anniversary Retrospective

After ten years, Bob, Linda, and the Kids are just as delightfully wacky and endearing as they ever were, and show no signs of slowing down. So I wanted to put together an ultra mega review of the series. I’ll give an opinion on main and recurring characters, as with a cast this big, there’s been a lot of endearing characters to grace the show over the years. However, I will only be counting characters that have appeared more than once. After ten years, there’s been some real gems, and some real misfires. So, I’ll be counting down my top 10 best episodes, and the bottom 10 worst episodes. I’ll also go through as a Highlight Reel, by picking a best and worst episode of each season, as well as crowning the Best Season with the most good episodes.

Bob Belcher

Honestly, Bob was a very easy character to mess up. He’s the straight man to his wacky family’s antics. But the show does a really great job making Bob simple and lowkey without making him boring or a stick in the mud. He may be resistant to weird things, but he puts up with it anyway to make his family happy. While he’s the serious straight man, they don’t fail to give Bob his own eccentricities and quirks that make him relatable and funny in his own way. Whether he’s making things talk, getting weirdly excited about Thanksgiving, or his awkward way of speaking, Bob is genuinely a good and relatable character. It’s also nice to see that Bob is a great husband and a loving father. He and Linda argue from time to time, but they’re not trapped in a loveless marriage for the kid’s sake like most shows. And even shows where that’s not a selling point like American Dad, Bob shows more remorse for things like forgetting their anniversary than Stan does for Francine. Bob is supportive, loving, and forgiving. Which is just amazing to watch. The times when his kids really need him, he’s there for them, and he helps them through their problems. While Bob might fight with and get mad with or annoyed by his family, Bob never treats them like people he’s stuck with. Frankly, Bob blows most animated TV dads out of the water. I don’t think I’ve ever seen Stan or Francine give quiet supportive talks to Steve or Hayley ever in American Dad. Peter used to at least try to be a decent father, but now is a negligent toddler. Likewise, Homer used to be a great father who cared about his kids, but later seasons have really stepped away from the family angle the Simpsons used to have. In a sea of adult animated families that are toxic and destructive, Bob’s genuine love for his family came as a breath of fresh air.

Linda Belcher

Linda is by far the best Adult Animation TV mom there is. For one thing, she’s funnier than Francine, Lois, and Marge combined. But more importantly, she’s not the butt of the joke when it happens. I can only really remember laughing at Francine when they make dumb blonde jokes with her, but Linda’s jokes come from her character. She could have easily been the gender inverted Homer or Peter, but the writers are careful to make her gullible, trusting, and goofy without making her a moron. When the kids do something wrong, Linda busts out the tough mom act and you genuinely believe that the kids are in trouble. She’s not faking it. She’s not off in her own little world. She’s a bit of a goofy dreamer, but she’s able to be the tough disciplinarian when she needs to be. Her relationship with Bob is also better than most adult animation wives. She’s more independent than the other housewives, and even though her job is working with her husband, it never feels like it robs Linda of her own power, autonomy, and freedom. But the best thing about Linda is that I think most people can agree, she has an extremely strong and charming personality that endears us to her.

Tina Belcher

I really wish I could say I liked Tina more. She’s a creative romantic, just like me. I should love her. But her monotone deliveries and awkwardness isn’t as endearing as Bob’s. I like her better in episodes like Teen-A Witch and Broadcast Wagstaff School News where she has a bit stronger of a personality. But unfortunately, Tina is my least favorite member of the Belcher family, which isn’t to say that I hate her, she just doesn’t shine as bright as the rest of her family. She’s just not very funny or interesting on her own. But on the plus side, at least I don’t find Tina to be annoying or terrible except in the rare bad episode.

Gene Belcher

Gene is the only member of the family that can regularly get my dad to laugh, and with good reason. If he wasn’t such a well of nonsequitor punchlines, Gene would probably be the worst member of the family, but boy howdy do those random jokes pick up the slack. Gene is genuinely hilarious, even if I’d only rank him above Tina in terms of favoritism. However, I find that most Gene-centric episodes to be lackluster or below average. I think Gene’s best episode is probably Y Tu Ga-Ga Tambien, but of the best episodes, none really come to mind that specifically star Gene. Gene is really better suited for a supporting role, and his times as the star showcase why comic reliefs aren’t the main character. They’re support characters for a reason. That’s not to say Gene-centric episodes are terrible. They just tend to range from about average to bad. Though Y Tu Ga-Ga Tambien is a pretty good one.

Louise Belcher

Bob and Linda saved the best for last because Louise is the breakout star of the show. Funny, interesting, and the focus of many of the better episodes, Louise stands proudly on the first place podium with Linda in 2nd and Bob taking 3rd place. I think Louise’s strengths are especially due to her standoffish and naughty personality, which has lent itself to a lot of good character growth episodes. Season 10 Louise seems a lot more mature than Season 1 Louise. I think Louise works because while she does often have clever or sneaky solutions to problems, they don’t forget that she’s 9, so unlike Stewie, her age does present hurdles and barriers to her schemes and plans.

The Best and Worst of Bob’s Burgers

#10 WORST: Pro-Tiki/Con-Tiki (S6e15)

Why couldn’t Warren Fitzgerald just put that $100,000 into advertisements or to help Bob buy better equipment for his restaurant? My biggest issue with this episode isn’t the episode itself, it’s that the ending makes no sense. Warren wants to help Bob because he has a form of riches Warren lacks, and Bob doesn’t want a corporate sponsor to make changes to his brand. But why can’t Warren just give Bob the money to make choices he wants to make? They could stay as business partners, but Bob doesn’t have to sacrifice his personal vision for the restaurant. It’s just really frustrating when they’re both being too stupid and stubborn to see the obvious solution in front of their faces.

#10 BEST: Teen-a Witch (S7e03)

One of Tina’s best episodes, as someone who had a goth phase myself and dabbled a tiny amount in ‘witchcraft’, this episode brings back memories of high school and the desire to make the world what I wanted it to be. But on top of that, Tina with a backbone is when she really shines as a character, mostly because it means her humor isn’t being derived from her being awkward.

#9 WORST: Live and Let Fly (S9e05)

Mr. Frond embarrasses the kids, and they team up with Up-Skirt Kurt to get revenge against his sister and Mr. Frond. I’m not a fan of Kurt, so I already don’t care much about his feud with his sister, but I also just find the episode kind of boring. I don’t care about Kurt, I don’t care about his feud, and the kids call off their revenge, so that ends up not mattering either. Even Bob and Linda’s side plot is only middle-of-the-road quality for Bob’s Burgers.

#9 BEST: Wharf Horse/World Wharf II (S4e21-22)

The very first two-part episode Bob’s Burgers ever had, the season 4 finale is a great watching experience. It has some fun songs, funny character exchanges, suspenseful drama, and some heartfelt moments. It feels like a short movie, and that’s a good thing for a two-part episode to do. Even Fanny and Felix are interesting villains. But even after everything Felix did, I don’t find myself loathing him in later episodes, and that’s a hard thing to accomplish.

#8 WORST: Tina-Rannosaurus Wrecks (S3e07)

This is the only bad Tina episode where the problem isn’t Tina herself. My biggest issue with this episode is more just the subject matter. Bob lies for insurance reasons about who was driving his car, and the entire episode is just Bob and Tina digging a deeper and deeper hole for themselves. The solution to the issue is clever enough to redeem the episode somewhat, but the majority of the watching experience is just kind of an awkward dance of watching these two getting tangled up in a web of lies.

#8 BEST: The Taking of Funtime One Two Three (S9e02)

Bar none, this is the single best ‘Heist’ episode of Bob’s Burgers, and it’s kind of crazy that Bob’s Burgers has actually built a repertoire to where I can make a list of ‘heist’ episodes as an archetype. This one feels the most like an actual heist movie, and the ending is legitimately clever and unexpected. But even more than that, if you’re paying attention, you can see the twist before the characters even reveal it. That is the kind of tight writing that makes the list for best episodes.

#7 WORST: A Fish Called Tina (S10e12)

Tina spends an episode trying way too hard to make someone like her, to the point that she almost humiliates a 4th grader in public just so she can live out some fantasy. It’s really uncomfortable and sickening to watch Tina do this. This will be a recurring issue with Tina’s low-point episodes. There’s nothing fun about watching a character make a complete idiot out of themselves by coming on too strong. It even makes me groan when Kaylie shows up in another Season 10 episode because I don’t want to have to think about this awful episode.

#7 BEST: Stand By Gene (S6e12)

Something about this episode really just brings back memories of my childhood. Memories of walking through the outdoors, just exploring and wanting to find things. The characters are funny, and Bob and Linda’s relationship is put to the test. Plus, I loved that for the entire episode, you don’t know how it’ll end. It really makes this a personal favorite and one of the episodes I knew had to make it on my list.

#6 WORST: The Grand Mama-Pest Hotel (S7e13)

Linda ruins things for Tina by being an overbearing annoyance. Are you noticing a trend with Bob’s Burgers’ worst episodes? I don’t like it when good characters make complete jackasses out of themselves in the name of ‘humor’. It’s not funny. It’s annoying and makes me dislike them. Thankfully, the worst of it is only in the latter half of the 2nd act and the entire third act, but Linda’s behavior just makes me cringe and ask why they had to do Linda dirty like this? It just puts me even more squarely on the side that Tina is entirely in the right and I don’t want to deal with Lind either.

#6 BEST: Broadcast Wagstaff School News (S3e12)

From Tina at her lowest point to Tina at her best, Broadcast Wagstaff School News is my favorite episode of the first 5 seasons. Tina’s funny and engaging, Gene is absolutely shining as Little Bob, and while Louise and Linda play supporting roles in this episode, they’re still funny as well. Plus, the mystery is a good one, and this episode is even referenced in later seasons.

#5 WORST: Mazel-Tina (S4e13)

Tina ruins Tammy’s birthday and steals her party. This is Tina at rock bottom. Tina is so despicable, cruel, and selfish in this episode that it reminds me that behind that creative awkward girl is a selfish brat who doesn’t care if she hurts other people if she can live out her fantasies. If other episodes didn’t rescue Tina from being so unlikable, I probably would hate Tina as a character entirely for her behavior in this episode.

#5 BEST: The Silence of the Louise (S8e02)

Movie parodies are some of the best, and The Silence of the Louise is the queen of all the movie parodies. When Mr. Frond’s therapy dolls are mutilated, and the school staff calls off the waterpark trip until the culprit is caught, Louise teams up with psycho Millie to figure out whodunnit. This is also one of the first time Millie wasn’t strictly an antagonist, and she genuinely felt like someone who could be Louise’s friend someday.

#4 WORST: Boywatch (S8e16)

Tina ruins things for other people by coming on too strong. The only reason this is ranked higher than Mozel-Tina is because in that episode, she just wanted to be at the party, and just kind of ended up as the star of the party and let it go to her head, whereas here, she is actively ruining things for other people in pursuit of her own delusions and fantasies. Tina has no desire to be a junior lifeguard, but cute boys causes her to behave like a troublemaker. She’s entirely out of character, and her teammates’ hate for her behavior is something I agree with. I don’t want to hate the main characters, so why does this show keep pushing to make Tina a nuisance who ruins experiences for other people?

#4 BEST: The Quirkducers (S7e06)

If the Silence of the Louise is the queen of film parodies, then The Quirkducers is the king. Not only is it a clever parody of The Producers, but it also has some damn good musical numbers, especially the edited end credit version. But it’s Tina’s song at the end that stands as one of my favorites of all Bob’s Burgers’ songs.

#3 WORST: Bed & Breakfast (S1e07)

If a Fish Called Tina is bad, then Bed & Breakfast is flaming garbage. Linda turns their apartment into a Bed and Breakfast, and Linda goes berserk when the guests don’t play into her expectations. This episode verges from below average to detestable as Linda goes insane and locks people in their rooms, and Louise drives a grown man to attack workers by preying on his fear.

#3 BEST: The Hauntening (S6e03)

This is hands-down the best Halloween episode that Bob’s Burgers ever made. This show turns out some amazing holiday episodes, and this is one of the best the Belchers have to offer. I won’t dare give away anything about this episode. If you’ve seen it, you know why it’s top of the heap, and if you haven’t, then all I can say is what are you waiting for? Delayed gratification has to pay off eventually.

#2 WORST: Every Which Way But Goose (S9e14)

Tina falls in love with a goose. Who smoked crack before writing this episode, and who huffed enough paint thinner to approve this episode for production? This is the absolute dumbest concept for an episode I have ever come across. Who thought this was a good idea? I can’t even pinpoint the flaws because this entire episode is just so flawed. At least Mazel-Tina and Boywatch enrage me. This just baffles me.

#2 BEST: A Few Gurt Men (S7e11)

When Mr. Ambrose accuses Mr. Frond of stealing his yogurt from the faculty lounge, the case is brought before student court, and Louise is tasked with acting as Defense Council for Mr. Frond. One thing Bob’s Burgers does well is mysteries, and this is a good one as Louise has to figure out a way to prove Frond’s innocence. This is just an absolute personal favorite. Every character is just on point, and I get excited when the episode starts to que up.

#1 WORST: Moody Foodie (S2e07)

Did you ever want to watch the Belchers commit a felony? Then boy howdy do I have an episode for you! A picky food critic responsible for shutting down restaurants comes to Bob’s Burgers. Bob messes up the order, and a visit to the critic’s house to get him to try his burger again leads to a hostage situation with the critic tied to a chair and gagged in his own home. Words cannot describe the depth to which I hate this episode. The entire episode feels dirty and vile. I feel the need to scrub my skin raw after sitting through this episode. The instant I realize that it’s come on, I skip the the next one. I have literally only sat through this episode once. This episode disgusts me. This episode has the main character, abduct somebody in their own home. Then they take a second hostage when a mailman delivers the guy’s package. Luckily, Bob’s Burgers has a lot of good episodes to make up for this one bad egg, but this episode enrages me to the point that if the family wasn’t so charming and endearing most of the time, I might have stopped watching based just on this one episode.

#1 BEST: The Bleakening: Part 1 & 2 (S8e06-07)

The first time I saw these episodes, they played back to back without any credits in between them, and I thought it was one episode, and I didn’t even realize it was the length of two episodes. Between the amazing songs, the brain bending twists, the creative creature, the dark elements that contrast the bright lights of the holidays, and the uplifting ending, this pair of episodes stands paramount as the single greatest viewing experience that Bob’s Burgers has to offer.

Favorite Friend of the Kids: Regular-Sized Rudy

First appearing in Carpe Museum, Rudy came back in The Kids Rob a Train, where he has remained a friend of the kids since. Rudy was the first to join the kids if you don’t count Andy and Ollie who seem to dip in and back out as to whether they’re included in the friend group. Rudy was thus the first to be made a main member of the kids’ friend group.

Favorite Schoolyard Seven: Jocelyn

The Schoolyard Seven is the friend group of the three Belchers, Jimmy Jr., Zeke, Tammy, and Jocelyn. Not counting the Belchers, it was a close call between Zeke and Jocelyn. Tammy and Jimmy Jr. tend to be typecast as serving one niche thing, but Zeke and Jocelyn are often the comedic gold. However, while Zeke is more interesting of the two, I just enjoy Jocelyn too much to not give her the win. Even if Jocelyn’s humor is just a walking dumb blonde trope, like Gene, Jocelyn has a knack for funny one-liners. If the groups has another name, I’m not privy to it.

Favorite Friend of the Family: Micky

Though he’s less connected to the family now, Micky has been a friend to the Belchers since Bob Day Afternoon, and returning in Bob Fires the Kids. Since his introduction, Micky has gotten a job at Wonder Wharf, where he has remained since.

Favorite Recurring Villain: Logan Bush

First appearing in Ears-y Rider, Logan has been a fun and interesting frenemy for Louise to match wits with. In a show where most other villains are the same age as the main characters (Millie, Tammy, Chloe, Jimmy Pesto, Hugo) Logan stands out as a legitimate bully. Yet, even he was willing to work with Louise in Mother-Daughter Laser Razor, showing that there is wiggle room for the two of them to even join forces and spread havoc together.

Favorite Tina Love Interest: Duncan

Earnest if not a little awkward, Duncan seems like a sweet boy for Tina to possibly end up with. Sasha Whiteman is another character I could easily see being a good boyfriend to Tina because his quick wit and social graces make him a great foil to Tina, and he excels where Tina falls short. Zeke has a good chance to be a good boyfriend, but Tina still spits his name when she greets him, so I doubt she’d take interest in him unless something happens to change their dynamic. I liked Josh, but now that he’s said he doesn’t like her anymore and she agreed that she feels the same, I doubt we’re going to see them date further in the future.

Favorite Side Character: Nat Kinkle the Limo Driver

First appearing in Season 8 episode 8 V for Valentine-detta, I must not be the only fan of Nat’s because she made two appearances in the 10th season, in episode 1 The Ring (But Not Scary) and episode 17 Just the Trip. Currently with only 3 appearances, she’s still only a side character, but I get the feeling that like with Rudy, Courtney, Darrel and Alex before her, Nat will keep becoming a more frequent character. She just has a great vibe, and her charisma is intoxicating. She meshes great with the family, making her an absolute delight to watch.

Favorite Bit Character: Marshmallow

Although she’s appeared in multiple episodes since her introduction in Sheesh, Cab Bob, Marshmallow has never gotten much more than a couple lines, with her biggest role being in The Bleakening where she had more to say. She was also the first major LGBT+ recurring character on the show, which also made her a joy to see, whenever she returned to Bob’s Burgers.

Favorite Headcanon: Gene is Genderfluid

Gene’s jokes have been centered on his gender or sexuality since the first season finale. A joke once in a while is one thing, but ten years of the same sorts of jokes tells the sharp viewer that there’s more to it than just a running gag. With how many jokes have Gene talk about having boobs, synching his cycle, or calling himself Tina and Louise’s sister or Bob and Linda’s daughter, it’s my opinion that Gene is genderfluid, or possibly even transgender. The only reason I say genderfluid over a transgirl is because he still also addresses himself as a boy or a man as much as he does girl jokes.

Best Song: Twinkly Lights (Ms. XXX-Mas)

Not only does Toddrick Hall absolutely kill this performance, but I also love the meaning of the song about POC inclusivity and pride in the LGBT+ community. As the final song in The Bleakening, it’s one hell of a closing number, and I can’t help but dance in my seat whenever it plays. I’ve even listened to it independent from watching the show, and honor I don’t bestow on every song.

Best Episode Archetypes:

The Best Heist: The Taking of Funtime One Two Three

The Belcher kids have stolen a number of things. Chocolate, a bounce house, but the absolute creme de la creme of their heists is the procuring of the Dunebuggy from Family Funtime. When Family Funtime unplugs the macchines whenver the kids get too many tickets from them, the kids decide to pull off the heist of a century to make off with the biggest prize of the arcade: the dune buggy.

The Kids Tell An Anthology: Moms, Lies, and Videotapes

From the Gayle Tales to The Handyman Can, the kids have told a number of anthology stories, but the most impressive of the bunch is their stories of the mother’s day plays into three interesting stories. Though true to form, Gene’s is the weakest of the three, as his usually are. I don’t recall any time when his anthology was the best of the kids’, but then, Gene is not the most creative of the three children. His best story is probably in The Frond Files where his story’s world is colorful and fun to observe.

Best Musical Episode: The Bleakening

Not only do these episodes have a lot of musical numbers, but there is not a single one that doesn’t hit a home run. But more importantly, the entire episode is a musical, with each number helping to tie and bridge together the narrative, which is the entire purpose of musical numbers in a proper musical, which makes this the single best musical episode mainly because it’s the only episode that’s a true blue musical.

Best Holiday Episode: The Hauntening

With The Bleakening already taking the top spot for musical episodes, that leaves the Miss Congeniality of the holiday episodes to take the crown. I didn’t spoil anything about this episode above, and I won’t say a thing about it now. This episode is solid gold.

Best Film Parody: The Quirkducers

Not only is this episode clever in the way it uses its source material, but the family all have moments to shine despite the stars being Louise and Gene. The show also makes good use of the Schoolhouse Seven (the main group of the Belcher Kids, Jimmy and Zeke, and Tammy and Jocelyn), and each of them brings something great to the episode. It undoubtedly earned its place in the top 10, and will likely hold its place for years to come.

#bobs burgers #Bob's Burgers #belchers #the belchers #bob belcher #Linda Belcher #gene belcher #tina belcher #louise belcher #seymores bay

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tanadrin · 4 years

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How /did/ things change after 2001? I was born in that year and everyone says it was different before, but I've never really gotten a sense of how.

It is difficult for me to emphasize just how different the world you see on the evening news is now, from what it was like before 2001, at least as I remember it. There’s a scene in Farscape, where after years of trying to get home, the astronaut protagonist John Crichton finally makes it back to Earth with his alien friends in tow, and when he’s reunited with his father, he’s shocked to discover his dad has gone from this optimistic, forward-looking, hopeful dreamer to a nervous, jingoistic conservative. His attitude is basically, “yes, there’s dangerous aliens out there who may or may not be trying to kill us--but the galaxy is a place full of wonders you’ve never dreamed of.” His father, in the meantime, has retreated from his hopes for a science-fiction future, and views his new alien friends with suspicion.

It’s not a subtle metaphor, but it’s true. The 90s--at least in the US, at least as I remember them--were a relentlessly optimistic period. Even if things were not yet at their ideal state, there was very much a sense they were heading there; politics was mostly down to what exact flavor of the neoliberal consensus you preferred, Clinton or Bush, and the international triumph of liberal democracy was either a fait accompli (cf. the erstwhile USSR), or just around the corner (cf. hopes for China’s liberalization in the wake of market reforms). Yes, in retrospect, this was kind of a dumb world view. If you actually lived in Russia in the 90s--to say nothing of the Balkans--it was a rough decade, and a lot of the relentless optimism of the period in the United States was down to the privileged position we viewed the world from.

The blunting of that optimism--the reminder that we were still embedded in history, and the final triumph of everything good and just was not foreordained--would not in itself have been a catastrophe. Terrorism was not a strange concept in the 90s, and even Al-Qaeda-style terrorism had its predecessors in attacks on American ships and embassies. 9/11 itself was confusing and chaotic and sad, but 9/11 wasn’t the catastrophe. The catastrophe came after, in how we responded.

I think something broke in America between 1945 and 1991. Something shifted, in a nasty way we didn't realize while we were occupied with communism and stagflation and the civil rights movement. I don't mean to say that America before 1945 was the Good Guys. But the American state and the American political class viewed the world with... humility? Like, sure, the can-do Yankee spirit before 1945 had its own special kind of arrogance (and greed, and hideous bigotry), but it still thought of the world in terms of obligations we owed other countries. By the time the Cold War ended, and the US was the sole remaining superpower, that wasn't how we viewed the world. It was still sort of how we told each other, and our children, what the world was like. We certainly talked a big game about democracy and human rights. But as soon as that principled stance was tested, we folded like a cheap suit. What we should have done after 9/11 was what we had done after every terrorist incident in or against the United States before then: treated it like the major crime it was, sent a civilian agency like the FBI in to investigate, and pursue the perpetrators diplomatically. What we did instead was treat it like the opening salvo of a war--in fact, invented a war to embed it within, to give ourselves narrative justification for that stance--and crank every element of paranoid jingoism instantly up to 11. It has never abated since.

Some of this is the little things. The TSA and the Department of Homeland Security--a name I thought was creepy Orwellian shit right from the get-go. The terror alert levels. (God! remember those?) The fact that airport security--despite being just as ineffective today as it was on September 12--is still routinely humiliating and invasive and just a total waste of everybody’s time. Some of it is the big things. The way security, and the need for security, trumps all other demands including the state’s obligation to protect civil rights. And the fact that this just isn’t even up for debate anymore. 9/11, as Chomsky presciently observed, was a boon for authoritarians everywhere. Suddenly, “counterterrorism” was the magic word that let you get away with anything, like “anti-communism” twenty years prior. At the most extreme end, this led to things like anti-atheism laws being promulgated in Saudi Arabia in the name of “counterterrorism,” but you don’t have to go that absurd to find ways in which the security state has fostered authoritarianism. In every aspect of our lives, this new, fearful outlook on the world justified a gradual ratcheting down of freedom, the gradual empowerment of petty tyrants everywhere, and the weak protests, fading into silence, of people who still believed in liberty as an important organizing principle for modern society. It wasn’t even that you’d get called a terrorist-sympathizer or anything that blatant. It just ceased to be regarded as important. It wasn’t that you were wrong, or misguided, or evil. You were just a non-serious person, someone whose opinion was clearly irrelevant, whose head was permanently in the clouds, if you thought that stuff still mattered. And that never went away.

And I think a big part of what changed between 1945 and 1991 was that the US started to believe its own jingoism. When did this start? Vietnam? Earlier? Korea? I don’t know. It’s hard to pinpoint, given that my understanding of the cultural zeitgeist of the decades before I was born mostly came from my dad’s old Doonesbury collections. I don’t know how to describe what we became--what we, hideously, revealed ourselves to be--except as a kind of machismo. A kind of ruthless, General Ripper-esque us-versus-them psychosis that gripped us where the Soviets were concerned, and never let up. And we still believe it. It still infects every atom of our political discourse. We don’t question the necessity of drone strikes, only who to drone strike and how much. We don’t really question the massive powers we’ve afforded the executive branch to wage war and conduct espionage--including kidnappings and torture--and we’ve kind of forgotten that we still have a prison camp in Cuba full of people who have never been convincted of any crime. In a way, we lost faith in law entirely: by God, we couldn’t try terrorists in American courts! (Why not? What’s wrong with American courts? Don’t we have faith in our own laws, at least?) No, justice wasn’t a matter for the law to decide anymore. Justice was a matter for the military only: justice came in the form of strength of arms. Ergo, shooting Bin Laden in the head and calling that justice; ergo, Jack Bauer; ergo, blowing up Yemeni weddings. Keep America Safe. I can’t begin to tell you how alienating and horrifying so much of the last 20 years has been, if the most consequential news stories of your childhood were the OJ Simpson murders and a discussion of the President’s cum stain.

In my opinion, the seminal text of the post-9/11 world was released in the year 2000. In the original Deus Ex video game, the year is 2150, and the world is a dark, depressing place. You, the game’s hero, work (initally) for a UN counterterrorism agency while a plague ravages the world. You hunt terrorists whose existence has provided the justification for an authoritarian crackdown on dissidents everywhere. You visit a Hong Kong firmly under the control of the CCP, you fight genetically engineered mutants created by huge businesses run amok, FEMA (no DHS then) controls the federal government, and, it turns out later in the game, the bombing of the Statue of Liberty that precipitated the creation of your organization was a false-flag attack used to justify its existence in the first place. Drones patrol the streets of NYC, and the whole thing is steeped in late-90s militia movement-style conspiracy theories about the Illuminati and the New World Order, that look weirdly out of place now that these things are more clearly aligned in the popular consciousness with right wing extremism, when back then they were just seen as kooky weirdos in Montana--but every year since then, we’ve been inching closer and closer to that world, and you know what? It wigs me out a little.

In 2000, Deus Ex was an absurdity, a fever dream of cyberpunk and early-internet conspiracism. It’s a shame that tonally speaking it’s been dead on for the two decades after. But honestly, I think the biggest thing that’s changed about the world since 2001 is our cultural capacity for optimism. I don’t mean in a sentimental way--although if you compare other texts heavily influenced by the post-2001 political milieu, you definitely see a sharp contrast with the optimism of cultural artifacts from earlier eras; science fiction was hit especially hard in this area (cf. RDM’s version of Battlestar Galactica). But I also mean this in a political/ideological sense. We cease to imagine that the world can be made better. We cease to imagine the possibilities that are afforded to us if we are willing to strive for our ideal society, even if we, personally, may never reach it. We make deals with the devil, we let the CIA violate the constitution and federal law six ways from Sunday, we don’t question the prevailing political-economic consensus even if it’s setting the planet on fire and pitching us headlong toward social disaster, because we forgot what it was to feel like those sunlit uplands we’ve been hoping for were just around the corner.

In the same way that my Catholic faith was eventually done in because the ethical principles I was taught were at odds with the manifest monstrosity of the organization that taught them to me and the metaphysics it espoused, my patriotism and my faith in America was done in because when I was a schoolkid, I really did believe that democracy and human rights and equality under the law were important. Some people probably had their illusions--if they ever had any--about the US government stripped away long ago, but I was a white kid from a reasonably prosperous part of town, so it took until the 2000s and my growing political awareness to realize just how flimsy these principles were when they were put to any kind of test. It made me angry; it still makes me angry. I was raised to believe there are some principles that are important enough that you don’t compromise them ever, no matter how scared or worried you are. Just as I was old enough to understand what was going on on the evening news, the United States betrayed everything I had been taught the United States stood for. And as a nation, we never turned back; we never apologized; we never repented. America, as an abstract entity, never was what I thought it was as a kid. But I think it could still become that, if it tried. Alas, very few people seem to believe such a thing is possible anymore. Most days, I’m not sure I do, either.

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curious-minx · 3 years

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Bob’s Burgers most reliable holiday provides another lowkey enjoyable, but messy episode. Whereas the latest Simpsons strikes a really sore vocal node.

The second holiday episode of Bob’s Burgers’ 11th season, much like the previous Halloween episode, this one also fails to live up to the series’ even higher Thanksgiving standard

That’s not to say “Diarrhea of a Poopy Kid” is not a good episode, but it does fall into the category of Bob’s Burgers episode I typically respond to the least: Character-based storytelling vignettes. The writing on these segment driven episodes tend to be looser and playful bending the show’s reality, but much like every time the other Fox family leaves the Springfield plane of reality into a pastiche styled playground for the writers to plug the characters into.

The overall animation and visual-based gags on this episode offers some of the best moments of the season and series in general. Having the Belcher stories revolve around action movie pastiches of 90’s action movie schlock like Air Force Once, Armageddon, and late 80’s Predator are extremely punny and really grasping hard for satire. The walk to Louise’s Breadator is succinct and makes total sense for Louise’s character to tell this kind of story, whereas Tina drawing inspiration from Air Force One for her story sags the episode down. This episode also has the gall to bring in Gayle, a character that usually elevates all of her episodes nothing much to do until the third and best segment told by Bob. Teddie is also frustratingly nowhere to be seen and Teddie is one of those characters that really only needs a small scene explaining away his absence like in the episode “Gayle Makin’ Bob Sled,” which Variety and I consider to be among the best of Bob’s Thanksgiving episodes.

Nitpicks and reminiscing on past glories aside, what’s most impressive about an episode as conceptual and overstuffed as this one, an episode that’s also poopy and gross-out from the very beginning, still manages to pack undeniable heart. Seeing a character as relatable and sad sack-y as Bob Belcher be passionate about his one favorite holiday reminds me of the everlasting and evergreen Ray Bradbury remark about how everyone is capable of writing poetry as long as you ask them to talk about something they are truly passionate about. Seeing how this episode climax revolves around Gene and Bob’s love of food and proves a powerful sentimental moment. Bob’s Burgers sentimentality works because the show’s core is silly absurdism, light and fluffy gross out gags and quirky twee-ness. Introducing the action movie element feels like the series trying to branch out its audience and try to catch some eyeballs of viewers looking for something more like Archer, American Dad, Rick and Morty, or even Treehouse of Horror style genre exercises. Bob’s Burgers and action comedy feels like putting garlic pesto on cinnamon toast, but Ryan Reynolds doesn’t think so.

Yes, that’s right. The biggest news out of the Bob’s Burgers camp…probably ever…is that the Molyneux sisters, the writers of this very action packed episode, have been hand selected by Mr. Detective “VanWilder” Pickachu himself to be head writers on the upcoming third Deadpool movie. Seeing that we live in a post Russo brothers world and how Dan Harmon was conscripted to punch up Doctor Strange scripts none of this should really surprise me, but I am still very much surprised by this development. The Deadpool 3 creative team and Reynolds is still promising to deliver an R-Rated Comedy, a rating and promise that is very much why Deadpool is the sensation that it is.

In the current media landscape the only way a big budget R-Rated comedy can get made is if it’s attached to something like a mega superhero sized brand. At this point in time Deadpool is the closest thing kids have to a Mel or Al Brooks and it is what it is. If anything Ryan Reynolds personally choosing the Molyneux sisters for a project like this makes me like Ryan Reynolds a little bit more. And he’s a man I previously had no real feelings or opinions about. The only other thing about Deadpool I know about is that the franchise has developed a particularly shitty reputation in terms of its treatment of main female characters and literally freezing them out of the plot. The future of comedy is being driven by the significant increase of women gaining these kind of writing gigs and it’s a beautiful thing to finally see witness. Especially when a company like Netflix has been really shitty to both of its own female driven comedies: Glow and Tucca and Bertie.

Sigh. I am thankful for all the sad little boys and girls wearing too much or maybe the right amount of eye shadow that will inherit this flaming Earth.

Three and half pear shaped pals out of an Oedipus Rex Complex.

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Nerds! Nothing but a lousy rotten sniveling dweeb! You dorkus-rex! You body pillow huffing geek get over here and let the Simpsons set some things straight for you: A Comic Book Guy driven episode of the Simpsons is often where the show goes off the rails. The Comic Book Guy marriage episode is was one of those late day Simpsons that feel like a bad piece of dreamed up fan fiction that you found on the cutting room floor. Is the show interested at all with the fact that comics and being nerdy have become as mainstream as the Bible? No? They’re still treating geek culture as some sort of low hanging piñata fruit lousy with cheap references in place of actual jokes? Good! I don’t know why I would ever allow myself to think for a second that the Simpsons would challenge its own status quo 32 seasons in, but I keep coming back.

What I should really do is back up. The title of this episode is “Three Dreams Denied.” Ah, Dream Denial! That’s exactly what anyone watching an animated sitcom hopes for: dreams being crushed. This isn’t some kiddy Davy and Goliath feel good wholesome fable, this is the Simpsons where characters are given dreams, and those dreams get denied. The next part of the title I want to break down is the fact that there are specifically three dreams that being denied. Three! That’s a comedy number! As long as you have three of anything you’re doing comedy. Plain and simple.

During the Robert Zemeicks arc of the Blank Check podcast Griffin Newman, co-host and comedian extraordinaire and someone I generally admire a lot, has been bringing up the fact that he’s been spending a lot of his Quarantine rewatching the entirety of the Simpsons. By the episode of Used Cars Newman has already gotten past the Movie era and is in the 20th seasons. One observation he made about later day Simpsons is that these episodes have a tendency to end abruptly on a pile of unusable and reality bending plots still in the process of tying themselves up. And there’s no better/worse example of this than this episode.

Comic Book Guy goes to a comic book convention. Bart becomes a voice actor after befriending the comic book guy’s temporary replacement. Lisa feuds over her saxophone chair in the school orchestra with a new pretty boy voiced by the underwhelming Ben Platt. One of these plots is not like the other. This used to be the signature of a quality Simpsons episode that managed to tweak and divert expectations from the typical A & B sitcom storylines. This episode fundamentally fails to deliver on any of the three storylines and what makes it worse is that it’s an intentional choice.

Now I know I have spent this review harping on Comic Book Guy, but he’s not even why this episode for me is such an abomination. And it’s not because the cutesy, flimsy Lisa subplot either (although I do find it noxiously amusing that a week after an Yeardely Smith took issue with the Queer Interpretation of Lisa would feature her going moony eyed over a boy voiced by a defiantly queer actor), no, what tips this episode into the territory of the truly terrible for me is the Bart becomes a voice actor subplot.

The only defining quality of season 32 that I can discern is that the flagrant trolling on behalf of the writers. Can you believe we had three vignette driven episodes of the Simpsons in a row? Can you believe we would have meta reality breaking voice actor related moments back to back? When Lisa Simpson’s voice actor Yeardley Smith voiced the real world character of herself in the previous Podcast based episode it was clumsy and awkward as hell. Having Bart become a voice actor that ends up voicing a character of the opposite gender is the sort of kind of a funny thing that resembles a joke that the latter day Simpsons revel in. The characterization of voice acting work in this episode is downright insulting and explains exactly why this show suffers.

The character of Phil that serves as the Comic Book Guy’s replacement is a working voice actor. He let’s Bart know this by doing a series of completely basic, broad and unremarkable impersonations that Bart is seemingly impressed by. All you have to do to become a successful voice actor is do a silly voice and you’re golden. Maybe from the perspective of a series as lazy and indulgent as the Simpsons is when it comes to voice acting. The complete denial of Julie Kavner’s deteriorating voice that at this point sounds like gentle elder abuse. There are times when Kavner is downright incomprehensible at times. The other oldest member of the Simpsons voice talent, Harry Shearer was wrongheadedly trying to defend his right to voice Characters of Colors because in his words, “the job of the voice actor is to play someone who they’re not.” Obviously these words were not spoken by someone that thinks very highly of acting either. There is no one job an actor has to do, because the job of an actor is always changing from job to job. The character of Phil is not even attributed to anyone! I have spent over thirty minutes getting testy with IMDB search engines and reading another website’s recap and no one can tell me who did the voice of the Voice Acting Character on Simpsons. Lovely.

Much like the Comic Book Guy the Simpsons heart is in bad shape. This is a show whose entire existence seems to be made out of spite. Or to garner enough funds for Matt Groening to prevent him from ever having to serve any prison time for his exploits on the Lolita express. Great, see I’m bringing up the Lolita Express at the end of a Simpsons review. This episode really left me in a bad mood, but thankfully that’s what Bob’s Burgers is for.

SKIP. The only people that should watch this are people teaching a screenwriting class that need examples of what happens when you break your episode by haphazardly shoving three plots into one episode. If you can’t tie up one story in a satisfying manner then you really shouldn’t be telling a story at all. There’s also one really magnificent visual joke involving Homer and beer tea that is absolutely wasted on this episode.

#Bob's Burgers #Deadpool #MCU #2021 #TV series #TV review #TV #The Simpsons #voice artist #voice acting #rant

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