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chickensarentcheap · 4 years

Text

I Found (Chapter 12)

Warnings: there is smut in this. Pure filth. Because that’s what the muse wanted.

tagging: @c-a-v-a-l-r-y @alievans007 @hemmyworthy

Four hours later Esme finds herself in the kitchen. Barefoot in denim shorts and simple white t-shirt, up to her elbows in soap and water as she scrubs the dinner dishes. Tyler works alongside of her; unusually quiet (even for him) as he dries the items waiting in the drainboard. It is these moments of normalcy that they have learned not to take for granted. That easy, smooth way that they work side by side even during the most mundane of tasks. They have never had to resort to mindless chit chat; their silences had always been comfortable, never awkward. Meshing right off the hop. Easily able to read each other's cues, recognize one another’s body language, allow their eyes and their facial expressions to do the communicating if need be. In the five days they'd worked side by side, they'd become very much in tune with one another. Their very different skill sets playing off each other well.

And there had been the other aspect as well. Giving in to that sexual tension and suffocating need for physical contact. To feel alive again. To be reminded that they were worthy. That they were broken, but still good.

A year ago they were in entirely different places; he in that rundown shack of a house in the outback as she floated from motel to motel, working her way through North America. Spending an extended amount of time in New York City, subletting a quaint little studio apartment in lower Manhattan.

A week before they'd met she'd started packing up her things and putting them into storage. Nik had tracked her down through G and offered her a job. She'd have her choice on where she wanted to settle down. The Big Apple wasn't on that list. Her plan had been to repeat the nomad lifestyle of living out of suitcases and ending up wherever life and the job took her. She'd been doing it since leaving the corps and it had become second nature to her. As if it were normal and everyone did it.

I have a job for you, she can hear Nik's voice as clear as day. I need some intel work done. An inside person. A drug dealer in Dhaka has kidnapped another dealer's kid. Information is slow coming. I need you to go there and get your pulse on things. Make friends with the locals. Get them to trust you. Word has it he's being held in or around the market area. But there's a catch. And I need you to trust me when I say I know it sounds crazy but I know it's going to work.

The next day she was on a helicopter heading for Australia. Out into the middle of nowhere to meet 'the catch'.

Only Nik hadn't told her 'the catch' was as insanely attractive as he was. Or as haunted and broken. He was an immensely private person; tortured by the bad decisions and the demons of his past. And she'd been intrigued by him. By the mystery that surrounded him. By the walls that he'd built up around himself. He was an enigma. A challenge. And she had found herself captivated by those brilliant blue eyes, that sad smile, and that voice. Low and steady, his accent dripping off every syllable. Physically he was a tall, cool drink of water on a hot summer day. Pleasing. Refreshing. But it was the way in which he carried himself that had drawn her in. Confident. Not cocky. A man that lived on the edge and showed no fear.

A death wish, Nik had told her on the way home. It's why he takes the jobs he does. It's not really the money. It's the hope that one day, the job is going to take him out. That it will make it all end.

A month later she was out of the job. Just as abruptly as she had gotten into it. Back in Australia and in charge of handing over possession of that shack in outback to one of Tyler's friends while he himself teetered between life and death in that hospital. She'd found herself wandering down a new and often terrifying path. Starting an entirely new existence with the help of Nik and the surviving members of the tea. A new life in a new country in a small two bedroom bedroom apartment. Spending the majority of her waking hours -a lot of her sleeping ones- at his bedside.

Four weeks after that she started feeling sick. Rundown. Taking the nausea, the headaches, the fatigue, and even her missed cycles, as signs of stress.

Until two little pink lies had told her otherwise.

She had bought the test on a sheer whim. A lineup in the hospital pharmacy bringing her directly into the aisle where they were store. She'd grabbed one, and hadn't even given it a second thought until later that evening and she'd gone into shopping back for something she'd needed. And she can vividly remember sitting there on that cold porcelain toilet in the washroom connected to his private room. Barely thinking about that test that now lay on the sink ledge. There were too many other things to think about it. She couldn't remember when she had her last meal. Her last shower. Her family was leaving her strings of endless text messages and emails demanding to know where she was. Who she was with. Was she okay? It was too much. All too much. There was already an overwhelming heap of sadness and worry on her plate. Why would whatever higher power (if there was one) just add something else.

And then there it was. Her new reality staring her in the face. Things were already serious enough, and now there was a whole other layer being added. There was a life growing inside of her. During all that craziness in Dhaka....within those four dirty motel walls...she had had a hand in creating another human being.

She can even remember his face when she'd told him. The lucid moments were more frequent by then. The amount of pain medication being pumped into him had let up and he was conscious more often than not. Still struggling with remembering all of the details of what happened. Things were hazy; he wasn't sure if he was recalling things that actually happened or if it was what he had wanted to happen so his brain was manifesting them as actual memories. He could vividly recall everything up to the moment that he'd been shot in the neck. He could even remember the sensation of choking on his own blood and feel it seep between his fingers. He was fairly certain he'd made it to the sidewalk along the bridge. But after that...nothing. Nothing concrete and clear anyway.

He still hadn't had a lot of strength. He grew tired and weak easily. But he would smile. Even laugh. He'd even bitch at her when she'd attempt to trim his beard and keep it under control. And he'd wrap her in his arms and pull her down onto the bed with him and he'd hold her. They wouldn't talk. She'd just lie there in his embrace as he played with her hair. Her head on his chest, listening to his heart.

Some days, they'd go for walks. He'd refuse to use a wheelchair, even on the days where he felt the most pain and the most weakness following his knee surgery. He hated feeling helpless. Weak. And she'd always try to ensure him that he wasn't any of those things. What he was, was alive. Recovering. And that's what mattered the most.

It had been on one of those walks that she'd told him about the baby. Sitting on a bench when he needed a break and a chance to rest the knee. And the sun had been high in the sky and the breeze had been crisp and fresh and the sounds and sights of live continued around them as she dropped probably the second biggest bombshell of his life on him. It was the first time a silence between them had been agonizing. And she'd been screaming internally at him. To say something. Anything. To tell her that this wasn't the worst thing that could happen. That this wasn't the end of the world. That this was just another thing that they'd get through together.

He had just stared at her. Shell shocked. Things had happened quick between them. They hadn't had time to catch their breath. And they hadn't wanted to fight it.

“You're sure?” he'd finally asked, and it wasn't until he spoke that she became aware that she was crying. She usually kept tears to herself. She didn't like him seeing her in that kind of state. She had to be the stoic and solid one now, after all.

She told him about how she'd been feeling. The nausea. The migraines. The inability to sleep. The missed periods. She should have started just after the events in Dhaka. But it had never arrived and she'd just assumed that her body was in shock over everything that had went down.

Then he'd said the single most hurtful thing she'd ever had anyone say to her in her entire life. She'd tried to remind herself that this was all happening so fast. Too much, too soon. What did they really know about each other outside of the walls of that crappy motel? They'd jumped head first into...something. It couldn't really be called a relationship, yet casual sex didn't seem serious enough. They were falling in love with one another. But they weren't in love. Not yet.

“Is it mine?”

She had wanted to slap him. She'd wanted to wrap her hands around his throat and strangle him. But she didn't blame him for asking. She understood his trepidation. If she'd fall into bed with him that easily, what's to say it wasn't a reoccurring behaviour for her?

When they'd been holed up in the motel she'd told him about her failed marriage. About her ex husband and his issues and the torment and torture he'd brought into her life. And on that bench she told him that she hadn't been with anyone besides him in over a year. That sex had never been an overwhelming need.

Until she met him.

“You don't have to stick around,” she'd told him. “I don't expect that from you. If this isn't what you want...if I'm not what you want...you just have to say it, Tyler. I won't hate you. I'll walk away and I'll never bother you again. You don't have to be a part of this.”

Those normally brilliant blue eyes had immediately clouded over. His mouth setting into a grim line.

“Is that really what you think of me? You think that little of me? That I'd do something like that? That I'd just let you walk away?”

“You already have a lot on your plate. You're healing. It's going to take a long time. And you don't need me being in your way. You don't need me hindering you.”

“Are you fucking serious right now?” his eyes had narrowed, his voice low. Almost menacing. “Is that really what you think? You think I don't want you here? You think I look at you like some kind of obstacle in my way? The only reason I'm doing this...the only reason I held on and I keep hanging on...is because of you. For you.”

That had made her cry even harder. And her face had dropped into his chest; his fingers burying in her hair as he held her to him.

“I love you,” he'd said. It was the first time he had let those words come out. He'd later confess that he'd been feeling them since the beginning. Maybe not love itself. But the realization that he was falling in love. “I love you and everything is going to be okay. We're going to be okay.”

She'd cried into his chest. Telling him that she loved him. That she hadn't meant to fall in love with him. Maybe it shouldn't have happened. Dhaka hadn't been the ideal place to meet the love of your life. But it had. And she didn't regret that.

For a long time, neither of them had spoke. They'd just sat on that bench as she clung to him and he consoled her. And then he'd gently yanked on her hair in an effort to get her to look up at him. Those blue eyes had been sparkling again. There was a smile...a genuine smile...curving his lips.

“We're having a baby,” he'd said. “I'm going to be a dad.”

They have never taken things slow. It simply wasn't in their nature. After that first night in Dhaka, they never looked back. They'd given into lust. The promise of something new. Empowered by the realization that someone wanted them. Needed them. That maybe...just maybe...their two broken halves could make a slightly dented whole.

****

“How'd it go today?” he asks now, as he stands behind her and reaches over her to place dishes on the higher shelf. “Your little girls day.”

“Good. It was fine. It was nice to forget about everything else for a while.”

When she'd gotten home, she'd run that photograph of Farhad through the paper shredder. Covering her tracks. Something she'd become good at thanks to the job. But the rule of thumb was that no matter how smart and cunning you thought you were, there was always someone smarter and far more cunning.

And that person is Tyler Rake.

She watches the way his hands move as he does something so simple as drying cutlery. They're big. Powerful. Calloused palms, long, thick fingers, scarred and swollen knuckles, and wide wrists that lead into muscular forearms. And she notices...obviously not the first time...just how attractive he actually is. Those eyes. That mouth. The way his hair falls over his right eye. The scars and the tattoos. All mixing together to create on hell of a man.

“You're staring at me,” he says, snapping out of her reverie. A grin playing on his lips. “That's creepy. Stop being a creeper.”

“Dick head,” she retorts, and flicks soap and water at him.

He's mocking her. Playfully, of course. Using the exact words she'd tossed at him during their first massive blow up in Dhaka at year ago. When she'd disappeared from his sight in the market after he'd distinctly told her not to leave his side.

“I told you to stay right next to me,” he'd roared. “I told you not to wander off on your own. That I wanted to be able to see you. At all times. That I wanted to be able to feel you beside me. To even smell your hair if it comes down to it.”

“Is that what you've been doing while I'll sleep?” she'd shot back. “Smelling my hair? That's creepy. Don't be a fucking creeper, Rake.”

She'd meant it as a joke. To break the tension. But it had only made things worse. And the floodgates opened and all the pent up rage just came exploding out of them. His hand wrapping around her neck and his fingers digging into her throat, his eyes menacing as he backed her up against a wall.

“Do you think this a fucking game? Does it look like I'm fucking joking?”

The fight had been intense. His anger raw. And he'd been powerless to contain it. Or what happened when it had transformed into something so much more. Greedy hands pulling at each other's clothes. Hungry, needy kisses. His hands biting and bruising as he took her right there and then up against that wall.

****

She clears her throat noisily and fights the urge to splash cold water on her face. Her hormones have been out of control. Especially within the last week. He's always had a powerful effect on her. It took for very little effort on his behalf to rile her up. But this level of intensity...this level of need...was something she'd never experienced before.

“Admiring,” she corrects. “Not staring. I was admiring. In case you haven't noticed, you're pretty easy to look at.”

“Yeah?” he steps behind her once again, an arm circling her waist. Palm against her stomach, drawing her tight against him. He drops his head, his hair and the tip of his nose brushing against the nape of her neck. And he feels her shiver against him when he presses his groin against her ass.

He can't help but smirk.

So easy. It's always been so easy.

“You're not too hard to look at yourself,” he says, his breath hot against the back of her neck. He's feeling it too. It's always been intense between them. The sex incredible. But since the decision to return to Dhaka, the desire and the longing and the desperate need had only increased. He couldn't get enough. Didn't want to ever get used to getting enough. Afraid that at this time next week, one of them may not even exist anymore.

He swallows heavily and closes his eyes. Desperately trying to rid himself of those thoughts. They'd come this far. They'd gotten through some serious shit. There was nothing that could possibly come between them now. He nuzzles his face in her hair; inhaling the sweet of the sweet, fruit scented shampoo she favours. Committing that smell to memory.

Just in case.

His mouth is soft and warm against the back of her neck. Feathery kisses that make her shiver and her pulse quicken. And his hand slides from her stomach to her stomach; both palms gliding over the cheeks of her ass before bringing one of his hands down in a ringing, stinging slap. A smirk on his face as she bucks against him, his fingers roughly grabbing at the spot he'd hit.

“You're a fucking dick!” she exclaims, wincing, struggling to turn around to face him. “That hurt. Fuck you, Tyler.”

He uses his body weight to pin her in place, sliding a hand between her legs. Feeling the heat and the moisture that pools there, even through the fabric of her shorts and the panties she wears underneath.

“That's exactly what I want to do,” his voice rumbles deep within his chest. “Fuck.”

****

They make it as far as the living room. Clothes hastily discarded, forming a trail behind them. With the baby asleep, and Nik and the rookie back at their hotel for a remote final strategies meeting with the team, they once more have the run of their own place His hands are rough and needy as they explore her body. He knows every inch by heart; every secret little spot that, when manipulated, drove her insane. He can remember the early days; that fascination and wonder that comes with getting to know someone elses body. With learning what they liked, and showing them things that they'd never experienced before. It had been that way for him. After his first marriage had broken up and he sworn off ever going down that road again, he'd had his fair share of hook ups; randoms he met in bars, friends of friends, women in different countries that -if he was in town- he could call up for no strings attached sex. Esme had been the opposite. Two men before him. Including her ex husband. So Tyler had taken it upon himself to show her exactly what she'd been missing.

Her body is softer now. Her hips wider. She's had a baby. His baby. And while it's familiar, it's still exquisite. A beautiful wonderland that only he gets to visit. And he still worships it...and her...as much as he did when they first met. And as often as he can.

He stands above her as she lays sprawled on the couch, ready and waiting. Chest heavy, his eyes hooded as they take in every inch of her. Those dark eyes filled with desire, the flushed cheeks, those full supple breasts with their rock hard nipples. Stroking his own cock as he watches her playing with her clit. Exactly like he told her to. Growing even harder when her eyes close low and her head falls back, a long, tortured moan escaping her lips.

“No,” he says, when he senses she's close, and he yanks her hand from between her legs. “I get to do that.”

She reaches for him but he shoves her hand away.

“Sit up,” he orders. “Back against the couch.”

She does as she is told. The perfect little submissive that she is. He gets off on it. Knowing just what he can get away with. The kind of punishment that he can not only inflict on her, but that she can actually take. No woman had ever given him that kind of freedom with their body. None had ever had that pure, blind trust in him.

He tenderly cups her cheek his hand, turning her face up towards him as he kisses her. Soft. Sweet. His other hand still tending to his direction, and he backs away when her fingers come in contact with him.

“Not yet,” he tells her, and then drops to his knees between her thighs. Sliding his hands between her and the couch in order to grab her by the ass, yanking her forward to give him access to what he really wants.

She gives a small cry the second the tip of his tongue makes contact with her clit. Bathing it with long, agonizingly slow licks that has her toes curling and her back arching. His fingers biting into the soft flesh of her ass when when he uses his tongue to penetrate her; jerking himself off as he tongue fucks her. Using it in the same way he could his cock. Spurred on by the obscene noises that are escaping are mouth and the fingers that are scraping across his shoulders.

“Tyler...” she whimpers, and her hands are in his hair and her hips are rising from the couch to match every move of his tongue. “...shit...fuck...Tyler...”

And when he knows she's close...when he knows she's teetering right on that edge...he abruptly stops. Leaving her a near sobbing, panting mess as his hand drops away from his cock and he stands.

“Get up,” he demands. “I want you to get up.”

Her legs are trembling. Weak. And he gently grabs a hold her arms and helps her to feet, pulling her into him a for a long kiss. The tip of his tongue briefly touching hers before gliding along the roof of her mouth.

“I want you to ride me,” he says. As if she has a choice in the matter. This is his game. He's in charge. And she never resists when he is. “I want you, to fuck me.”

She nods in understanding, and he runs a hand through her hair and grabs a hold of the tresses. A firm hold. But not hard enough to hurt. Just enough pressure to pull her head back so she looks at him.

He smiles. It's soft. Reassuring. They've been playing these games for almost a full year now. She knows he'd never hurt her. That with the simplest word or the hint of discomfort, he would stop. She trusts him. Maybe too much at times. An almost blind faith that both flatters and frightens him.

It's his turn to sit on the couch. Thighs splayed, his hand finding his own cock again. The other reaching out for her, resting on the small of her back and giving her that extra sense of security as she straddles him. Those small hands resting first on his shoulders and then sliding down onto his chest. He guides her with that hand on her back and the other around his erection, lining it with that warm, moist, welcoming entrance.

“Fuck...” It's his turn to groan, eyes closing and head falling back as she sinks down onto him. And she pushes her hips forward, a movement that has him bottoming out inside of her. And he releases more profanities and a low hiss when her nails dig in; scraping down his chest and over his nipples.

She pushes her torso forehead, and laying a hand on the back of his head, pulls him forward. His face buried between the valley of her breasts as begins to ride him. Slow, smooth movements that is torturous for them both. His hands slid up her thighs and over her hips. Up her back to her shoulders. And he takes one of those hard nipples into his mouth. Rolling it along his tongue before stepping up his game; fingers pressing into the soft skin of her shoulders as he aggressively sucks. And she moans at the sensation, her fingernails digging into his scalp as she moves faster.

His hands drop to her hips, removing his face from her chest and allowing his head to fall back onto the couch cushion. Sweat beads on his brow and at his temples. His chest heaves from the work it takes just to hold back. Allowing her to have this moment. Where she is the one in control. Temporarily giving her that power.

She smiles down at him and kisses him; her teeth painfully digging into his bottom lip when she pulls away.

“You like this, yeah?” he asks, as he fights to keep his hips still “You like being in charge, don't you.”

She nods, and drops her head into the space between his neck and his shoulder. Where she kisses, licks, and nibbles at the side of his throat and bulging trap muscle.

“Jesus...fuck...” he winces when her teeth dig in. Hard enough to break the skin. And that signals the end of their little game. It's time to take that control back. He wasn't a submissive man. He never could be. Never will be. And curling an around around her waist, yanks her off of him and tosses her onto the couch.

“Kneel...” he orders, and she's watching him over her shoulder and running the tip of her tongue along her bottom lip as she does so. He smirks, loving that innocent look she gives him. Those huge eyes and her hair wild and tumbling over her shoulders and swaying against the sides of her face. “...fucking do as I say,” he snarls, when she hesitates. “...I'm in charge here. Got it? I said fucking kneel.”

He snatches her by the hips, positing her exactly where he wants her, using his own knee to push her legs apart.

“Down...” he lays a hand on the back of her head, pushing her face into the back cushion of the couch. “...just do as I fucking say, alright?”

She nods.

“What? I didn't hear you.”

“Yes. I'll do what you say.”

“Yes, you'll do what I say, who?”

“Tyler. Yes I'll do what you say, Tyler.”

“Wasn't so hard was it? Huh? What did I just ask you? I asked you if that was so hard. Was that hard to do?”

“No.”

“But you want it be, don't you. You want something hard. Inside of you. Say it. Tell me. I want to hear you say it.”

“I want it,” her body shudders as she talks, and she shoves her ass out towards him. “I want you. I want you inside of me.”

“That's a good girl. Such a good girl,” he kisses his way down her spine, runs the tip of his tongue over the small of her back. Over that tattoo that she'd gotten when she was eighteen and regretted ever since. He'd laughed when he'd first seen it. Not because it was horrible. Far from it. But because she'd actually wanted to leave her shirt on so he wouldn't see it. Mortified at her teenage decision.

She shivers at the sensation of the cool air on her skin, and her eyes close and her head drops forehead as he pushes into her. Not the brutally hard thrust that she had expected. But slow and deliberate. Letting her feel each and every inch until his balls are settled against her ass.

“I love you,” he whispers against her back, a deviation from the stone cold and demanding persona he'd been just minutes before. “I love you so much. And I can't lose you. I can't.”

She opens her mouth to tell him that she loves him. More than he could ever possibly comprehend. But all words are lost as he pulls out and then pushes back in, listening to that low growl that he emits, feeling those fingers digging into her hips.

He says nothing more. Neither the calm and quiet Tyler or the rough and demanding one. The hand on her shoulder that holds her in place is gentle, barely touching her. And those fingers on her hip release their painful grip and his hand slides around to her stomach. He moves inside of her. Long, smooth strokes that she swears can feel the way into the pit of her stomach.

He grunts when she pushes her ass against him, and he reaches around to pull her hand away when she attempts to reach between her legs for that extra pleasure. Replacing her hand with his own, fingers easily finding her clit and rubbing deftly at it. Until her body begins to quake and her back stiffens. His name leaving her mouth in a sob that's muffled by the cushion underneath her.

He continues to rub that painfully sensitive nub until he's coming as well. His head falling forward, eyes closing, profanities spilling from his lips.

****

“You realize we're probably never coming back here, yeah?”

They lay in the middle of the living room floor. Naked bodies wrapped in the flannel throw that's kept on the back of the love seat. A cushion from the couch serving as a pillow. Moonlight streaming through the patio door.

She raises her head from his chest to look at him. One of his arms wrapped around her, the other behind his head. Brow furrowed as he stares at the ceiling. She hates that look on his face. Dark. Intense. His adrenaline is starting to kick it up a notch, driven by the nerves and the bizarre sense of excitement that you feel before every job. The softness in his features his gone.

This is the old Tyler. She recognizes him well.

And although she'd encouraged it, his emergence scares her. Just a bit. More for him than for herself. Even the old Tyler was trustworthy when it came to her. Protective. Almost too much so. He would never hurt her. But when it came to his own well being, he was reckless. And she was worried if he crossed that line, that she may never get him back.

She moves onto her side, propping herself up in her elbow. Side of her head resting in her palm as she watches and waits. Her free hand on his chest, fingertips softly gliding against his soft skin and over the scars that use his body as a canvas.

“You do realize that, right?” he finally looks at her. His eyes are hard. Lips set in a grim line.

“You mean come back here as in here here or as in...” she lets her voice drift away as he gives an annoyed scoff and looks away.

“I don't mean it that way. I don't mean death. I mean here as in Australia. As in this apartment. This room.”

This is definitely the old Tyler. The one that was easily aggravated if she said something he viewed as stupid. Or if she dared challenged his power and control over situations.

She lets it go. She feels the stress and the nerves and the fear herself. The old Tyler always struggled to express those kind of emotions. He was stoic and solid. He hid his true thoughts and his true feelings. Locking them deep down inside and throwing away the key. The new Tyler had worked hard to give over that. Struggling to learn how not to close himself off and push her away.

Their return to Dhaka is less than twelve hours away. A place that holds a lot of memories. Some good. Most bad.

Most horribly, horribly bad.

“There's no way we can come back here,” he continues, and as if doing battle with his former self, he closes his eyes and then opens them again. His arm relaxing around her, knuckles brushing against her shoulder.

“This will never be finished,” he says. “Well and truly finished. For every one Asif we kill, ten more will pop up. And each one will learn about what happened. What we did. How Asif himself failed. They won't let that shame go. They'll avenge him. Six months from now, six years from now. It doesn't matter. There will always be someone that wants revenge.”

She remains silent. Fingers skimming along his chest and over his collarbone. Nails scrapping along the underside of his chin, palm coming to rest his cheek. And he turns his face into it, beard scraping against his skin, lips finding her palm.

“If they know our names and know where we are, we can't stay here,” he reasons. “It would never be safe. We'd always be looking over our shoulders. We'd always be jumping the second we hear something moving in the shadows. And I don't want that for you. Or our daughter.”

She finally speaks “What about for you?”

“That doesn't matter. It's my job to protect you. It's my responsibility to make sure you're safe. That she's safe. And I know neither of you ever will be if we stay here. What's happen if I'm not here? I can't be here twenty four seven. And that's when they'd make their move. When they know I'm not here. And I can't take that chance.”

She rubs the back of her hand along his jaw. The top knuckle of her index finger skimming over the scar underneath his right eye.

“You deserve better than that,” he says, as he struggles to contain the emotion that chokes at him. “So does the baby. You deserve better than this life. Better than me.”

She pushes his face towards her and silences him with a kiss. “Stop that,” she gently orders. “You're perfect for us. We're safe with you. I never doubt that. I never will.”

He manages a smile and lifts his head kisses her softly. One on the lips, then the tip of her nose, followed by her forehead.

“Where will we go?” she asks, when he settles his head back onto the cushion. Her fingers now move to the chain around his neck, the pad of her index digit running along it.

“Colorado.”

“You actually want to throw yourself into that? You really want to subject yourself to my family?”

“I would be nice to have a family. Outside of the three of us.”

“We have Nik. And the rest of the team.”

“That's a fucked of vision you have of a family.”

“Like I've said. You've never met my brothers. You might meet them and wonder what the fuck you were ever thinking. What kind of fresh hell you ever got yourself into.”

“They can't be that bad. And you need to go home. Your mom misses you. And I know you miss her. And your step dad.”

“I don't miss them enough to force you to be somewhere you don't want to be.”

“I'd follow you to the ends of the earth. You know that. It's what you practically did for me.”

“This isn't a competition, Tyler. You don't have to do something because you feel you have something to make up for. I didn't come here and stay here because you forced me to. I came here because you needed me. And I stayed because I love you.”

He smirks “Not to mention I knocked you up.”

“A surprising little turn of events, but yes. That too.”

“A good surprise,” the smile is softer now. “A very good surprise.”

“We could always go to New York City,” she muses, sighing wistfully at her memories of the Big Apple.

“Isn't that where Crocodile Dundee ended up? Isn't one Aussie enough?”

“Hmmm...yeah...you might be too much for even them to handle,” she teases. “There's always Boston. Boston was nice. Chicago wasn't bad. Or Texas. I enjoyed Houston, actually.”

“We could also move to Canada,” he suggests.

“Won't work. You hate hockey.”

“It's not that I hate it. I think it's stupid.”

“Bite your goddamn tongue, Tyler Rake. How dare you.”

“I also hate that shit that you tried to feed me once. With the french fries and the gravy and the pretend cheese.”

“That wasn't pretend cheese. It was cheese curds. Very much real cheese. And poutine is a delicacy, I will have you know. Just because you can be an uncultured swine...”

He chuckles, then wrapping an arm around her waist, hoists her up on top of him. His hands on her thighs as she straddles his hips.

“There's always the west coast,” she says, as runs his hands along over her knees and up her legs. “I didn't mind Seattle. They have great coffee. California would probably be the best fit for you. There's lots of beautiful beaches. You do love to surf.”

“Colorado,” he insists, his hands settling on her hips.

“There's mountains. And snow. You need beaches. The ocean. Surfing.”

“I don't need those things. I can live without those.”

“San Francisco is supposed to be nice. I've never been there but I hear it's decent. And they apparently have a good football team.”

“Let's not start that argument again, love. That is not fucking football. And I already said it. Colorado.”

“Los Angeles.”

He shakes his head. “Colorado.”

“San Diego.”

“Nope. Colorado,” he slowly stresses the word.

She sighs. “Why do you always have to be such a stubborn little shit?”

“Because I can. Because you let me get away with it. Because you love me enough not to strangle for me it.”

“Not yet anyway,” she leans down to kiss him, her hair falling over both of them, brushing against his chest when she sits back up. “I know you think this is what I want. Going back there. But you don't have to do this.”

“I don't think it's what you want. I know it's what you need.”

“Since when did you become an expert on what I need?”

“You seemed to think I was an expert at knowing what you needed half an hour ago,” he teases, and then winces and laughs when she grabs the part of his beard under his chin and yanks. “Actually, I think I proved I'm an expert. At least at those things.”

“You're like a fourteen year old boy. Mind always in the gutter.”

“You blame me? You're sitting on me. Naked.”

“You put me here. And then you complain? That's fucking rude.”

Curling an arm around her, he unceremoniously drops her onto her back. “That better?” he asks, a hand on the floor beside her head as he bends down to kiss her.

“Much better,” she says against his lips, and then sighs into the kiss.

He pulls back to look at her. Giving her a wink. “Colorado.”

“You are an insufferable bastard, Tyler Rake.”

“I am,” he agrees. “But you love me.”

She smiles up at him. “Only on days that end in Y.”

“That's good enough,” he declares, and kisses her once more. Longer this time. More passionate. Pulling away with a wide grin. “Colorado.”

“You can be a real annoying little bastard,” she teases, as she pushes his hair out of his eyes “You always have to have the last word?”

“Always,” he says, giving her a wink and then kissing his way down her entire body.

No more words are needed.

#I Found #tyler rake #tyler rake smut #tyler rake fan fiction #tyler rake fan fic #extraction

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architectnews · 2 years

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Ten tiny houses that make the most of their compact plots

Stacked volumes and space-saving floor plans feature in this roundup of 10 tiny houses around the world, from an Australian mobile cabin on wheels to a micro home in Tokyo with a pair of funnelled roofs.

Top: photo is by Studio Edwards. Above: photo is by Kai Nakamura

House Tokyo, Japan, by Unemori Architects

Japanese studio Unemori Architects built this corrugated steel-clad house comprising several stacked boxes on a 26-square-metre plot of land in densely populated Tokyo.

"You have to be experimental and clever with regards to its utmost usage and we looked towards how diverse and extendable the space could be within the tiny plot," said the studio.

Find out more about House Tokyo ›

Photo is by Studio Edwards

Base Cabin, Australia, by Studio Edwards

Base Cabin is a geometric micro home that features a sleek rubber skin and is mobile thanks to a set of wheels on which it can roll.

Melbourne-based Studio Edwards took cues from the recognisable A-frame hut for the cabin's design, which was created in this shape for its structural efficiency as well as to give a neat and compact appearance.

Find out more about Base Cabin ›

Photo is by Andrés Villota

Casa Parásito, Ecuador, by El Sindicato

With a floor plan of only 12 square metres, Casa Parásito is a tiny parasitic home that sits atop an urban building in Quito, on which it relies for support and services.

Architecture office El Sindicato attached the dwelling to the existing building with steel foundations and included a bathroom, kitchen, bed and living space in the design, as well as save-spacing storage areas.

Like Base Cabin, Casa Parásito is formed from an A-frame timber structure that aims to make the most of limited interior space.

Find out more about Casa Parásito ›

Photo is by Joe Fletcher

Koto x Abodu, USA, by Koto and Abodu

British studio Koto and American homebuilder Abodu created their eponymous collection of identical prefabricated Accessory Dwelling Units (ADUs) for sites in San Jose, California.

With a limited width of 4.26 metres, the Koto x Abodu model is designed to be easily transported and features various save-spacing elements – from storage under the home's only bed, to a built-in bench in the living room and a petite galley kitchen.

Find out more about Koto x Abodu ›

Photo is by Henry Woide

Jupp House, UK, by Phillips Tracey Architects

One-storey Jupp House was designed to replace an old garage and shed on a plot of land at the end of a suburban garden in Acton, London.

Local firm Phillips Tracey Architects clad the house in dark brick and grey zinc. Internal floor space of just 66 metres is made up of two connected wings that display an irregularly angled roofline.

Find out more about Jupp House ›

Photo is by Hoang Le

TH House, Vietnam, by ODDO Architects

Crowned emerging architecture studio of the year at the 2021 Dezeen Awards, Vietnamese practice ODDO Architects stacked five storeys onto a backland plot to create TH House, a family home in Hanoi.

Despite its only four-metre-wide and six-metre-deep site, the house is designed to feel bright and airy through the addition of lightwells and perforated walls that open out its interior spaces.

Find out more about TH House ›

Photo is by Ruy Teixeira

Casa Container, Brazil, by Marilia Pellegrini

Brazilian architect Marilia Pellegrini demonstrated the potential of reusing shipping containers by designing a micro show-home inside a pair and decorating the interiors with minimalist Nendo furniture.

Created in São Paulo, the repurposed Casa Container is comprised of two 12-metre long containers that have been covered in sleek white Dekton, highlighting how industrial objects can be disguised and transformed to create luxury housing.

Find out more about Casa Container ›

Photo is by Masao Nishikawa

Jewel, Japan, by Apollo Architects and Associates

A skinny, L-shaped structure defines Jewel by Apollo Architects and Associates, a black steel-clad home in Tokyo that is just 1.4-metres-wide on its smallest side.

Building with a crowded site in mind is a common approach to contemporary urban Japanese houses, due to finite and expensive land. For this project, the architecture firm was especially limited by the "flagpole" nature of the plot – square with a narrow approach in a heavily populated neighbourhood.

Find out more about Jewel ›

Photo is courtesy of Grimshaw Architects

The Peak, Australia, by Grimshaw Architects

Prompted by the desire to provide affordable housing for young people in urban parts of Australia, Grimshaw Architects designed a set of 35-square-metre micro homes for Kids Under Cover, a charity that supports the country's homeless youth.

Called The Peak, the non-profit prefabricated homes are especially created to accommodate affordable IKEA furniture and have high ceilings in order to give occupants a greater sense of space inside.

Find out more about The Peak ›

Photo is by Koji Fujii Nacasa and Partners

Love2 House, Japan, by Takeshi Hosaka

Architect Takeshi Hosaka built a tiny Tokyo house for himself and his wife that features a pair of funnel-like roofs that tops a total floor area of only 19 square metres.

The height of Love2 House's slanted ceilings opens out its compact interior, which features a dining table located in close proximity to the street, while skylights and a floor-to-ceiling sliding door connect indoor and outdoor spaces.

Find out more about Love2 ›

The post Ten tiny houses that make the most of their compact plots appeared first on Dezeen.

#Architecture – Dezeen

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sdgew · 3 years

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samthdseo1 · 3 years

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Buy Premium Quality Furniture Goods from TheHomeDekor

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jeremystrele · 4 years

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The Epic Contemporary Revival Of A Pre-Federation Homestead

Architecture

Sasha Gattermayr

The facade of the fully restored Georgian mansion on the historic Symmons Plains Estate. The house was erected in 1839. Photo – Anjie Blair.

Reinforced brick outbuildings now form new wings to the residence. Photo – Anjie Blair.

A glass tube connects the previously disparate group of heritage buildings into one large home. Photo – Anjie Blair.

The contemporary interventions house a series of new living spaces. Photo – Anjie Blair.

Georgian homes are traditionally segmented and not conducive to open plan living. While designing the restoration, Cumulus Studio took opening up the interiors without altering the exteriors into account. Photo – Anjie Blair.

A muted material palette highlights the grandeur of the house’s heritage bones. Bar stools made locally by Simon Ancher. Photo – Anjie Blair.

Bespoke steel detailing is the standout feature in the repurposed outbuildings. Black bench made locally by Simon Ancher. Photo – Anjie Blair.

Two intersections where old architecture meets a new intervention. Photo – Anjie Blair.

Previously uninhabitable outbuildings used for storage in a former life have been reinvigorated as new wings. Photo – Anjie Blair.

One wing of the new residence overlooks the pool. Photo – Anjie Blair.

Specialist stonemasons were commissioned from England to restore the old buildings using traditional lime mortar techniques. Photo – Anjie Blair.

The contemporary glass tube joining the brick outbuildings to the rear wing of the original residence can only be seen from the back of the property! Photo – Anjie Blair.

The chance to design a contemporary addition to a heritage homestead on this scale is a rare one in Australia’s smallest state, namely because there’s limited heritage architecture to restore. But even for the architects behind the iconic Pumphouse Point Hotel restoration, the Symmons Plains Estate in the tiny town of Perth 20 kilometres south of Launceston (population just under 3,000!) was a unique proposition.

‘We understood the significance of the building within a broader Tasmanian context and wanted to see it restored,’ says Director of Cumulus Studio and principal architect, Todd Henderson. ‘We spent a lot of time thinking about options for open, contemporary living within a building that is essentially the antithesis of that.’

Georgian homes are typically divided into distinct rooms and recessive spaces, making it difficult to transform them to suit modern, open-plan living. In order to avoid ending up with a mock-heritage ambience, Todd and his team worked closely with Heritage Tasmania and a private heritage consultant on the plans for renewing the vast homestead. Specialist stonemasons were commissioned from England to assist with the exterior work, bringing with them traditional techniques for working with lime mortar.

‘Some of the concrete slabs we removed had used everything from bed spring to bits of old fence as reinforcement, which made it really difficult to chip away,’ recalls Todd of the beginnings of the restoration phase. Taking care to disturb as little of the existing brickwork as possible, structural interventions were kept to a minimum, with the architects opting to update and extend where possible rather than re-build. Clumsy, mid-century add-ons were removed in favour of the underlying heritage spaces they concealed, revitalising forgotten outbuildings previously utilised for storage and farm vehicles as new living zones.

The resulting structure is an exciting hybrid residence which accentuates the contrast between traditional architecture and contemporary design. A series of open glazed boxes connect the rear wing of the original home to the outbuildings, and house contemporary living spaces in the conduit space. While also providing connection to the outdoors, this glass tunnel unites the previously disparate cluster of brick buildings in a single residence. The bespoke steel detailing throughout is particularly notable (that floating staircase!) for its consistency with the functional, utilitarian material palette typical of pre-Federation brick farm buildings.

By opting to update and reactivate existing structures on the site, Cumulus Studio’s designs allow new contemporary insertions to sit cohesively beside the heritage buildings that inspired them. It’s the kind of sympathetic architecture that breathes new life into historical buildings for generations to come!

Discover more projects from Cumulus Studio here.

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123designsrq · 4 years

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FURNITURE DESIGN COLLECTION MAKES BEST IMPRESSION IN YOUR HOME

Here are a few of our favorite winners from the Furniture Design collection class at final year’s A’ Design Award and Competition. Now the purpose of this roundup is twofold. If you’re a fan of furniture layout (either as a layout lover, or as a furniture fashion designer your self), go in advance and bookmark this web page for thought, or upload these pics for your Pinterest by means of clicking the Pin button at the pinnacle left of any image. The second cause is to spark your imagination and get those innovative juices flowing so that one day, you could layout something worthy of a layout award.

Now if you DO have a layout that’s rather new or gathering dirt to your portfolio, leveraging its innovative enchantment to win a design award can truly do wonders for your profession. You’re just in time to send your work over to the A’ Design Awards. The multidisciplinary design award software spans an entire form of categories, starting from the traditional layout disciplines like furniture design collection, interiors, architecture, lighting, customer tech, to more niche areas like social design, differently-abled design, education design, or even jewelry design. The international award software is hosted every year, with a grand interdisciplinary jury of 209 specialists from extraordinary fields. The awards application is currently on the last leg of its 2019-2020 run, and the cut-off date for submitting your paintings is much less than two weeks away! So in case you’ve got your self a super design with a number of potential, go in advance and permit it increase your career and brand! If not, don’t worry! This showcase should provide sufficient innovative fodder to motivate and encourage you! Register to participate inside the A’ Design Awards now! Hurry, that is your final chance to win an A’ Design Award in 2020! Deadline: February 28th, 2020.

01. Lollipop Armchair via Natalia Komarova I couldn’t agree greater with Natalia Komarova’s declaration that thought can actually come from anywhere. The idea for the Lollipop Armchair came to her while she was journeying the Sweet Museum. The chupa-chups furniture design collection shape forms the basis of the armrests and the lower back and seat are made in the shape of conventional candies. The purpose of the chair is to add a splash of playfulness and shade to indoors spaces, and from the looks of the way inviting (and delicious) it seems, I’d say it does a remarkably top job!

02. Lunule Chair by Arsalan Ghadimi In South-Eastern countries, it's far extra commonplace for human beings to take a seat cross-legged on the ground than to take a seat on chairs. Not best is this an integral a part of their culture, however it is supposed to be quite true for the posture too! Drawing thought from the lifestyle of his country, Iranian designer Arsalan Ghadimi created the Lunule Chair. Featuring a wood body with leather-covered cushions, the chair contains the culture of sitting cross-legged. Its circular form gives the right structure to area the decrease half of of our bodies onto, with enough area for our knees and legs as well! The doughnut-like seat flippantly distributes the pressure exerted upon our frame whilst we sit, permitting us to maintain a stable posture. A backrest with a tender foam cushion may be connected to the Lunule Chair, paired up with the already ergonomic shape of the chair, this provides further support to our caudal vertebrae and waist.

03. Symphony Number 7 Art Chair through Ting-Hsian Chen Similar in spirit to the Butterfly Chair with the aid of Eduardo Garcia Campos, the Symphony 7 Chair is inspired via the softness and sweetness of the seventh Symphony by way of Beethoven. The furniture design collection rocking chair is crafted from a pipe frame, and comes with leather-based cushioning, combining comfort, strength, and an incredibly organic skeletal design that makes for a extraordinary silhouette. The chair appears even stunning while paired collectively with every other of its kind, growing a lovely symmetry!

04. Intermodality Desk via Attila Stromajer Inspired by the distinguished position and place of grand pianos in homes, the Intermodality table is just as grand. With a layout that follows the cues of the massive instrument, the desk comes with a similar shape, size, or even features a massive lid that opens sideways, like in a grand piano. Standing on 3 legs, like the musical instrument, the Intermodality desk is crafted from antiqued plywood, and features copper trimmings close to the handles and at the base of the legs, adding a hint of finesse to the desk’s grand layout.

05. Mountain Bench by way of Yi Feng Crafted from character mahogany slats, the Mountain Bench not simplest offers seating, but also provides an detail of artwork to its area. Inspired via the excessive mountains of Chinese paintings, the bench’s undulating backrest certainly does appear like a mountain range. Individual layers of wood deliver the bench intensity too, lending volume to the design while also giving it a tranquil, meditative spirit.

06. Oceania Couch by using Simon Haeser Designed to be what I’d describe as a present day-day take on the Eames Lounge Chair, the Oceania sofa comes with a layout presenting a molded plywood backrest and base, with cushions to offer comfort. Oceania’s smooth strains and flowing curves are designed to embrace and comfort. The visible language of furniture design collection ON the couch attempts to seize the designer’s interpretation of fluidity, stimulated by way of Australia’s beaches.

07. Beel Seat Ware by using Selami Gündüzeri The Beel Chair’s particular biodynamic aesthetic actually takes concept from the part of your frame that rests against it… the spine! Mimicking the form of vertebral bones, connected together via a spinal column, the Beel chair offers cushty sitting and healthy posture, while being flexible, thanks to the backrest’s layout. Designed with the aid of Selami Gündüzeri, the Beel is paying homage to the design aesthetic championed through past due German layout stalwart Luigi Colani.

08. Koron Sofa by means of Reza Salianeh & Hamid Packseresht The Koron Sofa isn’t one to pull away from its proud Persian heritage. Inspired with the aid of the Iranian instrument Taar, the Koron comes with a voluminous design that replicates the Taar’s hollow, bulbous body. The sofa uses a mixture of steel and leather-based to present it its awesome look that makes it appearance visually heavy, however additionally snug, making it a exquisite addition to the very center of present day houses, retail spaces, and places of work with semi-Persian styling.

09. Eget Desk by Adrian Soldado Cid & Paula Terra Bosch Eget’s cutting-edge interpretation of the desk in reality makes it award-worthy. The desk is extra than a mere elevated surface on legs, and Eget’s ability to tie the desk to its user’s behavior lets in it to sincerely be remarkable. The Eget comes with a minimum styling, sticking to easy surfaces and the use of timber, white, and grey. The desk’s ply wraps across the sides to offer storage area within, enough for books, stationery, and even chargers galore. On the pinnacle, the Eget has its own adjustable drafting desk that helps you to set your writing/drawing surface at an angle. Behind it is a panel of felt that acts as a visible partition that still dampens noise and helps you to pin notes to it. Slots at the side of the desk can help you keep more notes, pads, sheets, and pens for brief access, and here’s my favourite part. The table even has its personal committed wireless charging place built in, so you can juice your phone whilst you’re being productive!

10. Shell Sofa through Natalia Komarova With a voluminous but hole frame, the Shell couch is visible, yet visually light. It is, in a strictly physical sense, minimalist (because it’s mainly hole), however visually, the Shell sofa is sort of pillowy, spacious, and a deal with to look at. The sofa is a frame that curves from the left to the again and to the right, with area in between for cushions, or even facet tables if you eliminate the cushions at the extreme ends. It’s visually imposing, however still manages to look mild and airy, thanks to its wickerwork of metallic rods. The interwoven rods additionally create this moire effect that creates a dynamic optical illusion, making the Shell couch’s body incredibly thrilling to appearance at… and whilst we’re on the difficulty of interesting, the couch comes with two small openings at the start and cease of its structure, making it possibly the most pleasing play place for a home cat. Good success getting it out although as soon as it is going inside! Register to take part in the A’ Design Awards now! Hurry, this is your final hazard to win an A’ Design Award in 2020! Deadline: February 28th, 2020. furniture design table furniture design images furniture design sofa furniture design bed furniture design course furniture design for bedroom furniture design online furniture design book Read the full article

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drewebowden66 · 4 years

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Effective Layouts For Super Small Homes Under 30sqm

Super small, all under 30 square metres in fact, these five homes are impressive beyond their measure. Their effective layouts make small living look refined and entirely effortless. Using clever concealing doors, smart space prioritisation, unique storage solutions, plus mindful decor additions (and subtractions) leads to homes that not only rival larger counterparts but beat them hands down in terms of ingenuity. If you have a small space to fill, but don’t want it to appear overfilled, then soak up the originality of this amazing little collection.

Designer: Brad Swartz Photographer: Tom Ferguson The Boneca Apartment was humorously named by its owner for its small size, with Boneca meaning ‘doll’s house’ in Portuguese. The 24 square metre home is actually located in Rushcutters Bay, New South Wales, Australia, and is a studio space equipped with a private alcove bedroom. The original layout has been reconfigured to align the bathroom and kitchen, creating a new flowing small living and dining zone.

A compact dining bench and table set leaves plenty of free space around it, so that the room appears wider.

The small kitchen is predominantly white so that it fades back with the paintwork to increase the sense of space. Just one kitchen shelf cubby is picked out in warming wood tone, which ties the kitchen area in with the wood slatted screen wall that hides away the bedroom.

When opening up the alcove bedroom, the wood slatted screen moves into a new concealing position over the kitchen.

Flipping which side the wood screen covers completely changes the whole nature of the space, from functional daytime to restful cosy nights. The lounge area and bedroom alcove are both oriented to the view and morning light.

A plain white panel door is centred between the bed alcove and the kitchen. This leads to the bathroom.

The walkway to the bathroom is also where the closet is located.

Studio apartment layout.

Designer: Brad Swartz Photographer: Katherine Lu This 27 square metre Darlinghurst apartment, in New South Wales, has been designed to comfortably accommodate a couple. The small space provides an affordable option for inner city living.

The minimalist living room has a bespoke wall of units that meets the homeowners every storage need. White cabinet doors contrast with a jet black kitchen.

A desk flips up below the TV to provide a comfortable home workspace that doesn’t encroach on precious floor space.

One of the floor to ceiling doors slides across to reveal the bedroom.

The bedroom is raised up onto a platform to create plentiful shoe storage in its foundation.

A thin cupboard door reveals a tall tower of wine storage.

The large door on the other end of the cabinet run leads to the small bathroom.

More storage units make use of the headboard wall inside the alcove bedroom.

A recessed shelf negates the need for bulky bedside tables.

Layout.

Visualizer: Obrys This 30 square metre space was designed for a single man. Bright yellow accents pulse high energy bolts through a graphite, black and white backdrop.

The yellow accent living room is earthed by raw timber elements.

A small kitchen peninsula provides an ample eating area for three.

The lounge area is more of a gaming room, with low slung chairs, a prominent TV screen, good sized media unit, and extra wall storage for console accessories.

A chalkboard provides a place for notes, inspiration, humour, and gives the place a sense of personality.

A smooth wooden pendant light drops character into the small home entryway. A splash of dark green complements the natural wood tone.

Diagonally set yellow tiles make up both the kitchen and bathroom vanity backsplashes. The commonality gives the tiny home a sense of flow and connected space.

Green curtains in the living room echo the green feature wall seen in the entryway.

The green wall is in fact an extension of the bedroom.

A beautiful wooden bedroom pendant light dangles by the bed, forming a gorgeous collaboration with a wooden headboard wall and deep green bedroom accents.

Slate tiles give depth to the small bathroom.

The attention grabbing yellow bathroom tiles cross over to form one wall of the shower.

Plants bring in the rich green accent.

A slatted wall loosely divides the sleep space from the lounge.

Visualizer: Domo Visual Our next home has a unique split level living space.

A swing arm wall lamp highlights a small dining area. The open plan bedroom and one wall kitchen have doors that lead directly onto a large terrace. The lounge area is sunken down, like a loose take on a conversation pit.

The outdoor area rivals the home interior on style, comfort and size. A table and modern outdoor chairs make up a large alfresco dining room, whilst a long pergola defines an outdoor lounge room complete with festive lights.

Visualizer: Lia Zavoloka Crisp, clean and very white, our last home is coloured only by natural wood grain. A modern wall sconce burns brightly against pure white paintwork, above a perfectly plain sofa.

A white tiled wall wraps around from the kitchen to envelop a wide supporting wall.

White marble mists across the U-shaped kitchen.

A natural hanging chair makes an easy addition to the room scheme, and keeps the floor looking open and clear. It also forms a screening device of sorts between the living area and the bedroom alcove.

Inside the bathroom, a combination of white tile and white marble fills the walls. An illuminated vanity mirror throws a halo of light onto the ethereal backdrop.

Recommended Reading: 4 Super Tiny Apartments Under 30 Square Meters [Includes Floor Plans] 2 Super Tiny Home Designs Under 30 Square Meters (Includes Floor Plans) 2 Super Small Apartments Under 30 Square Meters (~325 square feet) [Includes Floor Plans]

Super Compact Spaces: A Minimalist Studio Apartment Under 23 Square Meters

IKEA 2012 Catalog

3 Bedroom Apartment/House Plans

Cool Service Alert: A 3D Floor Plan Design Service From Home Designing!

5.7 Billion dollar resort that houses a 55 story high infinity pool

Managing With Less: 3 Small Homes Under 40 Square Meters (430 Square Feet)

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sonderfulrose · 5 years

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id0l-atry · 5 years

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soulshapeslifestyleinteriors · 6 years

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6 Secrets to Styling Small Spaces

Hey there, hope your all well!

Thanks for stopping by!

Some of you may know that my hubby and I have been renovating a little mountain house in the beautiful Dandenong Ranges Melbourne Australia. This gorgeous property sits on the side of a mountain and although cute and cosy, is a little lacking in the square footage department (as a good cottage should ;). During the last year I have really been pushing all of my space maximising ideas and I have been able to implement lots of design rules to open up the space. With so many people now embracing apartment living or the new tiny house culture, I thought I'd share my 6 'Secrets to Styling Small Spaces".

1. Glass Furniture - Glass furniture is my favourite way to take a space from crowded, closed in and dull, to open, airy with a touch of lux. Now it doesnt matter what style your into , you can always work in a couple of key glass pieces. Why does glass open up a space? Think of how your eye views objects, take a moment to look around the room your in now. Find something large and solid, perhaps a bookshelf, dining table, desk. Now notice the space it occupies. now, imagine if you could see through it. Obviously if the piece became transparent, your eyes continue through the object to the wall/objects behind. This creates the illusion of more space. When I’m designing small spaces, replacing one large piece with a glass selection is just a no brainer. It’s such a win win situation in any interior, ✔️yes we have a functional piece, ✖️no we haven’t lost any visual space. Glass furniture, ticks lots of tiny home boxes whilst bringing in a reflective piece that will lift and inject a little high end vibe.

2. Mirrors- Aghhhh I love playing around with mirrors and again, it’s all about creating an illussion of space. What better way to trick the eye into thinking their is more space than to make a wall disappear or open up. If you have a really small space, let’s say a living or dining room, try installing mirror pannels on a full wall or even just a large framed rectangle mirror placed horizontally, at eye level, across the wall. If you do have the funds to get full wall paneling, think about suitable complimentary tints available, then watch your room instantly double in size. Even if you just strategically place a framed wall mirror, (works fantastic opposite a dining area ;) you will magnify light and create the illusion that the room has a window, which again opens up the eye to feel the room is larger/brighter than it is with just a flat opaque wall. Place a beautiful hanging pendant in line with the mirror & watch your space illuminate with a ‘WOW’moment.

3. Wall Mounted Cabintery- Get as much off the floor as possible! Mounting large cumbersome pieces off the floor is a must in a tiny house. Pieces to consider mounting are TV units/bathroom vanities/ bed side tables/fold down dining/change tables/banquet seating or perhaps even a fold down bed. Using all that empty wall space and keeping your floors as free from bulk as possible is a logical , practical way to not only keep the flow & function of a tiny house happy, but again it’s creating that illusion of more space available, less space occupied. When furniture is mounted it allows our view of the floor and wall edge underneath to continue, another trick on the eye that works so so good! If the budget permits, it’s a great opportunity to get some custom pieces built tailored exactly to your space. This is when working with an Interior Designer can be so impactful in getting the absolute most out of your tiny house!

4. Furniture With Feet- using the same rationale as I explained above with mounted cabinetry, furniture with feet creates exactly the same illusion. Furniture that sits directly on the floor will always make a space look smaller. Choose sofas with feet to keep the line of sight continuing beyond the sofa. Your mind may not think the space is bigger but your eyes will fall for the illusion and we all know that we think with our eyes! Chunky bedsides are great in large spaces, but not a great idea in small rooms! Get them off the ground with some sexy cigar legs, contemporary metal, or even just a beautiful typical timber leg. It doesn’t matter your style, just get rid of the bulk! The same goes for Buffett’s/sideboards, the more space your eye can see around the rooms perimeter, the happier they will be!

5. Storage -We all know that in every tiny house, clever with your storage is a 101 must. Choose pieces that have a double purpose and keep it clutter free! Choose beds that have underneath storage or that fold up to the wall and become your wardrobe ( I know cool right!) . Install a bench seat at your entry with shoes storage built in. Create banquette seating with draws underneath. Use your stairs as storage boxes or build in pull out draws. Design a full storage wall that frames your tv and includes entertainment unit, pull out desk and hidden away cupboards + shelving to store files/paperwork/ photo almbums (do people still have those?) If you in a really really tiny house, I have even seen some really clever dining tables that convert into a bed or beds into desks.

6. Colour Choices - Keep your floors and walls in a similar tone. I prefer a white on white situation to really open up the space, but I have seen this done with some light to mid grey tones and also blonde/warm timbers will create a similar effect. Why keep the floors in the same tones as walls? Again it’s that word illusion and in a tiny house , it’s all about illusions. When the walls and floor flow together seamlessly, the eye can’t distinguish when the room ends and the walls begin. When you have two strong contrasting colours, ei. white walls/black floors your basically creating a space that says ‘ hey look at where the floor ends, right there, I’m so frigging small hey’ lol sorry but you get my point. Steer away from using too much heavy, dark coloured furniture & accent pieces. I think if yo do pair your floors and walls in similar tones you can get away with a few black/darker timber pieces in a tiny house, but I feel it’s important to bring in some fresher lighter tones to keep the balance right. Too much contrast between your furniture and walls again starts to create that ‘hey look how small I am’ feeling because your really seeing those walls end against the heavy furniture. Lighter pieces soften the space and don’t highlight things we don’t want to highlight, like the space perimeter. The eye is an amazing part of the human body, but at the end of the day, it is a little silly so we can maximise our experience in a tiny house buy taking advantage of the eyes ability to believe pretty much most of what it sees. Try some of these styling illusions yourself and let me know how you go! If you have any more you want to add for others feel free to below. I could stay here all day and list everything but I need to go get away from my desk for a bit and have a walk! So feel free to help us out with your own suggestions below.

Enjoy your weekend everyone and if your shopping around for some pieces for your tiny house or your large house ;) Be sure to come and check out my store http://www.soulmarkethome.com.au.

We have some beautiful light , fresh pieces perfect for small spaces. We also have our super popular Moonstone Dining table, a compact glass dining table that our tiny house clients love!

Oh and one more thing, we now have AFTERPAY which is a super convenient interest free payment option that we are so excited to be able to offer to you all!

Thanks all

Mxx

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juliandmouton30 · 7 years

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Branch Studio uses rammed earth to build Melbourne house extension

This moody Melbourne house extension by local studio Branch Studio Architects features dark rammed-charcoal walls, window nooks and an outdoor bathtub.

Branch Studio Architects was asked to extend an existing house for a couple to create a master suite with a bedroom, an en-suite bathroom and extra storage space.

The 1990s house "posed little architectural significance and interacted poorly with its context", according to the architects, who decided to design the extension as a separate structure that links to the original structure via a corridor.

"The strategy for dealing with the existing building was for the additions to be 'semi-detached' from the existing residence, this creates a separation from the main house," explained the architects.

"It gives the pavilion its own identity amongst the landscape, while also providing the private spaces contained within 'room to breathe' and a sense of calm, intimacy away from the large open plan family home."

The 85-square-metre rectilinear volume has been positioned to slot between existing large trees on the site. The structure named A Pavilion in the Trees was then manipulated to make the most of the surroundings.

The glazed wall at the western end of the extension is angled to offer a view through a large clearing between the trees, while two extruded windows on the pavilion's northern and southern walls extend out towards the trees, providing window seats inside.

The dark material palette of charcoal, timber panelling and steel is intended to weather and patina over time so that the structure further blends in with its surroundings.

These materials are also left exposed inside the pavilion, where they are accompanied by bluestone tiles in the bathrooms, and concrete and steel joinery. The stripped-back palette is intended to help reflect the time of day.

"The discrete, earthly approach to the lighting also allows the tones and textures of the individual materials to reflect the ambience of the current external climate at any given time," said the architects.

"A moody grey day outside will impart those connotations over the internal spaces," they continued. "Alternatively, a bright, sunny day will cast dappled light across the spaces through the tree canopies above."

The spaces inside the extension are arranged in a linear plan, leading from the en-suite, through the dressing rooms, and ending with the master bedroom. Rather than walls, the architects used subtle variations in floor level to delineate the different areas.

A walkway leads from the main house to the new en-suite bathroom, which includes indoor and outdoor washing areas separated by large folding glass doors. The outdoor space is shielded by a half-height rammed-earth wall topped with a steel mesh screen to provide privacy, while still allowing views of the treetops and sky.

Behind the bathroom, a central wooden wardrobe divides the dressing room into his-and-hers spaces named Adrian's robe and Georgina's robe respectively.

Georgina's robe features built-in seating made out of silver birch. This wooden bench wraps the wall and also functions as a dressing area.

On the other side, in Adrian's Robe, daylight filters in through a narrow clerestory window that runs above the wardrobes to provide glimpses of the tree canopy.

The rear wall of the central wardrobe, described by the architects as a "joinery forest", forms the headboard for the master bed.

Built-in cabinets, including a day bed and bench seating wrap the bedroom and sliding glazed doors open up to the outdoor space.

"The connection to the trees from the bedroom is more about being amongst the branches than beneath them and this is most apparent when standing in the large suspended window box or sitting at the very point of the space," said the architects.

"Where the full height 'cut end' glazing slides open to the outdoors as you hang well above the ground and gaze towards the greenery beyond."

Other residential projects by Branch Studio include revamped 1960s house in suburban Melbourne and a lakeside cabin clad in corrugated iron.

Woven metal-mesh curtain wraps Melbourne house extension designed by Matt Gibson

Photography is by Peter Clarke.

Project credits:

Architect: Branch Studio Architects Project team: Nicholas Russo, Simon Dinh, Rowena Henry Builder: Martin Builders Structural engineer: WSP Consulting Engineers

The post Branch Studio uses rammed earth to build Melbourne house extension appeared first on Dezeen.

from ifttt-furniture https://www.dezeen.com/2017/08/07/branch-studio-rammed-earth-charcoal-walls-architecture-a-pavilion-in-the-trees-extension-melbourne-australia/

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123designsrq · 4 years

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FURNITURE DESIGN COLLECTION MAKES BEST IMPRESSION IN YOUR HOME

02. Lunule Chair by Arsalan Ghadimi In South-Eastern countries, it's far extra commonplace for human beings to take a seat cross-legged on the ground than to take a seat on chairs. Not best is this an integral a part of their culture, however it is supposed to be quite true for the posture too! Drawing thought from the lifestyle of his country, Iranian designer Arsalan Ghadimi created the Lunule Chair. Featuring a wood body with leather-covered cushions, the chair contains the culture of sitting cross-legged. Its circular form gives the right structure to area the decrease half of of our bodies onto, with enough area for our knees and legs as well! The doughnut-like seat flippantly distributes the pressure exerted upon our frame whilst we sit, permitting us to maintain a stable posture. A backrest with a tender foam cushion may be connected to the Lunule Chair, paired up with the already ergonomic shape of the chair, this��provides further support to our caudal vertebrae and waist.

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123designsrq · 4 years

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FURNITURE DESIGN COLLECTION MAKES BEST IMPRESSION IN YOUR HOME