#Dennaton Games

[wonder-waffle93]

"MAN, THIS PARTY STINKS. I FUCKING HATE THESE PEOPLE."

#wonderwaffleart #hotline miami #hotline miami 2 #hotline miami 2 tony #hotline miami jacket #hotlinemiami #devolver digital #dennaton games #digital art #mask #tigermask #tony the tiger #hotline miami fanart

[fancypantsrecords]

Various Artists - Hotline Miami 1 & 2: The Complete Collection | Laced Records | 2023 | Teal Marbled

#hotline miami #hotline miami 2: wrong number #laced records #vinyl #colored vinyl #lp #music #records #record collection #vgm #video game music #soundtrack #dennaton games #devolver digital #-izma- #el huervo #perturbator #carpenter brut #scattle #m.o.o.n

[sun-citadel]

`` Do you like hurting other people? ``

[ prints available | bloodless below ]

#after literally like 2 years i finally finish my sketch from 2020 #artists on tumblr #nobody artist club #hotline miami jacket #hotline miami #Dennaton Games #jacket fan art #jacket #retro #retro aesthetic #vaporart #vaporwave #vaporwave aesthetic #vaporwave art #80s aesthetic #cityline #blood #videogames #video games #under 1k gang #hlm fanart #hlm jacket

[mvc2]

Hotline Miami 2: Wrong Number

#hotline maimi 2 #hotline miami #devolver digital #dennaton games #schtgr

[lilafeuer]

The Son from Hotline Miami 2: Wrong Number Artist: Deimos Art (ArtStation)

#hotline miami #hotline miami 2 #the son #the son hotline miami #dennaton games #art

[bestgamedeveloper]

Round 1

#dennaton games #rockstar games #tumblr tournament

[z2z-gaming-and-random-art-ai]

Hotline Miami 2 Wrong Number Back Cover to AI Art

Older video games were notorious for back cover descriptions that have nothing to do with the game so lets see what a text to image generator makes of these descriptions. 

Some descriptions have had to be cut down slightly due to text length limits but the overall sentence structure has been maintain as much as possible. 

Not a back cover description for this one but the Steam description. Hotline Miami 2 Wrong Number is the sequel to 2012s Hotline Miami and is a fast paced top down shooter Hotline Miami 2 Wrong Number was developed by Dennaton Games and published by Devolver Digital.

#youtube #ai art #ai artwork #ai #digital art #video games #2010s games #hotline maimi 2 #hotline miami 2 wrong number #dennaton games #devolver digital

[thefreecheese]

The Free Cheese Episode 476: Hotline Miami

The Free Cheese Episode 476: Hotline Miami

This week on The Free Cheese, get on your mask and kill.  On its tenth anniversary, we’re revisiting Dennaton Games’ Hotline Miami and ranking it on The List. Does the blood-soaked, neon glow of a ten year old indie hit still punch as hard? Tune in to find out. Reviews After the release of the PlayStation Vita and the swift adoption of the platform by independent developers, I quickly found…

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#dennaton games #devolver digital #drive #hotline miami #hotline miami 2 #indie games #ps vita

[tono3459]

Yknow fun fact on the console ports of hotline Miami, well at least the switch port, you can actually get a cow mask like your oc, what the mama does is just make the screen black and white except for the blood, oh and you find it in the metro level in hlm one

WHAT??? NO ONE TOLD ME THIS

#my oc becomes real? #yeah me n dennaton games just collabed #hope u guys enjoy mr cow! #hlm #random #buying a switch just to see my guy (no.) #doodles

[creaman]

Hotline Miami in my fucking head again !

#IT PECKS AWAY AT MY MIND #I don't fucking know I miss beard #san fransisco 1986. it shouldve been me #hotline miami #thanks dennaton ! I am empty inside #I really fucking like this game lmao #creaman talks to drywall

[thenightsong]

Hotline Miami 2 (2015) dev. Dennaton Games, Abstraction

#hotline miami #hotline miami 2 #hotminemiamiedit #pixeledit #gamingedit #videogameedit #my edit #h1 and h2 have a special place in my heart

[wonder-waffle93]

Flashing colors Warning:

KILLING PUNCHES, NO WEAPONS

#wonderwaffleart #tony the tiger #hotline miami fanart #hotline miami jacket #hotline miami 2 #hotline miami 2 tony #hlm fanart #hlm2 #hlm #blizzard #light club #video #animation #devolver digital #dennaton games

[madasaitama]

biker sprite edits, by urs truly!!!

feel free to use them for personal stuff (icons, edits, etc.) just as long as you credit dennaton games for the original and me for the sprite edit!!!

#hotline miami #hlm #biker #biker hlm #biker hotline miami #pixel art #edit #sprite edit #hehe

[saltyspitoonz]

I hate and love how dennaton added a houston mask in hotline miami 2 but cut it out of the game cause it didn't fit, they should have made the son's bank robbery level have this mask hidden as like an Easter egg BUT WHAT EVER I GUESS

[mvc2]

Hotline Miami

#hotline miami #devolver digital #dennaton games #schtgr

[innovacancy]

Perturbator Irving Plaza, New York City, NY 4 September 2022 (click below or scroll down for article)

Like many others, I became aware of the music of Perturbator – French musician James Kent – through the release of a video game entitled Hotline Miami in 2012. Completely unique and possessed of a very particular brand of psychedelic and ultraviolent visuals, the game needed a soundtrack to match both its shifting neon vibe and nihilistic intensity. Developers Dennaton Games ultimately tapped Kent and a handful of other synth-forward artists to soundtrack their masterpiece in the making.  Hotline’s viral success catapulted names like Perturbator, Carpenter Brut, and M|O|O|N to near-immediate global recognition, and the sequel brought back the soundtrack crew and others on top.  The game had very specific musical needs to match the looping, constantly-resetting nature of the game as the player character died hundreds of grisly deaths only to press R and go again. Perturbator has a great deal of music that fits in this niche, something that might be categorized as “outrun” – a sub-genre of synthwave, itself is a sub-genre of electronica at large.  But as would be discovered by new inductees who delved deeper, the Perturbator oeuvre goes well beyond what was featured in any game, and Kent’s discography is a multi-leveled journey of its own to explore, bringing live drums and a wide-ranging setlist on tour as part of the Heaven and Hell Tour with oft-collaborators HEALTH.

Kent’s latest as Perturbator, Lustful Sacraments, seems him push the boundaries of what a Perturbator album can be even wider than they were before, entering and exploring new soundscapes. Tracks like ‘Dethroned Under a Funeral Haze’ make ample use of a cavernous dynamic range, as enthralling when scant notes are left to reverberate around the space as they are when the pace picks back up, and promptly ascends to the point where a note shakes the room and a chord rattles the ballroom down to its foundations. Drummer Dylan Hyard, seated at a kit machined in the style of jet engine turbines, provides the crashing percussion that pairs so well with synths – ethereal or darkly churning – from Kent, who also occasionally switches to a guitar on some songs, adding even more weight, a toolkit suited to the task of blending gothic scale and synthwave speed.  Perturbator’s music thematically exists at this confluence of influences both biblical and dystopian, with titles and album art frequently evoking the marriage of cyberpunk futurism with the equally apocalyptic portents of sin and the end of days.

Oftentimes Kent will lean out over the front of his forward synth rig (he’s got one to his left as well) and extend an arm like a gladiator, motioning toward the crowd. When the crowd-surfers start coming, his open hand or fist more commonly becomes a pointed finger, sweeping across the room beckoning more people to make the journey forward on the outstretched hands of their musical compatriots. At the conclusion of songs that find him on guitar, he’ll often toss out his pentagram-emblazoned pick into the crowd, from a toothlike row of them mounted on the front of his station.  All the while, his microphone glows a spectral red from within.

In the final moments of the night, the duo reemerge from backstage after a short break with an additional silhouette in tow: Jake Duzsik of HEALTH. The projects have collaborated on two tracks together thus far: ‘Excess’ and ‘Body/Prison’, both featuring on HEALTH’s DISCO album series which began as a label for remix albums but has more recently expanded to include albums that are nearly all active collaborations as opposed to reworkings.  The collaborative spirit within this genre of music – whichever portmanteau of -dark-, -synth-, and/or -wave you use not really being too material in the end – is extremely inspiring: Perturbator has previously collabed with Hotline alum Carpenter Brut, and in 2022 Kent worked with Johannes Persson of Cult of Luna to release a joint effort under the name Final Light. For their part, HEALTH earlier in the night brought out Leo Ashline of tour opener Street Sects to perform ‘The Joy of Sect’, the track they made together for the second half of the sizable DISCO4. In sum, the night reflected how cross-pollination of ideas and smashing genres and sounds together like the large hadron collider is only ever beneficial – at least when there’s such an array of talent on board; and the ensuing performance of ‘Body/Prison’ that closes the night is a living testament to that as well Check out more photos from this show at Irving Plaza here: HEALTH Street Sects

#perturbator