Burdened no more is soul for whom life flows through dance and not breath.
- Isadora Duncan
214 notes
·
View notes
been thinking about the liyue gang and how id draw their physical builds so here are some thoughts i had for xy cy and gm in particular
- xingqiu, unsurprisingly, would be quite lanky. i like to think he has broad-ish shoulders, like a thin athlete's build? hes a long boy to me haha, long face, neck, limbs, fingers etc, so naturally hes stands (comparatively) tall at 5'6" or 5'7"
i like to think hes most physically attractive one and has that handsome princely and boyish charm to him because it adds a lot to his fuckass duality LOL
- chongyun is a lot like xiao imo! short stature but with muscular arms. he seems nimble and flexible because of his normal attack animations (which bears a lot of similarities to xiao's actually! this + the fact that chongyun's normal attacks create gusts of wind further reinforces my hc that xiao trains him). sometimes i watch high energy choreography vids on youtube and some dancers look incredibly light on their feet, almost like their body is inherently bouncy? and i imagine chongyun to have that agility to him. chongyun has a delicate face and aura and i let that bleed into my hcs for his fighting style and physical capabilities hahaha. hes kind of like a cat who's deceptively strong. as for height.. just a few inches taller than xiao, so perceptibly short at 5'4"
- ga ming my new beloved. pretty much similar to chongyun but more muscular and stronger just because he wields his claymore with ease. theres a noticeable weight different between cy and his claymore the way he lugs it up after he swings (or even other claymore users like razor who, on his last hit, bounces from impact). meanwhile ga ming literally slams his to the ground LOL. i love his movements though hes very swift and expressive and radiant.. if cy has delicate movements then ga ming's is fierce and (charmingly!) assertive
ga ming is wonderfully charismatic though, i know hes not well known in liyue harbor yet, but he seems like the type to gain a reputation from his friendliness. how could no one adore him hahaha. 5'5" for height! just between xy and xq
32 notes
·
View notes
Fallen Gabriel is so friggin cool, but I have to wonder how he would fight in his new form? How would he utilize hell energy, and would some trace of his original powers (Materializing weapons from light) remain? I’ve seen art of Gabriel wielding his og swords but now partially broken, so is it made up for the fact he is physically stronger or that he can imbue his swords with hell energy?
my idea is that gabriel goes through a lot of evolution with how he fights now that his wings have been taken from him - airborne combat is what he was most comfortable with and adept at, but he does have plenty of ground-based training he pulls on to reinvent his technique. initially, when met in his tomb, gabriel engages v1 much like the prime souls, with fast and brutal assaults dealt with only his body as his weapon as he's no longer capable of light materialization and his swords are sealed elsewhere. for a time, this is what he continues to do when he and v1 move forward together as even though he regains his swords, they are broken in the recovery process and burn his hands now besides. gabriel is left...weaponless, and he refuses to acknowledge his capability with hell energy until his demonic transformation completes. and in that, he rebels against everything he once was as a way of processing his own grief.
he fully embraces his hell energy then, corrupting justice and splendor into demonic weapons so they fit into his hands once more, and becoming a gifted conductor of his newfound power source. i'm certain he could use it to craft weapons as his light once did (as a fallen archangel, he is accordingly high tiered as a demon) and he even begins making bombs that v1 can use. he also likely raids hell to get his hands on the weapons that once belonged to the fallen angels all that time ago, as he seems to be a bit more partial to the physical weight in his hands now. in this phase, he is a vicious combatant, abusing his self-sourced energy until he's drained to tear apart any enemies he and v1 come across. he revels in the bloodshed as much as the machine does, and he relishes his fallen nature in defiance of a lifetime spent as a tool now discarded from its master.
this mellows eventually however, with gabriel achieving a peace in his new status and recognizing that while he loves battle, he enjoys it most as his art form, something he can engage in with grace and mastery above all else. it was once his way of connecting to god, and now it is his way of connecting to himself, the very core of who he is. and gabriel, while enchanted with blood possibly as much as v1 is, also values his poise and chivalry just as much. this is when his final battle style is acquired, adjusting to a much heavier, much stronger body that he dedicates himself to feeling just as light in as when his wings once carried him. it's difficult of course, he feels clumsy and his tail presents a terrible annoyance at first, but he actually takes to the challenge with great joy. he learns his balance, to use his tail as a counterweight (and weapon, given its size) and how to put all this raw strength into graceful maneuvering. he feels invigorated moving fluidly across hell's floors, in touch with his battlefield like he could never be in the air. it grounds him in a way he delights in, working closely with v1 to develop a horrifically cruel duet that gabriel turns back into a dance. he continues to take his broken swords in hand, but he keeps his hell energy constantly on stand-by now - i like to think when in battle, a ring of skulls replace his halo
38 notes
·
View notes
I haven't gushed about it recently so I'd just like to gush again about Orym's fighting style. Beautiful and lethal and graceful and controlled. Exquisite. Exquisite.
439 notes
·
View notes
The Lords in Black decide to practice a dance Pokey made inside the Waylon house, and Grace stumbles across them doing that and leaves more confused than when she came in. She's starting to think it's better if she stopped going in there, since things keep happening whenever she's in the building.
32 notes
·
View notes
Yellow in Post-Impressionism
Green in Modernism // Black in Van Gogh's Paintings // Violet in Sisley's Paintings // Blue in Sisley's Landscapes // Edvard Munch's Paintings
Irises (1890) by Vincent Van Gogh // Self Portrait (1887) by Vincent Van Gogh // Interior in Yellow (1962-1964) by Grace Cossington Smith // terrace of a cafe at night -Place du Forum- (1888) by Vincent Van Gogh // Sunflowers (1889) by Vincent Van Gogh // Vahine No Te Miti (1892) by Paul Gauguin
211 notes
·
View notes
Les jambes des femmes sont des compas qui arpentent le globe terrestre en tout sens, lui donnant son équilibre et son harmonie.
- François Truffaut
171 notes
·
View notes
Folie à deux is known as a psychological phenomenon, or, more technically, as a "functional psychosis." It is found among pairs of individuals in prolonged personal contact. Folie à deux is the transference of abnormal reaction patterns from one person to another. . . .
Folie à deux occurs when adjustive capacity is reduced and stress occurs. (Up against the wall, against a gun.)
My suggestion is that the oppressed class falls prey to folie à deux. The evidence is overwhelming and varied.
The first Women's Movement, and the initiators of the second one, insisted on "equality" between men and women. While the sense of equality here is "equal rights," the meaning could not be that. The class "men" is artificial politically. The rights they now have are clearly Oppressor rights. It is contradictory, i.e., impossible, for the Oppressor and the Oppressed to ever have "equal" rights. Folie à deux.
Marriage, if one examines the laws which define it, is as much if not more in the interests of men than slavery was in the interests of the master. And yet, the aims of the Movement are to get rid of the abuses within marriage, equalize the roles, but, for God's sake, keep the institution. How can you equalize the roles when the essential nature of these roles is to be contrasting? Could you maintain slavery if you "equalized" the roles of master-slave to master-master? Folie à deux!
-Ti-Grace Atkinson, Amazon Odyssey
10 notes
·
View notes