#Grace Cossington Smith

[thunderstruck9]

Grace Cossington Smith (Australian, 1892-1984), Gum Blossom, 1946. Oil on pulpboard, 55.6 x 45.5 cm.

#grace cossington smith #australian art #flowers #still life #gum blossom #f

[huariqueje]

Studio Doorway -    Grace Cossington Smith,  n/d.

Australian,   1892 - 1984

Oil on composition board ,   63.5 x 48 cm.

#Grace Cossington Smith #australian artist #studio interior #garden view #doorway #artist's studio

[beljar]

Yellow in Post-Impressionism

Green in Modernism // Black in Van Gogh's Paintings // Violet in Sisley's Paintings // Blue in Sisley's Landscapes // Edvard Munch's Paintings

Irises (1890) by Vincent Van Gogh // Self Portrait (1887) by Vincent Van Gogh // Interior in Yellow (1962-1964) by Grace Cossington Smith // terrace of a cafe at night -Place du Forum- (1888) by Vincent Van Gogh // Sunflowers (1889) by Vincent Van Gogh // Vahine No Te Miti (1892) by Paul Gauguin

#post impressionism #yellow #yellow and black #paul gauguin #Grace Cossington Smith #oil paintings #art works #post impressionist art #paintings #sunflowers #irises #interior inspiration #terrace of a cafe at night #dark acadamia aesthetic #parallels #web weaving #art movement #modernism #modern art #artwork

[justineportraits]

Grace Cossington Smith The sock knitter 1915

#grace cossington smith #knitting #needlework

[majormisunderstanding]

Clothing and Bags Behind the Door, pencil sketch by Grace Cossington Smith, 1911.

National Gallery of Australia.

#grace cossington smith #art #australian artist #pencil sketch #doors #1910s art

[pazzesco]

Grace Cossington Smith - The Bridge in-curve - 1930

Grace Cossington Smith - Thanksgiving Service, 1945

STILL LIFE WITH BORONIA, 1955

Grace Cossington Smith & A Self Portrait

#Grace Cossington Smith #art #artists #Thanksgiving Service #self portrait #still life #The Bridge in-curve

[too-much-world]

Grace Cossington Smith, Still life with white cup and saucer, 1971, oil on pulp board, 59.1 x 86.4cm.

#grace cossington smith #Australian #painting #modernism

[cocosse]

“A morning-glory at my window satisfies me more than the metaphysics of books.”

Walt Whitman Thoughts on { The Window | Walt Whitman / Edith Wharton / George Eliot / Anais Nin / George Bernard Shaw / W. M. Thackeray >

#walt whitman #windows #Grace Cossington Smith #art

[cieuxgris]

Ottessa Moshfegh

#ottessa moshfegh #my year of rest and relaxation #grace cossington smith #art #nature #trees #life #lit #writing #inspiration #cieuxgris

[oublimsart]

Grace Cossington Smith

#grace cossington smith

[harkenimage]

St Margaret's Church, Eastern Road, Turramurra, Grace Cossington Smith, ca.1930

medium: oil on cardboard

#Grace Cossington Smith #1930's #artwork #oil painting #National Gallery of Australia

[rfsnyder]

Grace Cossington Smith

[huariqueje]

Bedtime    -    Grace Cossington Smith,  1922.

Australian,   1892 - 1984

oil on canvas on paperboard 

#Grace Cossington Smith #australian artist #bedroom interior

[skleznev]

Grace Cossington Smith ( 1892-1984 )

The Lacquer Room

[lisa-sharp]

LAST WEEK - Exhibition closes this Saturday 29th October. Repost from @gcsgallery • LAST FEW DAYS Borders closes 29 October 2022 • Murray and Burgess, Sarah Fitzgerald, Jan Handel, Michelle Le Dain, Ro Murray, and Lisa Pang • “I love borders. August is the border between summer and autumn; it is the most beautiful month I know. Twilight is the border between day and night, and the shore is the border between sea and land. The border is longing: when both have fallen in love but still haven't said anything. The border is to be on the way. It is the way that is the most important thing.’ : Tove Jansson • A border can be seen as a hard edge, a definitive division between things. However much of my approach as an artist has been to explore borders as a space of porosity. I am more interested in borders as transitional spaces of exchange and movement between things. As an artist, I have been making works situated in the border between painting and sculpture, between surface and object but also between art and craft, and so ultimately, between familiarity and strangeness. I am interested in exploring narratives where things don’t fit, whether into disciplines, cultures or expectations and the tension of awkwardness that can result. The GCS Gallery provides an opportunity to present works that particularly, but playfully, discourse between the domestic and the gallery space. • With thanks to my wonderful artist colleagues: @sarah.fitzgeraldd @janhandel_artist @jolibeol @michelleledain @romurray @murrayburgessart and @gcsgallery for having us. #paintingaboutpainting (at Grace Cossington Smith Gallery) https://www.instagram.com/p/CkKC2KwBnkn/?igshid=NGJjMDIxMWI=

#paintingaboutpainting

[majormisunderstanding]

The Eastern Road, Turramurra. Watercolour by Grace Cossington Smith, c1926.

National Gallery of Australia.

#grace cossington smith #art #watercolour #australian artist #1920’s #1920s art