Tumgik
#Horse Faction
"Your cult fractured Mandalore" okay miss DEATH WATCH why don't you acknowledge it was YOUR cult that fractured Mandalore and quit dissing Din hmm
542 notes · View notes
ruvviks · 1 month
Note
🔶, 🖤, and 🤔 for tiberius!!
oc asks for tiberius!
🔶 LARGE ORANGE DIAMOND — does your oc know cpr? do they have any other medical expertise?
tiberius doesn't have a lot of medical expertise despite stella, his sister, being a nurse. she would've tried to teach them some things pre-war but they've forgotten most of it since they never paid enough attention :( that's something he really really regrets now because 1) medical knowledge comes in super handy in the commonwealth and 2) he should've appreciated stella more when she was still alive and he's now just constantly beating himself up for having been such a horrible brother
so yeah if you get injured and tiberius is the only one there to help, best he can do is stick a stimpak in your ass (which is more than what the game lets you do for glory so i guess that's a win)
🖤 BLACK HEART — has your oc killed or seriously wounded anyone before? have they broken someone's heart and/or broken someone's trust?
tiberius has never killed anyone pre-war, or broken their trust. he HAS had his own trust broken though, since he's going through a breakup when the bombs fall with his girlfriend of three years who's been cheating on him for like, two of those years. so that's not fun
post-war however, the wasteland gives him no other choice than to kill people before they kill him :( most of it would just be trigger-happy gunners, and forces sent by the institute or brotherhood of steel, but it would still get to him a lot more than he'd like to admit. the only person he doesn't feel bad about killing is kellogg, since the guy killed his sister
🤔 THINKING FACE — what are some of your oc's quirks/mannerisms?
answered here!
2 notes · View notes
latinokaeya-moving · 2 years
Text
the issue with genshin lore is that it has established time and time again we cannot take any given source in game as unalienably true not even stuff like basic narration in character stories and in fact you often should not because a lot of the information provided is written or told from the point of view of completely fallible not-all-knowing individuals that only says as much as they Could possibly know in their own position existing in the genshin world, which means you have to constantly be making assumptions and taking leaps of faith to try and piece together concepts as basic as “who the hell even gives vision holders their visions”.
like i think this is very cool personally and it’s been made a super obvious Theme that they wanna explore within the game with shit like zhongli’s entire first story quest or the existence of that sumeru scholar guy on watatsumi who is actively rewriting enkanomiya history bc it’s what he believes is right, but then this tendency often results in a lot of vague/subtle information that hasn’t been fully explained in game (bc genshin hates progressing its own story and expanding on things apparently) being forcefully made to “make sense” in an easily digestible way so players can understand the story and/or worldbuilding in simpler terms. which is a noble cause but then all it does is spread info that has never been confirmed to be true as factual canon and then ppl have annoying long ass arguments about this stuff over who is right and wrong wrt to random pieces of genshin lore when all along the only true to game answer we have rn is “we literally do not have enough info on xyz thing yet to say either way oh my god”
24 notes · View notes
animalpetcel · 2 years
Text
It’s unrealistic but some part of me wishes Guide Ahead let Fia confront(?) the pope…and god
(What I mean is that Break the Ice spoiled me on having their revolution be technically successful even if fucked up. Also the Great Elder dying and Kjera being just a darling was *chef’s kiss*)
I love her anger/desire for revenge and how it makes her ignore every single more important problem but I wish her and Enforcer could’ve at least gained more knowledge about like….the current injustice of Laterano (of course I still have GA-8/The final story node to read so maybe that changed)
Also Ando gave me major Getou Suguru vibes, but like better vibes if Gege was interested more in his post-betrayal life. It does feel like we’ll see Andouin again eventually as well, kinda like Tola (don’t know if they’ll let him and Patia be playable though, but I personally hope so bc I liked them)
But I guess we have Laterano event #2/Mostima alter to do that🙃
16 notes · View notes
onaspacewalk · 1 year
Text
дядя на базі! oh my fucking god дядя на базі.
Tumblr media
witam pana, я задля цього кілька днів видрочували восьмий розділ задля оріґнайтів.
3 notes · View notes
witchblade · 1 year
Text
i feel like dread is unusually overpowered if you’re a spooky ass guy you don’t have to do anything but be spooky everyone is too scared of you to do anything about it. except finnish peasants really really really really really really really hate me
2 notes · View notes
Text
Tumblr media Tumblr media
Spent tonight playing Skyrim and ended the session by going back home and waking my daughters to give them new dresses. (One of them was awake as soon as I got home and asked for money and then apparently ran right back to bed.) Then when this one tried to go back to sleep after getting her new dress, she…hm. Planking craze finally hit the youth in Whiterun.
4 notes · View notes
corvidous · 2 years
Text
Mount & Blade Warband understands me better than any human ever could
4 notes · View notes
imaginarianisms · 9 days
Text
northern bred horses may usually be smaller than other breeds across westeros, but they are gentle & intelligent but hardy & resilient through harsh & difficult weather. the elders spoke of such horses being in harmony with the first men since time immemorial, a trusty breed that was almost completely wiped out by the andal invasion that took hold of the vast majority of southern westeros prior to the rhoynar & later the valyrians & the targaryen dynasty. they were often killed by andal farmers as they were wild & eating their crops & fields & later, were killed by the warrior's sons as they were considered demonic horses of demon worshippers, a practice that was later outlawed by aegon the conqueror once he united the seven kingdoms, which gained him much respect from the north & specifically house stark who was known for breeding them. the horses are smaller & built for the northern woodlands, noted for its adaptation to the extreme cold climate, including the ability to locate and graze on vegetation that is under deep snow cover & to survive without shelter in temperatures that reach -70°C/−94 °F at most during year long winters in the north. they have coats for different seasons; their winter coat is extremely dense & their metabolism adjusts & changes to their seasonal needs, in autumn they accumulate large fat reserves while it decreases in winter, avoiding frostbite by reducing the volume of circulating blood during times of extreme cold & they genetically have similar evolution to other animal inhabitants in the far north such as the mammoths. while they're mostly seen in the north, anyone of the free folk who has such a horse is considered a lucky & wealthy individual, for horses are highly prized beyond the wall. sweet & curious, they also serve as highly prized therapeutic animals to work with. recently, in the aftermath of the war of the five kings, the loyal soldiers of house bolton killed many of the horses living in & around the stables of winterfell & settlers of house frey living in the north mercilessly slaughtered every one of the horses they could find, something that greatly offends the northerners but especially house stark. now, under house stark rule once more, the species is rising again as it will forever.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
1 note · View note
catboybiologist · 1 month
Text
The year is 2030.
At the Cincinnati stop of her "world tour", Taylor Swift ends her set. As she walks off the stage, she leans into a nearby mic and says "oh by the way, I'm lesbian".
She's still milking a public relationship with a man named Chett Whitesman, so this is met with a combination of cheers and confusion. Immediately, the media mobilizes. They have to intercept her before she gets onto her private jet, and ambush her for an interview. Luckily, this has become much easier these days. Since the release of her 2027 album, "The Carbon Emissions of my Heart", T Swizzle has performed a ritual sacrifice of an endangered species on live camera every time she boards her jet, a #girlboss way of saying that her emotional pain can only be healed by the tortured screams of drowning polar bears.
(Since this practice started, a devoted faction of Swifties have started a carbon negative algae farming commune, with the express intent of negating taytay sweezie's contributions to climate change. Apparently "her tortured soul deserves to pollute without guilt". They haven't even come close to their goals.)
Taytor Twift is intercepted after this ritual, as she's walking up the steps of her plane. When asked what the lesbian statement was about, she nonchalantly says "oh, I thought it was clear that was a joke. Anyways, G T G!" , before biting into the still beating heart of an emperor penguin.
During her flight, discourse on the newly renamed twitter-X-ElonIsExtremelyVirile Corp goes nuclear like it never has been before.
There's a camp of swifties thoroughly convinced that her relationship with Chett is all a beard so that she can still keep touring in the New Christian Republic of Florida, and the interview at the plane was deepfaked.
A different camp of Swifties feels insulted and betrayed that she would be anything less than a paragon of allyship. To them, this is the worst slight the queer community has ever experienced.
A third camp of Swifties insists that she *is* dating Chett, and is also a lesbian. They get insulted that anyone would police Taylor's labels. Comparisons to the Boulder, Colorado shooter are made.
A group of non Swifties tries to point out that everyone is fucking insane and that 'ole taytay regularly tear gases pride rallies to make way for her promenade to stadium venues, and who the fuck cares about this shit and point out that what a billionaire celebrity does for five minutes of PR is not worth your attention or discourse, nor does it warrant harassing other people for the labels *they* use, and isn't it really fucked up that Taylor is making a joke of how people describe their identities? They are promptly doxxed, harassed, and banned.
Bi lesbian discourse is off the charts. Nothing Taylor said has anything to do with it, but it happens anyways.
A lone transsexual who actually goes outside once in a while tweets "hey guys isn't it kinda fucked up that 2.4 billion people have been displaced by mega storms this year that her jet contributes to and is also specifically designed to fly over" and is promptly doxxed and harassed off the platform.
After an exhausting 9 minute plane ride, Tailing Swiffer lands in Columbus for the next performance of her world tour. She unveils a new single that contains the line "ride my horse after dumping him, stepping up onto my SAD dle".
All is forgotten. All is quiet. The Swifties continue as usual, moving on to the next discourse about these lyrics.
10K notes · View notes
hasdrubal-gisco · 5 months
Text
finally watched barbie last night. i think it was refreshing to see gerwig's exploration of population exchange in europe during the chalcolithic age. barbies are clearly coded to be early european farmers, living in a comfortable yet stagnant environment of europe at the tail end of the ice age, with a culture revolving around female fertility (notice the second character introduced is a pregnant barbie). the second sequence shows up ken(gosling)'s enterance into the story on beach, mirroring the arrival of western steppe herder cultures as glaciers in europe retreated.
Tumblr media
once barbie and ken venture into the "real world" (prohpetic vision of the bronze age), ken adopts advanced technologies like the horse (horse), patriatrchy (worship of a male solar deity), and cars (the wheel, expoundable into the horse-driven chariot). his donning of the fringe jacket and cowboy hat stir within the audience a yearning for westward expansion, from the pontic steppe through the pannonian basin and beyond.
Tumblr media
ken transforming barbieland into the kendom mirrors the replacement of early european farmer (vinča, varna cultures etc.) with corded ware and bell beaker cultures, settled iterations of the kens' previously pastoral culture. the only barbie not assimilated into the new cultral zeitgeist is weird barbie (basques), herself a cultural isolate even compared to other barbies pre-invasion.
the final battle scene between the two ken factions places particular focus on archery, hallmark of the mongol civilization, which was the last of the steppe invasions of europe. notice in this situation, gerwig's bravery in correctly having ken (asian) represent the kingdom of hungary (asian), whereas ken (gosling) is of course the ever-lasting scythian spirit emanating from the steppe. some scholars have suggested the light-blue void where the last battle takes place to be a metaphor tengri.
some other stuff happened as well but i didn't really get how that fit into the greater story i guess. what was the deal with the old jewish lady LOL !
5K notes · View notes
basslinegrave · 2 years
Text
the dw movie made me like cao cao and the shu trio again i was neutral about them since like 2014/15 when i had like 70 faves in the franchise and they were at the top but then i got obsessed with just ling tong and gan ning and the rest was put aside (except maybe jia chong, thats still a 'i wont him' and 'i want to look like him' thing going on, and hes always the third choice) but seeing the others like this it was very nice i might rewatch it again this weekend just for teh lulz
0 notes
Text
When me and friend used to play red faction on the PS2 together he would always meet the first medic NPC and get called a horse. And everytime without fail he would execute the poor medical man.
0 notes
txttletale · 4 months
Note
Can you elaborate on what you think would be the minimal needed changes to fix what you see as an issue in Civ? Civ has done fairly large shifts in some mechanics before, and "civ like" is still an interesting game space that can scratch certain itches
yeah i mean as i said, the baked-in racism arises from a certain set of core assumptions that i think lock it into that position, which are that civ is a
1) symmetrical
2) 4X
game about
3) 'real world civilizations' (deeply loaded terms ofc but that's how civ envisions them)
4) trying to 'win the game'
5) with a global
6) and transhistorical
scope
so, in its role as a symmetrical (1) game with victory conditions (4), civ as a text has to take positions on what constitutes a 'successful civilization'. as a (2) 4X game this definition also has to include some variation on the profoundly loaded eponymous Xs, 'explore, expand, exploit, and exterminate'. furthermore, as a (1) symmetrical game with a global, transhistorical (5, 6) scope, it has to necessarily create a model of what 'a civilization' looks like and apply it to every 'civilization' it wants to include, at all points in their history.
this all kind of naturally leads into civ being a game in which the colonial european imperialist powers are the default 'civilizations' and all other cultures are basically just like them -- a game where technology progresses linearly and innovations are made in the order they were in european imperial history -- a game where all cultures fundamentally work in the same way and hold similar values, a game where all religions are based on christianity (i mean, just look at civ vi's system, where every religion has a 'prophet', 'apostles', 'missionaries' and 'inquisitors'), a game where not only do cultures have teleological overarching 'goals' but where these goals are shared and these goals are fundamentally based on imperialist visions of 'victory'.
to drill into some specific examples: you can't play a game of civilization without founding cities. you will constantly be founding cities. when you're playing as 'the mongols' or 'the cree' or 'scythia', this makes no sense! these were peoples who historically had rich culture, science, arts, and certainly a notable military history, but were (to varying degrees, at varying times in their history, i don't mean to create a new and similarly heterogenous absolutist category here) nomadic!
similarly, to advance in civilization you must invent 'the wheel'. 'the wheel' is necessary to many later innovations, while of course the andean peoples represented by the playable 'inca' never made significant use of the wheel because the lack of suitable pack animals and environmental factors meant that it did not, in fact, prove a suitable tool for transporting large quantities of heavy goods. for an even more glaring example, a lot of early military technology is locked behind 'horses', which is pretty absurd considering that several of the game's playable civilizations, in the real world, developed plenty of military technology despite living on a continent without any horses!
so having established what i mean by 'the issue', which is that the game's core assumptions lock it into imposing a eurocentric, imperialist vision of 'civilization' onto cultures where it doesn't make sense, here's a few different jenga blocks you could pull out to resolve it:
SID MEIER'S EUROPE
the pillar you knock out here is #5. keep the game engine and core assumptions just as founded on eurocentric imperialist societies as they are now, and just make it about european empires doing imperialism. now, i think we can immediately spot some problems in there -- how are we going to represent the rest of the world? after all, this kind of just creates a situation where, either as NPC factions or as outright exclusions, all other cultures in the world are deprived of any meaningful agency in "history". this one just kind of gives you a new problem and also from a gameplay standpoint results in a game that just Has Less Stuff On It. i think this is a bad one
SID MEIER'S ELYSIUM
now here's one you can get if you knock out pillar #3. keep the same assumptions and gameplay and transhistorical global narrative scale, but remove the 'real-world' aspects. you can get real silly with it and add fantasy stuff to it, or you can be a relatively grounded 'our-world-but-to-the-left' situation. now to some extent this already matches a lot of the features already in civ games: after all, unless you specifically load in a 'true start location earth' map, you're usually playing on a strange parallel world with semiplausible but wholly original continents! now, you also need to get some fucking Nerds and Geeks working at your company to build out your fictional world, or you'll just end having pointlessly pallette swapped a bunch of factions that are now just Schmance, Schmina, and the Schoman Schempire, and not really have avoided the issue. but if you do that, and invent a deep and rich fictional history to riff on, then you could create something really cool and incorporate alt-tech or fantasy or retrofuturistic elements or all sorts of cool shit.
the downside of this is that it makes your game less accessible and appealing to a lot of people. a big part of (at least the initial) appeal of civilization is pointing at the screen and saying 'hey i recognize that thing!'. it is instantly more accessible to someone who isn't super invested in strategy or fantasy dork shit to say to them 'you can be BRAZIL and nuke FRANCE while at war with CHINA and allied to BABYLON'.
more importantly than that, i think some parts of the historical theming (because let's be honest, it is ultimately theming, i don't think civ is interested in 'history' in any serious way) serve a pretty load-bearing role in the game's information economy. it's a pretty tall order to ask a player to remember the unique abilities of dozens of factions and unique wonders, and the historical background makes it a lot easier. e.g., it is a lot easier for a player looking at wonders to remember 'the pyramids need to be built on desert' or 'broadway will help me make more culture' than it would be for them to remember the requirements/effects of 'under-eusapia' or the 'wompty dompty dom center'. i think this is one of the number one things that, if subtracted, would meaningfully create something that is no longer 'sid meier's civilization'.
SID MEIER'S ALPHA CENTAURI
now if you cut out #3 and #5 and #6 on the other hand... sid meier's alpha centauri is not technically an entry in the civilization franchise, but i think most people correctly consider it one. it has similar 4X gameplay to the series, and its (very bad) spiritual successor beyond earth was an official entry. instead of 'civilizations', the playable factions are splinters from a colony ship that fell into civil war as soon as it landed, each one representing a distinct ideology. now, y'know, this doesn't mean it's free from Some Problems (the portrayal of the Human Hive in particular is some of the worst apects of 90s orientalism all piled together) but i think they're problems it's not at all locked into by its design!
SID MEIER'S THERMOPILAE
by cutting out #5 and #6 -- making a civ game about a particular time and place in history you could achieve something much more richly detailed in mecahnics while also being able to handwave a lot more homogeny into it. giving the same basic mechanics to, say, every greek city-state in the peloponnesian war is far less ideologically loaded than giving them to every 'historical civilization' someone who watched a few history channel documentaries once can think of. it also lets you get really into the weeds and introduce era-and-place-specific mechanics.
the scale needs to be smaller conceptually but it doesn't really have to be smaller in terms of gameplay -- just make maps and tech trees and building more granular, less large-scale and more local and parochial and specific. this also gives you the advantage of being able to do the opposite of the last two options and really lean hard into the historical theming.
if this sounds like a good idea to you, then good news -- old world does something pretty similar, and it's pretty good! worth checking out.
SID MEIER'S LOVE AND PEACE ON PLANET EARTH
what if we take an axe to #2 and #4? instead of putting all these civilizations into a zero-sum game of violent expansion, make it possible for several civilization to win, for victory goals to not inherently involve 'defeating' or 'beating' other factions. now, that doesn't mean that the game should be a confictless city-builder -- after all, if you've decided to be super niceys and just try and make your society a pleasant place to live, that doesn't mean that the guy next to you isn't going to be going down the militarist-expansionist path. hell, even if all you want to do is provide for your citizens, a finite map with finite resources is going to drive you into conflict of some kind with your neighbours in the long run.
to make this work you'd have to add a bunch of new metrics -- 'quality of life', for example, as a more granular and contextual version of the 'happiness' mechanics a few games have had, or 'equality', game metrics that you could pursue to try to build an egalitarian, economically and socially just society where everyone is provided for. after all, why shouldn't that be a goal to strive for just as much as going to mars or being elected super world president or whatever?
SID MEIER'S DIVERSE HISTORICAL CONTEXTS
ultimately, all cards on the table, if i was made god-empress of The Next Civ Game, this is the option i'd go for: jettison #1 as much as practically possible, introduce as much asymmetry into the game as you can. some civilizations keep the established settler-city model -- others are nomadic, building their units in movable 'camps' -- maybe the 'colonial' civilizations, your USA and Brazil and so on, can be like the alien factions from the alpha centauri DLC, only showing as NPCs at the appropriate point in the timeline when other civs are colonizing other continents, or putting you into an accelerated-forward version of the game if you choose to play as one.
you could combine this with a more interesting version of humankind's civ-choosing system, where you lock certain civilization choices behind specific gameplay events. this would let you do crazy shit with the balancing -- imagine an ostrogothic kindgom civ with crazy strong abilities and units that you could only choose to play as if your capital is overrun by barbarians, or a hungarian civ that requires you to have started as a nomadic civ and invaded somewhere, or a soviet union civ that requires you to lose a revolution, or a usamerican civ that requires you to split off all cities on a foreign continent from your original civ -- you could add so much variety and so many new and bizarre strategies into the game with this!
as for the universal aspects of tech and the narratives of linear progression contained within, there are lots of approaches that already solve this! stuff like stellaris' semi-random branching tech paths, or endless space 2's circular tech web, could allow civilizations to take tech paths that make sense for them, rather than imposing one single model of 'technological progress' on the wole world.
obviously there's limits to this, right -- civilization isn't going to be a detailed historical materialism simulator any time soon. but i think abandoning the idea that every faction has to play fundamentally the same and introducing some severe asymmetry as well as choices that you can make after starting the game would work wonders to wash out some of the racist and colonialist assumptions built into the game's foundation, while also (imo) creating a more fun and interesting game.
996 notes · View notes
dyeher · 5 months
Text
WHAT DADDY DESERVES| NSFW
Includes: toji fushiguor x fem! reader
Warnings: age gap, shibari, smut, knife play, fear play, light humiliation, degradation, female identifying reader, vaginal fingering, cunnilingus, impact play [pussy and ass spanking], choking, face fucking, cum eating, edging, dacryphilia, cucking [sort of], creampie, overstimulation.
Summary: toji’s never been given a gift like this before. bless megumi’s little heart for knowing his daddy so well.
“What the hell is this?”
Truthfully, Toji couldn't say for certain what he expected when Megumi had announced after dinner that there was a surprise waiting for him in his home office. Maybe an expensive bottle of liquor, a new handgun, a cologne, a card, or nothing at all. Though the latter was more a self-deprecating expectation than anything else. Further, he didn’t think his son was capable of surprising him. Toji, up until this exact moment, had convinced himself that he had seen enough in his lifetime to ensure nothing would ever truly surprise him.
And yet, the sight of you- gagged and artfully tied in golden ribbons- kneeling next to his desk has left him stupefied.
“Megumi- What the fuck?” he gestures to your trembling body. “What the hell has gotten into you?”
“I see the way you look at her old man,” he can feel Megumi’s eyes on his back. “You can take what I’ve so graciously offered or you can look a gift horse in the mouth. Either way, she’s yours for the rest of the night.”
If Toji’s cock wasn’t one wrong move away from bursting the seams of his slacks he might have denied Megumi’s observation until he was blue in the goddamn face. You were too young, too beautiful, too innocent, too much of his son’s fucking girlfirend to be sitting next to his desk with nothing but literal scraps of fabric covering your...important parts. As it stood his cock was embarrassing him, and it wasn’t helping that he hadn’t looked anywhere but at you since he spotted you.
God but you were beautiful. Admittedly whether you were wrapped up like a christmas present or fully clothed Toji knows he’d still be staring at you, granted in the latter instances it would be easier to tear his gaze away from the wealth of exposed flesh, because there would be no exposed flesh.
“Be gentle with her, don’t get her pregnant, no anal,” Megumi says, and maybe Toji makes a sound of agreement because his son leaves after that, a mumbled ‘Happy Father’s day’ his parting words.
The slamming of his office door makes you jump, and the delicious jiggling of your breasts as a result leaves Toji reeling. You’re staring up at him with such open abandon that Toji slumps into the closest chair. Evidently, Megumi hadn’t forced you into these shibari knots, you’d gone willingly. Toji supposes there’s something to be said about the fact that his son knows his tastes well. From where Toji sits on the single arm chair in the room, he can spot one particularly aggravating knot that he loves. Nestled next to your clit, he imagines the knot is likely soaked from your constant shifting.
There’s something morally wrong with wanting to stuff your son’s girlfriend full of cock. Unless, your son gives you the green light and said girlfriend is looking at you like you’re her salvation. Then it’s a matter of self defense, because obviously the two have conspired to ruin his already crumbling mental factions and thus, as he stands and approaches you he convinces himself that he’s fucking you for the sake of defending those mental factions.
The gag is drenched and Toji doesn’t care that they’ll get saliva on the paperwork laid out on his desk, he has half a mind to rub the sopping material along the length of his cock before your mouth opens on an adorable ‘ah’ that makes his cock twitch in anticipation. First, he needs to get you out of these ties because he needs to feel all of you. He needs to feel every inch of glorious skin and he needs it like he needs his next fucking breath.
So he cuts you free of the looping material, doesn’t even bother to listen to your little huffs of protests as your hands spring free and then your legs, and then your breasts relax when the ribbon at the bottom and the top come undone. He pulls you to your feet and drags you to the chair he’d previously occupied. You follow after him, standing between his thighs as he cuts you the rest of the way free.
The knife grazes the inside of your thigh teasingly, Toji doesn’t need to cut that part- the part pressed achingly close to your clit- free he only needs to tug on the knot, but when your hands fly to his shoulders coupled with an adorable whimper and he looks up to find your lips parted, eyes glazed over he brings the knife higher.
Your breath hitches and Toji can’t swallow his surprised chuckle fast enough.
“You like playing with knives, angel face?”
Your response is a jerky nod that Toji’s sure you had no conscious control of. He flips the knife so the dull back of it drags along the inside of your thigh, when it reaches the soft, puffy lip of your pussy he has to wrap an arm around your waist to stop you from collapsing. He pulls it away and helps you onto his lap, pressing your back against the chair’s arm and draping your legs across his thighs and over the other arm.
“Tell me something,” he urges, the knife in one hand held away from your body and the other gripping the back of your neck to keep your face angled to his. “Do you want this?”
“Yes- yes sir,” you lick your lips nervously and Toji nods.
“And did Megumi force you to do this?”
You glance away. Toji’s entire body goes taught. If Megumi forced you to have sex with him, if he’s blackmailing yo-
“It was my idea,” you admit.
Toji blinks, unsure he’d heard correctly. “Say that again?”
“It was- it was my idea, Mr. Fushiguro.”
Toji takes a long look at the way you’re spread out for him, your skin dented where the knots were pressed against your flesh, covered in a thin layer of sweat that leaves you glowing under the harsh lights of his office. Your breaths come in quick harsh pants, your legs twitch with each breath and Toji’s certain the dampness of his slacks has nothing to do with the fact that his cock is leaking into his boxers.
Toji wonders for one insane second what he could have possibly done to deserve this kind of gift. As far as he was concerned he was a mediocre parent at best. Love could really only provide so much emotional cushioning before it wasn’t enough. Not to mention his constant absence from his kid’s life because of work. It didn’t make sense that Megumi would give him something as precious as you. If he were a better man he would turn you down nicely, reassure you that it wasn’t that he didn't want you but it was just messed up. Thank the stars in the sky that he wasn’t a better man.
He glances down at you squirming in his lap and shuts off the part of his brain screaming at him to stop. He grasps a handful of your tits and squeezes gently, rolling the puckered nipple in between his fingers until your back arches off the chair arm. He drops the knife onto the end table next to him and uses that hand to drag down the center of your body as he sucks the nipple into his mouth.
“Oh,” you gasp.
His hand settles at the top of your pussy and he chuckles at your desperate whimper. He keeps it there as he switches to your other nipple. Toji takes his time, he operates on the belief that this is the only chance he’ll ever get to explore your body, to touch you however he likes without worrying about repercussions. So, as he sucks languidly at your nipples he rubs slow circles at the top of your pussy, right above your clit. A taste of what he could do. When you’re squirming so bad he’s forced to tighten his grip on you he finally pulls away from your chest he peppers kisses up your sternum, and along your throat until he reaches your lips.
“Are you sure you want this, angel face?” he asks.
“Yes- yes please,” you answer shakily.
“Good, you know what the stoplight system is?” Toji hides his excitement at your nod. “We’re gonna use that system, angel face. Remind me what it is?”
“Red means I want you to stop whatever you’re doing, yellow means slow down because what we’re doing is making me feel a little uncomfortable, green means I’m okay with whatever you’re doing and I think you should continue.”
Toji smiles, “Just about. What’s your colour right now?”
“Green,” you pant, wiggling so your ass settles between his legs on the chair. Toji is momentarily distracted when you brace the soles of your feet on the chair arm and your legs butterfly open. He catches a glimpse of slicked pussy lips as they part, strings of your arousal connecting them to each other.
“Good,” he answers absently and then he’s dipping his fingers into your messy little cunt. “So fucking wet,” he glances up to find your eyes glued to where his fingers have disappeared between the lips of your pussy.
He drags two fingers along your slit, collecting and spreading your cum up to your clit where he rubs light circles around it. Your responding whimper goes straight to his cock. He pulls his fingers away and with his eyes trained on yours he sucks your cum off his fingers. Your eyes widen adorably and Toji ducks to kiss you.
It dawns on him, when your lips part immediately under his, warm and soft and compliant that his son has probably fucked you under this roof. He uses the kiss as a distraction as he reaches for his knife. He flips it so the blade is facing him and gingerly runs the handle along the inside of your thigh.
Your body jerks.
“Easy,” he murmurs against your lips. “I’m not going to hurt you. Okay?”
Toji watches you struggle to regulate your breathing, but you’re shaking so bad it’s a little concerning. When you manage to squeak out your affirmative he leaves a chaste kiss to your mouth and turns his attention to his knife and your pretty pussy.
“I have to ask,” he starts conversationally, as the handle continues to climb the sensitive skin. “Why this and not something uh...normal?”
“What?” you ask dumbly.
He chuckles. “Well, Megumi could’ve gotten me a blank card and I’d have been grateful-” he stops just before he reaches your pussy lips again and flips the knife around so the blade is pressed flat against the inside of your thigh, “-but you suggested this-” he drags his eyes along your exposed body, “-so I’m asking you why this?”
You gulp when the blade bumps into your labia. “I- I don’t-”
Toji presses the blade flat against your cunt, covering one labia entirely.You inhale sharply, your limbs locking as you struggle not to close your legs around the knife. The cool press of the blade against the heated flesh causes goosebumps to erupt along your skin. He waits as you exhale slowly. He doesn’t move, just stares at you expectantly.
“Well? You still haven’t answered, angel face.”
“I don’t- I don’t know,” you stutter, your body trembles with the effort it takes not to move less the knife cuts you.
“I think you do,” Toji tuts. “You must, because I’m sure you’d have to convince Megumi somehow and you couldn’t have convinced him if you didn’t know.” He pulls the knife away and slaps at your cunt with it before pressing it back to your labia. “Try again. Why this?”
Tears gather at the corner of your eyes and Toji can just make out the way your pulse is pounding at the base of your throat. “I- I wanted to- I wanted to fuck you,” you answer. “Meg- Megumi- Megumi can’t say no to me.”
Toji freezes. “Who else?”
“Mr. Fushi-”
“Call me Toji. Now answer the question.”
The knife presses harder against you and your body twitches, the tears spill over and a half sob breaks free as you scramble to grab onto his arm.
“Who else has my son let you fuck, angel face?”
“Satoru-”
Toji pulls the knife away from your pussy and presses it to your throat. “You’re a little whore aren’t you?”
--
You gulp, your breaths stuttering out of you. You can only stare wide eyed up at Toji, the reality of your situation sinks into your gut like lead. This man kills people for a living and now you’re naked and spread eagle on his lap with a knife pressed to your throat all because you’re a horny little shit. You should’ve listened to Megumi. This was a bad idea. And yet, even as the knife presses deeper against your throat, your legs trembling and your heart racing, you don’t know where the arousal ends and the fear begins. Your body, that traitorous bitch has your nipples pebbling and your pussy leaking.
“You think I’d fuck your little pussy now? Knowing you’ve been giving it to anyone who makes your panties damp?”
You find yourself frowning deeply, your bottom lip wobbling at his words. “I- I’m not-”
The knife vanishes and fingers appear at your cunt, dragging through the mess you’ve made. Toji grins wolfishly. “Your cunt says otherwise, angel face. You’re wet and messy. Your pussy is sloppy and I haven’t even fucked you yet.”
“Please- I’m sor-”
Toji laughs. “You’re not sorry yet, but you will be. Can’t believe my son’s dating a little slut like you. Can’t believe he’s letting you take advantage of him.”
You hiccup, your eyes blurring with tears as he sinks two fingers into you abruptly, his pace is harsh and unrelenting and when you try to grab onto his wrist he pins your arms to your stomach with his free hand. The lewd sucking sound your pussy makes as he moves his fingers in and out coupled with the way his fingers twist inside you, searching for something are enough to have your eyes rolling into your head. You’re almost to the edge when he pulls away.
“No!” you cry out, hips jerking up in search of his fingers. “To- toji please.”
“What’s your colour, angel face?”
It takes you a moment to understand what he’s asking. “Green, so green, please- please touch me-”
The knife returns and you’re so stunned you don’t react as he uses the dull back of the blade to drag along your cunt, you watch liquid pool on the blade before Toji brings it up to your lips.
“Taste yourself, but be careful, wouldn’t want you to hurt that pretty mouth before I use it.”
You latch onto his wrist, holding him steady as you run your tongue along the blade, licking up your cum.
“Fuck,” Toji grunts. “Such a good little slut.”
You keen and he drags the tip of the knife from the space between your breasts to your clit. Goosebumps follow the cool metal until the hairs on your body are standing on end. You tense when the tip brushes against your clit.
“Toji?” you lick your lips when he circles the sensitive nub. “What- what are-”
“Shh, it’s okay,” he coos. “I’m not gonna hurt you, remember?”
You nod dazedly, “Okay.”
“I’m a little upset though,” Toji sighs. “And disappointed. Here I was thinking you were a good girl. You really had me fooled.” The knife makes another circle around your clit and you whine. “Megumi’s too blind to see what you really need,” the knife disappears again, “a little punishment.”
You’re not prepared for the harsh slap that lands on your cunt. Toji’s hand is heavy and the stinging spreads from your clit all the way up your torso, your body bows. Another two echo in the room coupled with your helpless cries, you have no doubt Megumi can hear them.
“What do you think, angel face? Ten on your slutty cunt? And then another ten on your ass?”
You can barely form a coherent sentence as you attempt to disagree, but Toji ignores you, and another harsh smack has you breaking out in a full body shudder.
“I’m sorry- I’m sorry,” you slur. By the seventh slap you’re sobbing outright, but your cunt is soaked, the final three slaps are lewd and the tacky sound of Toji’s palm against the wet lips of your pussy would have been embarrassing if you had the presence of mind to feel embarrassed.
“Good little slut,” he chuckles, releasing you to flip you onto your stomach across his thighs. “Colour, angel face?”
“Green, ‘m green,” you hiccup. “‘M sorry, ‘m sorry, I’ll be good, I’ll be go-”
You’re babbling as Toji caresses your ass. He massages into the flesh gently, until your babbling dies to a low whimper, and then the first slap makes you jump. Toji groans, “If you take your punishment like a good girl, maybe I’ll make you cum.”
You shut up instantly, muffling your cries by chewing on your lips. Each slap seems to get harsher, harder. He’s on the fifth slap when the babbling starts anew, Toji ignores you as he continues his spanking. You lose count at some point and only realize he’s stopped when he dips two fingers into your pussy from behind. You inhale sharply, a sob of relief bubbling out of you as he curls his fingers into your walls, he adds a third finger and your body hums happily. You’re so close you’re drooling, your lips parted as you pant out thank yous. Just as you’re about to cum he stops and you scream in frustration.
“Oh, angel face,” Toji mocks. “Did you really think your punishment was over?” He maneuvers you onto your knees in front of him. “You haven’t even sucked my dick yet.” He frees his cock from his slacks and your body lurches forward as soon as it bobs free. Thick and long, and wet with precum, your mouth waters at the sight of him. Briefly, you note that Megumi’s cock is eerily familiar. “Open up,” he instructs, slapping the thick length of it along your cheeks, and smearing his precum along your lips.
The weight of him as he slides onto your tongue and bumps into the back of your throat is so satisfying that your eyes roll. He’s nothing like Megumi. Where your boyfriend would give you a moment to adjust, to take the reins and suck him off however you like his father is not so patient. He cups your face with one big hand, his fingers splayed out on your neck and his thumb pressing your lips open and fucks your throat harshly. Spit layers on his cock from each thrust into your throat, it fills your mouth until there’s nowhere to go but out and onto your chin and chest. Strands of saliva decorate your lips and his cock each time he pulls out far enough for you to breathe.
“God, yes, just like that,” he grunts, as though you’re doing anything other than struggling to keep your throat relaxed and oxygen in your lungs. “Open your eyes.” You do, though you can’t say when exactly they slipped shut. Watching Toji as he grappled to keep his self-control was one thing but watching as that self-control snapped was awe inspiring.
He yanks you off his cock and pulls you to his desk, “Colour?”
“Green,” you croak, throat raw and pulsing from its use.
“Thank fuck,” Toji mand handles you onto his desk easily, he pushes you down and spreads your thighs wide enough for him to fit his wide shoulders. He pauses to take you in, sprawled on his desk, bare as the day you were born. His grip on the back of your knees tightens as he pushes them open and back. “Here’s how the rest of this is gonna go, angel face,” he licks his lips, eyes trained on your cunt. The attention makes you squirm, your hole clenching around nothing as he continues. “I’m gonna shove my face in this pretty pussy and eat until you’re begging and then I’m gonna fuck you until you can’t remember your own name. How do you feel about that?”
You gulp, “I think- I think that sounds good.”
He glances up the length of your body as he lowers his mouth to your pussy. You watch, transfixed as he flattens his tongue to your slit and drags it from your hole all the way up to your clit where he leaves a soft kiss. His eyes close as though he’s savoring the taste and then he ducks to your pussy and spreads your thighs wider.
Toji eats you out ravenously, like he’s never had anything more exquisite in his life and he doesn’t know if he ever will so he’s eating his fill now. He eats you like a man starved, like a man who was fasting for a long, long time who has finally been given reprieve. He sucks each labia tenderly, laps at each puffy lip with his tongue, kisses and caresses each one. Drags his tongue along your slit teasingly at first and then hurriedly when your moans grow louder. He brushes soft kisses onto your clit and then licks teasing circles around the sensitive nub before suckling on it until you’re twitching in his hold.
When your body begins to tremble violently he pulls back to bury his nose between your folds and inhales deeply. And then he starts the process all over again, helping you up the slope of your orgasm and just when you’re about to crest he pulls back, leaving you to stumble back down. He doesn’t use his fingers and by the time he’s satisfied with how drenched you are, half of his face is damp and sticky with your cum.
When he presses a kiss to your ankle you feel the stickiness of your arousal and when he leans forward to kiss at your knee and then your stomach and sternum and suck each nipple into his mouth you feel the residual dampness of it on your body. When he kisses your mouth, teasing your tongue with his own, licking and biting at your lips you taste yourself on him and it heats your blood, has you reaching up to slide your fingers into his hair and hold him steady as you lick the remnants of your pussy from his face until your mouth latches onto his once more and he releases your knees to wrap your thighs around his waist.
He kisses you as he sinks the fat head of his cock at your entrance. Shoves his tongue into the back of your throat to drown out your surprised cry as he bottoms out in one rough thrust. He pulls you to the edge of the desk and cups your ass with one hand as he spreads his thighs and begins to fuck you. Short, quick thrusts that stir his cock along the softest part of your walls. You think for a brief moment as he’s fucking you with his tongue and his cock you hear the voice of some divinity telling you this is what heaven may feel like if you’re good throughout your life. But then he’s rearranging you to prop your legs on his shoulders and bracing himself against the desk to fuck you in slow deep thrusts and then you’re not sure of anything. Not if you’re breathing, or if he’s kissing you, or if you can feel your legs, because his cock is dragging along parts of you, you didn’t even know existed. Parts of you that have you drooling pathetically, the muscles in your body going soft and pliant under him.
He switches positions again, you think, because your orgasm slams into you with the force of a tsunami, and by the time you recover from screaming Toji’s name your back is pressed to his bare chest and a hand is wrapped around your throat while the other rubs at your clit. You barely recover from the first orgasm before Toji is demanding more from your body. His grip on your throat holds you steady and his other hand moves to squeeze roughly at your breasts and run up the length of your body. He tugs on your throat and your back bows until your head is tilted back and you can see that sweat has matted his hair to his forehead, his eyes are closed in concentration but you’re sure he can your harsh breathing and the loud slapping of damp skin on skin as his thighs smack against yours, his hips cradling your ass with each thrust.
You may have been about to say something about how good he looks like this. Head bent forward, expression fierce as he focuses on pummeling your insides but Toji reaches for something on the desk and suddenly his hand is replaced by the cool metal of the blade of his knife.
“Fucking cum,” he growls in warning. “Cum right now.”
You cum so hard your knees give out, and with a delirious sound like a garbled mix between a laugh and a scream. You forget our name. You forget where you are, how you got here, whose cock is inside you, as the orgasm washes through you, the pleasure drowning your senses and reducing you to a mass of nothing but sensation. Your eyes roll so far back you feel a moment of pain as the organs are stopped by the muscles. Your mouth parts on a silent scream, all the oxygen leaving your body in a single exhale.
“Fuck,” Toji groans. “Oh fuck, yes, good girl, oh- fuck-” Your insides flood with warmth and somehow Toji filling you with his cum sets of another orgasm in the middle of your orgasm. Your mind shuts down entirely.
--
Toji stares at Megumi, standing on the other side of his bedroom door, a scowl on his face as he tries to peep over his father’s shoulder. Sometimes it unnerves him how much of himself he sees in his son.
“You looking for someone?” Toji asks, propping himself against the door frame and crossing his arms across his chest.
“Where is she?” Megumi asks.
“She’s asleep,” Toji shrugs. “And she’ll stay asleep until I think she’s rested.”
Megumi finally looks at Toji, his scowl melting into a frown. “Why can’t she sleep in my room?”
“Did you fuck her to sleep Megumi?” Toji squints mockingly.
Megumi purses his lips, eyes narrowing on his father. He steps back and Toji straightens away from the door frame.
“I feel you should know that...the next time you let her fuck someone that isn’t you-” he points at Megumi’s chest, “-or me, I’ll be forced to do something reckless,” Toji says.
Megumi looks stricken for a moment. “I don’t let her do anythin-”
“Do you want to walk around with the weight of a man’s life on your conscience Megumi?”
Megumi gulps.
“Exactly, keep her away from other men or them away from her, I don’t care. Do what needs to be done to keep them alive and me happy kid, and if she ever gives you any trouble you know where to find me.”
The door slams in Megumi’s face and not for the first time that day does he stop and ask himself, “Did he really deserve it?”
@s4no @kenuis @audrinui
422 notes · View notes
Text
since AAPI month is winding down here in the US I thought I'd recommend a few RPGs made by Asian designers that I've personally reviewed. Please consider throwing a few bucks to these folks, they're all working with some really fascinating stuff:
Moriah, by Kyle Tam
Tumblr media
A narrative, dark linear pathway about climbing a sacred mountain the prevent the gods' wrath from annihilating the world. Genuinely one of my favorite narrative voices in RPGs to this day. Horrifically violent and grim, but I think some of you sickos who like self-mutilation, human sacrifice, and imagery out of the binding of Isaac will dig it.
Navathem's End by Sinta Posadas and Pam Punzalan
Tumblr media
Taking elements from both PBTA and Blades in the Dark, Navathem's End is a beefy, beautifully illustrated fantasy game where players act as agents of an organization fighting against the consequences of the Gods. I really liked some of this game's unique twists on character advancement, I think this game is ripe for a long campaign if you're trying to shift your table away from D&D.
Spectres of Brocken by Aaron Lim
Tumblr media
Mech fantasy meets high school AU. Spectres of Brocken lets you establish rivalries and romances while in a military training academy, and then play them out on the battlefield after a timejump. I think Lim explicitly is basing this off of Fire Emblem: Three Houses, but if you've ever imagined being stabbed by your high school crush in a spear-wielding death machine, you should read through this one!
Apocalypse Keys by Rae Nedjadi
Tumblr media
Hellboy meets Men in Black meets sad gay found family that'll eventually have to kill each other. Play as agents of the DIVISION that hunts down monsters threatening your world, while struggling to keep your own monstrous impulses in check. Perfect for monsterfuckers, as well as folks who thought Monster of the Week wasn't queer enough.
Ten Thousand Days for the Sword by Emily Zhu
Tumblr media
Emily Zhu is my favorite tabletop designer. Their prose is immaculate, their brain is enormous, and their design is out of this world. Play as wuxia warriors battling in a cyberpunky city, using hundreds of martial arts techniques (such as Horse and Turn into a Demon) to best rival factions. Genuinely such a cool and fascinating game, I played a small campaign of it and it was SO MUCH FUN, thanks in no small part to Zhu's phenomenal writing.
159 notes · View notes