I chose to write on the concept of ‘Derive’ and ‘Psychogeography.’ Derive is the French word for ‘drift,’ meaning to make an “unplanned journey through a landscape.” (McDonough, 2004) This is usually done in an urban setting. Participants of the derive usually don’t focus on the direction in which they’re going or their destination. They “stop focusing on their everyday relations to their social environment.” Derive is linked with “psychogeography,’ which involves the observation of a city’s terrain and how geographical location can affect ‘the emotion and behaviour of individuals.” (Tate, n.d.) It is described as “the intersection of psychology and geography” and how “psychological experiences of the city illuminates forgotten aspects of the human environment.” (Lyons, 2017)
The Derive was an idea developed by the Letterist International, a group of radical artists that were prominent in the 1950s. Guy Debord was the member who publicly introduced the concept in his book ‘Theory of the Derive’ which was written in 1956. Writer and psychogeogrpaher Wilfried Hou Je Bek wrote “psychogeography is the fact that you have an opinion about a space the moment you step into it.” (O’Rourke, 2021) Psychogeographers “advocate the art of becoming lost in the city” which is done through the derive.
This concept is linked to Modernity because in derives, people can observe changes in cities as they are always changing. New buildings are being built or gentrified. In relation to the derive and its link with modernity, there is the relevant term called The ‘Flaneur.’ This is another French word for ‘stroller’ or ‘wanderer’. ‘Flaneur’ is represented as a man and is an “ambivalent figure of urban affluence and modernity.” This depicts the ability to wander around detached from society, the only purpose is to be an “acute observer of industrialised, contemporary life.” According to Bijan Stephen in his 2013 Paris Review article, Bijan Stephen had stated that the use of the Flaneur “is a vehicle for the examination of the conditions of modernity.” (Stephen, 2013)
This concept interests me because I also like to observe my surroundings when I’m outdoors. I always connect to my senses and let myself feel when I’m walking through the city, especially in the evenings where the ambience feels stronger. For my project, I’m personally going on derives in places in the city I find myself in and recording it in videos and photography.
An example of this topic in visual culture is Dustin Yellin's series called 'Psychogeographies.' This series is a collection of "fantastical colages encased within layers of glass." (Mitchell, 2015) They are presented uniquely in life-size humanoid figures. They are pieced together with drawings, paintings and magazine clippings that are stacked between glass planes. Psychogeography is described to be a "toy-box full of inventive stategies for exploring cities." (Waldman, 2014) For Yellin, his toy box is "full of everything he finds on the street - flowers, leaves, bugs, and even dead rats," which he also uses for his thee-dimensional collages sealed in resin.
Reference List
Lyons, S (2017) ‘Psychogeography: a way to delve into the soul of a city’. The conversation, Available at: Psychogeography: a way to delve into the soul of a city (theconversation.com)
Mcdonough, T (2004) ‘Guy Debord and the Situationist International: Texts and Documents, Boston, October Press
Mitchell, K (2015) 'Three Dimensrional Human Collages Encased in Layers of Glass', My Modern Met, Available at: Three-Dimensional Human Collages Encased in Layers of Glass (mymodernmet.com)
O’Rourke, K (2021) ‘Psychogeography: A Purposeful Drift Through the City,’ The Mit Press Reader
Stephen, B (2013) ‘In Praise of the Flaneur’, The Paris Review
Walman, J (2014) 'Psychogeographies: 3D Collages Encased in Layers of Glass by Dustin Yellin' Colossal, Available at: Psychogeographies: 3D Collages Encased in Layers of Glass by Dustin Yellin — Colossal (thisiscolossal.com)
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L'artiste culte Andrea Olson est sur le point de sortir son nouvel album, "This Good", co-écrit avec des auteurs-compositeurs acclamés tels que Meredith Andrews, Chris Clayton, Melanie Waldman, Matt Armstrong, Justin Tweito, McKendree Tucker et Dustin Smith, aujourd'hui !
Le but de cet album est de fournir un SELAH, ou une occasion de faire une pause en sa présence, pour tous ceux qui écoutent.
Du début à la fin, c'est un voyage qui vous donne le temps de vous asseoir, de vous imprégner de sa présence et d'écouter. La vie est plus rapide que jamais et nous devons être honnêtes avec nous-mêmes sur la fréquence à laquelle nous prenons réellement le temps de rester immobiles.
"Je prie pour que sa présence imprègne chaque mot de cet album et vous submerge comme une cascade rafraîchissante, vous rappelant qu'il EST si bon. Il veut être près de vous, vous rafraîchir et vous ressourcer. Pour vous donner la révélation et l'espoir pour les jours à venir. -Andréa
"Je n'ai pas à craindre le silence c'est là que tu dévoiles ta gentillesse,
Je ne savais pas que tu pouvais être aussi bon"
Cet album est un appel à prendre le temps de s'arrêter en sa présence et de s'attarder sur la bonté de notre Dieu incroyable. Écoutez aujourd'hui !
Chansons des albums :
Quel Dieu tu es, je chanterai Bon Pasteur Ce bon Roi de tous les rois Assurance bénie Pause en sa présence (Selah)
La poste Andrea Olson sort son album "This Good" est apparu en premier sur TCA.
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Auteur : Jessie Clarks
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(traduction de l'anglais vers le français par Google translate / Pour suggérer une correction, écrivez-nous via la page contact. Merci)
Worship artist Andrea Olson is set to release her newest album, “This Good” co-written with acclaimed song writers such as Meredith Andrews, Chris Clayton, Melanie Waldman, Matt Armstrong, Justin Tweito, McKendree Tucker and Dustin Smith, today!
The purpose of this album is to provide a SELAH, or an opportunity to pause in His presence, for all who listen.
From start to finish, it’s a journey that gives you time to sit, soak in His presence and listen. Life is faster paced than ever, and we have to be honest with ourselves about how often we actually take the time to be still.
“I pray that His presence permeates every word of this album and washes over you like a refreshing waterfall, reminding you that He IS this good. He wants to be near to you, to refresh and refill you. To give you revelation and hope for the days to come.” -Andrea
“I don’t have to fear the silence it’s where you unveil your kindness,
I never knew you could be this good”
This album is a call to take time to pause in His presence and dwell on the goodness of our amazing God. Listen today!
https://open.spotify.com/album/3NiyOX4qAlG7Zj3qhJCgUN?si=f79888d0eb5c43c5
Read the full article
Faya Dayi by #JessicaBeshir, "gives a deep sense of having traveled to this place and experienced its hypnotic atmosphere", Today's review on MyOldAddiction.com
JESSICA BESHIR
Bil’s rating (out of 5): BBBB
Ethiopia/USA/Qatar, 2021. Doha Film Institute, Flies Collective, Ford Foundation – Just Films, Merkhana Films, Neon Heart Productions, The Jerome Foundation, The Open Society Foundation, XTR. Screenplay by Jessica Beshir. Cinematography by Jessica Beshir. Produced by Jessica Beshir. Music by Adrian Aniol, William Basinski, Kaethe Hostetter. Film…
Part 10 of the collaborative series in which every day, for two weeks, I post a scene of your choice.
10/14
Leave my man alone - Murder and Mozzarella (S3E03)
Requested by Chris Waldman Wagner
Phryne is in love and she has become aware of it quite recently. But along with this wonderful and thrilling feeling came the green-eyed monster. Thankfully, she doesn't do jealousy, so she doesn't feel sorry for herself, and, instead, she quickly snaps out of it and focuses on getting her man back.
SMALL BLACK - Boy's Life from Nick Bentgen on Vimeo.
Small Black - "Boys Life" from Best Blues out October 16, 2015 on Jagjaguwar.
Pre-Order:
Jagjaguwar/direct - smarturl.it/smallblack_ind
iTunes - smarturl.it/smallblack_it
Amazon - smarturl.it/smallblack_amz
your local record store - smarturl.it/smallblack_ind
with
Brianna Handal
Alexa Dworak
Davian Gibson
Frank Iacovo
Tristan Reynolds
Justin Bullock
Marco
Vanessa Lasky & Friends
Sean Devaney
Annalise Lockhart
Jennifer May Reiland
Spencer Showalter
Cinematographer: Sam Wootton
Production Designer: April Lasky
Wardrobe Stylist: Jaclyn McCoubrey
Editor: Dustin Waldman
Visual Effects: Dan Anthony Kelly
Colorist: Sam Daley
Wardrobe Asst: Jenel Cota
Camera Assistants: Kyle Casey, Ryan Struck
Grip: William James Clower
Electric: Gabe C. Elder
Production Assistants:
Molly Walker
Avery Regen
Thanks:
Ghost Robot
Becky & Barry Greenberg
Little Zelda Cafe
Technicolor
Zack Dana
Ryan Maas
Nicole Bonifacio
Polina Ionina
Miles Ogorzalek
Charlotte Royer
Eno Freedman Brodmann
Chris Foster
Carlos Zozaya
Greta Zozula
Atlantic Release: http://bit.ly/2J0YyMD Featuring: Earl & Catherine Whitehead, Rex & Vae Hudgins, Jay & Kay Rutherford, Willie Lee Russel, Susan Hammond Director: Spencer Creigh and Bobby Moser Producer: Rich Salamone Cinematographer: Norm Li, csc 1st AC: Ben Steen Associate Producer: Hayley Park Sound: Jackie! Zhou Colorist: Matt Osborne - The Mill Executive Producer: Jerad Anderson Head of Creative Development: Colin Moore Head of Production: Matt Griffo Head of Finance: Natasha Seubert Production Coordinator: Brendan Varni Production Company: Whitelist Special Thanks: Sue, Patsy, Panavision Dallas, Liza Kerlin, Laurel Thomson, Ben Mullinkosson, Mishka Kornai, Anthony Pham, Dustin Lane, John Merizalde, Michael Barth, Kauai Molterno, Kelsey Laroche, Pasqual Gutierrez, Dan Carr, Scotty Moser, Zaldy Lopez, Cameron Dutra, Sam Price-Waldman, Luke Orlando, Film House Vancouver, MELS
Presidents Cup results 2017: USA dominating Internationals again
The International team could not afford to lose Friday's Four-ball session. They had to stay close. Instead, it went the other way and this Presidents Cup has turned into a US rout.
The Presidents Cup is over. The United States will improve to 10-1-1 in what may become the most uncompetitive edition in the already uncompetitive history of this international match play event.
Friday's Four-ball session was a must-win for the International team after the US took 3.5 of a possible five points from Thursday's Foursomes. Hell, they didn't even need to win the session. But they had to at least split it — get 2.5 points. They just could not let the two-point margin widen, especially in a format, Four-ball, where they have held their own and been even slightly better than the Americans in recent years.
What occurred was not that. The Friday Four-ball was almost a full American wipeout, with the margin growing to a massive 8-2. Sure, that's just 10 of the 30 points in this competition decided, but that six-point margin is insurmountable in a match play event like this. It will take a total miracle from an International team that was already overwhelming underdogs before a ball was struck. We're now seeing why the Americans were such heavy favorites, as they've completely overmatched the Internationals in both formats over two days.
It's been such a rout that the US even has a chance, albeit slim, to get the requisite amount of points to win the cup on Saturday. They would need to win 7.5 of the 8 points in that double session, which is highly unlikely, but they way they're rolling now, it's not impossible. It would render Sunday's 12 singles matches moot and maybe get the PGA Tour out of the sticky predicament of hosting President Donald Trump, who is reported to be attending Sunday's matches (the Marine One choppers running practice landings at this Jersey harbor venue late on Friday would seem to be a strong indication that the Pres will be coming).
We don't need to go through the blow-by-blow of a blowout. The US rolled and could have won all five, if a Jordan Spieth putt had juuust fallen in the edge of the cup on the 18th. Instead, that Spieth and Reed duo had to settle for a half point.
Best Celebration
The best celebration came from the American team of Charley Hoffman and Kevin Chappell, who rode the bench on Thursday. They were obviously fired up to get in and play in what is their first ever team event, Ryder or Presidents Cup. And the two had an awesome celebration ready for their debut in a match they dominated from the very first hole. They went to a bash brothers maneuver and then won by a massive 6&5 margin to get the first point of the day.
As I was walking from the 14th green to the 15th tee, I overheard Amy Mickelson chatting with Chappell and Hoffman's caddies, Joe Greiner and Brett Waldman, as they got a ride in with the bags after already clinching their point. The caddies and Amy were beaming and could not stop talking about "how fun this is," and that they thought Kisner had it on the 14th green, where a bomb of a putt from off the green hit the cup and rolled out. The loopers then said "we know they got something planned."
After hearing that, I could not wait to see what was coming and was just hoping that the Mickelson-Kisner duo would do something to either win a hole in a big way or clinch their match. Then we got it on the 18th hole, where Phil rolled in a birdie that won the final point of the day to push it to 8-2.
Tiger is fist-pumping for Phil birdies.
The USA leads 8-2.
Welcome to the #PresidentsCup http://pic.twitter.com/e6ZrUYyywO
— Golf Channel (@GolfChannel) September 29, 2017
After the round, Phil copped that "I can't dance and I can't take a selfie but I can putt." It was bad, hilariously bad, but a fun way to end the day. Tiger's fist in the air in victory was pretty freaking cool too in the background.
Best Shot
The best shot I saw all day was Justin Thomas' hole-out from the bunker at the 14th hole, which is the 18th for the usual layout here at Liberty National. Thomas short-sided himself in a bunker, but got out of the trouble by just holing out from the sand. And as he always does, Thomas put a little sauce on it with his hand in the air with the ball several feet from the hole and still sloping towards the cup.
Have. A. Day. @JustinThomas34 from the sand to the bottom of the cup #PresidentsCup http://pic.twitter.com/YjdxMgNU9O
— Golf Channel (@GolfChannel) September 29, 2017
Moments later, both Jason Day and Mickelson tried to do the same, with even Phil asking his caddie brother to pull the flag because he was planning on putting it right at the hole. But only JT pulled it off and it was just one great shot in match where they took out the previously undefeated South African duo of Branden Grace and Louis Oosthuizen.
Worst Shot
Not to pick on him, but International captain's pick Anirban Lahiri came off the bench on Friday for his first match. And from the very first tee box, he and Charl Schwartzel looked out of it. Lahiri's tee shot at No. 1 was a hard, hard yank right into the water. That set the tone for an easy Chappell and Hoffman win that ended on the 13th green.
Here are your final results from Friday's Four-ball:
Session 2 — Five Four-ball Matches, USA wins 4.5 to .5, leads 8-2 overall
INTL Hideki Matsuyama/Adam Hadwin vs. USA Jordan Spieth/Patrick Reed, Halved
INTL Louis Oosthuizen/Branden Grace vs. USA Rickie Fowler/Justin Thomas, USA wins, 3&2
INTL Jason Day/Marc Leishman vs. USA Kevin Kisner/Phil Mickelson, USA wins, 1 up
INTL Charl Schwartzel/Anirban Lahiri vs. USA Kevin Chappell/Charley Hoffman, USA Wins, 6&5
INTL Adam Scott/Jhonattan Vegas vs. USA Dustin Johnson/Brooks Koepka, USA Wins, 3&2
Thursday's Session 1 — Five Foursomes Matches — USA leads 3.5-1.5
INTL Hideki Matsuyama/Charl Schwartzel vs. USA Rickie Fowler/Justin Thomas — USA wins, 6&4
INTL Adam Scott/Jhonattan Vegas vs. USA Dustin Johnson/Matt Kuchar -- USA wins, 1 up
INTL Si Woo Kim/Emiliano Grillo vs. USA Jordan Spieth/Patrick Reed — USA wins, 5&4
INTL Louis Oosthuizen/Branden Grace vs. USA Daniel Berger/Brooks Koepka — International wins, 3&1
INTL Jason Day/Marc Leishman vs. USA Kevin Kisner/Phil Mickelson — Halved
New York Yankees' Clint Frazier presents David Robertson No. thirty, can take No. 77
New Post has been published on https://othersportsnews.com/new-york-yankees-clint-frazier-presents-david-robertson-no-thirty-can-take-no-77/
New York Yankees' Clint Frazier presents David Robertson No. thirty, can take No. 77
MINNEAPOLIS — Clint Frazier has denied the report that he at any time asked the New York Yankees to unretire Corridor of Famer Mickey Mantle’s No. seven jersey, but he has now doubled down with No. 77.
The Yankees traded for third baseman Todd Frazier and relievers David Robertson and Tommy Kahnle on Tuesday evening, sending the White Sox four gamers in return, which include 2016 first-rounder Blake Rutherford.
The young Yankees outfielder is supplying up the range he did have, No. thirty, to David Robertson, who wore the digits in the course of his first stint with the Yankees, since, he stated, it is really the suitable thing to do.
Robertson was obtained Tuesday alongside with electrical power-hitting infielder Todd Frazier (no relation) and reliever Tommy Kahnle from the Chicago White Sox in trade for reliever Tyler Clippard and three potential customers.
“I have been below like five minutes,” Frazier stated.
Frazier, 22, stated he did not take No. 77 since of Mantle, but he did want a range with 7 it. He had not beforehand worn No. seven at any level.
Clint Frazier has been a good addition to the Yankees offense. Brad Penner-Usa Today Athletics
“I wished a range with 7 in it,” Frazier stated. “You can find not lots of quantities readily available, and [Aaron] Decide wears 99, so possibly go with one thing like 77 and hope someone else picks 88 in the outfield.”
Earlier in the season, a WFAN radio report claimed that Frazier asked if the Yankees at any time unretired quantities since he wished No. seven. The story was later on retracted, and the Yankees’ analyst, Suzyn Waldman, apologized to Frazier.
Frazier stated there is no significance as to why he would like No. seven.
“None,” Frazier stated. “I have never worn a single-digit 7. I have worn 17. I wore seventy five in spring training.”
Fellow outfield prospect Dustin Fowler wore 77, and Frazier stated he appreciated the way it seemed.
Through spring training, Frazier produced headlines since the length of his crimson curls flirted with violating the team’s policy on hair. Yankees manager Joe Girardi finally advised Frazier shave it all off, and Frazier did.
Frazier entered Wednesday batting .279 with three house runs and 8 RBIs in twelve game titles.
SMALL BLACK - Boy's Life from Nick Bentgen on Vimeo.
Small Black - "Boys Life" from Best Blues out October 16, 2015 on Jagjaguwar.
Pre-Order:
Jagjaguwar/direct - smarturl.it/smallblack_ind
iTunes - smarturl.it/smallblack_it
Amazon - smarturl.it/smallblack_amz
your local record store - smarturl.it/smallblack_ind
with
Brianna Handal
Alexa Dworak
Davian Gibson
Frank Iacovo
Tristan Reynolds
Justin Bullock
Marco
Vanessa Lasky & Friends
Sean Devaney
Annalise Lockhart
Jennifer May Reiland
Spencer Showalter
Cinematographer: Sam Wootton
Production Designer: April Lasky
Wardrobe Stylist: Jaclyn McCoubrey
Editor: Dustin Waldman
Visual Effects: Dan Anthony Kelly
Colorist: Sam Daley
Wardrobe Asst: Jenel Cota
Camera Assistants: Kyle Casey, Ryan Struck
Grip: William James Clower
Electric: Gabe C. Elder
Production Assistants:
Molly Walker
Avery Regen
Thanks:
Ghost Robot
Becky & Barry Greenberg
Little Zelda Cafe
Technicolor
Zack Dana
Ryan Maas
Nicole Bonifacio
Polina Ionina
Miles Ogorzalek
Charlotte Royer
Eno Freedman Brodmann
Chris Foster
Carlos Zozaya
Greta Zozula
It’s a beautiful moment, akin to watching a baby take his first few steps, forever harnessing a powerful human mechanism. Congo could literally only understand what he had done to others by viewing the act take place through the power of cinema, by ingesting it through the medium he valued most. This film is a testament to the sheer, unbridled power of cinema and is, in a certain way, the picture of the ideal filmmakers: narrowly focused, greatly awed by the power of movies, and deeply human.
The Rumpus Review of The Act of Killing by Dustin Waldman.