#Etsuko ikeda

[curiousrentals]

Bride of Deimos | 悪魔デイモスの花嫁, 1988

“Though the flowers may wither, their scent remains. The strong scent of suspicion. A spider unceasingly spins its web. Not resting for a moment even as you sleep.”

#bride of deimos #悪魔デイモスの花嫁 #etsuko ikeda #yuuho ashibe #rintaro #shoujo #horror #80s anime

[asnowperson]

Good old shoujo...

#Akuma no hanayome #Deimos no hanayome #悪魔の花嫁 #bride of deimos #Ashibe yuuho #Yuuho ashibe #あしべゆうほ #Ikeda etsuko #Etsuko ikeda #池田悦子 #70s manga #retro manga #vintage shoujo #70s shoujo #retro shoujo

[kushanna]

Ayako | 妖子

Riyoko Ikeda & Etsuko Ikeda

#ayako #riyoko ikeda's ayako #妖子 #riyoko ikeda #etsuko ikeda #mangacap #q

[mythgirlimagines]

I know Fusion decided to do Bandori (DVHS edition) a while back, so could we have a followup? PJSK: DVHS! Four-person units plus a Vocaloid for each, featuring "you shouldn't technically be here" this time. - II

...I definitely didn't spend twenty minutes looking for this post

Dawn to Dusk:

Oshiro (leader), Matsumoto, Ikeda, and Saito

They focus a lot on composition more than anything else, and a lot of their music is said to be best played at night. That’s usually when they have the most time to work on it, too. They don’t really fit in any one genre, though, dipping their toes into everything.

Rin and Len would be their Vocaloids since I think it’d be a funny contrast between them arguing and Oshiro and Saito arguing.

Worldwide:

Ishikawa (leader), Nakamura, Yoshida, and Maeda

This group would probably focus on multilingual songs of all kinds, blending together different styles. Ishikawa of course knows lots of languages, Nakamura knows a bit of other languages, Yoshida’s just fun, and Maeda knows Russian!

Luka is their Vocaloid, since she’s known for being bilingual. I also think she would contribute to their chaos nicely.

Blossoming:

Hamasaki (leader), Fujimoto, Yasu, and Sasaki

They’re kind of like a traditional band like Leo/need, though a lot of their music is more calming. Fujimoto’s great with writing meaningful lyrics, though he doesn’t actually play with the rest of them. Hamasaki plays guitar, Yasu’s on percussion, and Sasaki’s on keyboard. All three of them trade off vocals.

Meiko is their Vocaloid, I think mostly because I associate these four with being more mature/older sibling-figures, kind of like how I think about Meiko.

On Your Feet:

Ueda (leader), Rikimaru, Abe, and Aoyama

They’re slightly more pop-focused, kind of in the realm of dance music. It’s surprising that Abe and Aoyama are part of the group in that regard, but the four of them work incredibly well together (barring some small bickering here and there). 

Kaito is their Vocaloid, and I think he’d cycle between being a sort of mediator and contributing to their excellent vibes, haha.

#answered ask #anon #fusion anon ii #fumito abe #nozomu aoyama #hidekazu fujimoto #utako hamasaki #kazuhiko ikeda #camila ishikawa #yasu kadoshima #hayao maeda #takeshi matsumoto #ikuo nakamura #amaya oshiro #kirika rikimaru #kagami saito #hanayo sasaki #miyuki ueda #etsuko yoshida #danganronpa #dvhs #pjsk #project sekai #megurine luka #meiko #kaito #kagamine rin #kagamine len

[yougetsu]

Books & B-T

Books/stories that might have inspired B-T lyrics or albums:

Salome by Oscar Wilde Midsummer Night's Dream by Shakespeare Hamlet by Shakespeare Mona Lisa Overdrive by William Gibson Neuromancer by William Gibson Solaris by Stanisław Lem Do Androids Dream of Electric Sheep by Philip K. Dick Alice in Wonderland by Lewis Lewis Carroll Season in Hell Arthur Rimbaud The Stranger by Albert Camus Fantomas by Marcel Allain & Pierre Souvestre Locus Solus by Raymond Roussel Les Enfants Terribles by Jean Cocteau The Fall of Icarus by Ovid Dada Manifesto by Hugo Ball The Surrealist Manifesto by André Breton The Rosicrucian manifestos The Story of Little Black Sambo by Helen Bannerman JoJo's Bizarre Adventure by Hirohiko Araki Hearts by Kumi Himeno The Soul of the Night by Chet Raymo Vita Mechanicalis by Inagaki Taruho

Books mentioned by Acchan:

Villain by Shuichi Yoshida Kokoro by Natsume Soseki Audition by Ryu Murakami Coin Locker Babies by Ryu Murakami The World Five Minutes From Now by Ryu Murakami No Longer Human by Osamu Dazai The Setting Sun by Osamu Dazai Hakyoku by Tono Haruka Kairyou by Tono Haruka Neko Nari by Numata Mahokaru On Decadence by Sakaguchi Ango Confessions of a Mask by Yukio Mishima  Death Spirits by Yutaka Haniya Living Tips by Itsuki Hiroyuki Grotesque by Natsuo Kirino Shiki by Fuyumi Ono Bride of Deimos written by Etsuko Ikeda & illustrated by Yuho Ashibe The Flowers of Evil by Charles Baudelaire The Picture of Dorian Gray by Oscar Wilde Crime and Punishment by Fyodor Dostoevsky Notes from the Underground by Fyodor Dostoevsky

Other authors mentioned by Acchan:

Junji Ito Randi Taguchi Ryunosuke Akutagawa Yasunari Kawabata Natsuhiko Kyogoku Ayatsuji Yukito Sakuraba Kazuki Nobuyuki Fukumoto Hermann Hesse Johann Wolfgang von Goethe

Sources:

nopperabou.net Jrockarchive This is not greatest site Buck-Tick Zone Vk BT group FT bulletins B-T profiles through the years I've saved Personal scans & magazines

Feel free to add more books/novels/mangas <3

#i'll update this soon #cause i have more authors but i need to confirm the sources #buck-tick #sakurai atsushi #<3

[silvermoon424]

My manga collection (October 2023)

I did a post detailing my manga collection back in 2021, but it's grown a lot since then so I figured I'd make a new post! It was also a good time to do so because we're repainting my room and while there's usually a ton of anime merch in front of the books on my shelves, now it's all been packed up. So there's a clear look at the books without me having to move anything, lol.

Anyway, without further adieu, here we go! My manga collection is largely shoujo (specifically magical girls) and horror manga.

Pet Shop of Horrors by Matsuri Akino

Pet Shop of Horrors: Tokyo by Matsuri Akino

The Clique by Yishan Li

Frozen II manga by Arina Tanemura

Dark Metro by Tokyo Calen and Yoshiken

Yokai Rental Shop by Shin Mashiba

Confidential Confessions by Reiko Momochi

Pichi Pichi Pitch (aka Mermaid Melody) by Michiko Yokote and Pink Hanamori

Magical Girl Site by Kentaro Sato

Reiko the Zombie Shop by Rei Mikamoto

Les Miserables (manga adaptation) by TszMei Lee

Nightmares for Sale by Kaoru Ohashi

Presents by Kanako Inuki

Mail by Housui Yamazaki

Dark Water by Meimu

Tale of a White Night by Tooko Miyagi

Goth by Otsuichi and Kendi Oiwa

Beautiful People by Mitsukazu Mihara

Attack on Titan: No Regrets by Gun Snark and Hikaru Suruga

In Clothes Called Fat by Moyoco Anno

A Girl on the Shore by Inio Asano

Bride of Deimos by Etsuko Ikeda and Yuuho Ashibe

Limit by Keiko Suenobu

Helter Skelter by Kyoko Okazaki

Dolls omnibus (in Japanese) by Yumiko Kawahara

Ibitsu by Haruto Ryo

A God Somewhere (Western comic) by John Arcudi and Peter Snejbjerg

Beauty (Western comic) by Hubert and Kerascoët

Ah! My Goddess by Kōsuke Fujishima

Only One Wish by Mia Ikumi

Higurashi When They Cry: Festival Accompanying Arc by Karin Suzuragi

Chronicles of the Grim Peddler by Lee Jeoun-A

PTSD Radio by Masaaki Nakayama

Elfen Lied by Lynn Okamoto

Ikigami: The Ultimate Limit by Motoro Mase

Happy Sugar Life by Tomiyaki Kagisora

JoJo's Bizarre Adventure: Phantom Blood by Hirohiko Araki

An Ojamajo Doremi artbook (in Japanese)

Mermaid Saga by Rumiko Takahashi

Dolls by Yumiko Kawahara

Maid-sama by Hiro Fujiwara

Franken Fran by Katsuhisa Kigitsu

Hell Girl by Miyuki Eto

Gurren Lagann by Kotaro Mori

Doll by Mitsukazu Mihara

Mantis Woman by Senno Knife

Various Sailor Moon artbooks from the anime, manga illustrations by Naoko Takeuchi, and fan artbooks

Sailor Moon Eternal Edition by Naoko Takeuchi

Sailor V Eternal Edition by Naoko Takeuchi

Puella Magi Madoka Magica by Hanokage

Puella Magi Madoka Magica: The Different Story by Hanokage

Puella Magi Madoka Magica: The Wraith Arc by Hanokage

Puella Magi Madoka Magica: The Rebellion Story by Hanokage

Puella Magi Oriko Magica by Kuroe Mura

Puella Magi Oriko Magica: Sadness Prayer by Kuroe Mura

Puella Magi Tart Magica by Golden Pe Done

Magia Record: Puella Magi Madoka Magica Side Story by Fuji Fujino

Assorted PMMM and Magia Record artbooks

Pokemon Adventures (aka Pokemon Special) by Hidenori Kusaka and Mato/Satoshi Yamamoto. I own the complete set of the RBG, Yellow, GSC, FRLG, Emerald and HGSS arcs as well as a few volumes from the RS, DP, and Black/White arcs.

Various Pokemon 4koma (in Japanese)

Pokemon: I Choose You by Ryo Takamisaki

Phantom Thief Pokemon 7 by Miho Asada

The Rise of Darkrai by Ryo Takamisaki

Pokemon Diamond and Pearl Adventure by Shigekatsu Ihara

The Electric Tale of Pikachu by Toshihiro Ono

The Art of Pokemon Adventures by Satoshi Yamamoto (both English and Japanese versions)

Pokémon Mystery Dungeon: Ginji's Rescue Team by Makoto Mizobuchi

Pokemon Ranger and the Temple of the Sea by Makoto Mizobuchi

Various Junji Ito Manga:

Dissolving Classroom

Fragments of Horror

The Liminal Zone

Sensor

Black Paradox

Gyo

Uzumaki

Tomie

Deserter

Tombs

Lovesickness

Smashed

Shiver

Frankenstein

Remina

Venus in the Blind Spot

No Longer Human

Twisted Visions (artbook)

Uzumaki coloring book

Uzumaki (original printing) by Junji Ito

Museum of Terror by Junji Ito

Soichi by Junji Ito

The Drifting Classroom by Kazuo Umezu

JoJo's Bizarre Adventure: Battle Tendency by Hirohiko Araki

Orochi by Kazuo Umezu

Be Very Afraid of Kanoko Inuki! by Kanoko Inuki

Wonderland by Yugo Ishikawa

Shadows House by Somato

I Had That Sane Dream Again by Yoru Sumino

Is Love the Answer? by Uta Isaki

Nightmare Inspector by Shin Mashiba

The Ring by Misao Inagaki

Wonder House of Horrors by Miyako Cojima

Puella Magi Suzune Magica by GAN

Puella Magi Kazumi Magica by Masaki Hiramatsu and Takashi Tensugi

Magia Record: Another Story by U35

I also have some manga in storage like Inuyasha and Kitchen Princess, but that's about it!

#my collection #manga collection #manga collector #manga

[shoujo-memory]

Akuma no Hanayome by Ikeda Etsuko and Ashibe Yuuho

#akuma no hanayome #bride of deimos #ashibe yuuho #yuuho ashibe #shoujo manga #70s manga #princess

[canmom]

Animation Night 134: Rintaro’s OVAs

Hi everyone! Welcome back to Animation Night.

Tonight we’re coming back to Rintaro, or りんたろう (or Shigeyuki Hayashi, but the pseudonym is near universal). This time I even found a picture of him!

Rintaro one of the oldest of the anime old school to still be alive. He joined the anime industry as an inbetweener on Toei’s landmark film The Legend of the White Snake in 1958 and Astro Boy - but in his own right, he’s also a co-founder of Madhouse alongside people like Osamu Dezaki (Animation Night 95), Yoshiaki Kawajiri (25, 67) and Masao Maruyama (later, founder of MAPPA). He directed such classics as Space Captain Harlock (1978) and Galaxy Express 999 (AN62), he helped create the network of connections that led to Akira, he did a chapter of Tezuka’s Phoenix (AN80) he was still going strong in the 2000s with Metropolis (53).

He is, in short, one of the most significant directors in anime. And yet, to actually find out much about him beyond the films he’s made and the places he’s worked is surprisingly hard. Even in interview, his answers are a little vague. But then, the anime and manga industry are full of reclusive, shy creators. So let’s look at the films...

...or rather, let’s look at the OVAs! Look at them with our mouth eyes.

Pop.

Rintaro spent the late 70s and early 80s working not at Madhouse but at Toei, which was a chance for him to spread his wings outside of the shadow of Dezaki. This was the Captain Harlock era, and the Galaxy Express 999 era, the latter’s remarkable film building the important connection with Yoshinori Kanada and his ‘liquid fire’ effects.

In 82, after adapting renowned satirical novel I Am A Cat for a TV special, Rintaro came back to Madhouse - around the time of Dezaki’s Space Adventure Cobra. There, he would direct Genma Taisen (Harmageddon), which can in many ways be called the prototype for Akira, setting up the power trio of Otomo, Koji Morimoto and Takashi Nakamura. I’ll be screening that for Animation Night before too long, so more on that then (or just read Watzky’s article!).

As Dezaki stepped back, Madhouse entered the era that made it famous, what we could call the ‘auteur era’. Riding the OVA boom, they animated dozens of sci-fi films, OVAs and TV shows by a variety of directors. Their style tended to emphasise static detail with bursts of complex animation; chiaroscuro night settings with bright lights driven by background animation. Rintaro was one of their stars.

So this evening we’re going to pick out two of his works from this period in the new OVA format...

Let’s start with Bride of Deimos (悪魔 (デイモス)の花嫁). (Unfortunately I can’t display ruby text on Tumblr, but imagine that デイモス is written above the first two kanji.)

Bride of Deimos was an interesting beast: a shōjo horror manga by writer Etsuko Ikeda and illustrator Yuuho Ashibe with a a very classic-shōjo, Year 24 Group-esque visual style. (Beyond ‘authors of this manga’, it seems almost impossible to find out anything about either.) If I’m reading the plot summary right, revolves around a high school girl called Minako, who is the reincarnation of a demon Venus, the twin sister of an incestuous demon named Deimos; she is reincarnating because was executed by the demons for her incest crimes but the original soul seems to be out there somewhere? Deimos wants to bring Minako back to the underworld so Venus can possess her body again; Minako would prefer not to, and she’s got a lot of jealous people and suitors to fend off in the meantime thanks.

The manga ran a solid 26 years, from 1974 all the way to 1990. Rintaro could obviously not adapt something of that scope, and his 1988 OVA excerpts just one chapter from the whole epic for a half-hour OVA. It revolves around a brother-sister pair, the brother raising orchids and taking care of a disabled sister, who are both very yandere over each other. Into this whole mess stumbles Minako.

So expect a lot of very gothic imagery; it’s worth noting that Madhouse had adapted Vampire Hunter D just a few years earlier, and I think you can see the influence in its character design. There’s at least one very elaborate sequence of background animation which you can see above; unfortunately sakugabooru do not seem to know who animated it.

And then, just a few years later, we have Teito Monogatari (帝都物語), known in English as Doomed Megalopolis.

The original Teito Monogatari (1983-7) was a sprawling historical epic serial novel crossing basically the entire 90s, following the occult works of an immortal warlord of the Taira clan who led a failed rebellion against the central government (the same Taira clan whose fall is chronicled in the Heike Monogatari, c.f. Animation Night 91) and has now become a ghost serving the same empire. In the present, he is succeeded by Yasunori Katō, a former soldier in the imperial Japanese army who is in fact a vengeful oni working for 90 years to bring about the downfall of the Japanese Empire, bringing him into conflict with a long list of historical figures...

His ruinous ambitions bring him into conflict with some of 20th century Japan's greatest minds including industrialist Eiichi Shibusawa, onmyoji Abe no Seimei's descendant Yasumasa Hirai, authors Koda Rohan and Izumi Kyoka; physicist Torahiko Terada, and author Yukio Mishima.  The resulting conflict, involving science, magic and politics; spans 90 years of Japan's history.

The story begins near the end of the Meiji period and ranges through the rest of the century. It reinvents major events such as the Great Kantō earthquake [in the story, the work of Katō and his allies], the founding of Japan's first subway, the February 26 Incident, the firebombing raids, the signing of the 1960 US Security Pact, and the ritual suicide of Yukio Mishima. The narrative finally reaches its climax in 1998, the 73rd year of a fictional Shōwa period.

The overall structure of the narrative seems to be that Katō comes up with various dastardly plans to destroy Tokyo, and is stopped by these historical figures (and original characters), deferring the destruction of Tokyo to later and later dates. In that regard it seems to fit the onryō mode, where the monster really is a victim of something terrible but nevertheless needs to be stopped. How that reflects on the subject of nationalism it raises so centrally, I’m not sure, and I’m curious to find out! e.g. it’s curious to me that it’s the villain Kato, despite fighting on behalf of indigenous people crushed by Japan, who dresses in the sinister, Nazi-like uniform of an Imperial Japanese Army officer.

This story proved wildly popular, and caused a resurgence of interest in mysticism, such as onmyōdō and feng shui, as well as the classic figure of the oni. It inspired numerous adaptations (one by Takashi Miike!) and subsequent works in the same vein in literature and manga.

By the time Rintaro got to it, there had already been one successful tokusatsu adaptation of the first four chapters in 1988 by Toho, which had received wide acclaim. There had also been a certain OVA called Urotsukidōji, discussed back on Animation Night 69, which proved that sex and violence were very in - and as a result, this OVA went a lot harder than earlier Rintaro works or indeed previous adaptations of Teito Monogatari. Hoping to distinguish his take from previous adaptations, Rintaro emphasised the supernatural aspects - the things it was possible to display with elaborate effects animation. And thus animators like Tatsuyuki Tanaka provided suitably gruesome imagery.

The series spans four episodes, each about forty minutes, all overseen by Rintaro but directed respecitively Kazuyoshi Katayama, Koichi Chigira, Kazunari Kume and Masashi Ikeda. Like Toho’s take, it focuses on the first four chapters, spanning the period 1912-1928, in which the Meiji government was rapidly industrialising Japan and transforming it into a colonial power to stand against the Europeans; not long before the story starts, Japan had annexed Korea in 1910. Beyond his earthquake shenanigans, Katō schemes to possess a girl called Yukari Tatsumiya and her daughter Yukiko. A full-on wizard war ensues.

And I think that’s enough time writing. So, if you will join me tonight, we’ll be watching Bride of Deimos followed by all four episodes of Teito Monogatari (Doomed Megalopolis)! Starting shortly on twitch.tv/canmom - hope to see you there!

#animation night #rintaro #doomed megalopolis #bride of deimos

[laurel-dreams]

While your here and I know you probably posted it awhile ago but I Wana know bnha 2-b ocs quirks mostly how they work

Here is a list with a small explanation of each quirk + Photo reference!

Abe Chie / Goldielock (F) / Hair Drills: Her hair can turn as hard as steel and rotate like drills

Akemi Kagami / Magic Mirror (F) Mirror: She can temporarily copy the quirk of whatever person is being reflected in her eyes.

Arima Kei / The Ilusionist (M) /Ilusion: He can make Auditory, Visual Ilusions

Asano Hanzo / Downgrade (M) / Downgrade: He can make a Quirk loose power or revert to a more implistic version of the quirk

Harada Saeko / Barrier (F) / Energy shield: She can make shields out of her vital energy, the more resistant they are the more exhausted she will be after.

Hino Yota / Firefox (M) / Fire blast: he can create fireballs and shoot them at oponets.

Hoshino Shion / (Undecided) (Genderfluid) / Melody : They can produce hypnotic melodies that force the oponent to dance uncontrollably.

Ikeda Kenshin / Elasticman (M) / Bounce: His body can turn into a rubbery bouncy material that also allows him to strech his limbs.

Ito Masahiko / Dart (M) / Poison Touch: His hands secrate a poison that can go from paralizing people to deeplyy injuring someone.

Kimura Itsuki /Spike Shot (M) / Cactus: His body works as a cactus. He can generate spikes and shoot them as if they were proyectiles.

Kobayashi Etsuko / Echoumori (F) / Echolocation: Just like bats she can percive her souroundings by Echolocation. She is very sensitive to loud noises.

Koizumi Kaito / Bubble Boy (M) / Bubbles: He can make resistant bubbles to trap oponets.

Kuroki Yoko / Magical Yoko (F) / Shadow Impulse: A shadowy figure can take contol of her body to increas her physical strength, speed and overall abilities. She cannot full control her impulses on this state.

Mizuno Fuyuko / Fractal (F) / Icicle rain: She can generate Icicle spikes and throw them at people as proyectiles.

Mochizuki Ren / Moonsagi (Agender) / Lunar energy: Moonlight increases their phisical abilities. They are very tired during the day as a side effect.

Raimei Akira / SpiderShock (NB) / Electric Web: They can geerate a restant spider web that is constantly electrified and can shock opopnets.

Sano Junko / X-Teleport (F) / Teleportation: She can teleport to wherever she can see. To do this she must place her arms formig an "X shape"

Shimizu Taiki / S-Lime (M) / Slime: He can generate Sticky slime to trap his oponents.

Tsukishima Kuma / Bear Hug (M) / Bear: He can do whatever a bear can.

Yoshioka Hideki / Chance (M) / Probability manipulation: He can alter the chance of something happening. However he cannot make something 100% or 0% there is always a bit of chance involved.

#bnha oc #bnhaoc

[alessandrobracalente]

Ryoji Ikeda "supersymmetry" from YCAM on Vimeo.

Ryoji Ikeda "supersymmetry" (2014/Commissioned by YCAM) supersymmetry.ycam.jp

Concept, Composition: Ryoji Ikeda

in collaboration with Programming, Computer Graphics: Norimichi Hirakawa, Tomonaga Tokuyama, Yoshito Onishi Mechanics/Optics/Device Design: Norimichi Hirakawa Computer System Design: Tomonaga Tokuyama Technical Management: Norimichi Hirakawa, Tomonaga Tokuyama Electronics Design: Yoshito Onishi

Curator: Kazunao Abe (YCAM) Co-curator: Patrick Gyger (Le Lieu Unique)

Yamaguchi Center for Arts and Media [YCAM] Assistant Curator: Tsubasa Nishi Construction Supervision: Richi Owaki Sound Programming: Satoshi Hama Device Design/Set-up: Richi Owaki, Keina Konno Sound: Satoshi Hama, Etsuko Nishimura System Engineering: Yohei Miura Lighting Design: Fumie Takahara Technical Management: Clarence Ng Public Relations: Miyuki Tanaka Documentation: Ryuichi Maruo, Tomoya Watanabe Signage Operation: Naomi Kakuda Education: Kiyoshi Suganuma

Ryoji Ikeda Studio Creative Director: Emmanuelle de Montgazon Administrative Assistant: Yuko Higaki

Mechanics/Electronics Design: Koichiro Mori Shutter Device Set-up Support: Makoto Hirabayashi Graphic Design: Kazuya Kondo

Organized by Yamaguchi City Foundation for Cultural Promotion In association with Yamaguchi City, Yamaguchi City Board of Education supported by the Agency for Cultural Affairs Government of Japan in the fiscal 2014, Institut Français du Japon and the partnership Institut Français-Ville de Nantes (France), THE ASAHI SHIMBUN FOUNDATION Cooperated by Gallery Koyanagi,Tokyo Equipment cooperation Mix Wave,Inc. , Bell-Park Co.,Ltd. Co-developed with YCAM InterLab Co-produced withLe lieu unique, scène nationale de Nantes with the Support of the City of Nantes and the Ministry of Culture and Communication (France) Produced by Yamaguchi Center for Arts and Media [YCAM] , Ryoji Ikeda Studio

[ohthalie-art]

Akuma no Hanayome (drawings by Yuuho Ashibe and story by Etsuko Ikeda)

Awww, I’M a bit obsessed with this manga (I’m reading it slowly cause I don’t want to finish it in one go. Bu, ARGH, It’s SO good).

#manga #shoujo manga #classic shoujo #akuma no hanayome #etsuko ikeda #Yuuho ashibe

[slightlybiased]

Bride of Deimos  - Etsuko Ikeda and Yuho Ashibe Mystery Bonita 04/10 Cover

#Bride of Deimos #Deimos no Hanayome #Deimos no Hanayome Saishuushou #Etsuko Ikeda #Yuho Ashibe #2010s #Mystery Bonita #ephemera

[kushanna]

Ayako | 妖子

Riyoko Ikeda & Etsuko Ikeda

#ayako #riyoko ikeda's ayako #妖子 #riyoko ikeda #etsuko ikeda #mangacap #q

[mythgirlimagines]

If DVHS were mythical creatures, what would they be? :D Can be obscure!

Some of these are Stretches bc I couldn't really think of anything ^^' I got all these from here

Abe Fumito: Phoenix

Aoyama Nozomu: Poltergeist

Fujimoto Hidekazu: Banshee

Hamasaki Utako: Siren

Ikeda Kazuhiko: Will-o-the-wisp

Ishikawa Camila: Vampire

Kadoshima Yasu: Nymph

Maeda Hayao: Werewolf

Matsumoto Takeshi: Elf

Nakamura Ikuo: Incubus

Oshiro Amaya: Angel

Rikimaru Kirika: Medusa

Saito Kagami: Valkyrie

Sasaki Hanayo: Dryad

Ueda Miyuki: Yuki-onna

Yoshida Etsuko: Poltergeist

#answered ask #headcanons #fumito abe #nozomu aoyama #hidekazu fujimoto #utako hamasaki #camila ishikawa #kazuhiko ikeda #yasu kadoshima #hayao maeda #takeshi matsumoto #ikuo nakamura #amaya oshiro #kirika rikimaru #kagami saito #hanayo sasaki #miyuki ueda #etsuko yoshida #danganronpa #dvhs #link

[enjoy-the-manga]

Itoshi no Gan Gan - Ikeda Etsuko and Ikesumi Chieko

#ikesumi chieko #chieko ikesumi #ikeda etsuko #etsuko ikeda #vintage manga #josei manga #90s manga #prohibition era #girls with guns

[silvermoon424]

TELL ME ABOUT THE MANGA-ONLY SERIES!!!!

Okay! I've read way more manga than I've watched anime; for some reason it's easier for my ADHD-addled brain to focus on reading than watching stuff, lol. So as a result I've read a couple hundred manga series (mostly horror, lol) whereas I've only seen a couple dozen anime series.

Anyway, here are some of my favorite manga-only series:

Plant Dolls by Yumiko Kawahara

Pet Shop of Horrors by Matsuri Akino

Literally everything Junji Ito has ever made (I have read everything of his available in English)

Franken Fran by Katsuhisa Kigitsu

A Cruel God Reigns by Moto Hagio

Zekkyou Gakkyuu by Emi Ishikawa

Bride of Deimos by Etsuko Ikeda 

The Drifting Classroom by Kazuo Umezu

Helter Skelter by Kyoko Okazaki

Kasane by Daruma Matsuura

Kuro by Somato

Anything by Kanoko Inuki

The Horror Mansion by Nori Ochazuke

Shibito no Koe o Kiku ga Yoi by Sachiko Uguisu

Anything else by Sachiko Uguisu

Puella Magi Tart Magica by Masugitsune

Orochi by Kazuo Umezu

Ibitsu by Haruto Ryou

Claymore by Norihiro Yagi (including this on the manga-only series list despite it having an anime because I've never seen the anime)

Parasyte by Hitoshi Iwaaki (including this on the manga-only series list despite it having an anime because I've never seen the anime)

Life by Keiko Suenobu

The vast majority of these are horror manga, so take that as my recommendation if you like that genre, lol.

#manga #recommendation