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#HSLOT feels like ages ago
persephoneflouwers · 2 years
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That time Harry showed up with a boa
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starfoxrry · 5 years
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can u believe i just saw harry last year,,,, and i’m already planning to see him again next year,,, the devil works fast but harry styles works faster
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twopoppies · 3 years
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Love On Tour Rescheduling
I just got a DM from someone who has some really insightful info about what's going on with the mess that is Love On Tour and the rescheduled dates. This is not to excuse the silence from HSHQ/Harry, but just to help explain some of why things are happening the way they are:
Hey Gina. I want to preface this by saying I didn’t want to send this as an ask because I don’t want my name or profile published with the information although feel free to screenshot and redact my name or copy and paste it into your own text post if you think the information is worth sharing. Or not! It might not be worth sharing at all, who knows. I just thought I might be able to shed some light.
ANYWAY. I saw an ask you answered where you were wondering about why they didn’t just push all the shows to 2022 or cancel entirely or do literally anything other than what they’re doing now. I’m an insurance defense attorney, so I spend a lot of my life drafting, analyzing, and litigating contracts. I’ve also gotten pretty familiar with special event insurance policies over the last year, for reasons I’m sure I don’t need to specify. Each venue is going to have a unique special events insurance policy, and a unique contract with Harry Styles™️ that will govern each party’s responsibilities with regards to the show(s) they have committed to at that venue, and how/when either party can cancel or reschedule the show.
There are the standard act of god clauses, which usually only deal with totally unforeseeable events that make performance of the contract completely, 100% impossible. The contracts and policies also almost definitely have clauses including things like, if an event has to be rescheduled, what’s the timeline within which the new date has to happen. Or, if the concert could theoretically go on but there might be complicating factors, when are those factors enough to warrant a cancellation. (So say local restrictions technically allow it but at a reduced capacity, or local restrictions technically allow it but outside forces such as the delta variant or vaccination rates or travel restrictions might impact the show - at what point is it enough that one or both of them can say it’s not going forward and cancel).
Then there are the penalties, if one party was to cancel or reschedule outside the boundaries set by the contracts and policies, what happens? It’s likely that the financial penalty is really high, but it’s also likely that at least a few of these arenas would have penalties temporarily or permanently blacklisting Harry from performing there again.
As someone who has dealt with similar situations, these are complicated negotiations to begin with. And then you add in the fact that every venue is has a slightly different insurance policy, a slightly different contract, and is operating with slightly different outside forces playing a role, and you have a disaster. This is not me trying to play devil’s advocate, or condoning the way HSLOT has been handled. At all. I’m livid and disappointed and embarrassed and beyond frustrated. I’m not, in any way, saying that these complicating factors excuse the lack of communication. There is absolutely nothing preventing Harry from issuing a “hey, we know you want answers, we’re sorry we don’t have them yet, but we are working on it and you can expect an update soon” type statement at the very, very least and he should have done that ages ago. I’m just trying to provide an answer to a question I’ve seen a lot, which is “why hasn’t he [insert solution of choice] yet.” Feel free to share without my name if you think it would be helpful, or not! Totally your call!
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hearttstopper · 5 years
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“i have a lot of thoughts about this too especially with the whole watermelon sugar/nameless thing” pls miss britt share ur thoughts id love to hear them
This got so long. I’m really sorry. My thoughts about HS2/In Watermelon Sugar/a bunch of other random stuff under the cut.
These are all thoughts that are only vaguely connected, and stuff that I’m sure has been said a hundred times before mixed with a ton of my own personal conjecture, so please bear that in mind… This is just like total rambling from me. 
But I have been fascinated with Harry’s connections to In Watermelon Sugar since we first heard the stupid rumors about the song. Especially the quote from the book about the narrator’s name. That quote got me thinking about how when it comes to Harry, tons of people only see what they want to see based on whatever ‘version’ of Harry is most appealing to them.
Read these quotes from the book with that in mind:
My Name
“I guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you what you did was wrong—“Sorry for the mistake,”—and you had to do something else.
That is my name.
Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There was something near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened.
That is my name.”
and:
“My Name. I do not have a regular name. I am a mystery to you. I wished Margaret would leave me alone…”
— Richard Brautigan, In Watermelon Sugar
The narrator of In Watermelon Sugar isn’t just a nameless figure, he actually invites the reader to give him whatever name they find most fitting for him. A positive connotation, a negative one, a nonsensical one… whatever you, the reader, decides. And that feels like a very apt description of Harry and the various ways fans have perceived him from the very beginning… by now, so many people have projected so many different images onto Harry that over time it has completely blurred all lines as to who Harry actually is. 
Here’s a review I found of the book that summarizes the world within In Watermelon Sugar better than I can (as well as somehow still aligning perfectly with the concept of struggling with fame and identity, etc): “Much of the sense of disparity in [in Watermelon Sugar] results from the incongruity inherent in the person of the narrator, who insists that everything in iDEATH is exactly as it should be—the people gentle, pleasant, and tolerant. Despite the narrator’s insistence that iDEATH is a stable Utopia, however, many of the things that happen are fraught with pain and violence. Balancing the easygoing and vegetarian people with their light chores and flower-filled parades are the man-eating tigers, the burning of the mutilated corpses of inBOIL and his gang, Margaret’s suicide, and the emptiness felt by the narrator but never named.” 
So essentially within In Watermelon Sugar, we’re shown that in the surrealist, post-apocalyptic setting of iDeath, things are only perfect on a surface level. Everyone in this world appears to be happy (or at least, they should be), but a closer look reveals the true nature of iDeath: it’s beyond grim. And so despite the happy, shiny surface, being a part of that happy, peaceful commune is unable to cure the narrator of the inexplicable emptiness he feels inside of him. (‘All the lights couldn’t put out the dark running through my heart.’ ‘Having sex and being sad.’)
The sadness that Harry has already admitted is very prevalent in HS2 has already been implied to be about a ‘breakup,’ but it’s clear to me that Lights Up is anything but a breakup song… (“[Lights Up is about] freedom, self-reflection, self-discovery, things that I had thought about and wrestled with…” + “For me, it’s a very uplifting song. In some places, it’s kind of dark, but to me, it’s like, very liberating. I think, you know, over the past couple of years… It’s about self-reflection, and freedom. It feels very free to me, which is I guess things that I’ve been trying to process… I guess, kinda wrestled with a little over the last couple of years. It’s kinda like, about accepting all of those things.”)
His sadness/whatever emotions and problems he’s been wrestling with have seemingly spanned the course of a few years, and are very personal to him… which is why I feel that releasing Lights Up as the first single sets the tone for the rest of his album centering around his own identity. The line “Lights up and they know who you are, know who you are… Do you know who you are?” poses the question - who is Harry? - and then, “Shine! Step into the light… Shine! So bright sometimes. Shine! I’m not ever going back.” shows us Harry having the strength and bravery to overcome his fears (stepping into the light, although it’s ‘so bright sometimes’ - overwhelming) and reclaim/express his own misunderstood identity.
A lot of people have been trying to tie the In Watermelon Sugar thing back to someone else, but at this point I completely disagree. Not only have we seen him make literary references in the past (the Charles Bukowski reference in Woman), but… given everything that he’s said about Lights Up so far – which was surprisingly a lot – I think that Harry genuinely just took a lot of inspiration from the book because it seemed to hit close to home with his own feelings about self-acceptance and living an authentic life within the public eye. 
I think a lot about the scene we’ve yet to see from the directors cut - a room full of many different iterations of Harry.
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“My name depends on you… Just call me whatever is in your mind.” 
Which leads me back to more total conjecture on my end, but I think that when Harry initially set out on tour / kicked off his solo career, he seemed determined to continue performing within the safety of the walls that had been built around him, so to speak. In one of the interviews he did earlier, he talked about tackling his first album from the perspective of ‘bowling with the bumpers up’ - he wanted to play it safe. He didn’t want to veer too far out of his own comfort zone and fuck it all up… and in doing so, he seemed to hold himself back quite a lot. “I wanted to see if people would enjoy an album without knowing everything about me.” 
I think that heading into writing with that mindset explains songs like ‘Complicated Freak’ and ‘Medicine’ being scrapped and excluded from being released on HS1. In retrospect, all of his tour - and especially Medicine - seem a lot like Harry dipping his toes in the water. Being totally presumptuous again, but I find it likely that Harry has had it ingrained in his mind for a long time that he needs to fit certain molds and keep certain narratives alive in order to continue to be successful. And I imagine that this idea is not his own, but instead something that has been hammered into his head over and over from a young age. And I would guess that a lot of anxiety and doubt has stemmed from that - go back and watch that shaky first performance of Medicine and tell me what you think he was likely feeling in that moment. But again, it circles right back to the strength and bravery of doing what he knows needs to be done to expel all of the darkness inside of him - stepping into the light. (“Never going back now / Be so sweet if things just stayed the same.” It’d be so sweet if he could live in that fantasyland forever.)
Anyway. I really don’t think Harry was at all prepared for just how many people would show up to support him in that sense… but his own community just rolled up in droves, bringing a total outpouring of love for him every single night. He had entire arenas lit up in rainbows, people bringing hilarious and heartfelt signs, flags after flags after flags after flags… all in celebration of him and the feelings of safety, strength, and bravery that he has continuously imparted back onto his fans. It was such a queer lovefest that even other artists likened his tour to “pride parades every night.” That’s so unbelievably powerful? I can’t think of any other artist who’s crowds do that for them… not even gay icons like Elton John? I still maintain that one of the most incredible things to have come out of HSLOT was the safe spaces he + his fans created for one another. It meant a lot to us, and it clearly meant a lot to him:
“The tour, that affected me deeply. It really changed me emotionally. Having people come to sing the songs… For me, the tour was the biggest thing in terms of being more accepting of myself, I think. I kept thinking, “Oh, wow. They really want me to be myself. And be out and do it.” That’s the thing I’m most thankful for, of touring. I feel like the fans in the room — it’s this environment where people come to feel like they can be themselves. There’s nothing that makes me feel more myself than to be in this whole room of people. It made me realize people want to see me experiment and have fun. Nobody wants to see you fake it.” 
I think that going on tour, and seeing the reaction and the acceptance of his audience, definitely made him want to take the bumpers down… to ‘be out and do it’ because ‘nobody wants to see him fake it.’ It seemed to help him massively in terms of his own ‘self acceptance and the things he’s been wrestling with’ and to make an incredibly, incredibly long winded answer short, it’s why I STILL do not think that releasing Lights Up on National Coming Out Day was in any way incidental. I think that was a big part of what Harry meant when he said that no one wanted to see him ‘faking’ things.
And… that’s basically it, I think, for now. I’ve just been sitting here nodding along at everything he’s been showing us the last few weeks… Impressed by the direction that he seems to be heading. And taking notes. I’ll go ahead and shut up now because I KNOW it’s still too early to draw definite conclusions on his intent for this new ‘era’ (and this new song could be about choking on literal fucking watermelon seeds for all I know, nothing Harry does ever makes any kind of sense does it), but I can’t help but come to my own conclusions based on what I feel he is sharing with us.
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