#Fantasia Film Festival
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#jonathan rhys meyers#jrm#yakuza princess#2021 movie#2021 film#30 year challenge#30 years#30th workiversary#happy 30th workiversary#fantasia film festival#masumi
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EAST END HUSTLE Screening Q&A With Director FRANK VITALE @ Fantasia Film Festival 2023
On July 28th 2023 at la Cinémathèque Québécoise for the 27th Edition of the Fantasia Film Festival, Director Frank Vitale with surprise guest moderator
Steven Lack ("Scanners") did a Q&A after a screening of "East End Hustle".
It was the World Premiere of Canadian International Pictures New 4K restoration.
Trailer:
https://www.youtube.com/watch?v=EcoliXBCsC8
Available soon on 4K/Blu-ray from Canadian International Pictures:
https://www.canadian-international.com/
Video shot by Me and Eric St-Cyr
Thumbnail photo by Vincent Frechette
PLEASE LIKE! SHARE! & SUBSCRIBE!
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Tian Xiaopeng's Deep Sea is More Than A Study on Depression
This latest import from China arrives just in time for the summer season courtesy of @fantasiafest, and Tian Xiaopeng's Deep Sea does not dissapoint! #fantasy #cgi #china #moviereviews
© 2023 October Media. All Rights Reserved.
Screening at Fantasia Film Festival 2023 on Aug 6
Please click here to purchase tickets
Potential Spoiler Alert
Shenxiu (Tingwen Wang) is not a happy young girl in Tian Xiaopeng’s movie, Deep Sea. That’s because she’s not being loved; not only is she neglected by her dad and step-mom, making her feel very depressed, but also the relationship with her…
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Horror Movie Review: Anything for Jackson (2020)
Audrey and Dr. Henry convert to Satanism and join a local cult community group after the tragic, accidental death of their beloved grandson, Jackson.
Anything for Jackson is a Canadian horror film that was directed by Justin G. Dyck, releasing in 2020.
Audrey and Dr. Henry convert to Satanism and join a local cult community group after the tragic, accidental death of their beloved grandson, Jackson. Henry spent some time travelling in the hopes of finding a method to bring Jackson back. He pays a large sum of money for a demonic book of…
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#Anything for Jackson#Fantasia Film Festival#Julian Richings#Justin G. Dyck#Keith Cooper#Konstantina Mantelos#Sheila McCarthy#Shudder#Vortex Productions
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Fantasia Festival 2022 -- 6 Films to Have on Your Radar
Fantasia Festival 2022 — 6 Films to Have on Your Radar
The Fantasia International Film Festival returns for its 26th edition, which will run from July 14 – August 3. Some of my favorite movies of the last two years — films like Labyrinth of Cinema, Mad God, and We’re All Going to the World’s Fair — played Fantasia. And I anticipate being pleasantly surprised by a few films this year, as well. To preview the fest, here’s a quick sample of what this…
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#2022#Alex Phillips#Amanda Kramer#Fantasia Film Festival#July Jung#Michel Hazanavicius#Mickey Reece#Shinichiro Ueda
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A Fantasia Festival 2023 PREVIEW
Most years I don’t particularly look forward to my birthday—yes, I’m one of THOSE people—but you can bet that every single summer I look forward to the Fantasia International Film Festival; one of the greatest film festivals on Planet Earth. Fantasia cobbles together a wide variety of genre films from all corners of the world and every corner of genre, spanning proud B-films of any genre to…
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#2023#Climate Change#Fantasia Festival#Fantasy#Genre Film#Hong Kong Action Cinema#horror#John Woo#Kier-La Janisse#Larry Fessenden#Science Fiction#Zach Clark
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In Luke Higginson’s sci-fi adventure RELAX, I’M FROM THE FUTURE, Kiwi comedian Rhysie Darby stars as a time traveller working to save the world! Be sure to catch the World Premiere of this epic escapade at #Fantasia2022, July 20 at 6:40PM ➡️ X
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If you liked Hateful Eight, have I got the movie for you!
#the oak room#fantasia international film festival#peter genoway#cody calahan#rj mitte#peter outerbridge#nicholas campbell#jeff maher#steph copeland#ari millen#quentin tarantino#the hateful eight#drew goddard#bad times at the el royale#film festivals#horror#horror movies#horror film
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Winners Announced for the 2022 Fantasia International Film Festival
Winners Announced for the 2022 Fantasia International Film Festival
The 2022 Fantasia International Film Festival has announced on Twitter that Masaaki Yuasa’s INU-OH, the musical anime feature film of Hideo Furukawa’s Tales of the Heike: Inu-Oh novel, has won the The Satoshi Kon Award for Best Animated Feature. The Satoshi Kon Jury also awarded a special mention to loundraw’s Summer Ghost anime film.
The story of Inu-Oh is described as:
Inu-Oh is born with…
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Sharp Stick (dir. Lena Dunham) x Fantasia 2022.
[The] Girls creator [...] returns to independent cinema by crafting another provocative portrait of a young female desire in coming to terms with a sexual awakening through a detour of youthfully misguided self-destructive behaviour. Sharp Stick feels like both a slightly tamer or innocent but clearly more blunt narrative alternative to her acclaimed HBO series refocused on a singular protagonist.
#sharp stick#lena dunham#jon bernthal#filmnation#filmnation entertainment#movie#movies#movie review#film#film review#indie film#indie movie#kristine froseth#taylour paige#jennifer jason leigh#cinema#fantasia 2022#fantasia fest#fantasia festival
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MY TOP 10 PICKS! | 2023 | Fantasia Film Festival
I'm back! with my TOP 10 picks for the 27th edition of the FANTASIA FILM FESTIVAL starting on July 20th and ending on August 9th in beautiful downtown Montreal.
I've split my picks into 2 categories:
First 7 movies are the new 2023 releases featured at this year's edition that the trailer and/or synopsis aroused my curiosity. The other 3 are the RETRO MOVIES I can't wait to watch for the very first time on the big screen.
I'm also letting you know about a few of the SPECIAL EVENTS going down and I'll give you all the information you need on where and when to buy your tickets.
PDF schedule --> bit.ly/SchedFF23
| Links |
Divinity
https://fantasiafestival.com/en/film/divinity
Eight Eyes
https://fantasiafestival.com/en/film/eight-eyes
Satan Wants You
https://fantasiafestival.com/en/film/satan-wants-you
Farang
https://fantasiafestival.com/en/film/mayhem-farang
Suitable Flesh
https://fantasiafestival.com/en/film/suitable-flesh
We Are Zombies
https://fantasiafestival.com/en/film/we-are-zombies
Sympathy For The Devil
https://fantasiafestival.com/en/film/sympathy-for-the-devil
East End Hustle
https://fantasiafestival.com/en/film/east-end-hustle
Hot Dog Cops
https://fantasiafestival.com/en/film/les-chiens-chauds-hot-dog-cops
Emanuelle in America
https://fantasiafestival.com/en/film/emanuelle-in-america
Special Events:
Artist Talk: Charles Band
https://fantasiafestival.com/en/activity/rencontre-avec-lartiste-charles-band
RKSS Masterclass / 3:00 PM / York Amphitheatre
https://fantasiafestival.com/en/activity/classe-de-maitre-roadkill-superstars
PLEASE LIKE! SHARE! & SUBSCRIBE!
Merch Store :
https://www.etsy.com/shop/GrindhouseFunhouse
• INSTAGRAM: https://www.instagram.com/grindhousefunhouse
• FACEBOOK: https://www.facebook.com/grindhousefunhouse
• TWITTER: https://www.twitter.com/grindfunhouse
• REDDIT: https://www.reddit.com/r/grindhousefunhouse
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When Life Dishes out Lemons, What Onyx the Fortuitous And The Talisman of Soul Does Is....
Coming soon to @fantasiafest is a hilarious #horror #comedy Onyx the Fortuitous And The Talisman of Soul! It's more than a rite of passage for this comedian to be a true #internet sensation!
Screening at the Fantasia Film Festival August 05, 2023
Please click here to purchase tickets
Real life YouTube occult celebrity Onyx the Fortuitous has a movie, and the brilliant mind behind this horror comedy is Andrew Bowser. After a successful crowdfunding campaign to get this film made, he’s ecstatic to play an evolution of what Marcus J. Trilbury should become. At the start of the film,…
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Quickie Reviews
American Symphony
Musician Jon Batiste attempts to compose a symphony as his wife, writer Suleika Jaouad, undergoes cancer treatment.
"American Symphony" harbors the potential for a remarkable documentary, but its scattered focus and contrived elements weigh it down, preventing its full potential from shining through. The film grapples with conflicting narratives—juggling between Jon Batiste's artistic fervor and the poignant moments of his wife's perspective from a hospital bed. This lack of cohesion hampers the documentary's ability to delve deeply into either storyline. While the cinematography boasts beauty, it inadvertently contributes to the sense of artificiality and staged sequences within the documentary. Although pockets of genuine emotion surface, much of the film feels manufactured, impeding the audience's connection to the authenticity of the moments depicted. Overall, "American Symphony" falls short of expectations. Despite its glimpses of raw emotion, the disjointed focus and artificiality detract from what could have been a compelling exploration of profound human experiences.
My Rating: C+
The Color Purple
A decades-spanning tale of love and resilience and one woman's journey to independence.
As I've mentioned before, musical films don't quite resonate with me. "The Color Purple" unfortunately fell victim to this personal struggle of mine. While it might be a treat for musical enthusiasts, every time a musical sequence unfolded, it pulled me out of the film's narrative. None of the musical numbers seemed to stick, and they often clashed tonally with the unfolding events on screen. However, despite my disconnect with the musical aspect, I must commend the outstanding performances delivered on screen. Fantasia Barrino, Taraji P. Henson, and Danielle Brooks all delivered remarkable performances deserving of significant accolades. Their contributions elevated the film, showcasing their immense talent and dedication. "The Color Purple" left me admiring the performances while lamenting my own limitations in fully embracing movie musicals. It's a reminder that perhaps my lack of affinity for musicals might have hindered my appreciation for what others might find to be a captivating experience.
My Rating: B-
The Holdovers
An instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go.
The writer's block has been very strong with The Holdovers, but I have finally gotten my words together after nearly 3 months.
There is nothing more warming than seeing a bunch of lonely people bonding together over the holidays. This warmth is perfectly encapsulated in The Holdovers. The Holdovers is a symphony of raw emotions and intricate human connections woven into the fabric of the holiday season. Set against a backdrop of vulnerability and fractured past, this tale unfolds like a beautifully written novel. As our broken characters slowly bond during the icy winter of the New England holiday season, The Holdovers embraces the imperfections of its characters. Portraying their brokenness not as a flaw but as a mosaic of the human condition. Through their compassion and solidarity, they lift each other up with their fragile, yet healing human spirit. It's a beautiful love letter to the beauty of embracing our vulnerabilities and finding strength in the unlikeliest of connections.
The performances in The Holdovers are nothing short of a masterclass in emotive storytelling. Each actor embodies their character's vulnerability and solidarity with such depth and authenticity that it feels as though you’re peering directly into their souls. Paul Giamatti has not been this good in years. He is a tour de force in this character performance. Giamatti brings a complexity that is both haunting and heartrending. His portrayal of vulnerability and inner turmoil with such raw authenticity is deeply resonating. With each expression and subtle shift in demeanor, Giamatti captures the essence of his character that is burdened by the weight of his path as he tries to lift up the future generation. Dominic Sessa makes his film debut in The Holdovers, yet you can not tell it in his performance. For his breakout role, he perfectly portrays the emotional rollercoaster of being a teenager stranded during the holidays. His moments of vulnerability and teenage rebellion are captivating as it is raw. I can’t wait to see what the future lies ahead for him. Da’Vine Joy Randolph's performance is a revelation. She masterfully navigates her character through numerous layers of grief and resilience. She has a commanding and endearing on-screen presence that perfectly balances with the performances of Giamatti and Sessa. This ensemble is sure to get showered in Oscar nominations.
The Holdovers is an emotional journey that leaves an enduring imprint on the soul. With stellar performances, poignant storytelling, and an exploration of the human spirit amidst vulnerability and resilience, this cinematic gem transcends the screen.
My Rating: A
Saltburn
Struggling to find his place at Oxford University, student Oliver Quick finds himself drawn into the world of the charming and aristocratic Felix Catton, who invites him to Saltburn, his eccentric family's estate, for a summer never to be forgotten.
Saltburn had many scenes that were not on my bingo card for 2023.
In her latest daring creation, "Saltburn," Academy Award Winner Emerald Fennell plunges us into a world of opulence, extravagance, covetousness, and deceit. This audacious feature blurs the lines where rawness meets the unconventional, offering a provocative cinematic journey. Brace yourself, though, as "Saltburn" isn't your run-of-the-mill film—it's a twisted, gut-churning spectacle that might not sit well with everyone. It's a daring plunge into the abyss of the human psyche, a narrative that revels in its unsettling nature. But for those who revel in the unconventional and relish the unconventional chaos (like me), "Saltburn" might just become an adored and cherished experience.
While "Saltburn" grapples with its twisted narrative, it struggles to untangle itself from a convoluted storyline lacking coherence and strong character development. Yet, within this messy concoction, there's an undeniable sense of amusement that persists. It's a chaotic whirlwind that, despite its flaws, manages to retain a certain allure. However, what truly captivates this labyrinthine plot is the thematic depth it carries. Emerald Fennell orchestrates a tale submerged in themes of excess, envy, and unbridled ambition. Her unapologetic direction exposes the murky waters of human desires, unveiling the lengths individuals go to in pursuit of wealth and comfort. It's more than a mere "eat-the-rich" narrative; it's a profound commentary on the sacrifices one is willing to make for affluence. Fennell's artistry shines as she refines her directorial style, seamlessly weaving sound and cinematography to enhance the film's impact. Despite the narrative messiness, her adeptness at storytelling and the nuanced exploration of themes elevate the film beyond its tangled web of a plot.
Although the characters may lack some depth, the acting ensemble truly shines in this production. Barry Keoghan continues to showcase his ascent as one of Hollywood’s top emerging actors, delivering a chilling portrayal of Oliver Quick. His character’s blend of pathetic vulnerability and hidden malevolence creates a memorizing performance that captures attention. Jacob Elordi's portrayal is intriguingly captivating, balancing charisma with a quietly elitist aura that will mesmerize the audience. Moreover, Rosamund Pike and Richard E. Grant command attention with their uproarious portrayals of the chaotic and disconnected world of the elites, delivering moments of genuine hilarity.
"Saltburn" is a cinematic enigma, a whirlwind of chaos and audacity that leaves an indelible mark on the viewer. While the film grapples with its narrative complexities, its thematic depth and unflinching exploration of human desires linger in the mind long after the credits roll. Emerald Fennell's daring direction, though occasionally obscured by the film's turbulence, unveils a profound commentary on ambition and excess. It's a film that challenges, provokes, and intrigues, inviting audiences to wade into its murky waters. Despite its imperfections, "Saltburn" stands as a testament to the power of storytelling that both disturbs and captivates, leaving a lasting impression on those willing to navigate its captivating, albeit tempestuous, narrative journey.
My Rating: B+
The Iron Claw
The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 80s.
While wrestling isn't my forte, growing up in Texas acquainted me with the Von Erich brothers. I knew of their ‘“curse” but I did not expect this family to have such a tragic history. Writer and director, Sean Durkin dives into the harrowing tale of the Von Erick brothers, unearthing the tragic narrative that transcends the realm of wrestling lore. Here Derkin peels back the layers of generational trauma, painting a poignant picture of a family haunted by the weight of their legacy. Yet amidst this despair, a glimmer of hope emerges—a poignant testament to the power of brotherly love and the resilience to break free from the shackles of that very trauma.
Durkin delicately and compassionately guides us through the turbulent history of the Von Erich brothers, unflinchingly exposing the trauma and immense pressure imposed by Fritz Von Erich on his sons, living vicariously through their accomplishments. The film doesn't shy away from portraying the relentless demands Fritz imposed on his boys, pushing them to their limits to fulfill his own unattained ambitions. Despite enduring this abuse, the resilient bond between the brothers stands as a powerful testament to solidarity and endurance in the face of paternal tyranny. However, the strength of brotherly love has its limits. The narrative unfolds tragically, depicting a series of devastating events from su*cides to heartbreaking illnesses that tears this family apart. As the patriarch is forced to confront his own actions, the remaining son courageously breaks free from the chains of his father's influence. "The Iron Claw" paints a heartrending portrait of human struggles, the repercussions of fame, and the haunting inheritance of generational trauma. Yet, amidst this turmoil, it poignantly illustrates how resilience can emerge even from the darkest and most trying circumstances.
Zac Efron delivers an astounding portrayal of Kevin Von Erich, marking a career-defining performance. His depiction of the lone surviving brother is deeply haunting, showcasing an incredible depth of emotion and sorrow communicated through silent yet profoundly impactful expressions. Jeremy Allen White, Harris Dickinson, and Stanley Simons deliver equally poignant performances, conveying immense trauma and shame with the quiet intensity of their eyes, a mesmerizing display of acting prowess. Holt McCalleny impeccably embodies the toxic patriarch, Fritz Von Erich, exuding a perfectly calibrated harmful demeanor that fits the role flawlessly. On the other hand, Lily James' performance radiates hope, serving as the epitome of resilience in the narrative.
The narrative ventures beyond the confines of wrestling, delving into the tragic tale of the Von Erich family. Poignant performances paint a vivid tapestry of suffering and strength under the weight of paternal oppression. In moments of heart-wrenching sorrow and unwavering fraternal bond, the film unravels a complex story interwoven with resilience rising from profound darkness. "The Iron Claw" deserves recognition from the Academy. Alongside its compelling storytelling, the wrestling scenes are a spectacle, flawlessly capturing the fervor of early '80s wrestling.
My Rating: A-
#film#cinema#movies#movie#filmmaking#filmmaker#moviemaking#moviemaker#cinephile#cinematography#film community#film critic#movie critic#movie review#film review#film festival#indie film#american symphony#the color purple#fantasia barrino#danielle brooks#the iron claw#zac efron#von erichs#harris dickinson#jeremy allen white#the holdovers#paul giamatti#alexander payne#dominic sessa
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Review: Please Baby Please -- Fantasia Festival 2022
Review: Please Baby Please — Fantasia Festival 2022
Please Baby Please is screening as part of the 2022 Fantasia International Film Festival, which runs from July 14 – August 3.
Newlyweds Suze (Andrea Riseborough) and Arthur (Harry Melling) witness a murder outside of their apartment building. The culprits, a greaser gang called the Young Gents, then turn their attention to the couple, initiating a series of events that change the two people…
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#2022#Amanda Kramer#Andrea Risebourgh#Fantasia Festival#film festival#Harry Melling#Karl Glusman#movie review#Please Baby Please
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