#Dance Company Theater Osnabrück

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova  

#francesco vecchione #Dance Company Theater Osnabrück #italian ballet dancers #ballerino #dancer #danseur #bailarín #ballet men boys of ballet #ballet men #varvara kandaurova

[nationaltaichungtheater]

The Photographer Mixed Media in Three Parts by Philip Glass and Rob Malasch

@Piero Chiussi

The focus of t h i s production is English photographer Eadweard Muybridge(1830-1904). His passion for photography led to advances in motion studies. That passion spilled over into real life, when, in 1874, he murdered his wife's lover, but was acquitted.The original production premiered in the Netherlands in 1982, during which drama, music,  images and dance were introduced in succession over three acts. Through drama and dance the story of Muybridge's crime and subsequent acquittal was told, accompanied by slides of his works and music composed by Philip Glass. Rob Malasch was later called on to rewrite the script. Ensemble KNM Berlin reworked The Photographer, premiering its version at the Museum for Photography Berlin in 2014. Choreographer SUN Shang-chi was invited to create an integrated play and dance piece. In real-time processed films of Muybridge's motion studies replace the static slides, while the music of Philip Glass remains a feature.

@Piero Chiussi

Philip Glass/ Composer Philip Glass is considered one of the most influential composers of the late 20th century. In the early 1960s, he studied with the legendary Nadia Boulanger and worked closely with the sitar virtuoso Ravi Shankar. In 1967, he formed the Philip Glass Ensemble in New York. He still performs on keyboards as part of this ensemble. By 1974, Glass had completed a number of innovative projects, amassing a large collection of new music for his Ensemble and the Mabou Mines Theater Company. This period culminated in Music in Twelve Parts , and the landmark opera, Einstein on the Beach , for which he collaborated with Robert Wilson. Since Einstein, Glass has expanded his repertoire to include music for opera, dance, theater, chamber ensemble, orchestra, and film. His scores have received Academy Award nominations (Kundun, The Hours, Notes on a Scandal ) and a Golden Globe (The Truman Show). In 2015, he received the National Medal of Arts.

SUN Shang-chi / Direction & Choreography Taiwan born dancer and choreographer SUN Shang-chi was educated in ballet and contemporary dance at the National Academy of the Arts (now National Taiwan University of the Arts) in Taipei and earned a Master of Arts degree in Choreography from Ernst Busch University (Berlin). Since the founding of his company in 2007, he has created a diversity of works such as Walk Faster (2007), Dialogue II (2008), Nüwa (2009), 4.48/Ohne Titel (2010), Je.Sans.Paroles (2011) and Traverse (2011) which have been presented all over Europe and Asia (Maison de la Danse – Lyon, Festival Tanz im August – Berlin, Festival d'Avignon, and Taipei Arts Festival). Over the past few years, he has collaborated with a number of companies on commissioned works, including Sasha Waltz & Guests, Cloud Gate 2, Transitions Company London and Dance Company of City Theatre Osnabrück.

Ensemble KNM Berlin / Performer & Producer Ensemble KNM Berlin represents the active, current music scene of the metropolis of Berlin. Along with other students from the Hanns Eisler School of Music in the former East Berlin, Juliane Klein and Thomas Bruns founded this ensemble in 1988. It is now made up of ten musicians from all over Germany, Great Britain, Hungary and Switzerland. In close collaboration with international composers, authors, conductors, artists and producers, KNM has presented compositions, concert installations and projects worldwide. Its innovative programs result from a fascination with the unknown and constant discussions on the most essential topics of our time. This ensemble has performed more than 1,000 concerts since its creation.

[gramilano]

Sylvia with Martina Arduino and company, photo Brescia e Amisano Teatro alla Scala

The critics of the Italian magazine Danza&Danza (which also has an edition in English) huddle together at the beginning of each year to decided the ‘best’ of the previous year in Italian dance and dance seen in Italy.

The jury, since 1987, has always underlined its objectivity and honesty in its selection of interpreters, productions and choreographers from Italy and abroad.

The prize, from this year named “Premio D&D-Mario Bedendo” after the founder of the prize and the magazine’s first editor, seeks out new talent as well as established names. There is, as always, attention paid to Italian dancers and choreographers who have achieved success overseas. A prize, awarded to those who disseminate information about dance, is named after the great Italian dance author and critic Mario Pasi, who died in 2010 and headed the jury from the inception of the awards until his death.

The jury this year was headed by Maria Luisa Buzzi with members drawn from the magazine’s critics: Elisabetta Ceron, Giuseppe Distefano, Francesca Pedroni, Silvia Poletti, Sergio Trombetta, and Carmelo A Zapparrata.

Details fo the reasoning behind each award can be found in the current edition of the magazine (n°290 in Italian in newsagents, and n°17 in English via the app)

Seventeen/Twenty One by William Forsythe

  PALMARES D&D AWARDS 2019

Ballet production

Sylvia by Manuel Legris La Scala Theatre Ballet

  Contemporary production (joint winners)

A Quiet Evening of Dance by William Forsythe

Since she  by Dimitris Papaioannou Tanzhteater Wuppertal

  Personality of the year

Artist and Producer Sergei Polunin 

  Dancers of the Year

Alina Cojocaru – Principal dancer, English National Ballet Claudio Coviello – Principal dancer, La Scala Theatre Ballet Christian Fagetti – Soloist, La Scala Theatre Ballet Rauf Yasit, aka RubberLegz – Freelance dancer

Alina Cojocaru and Isaac Hernandez in Akram Khan’s Giselle © Laurent Liotardo

Sylvia Christian Fagetti photo by Brescia e Amisano, Teatro alla Scala 2019 09

Goldberg Variationen with Martina Arduino and Claudio Coviello, photo Brescia e Amisano, Teatro alla Scala

Choreographer (joint winners)

Philippe Kratz Christos Papadopoulos

  Newcomers – Choreographers

Ginevra Panzetti/Enrico Ticconi

  Newcomers – Dancers

Caterina Bianchi – La Scala Theatre Ballet Salvatore Manzo – Teatro di San Carlo Ballet Giacomo Castellana – Rome Opera Ballet

The Sleeping Beauty, with Caterina Bianchi

Italian production

Graces By Silvia Gribaudi

  Italian dancers abroad

Alessandra Tognoloni – Les Ballets de Monte-Carlo Federico Longo – Batsheva – The Young Ensemble Matteo Miccini – Stuttgarter Ballett

  Lifetime achievement

Amedeo Amodio

  Mario Pasi Award

Documentary series “Why do we dance?” Sky Arts Production Hub

  Special Mention

Dance Company Theater Osnabrück Artistic director Mauro de Candia For the reconstruction of “Die Feier” by Mary Wigman

Danza&Danza Awards 2019 announced The critics of the Italian magazine Danza&Danza (which also has an edition in English) huddle together at the beginning of each year to decided the ‘best’ of the previous year in Italian dance and dance seen in Italy.

#Alina Cojocaru #Caterina Bianchi #Christian Fagetti #Claudio Coviello #English National Ballet #La Scala #Manuel Legris #Martina Arduino #Rome Opera Ballet #Sergei Polunin #William Forsythe

[informer82]

Titel: BIOGRAFIA DEL CORPO II – Theater Osnabrück Text: BIOGRAFIA DEL CORPO II Rafaële Giovanola, Mauro de Candia - Inhalt - So wie sich in jeden menschlichen Körper die eigene Lebensgeschichte einschreibt und sich in Körperempfindungen, Haltungen, Bewegungs- und Erregungsmustern manifestiert, so wird jeder Tänzerkörper durch seine Ausbildung geprägt. Gemeinsam setzen Rafaële Giovanola und Mauro de Candia mit ihren Tänzern der Company CocoonDance Bonn und der Dance Company Theater Osnabrück das in der letzten Spielzeit begonnene Recherche-Projekt zur „Biografie des Körpers“ fort. In BIOGRAFIA DEL CORPO II formulieren sie das im Probenprozess aus den Biografien der Beteiligten gewonnene Bewegungsmaterial zu einem gemeinsamen Stück Choreografie. Der Abend ist nicht nur eine Gemeinschaftsproduktion der beiden Choreografen, sondern auch ein Gemeinschaftsprojekt der Tänzer/innen ihrer beiden Ensembles sowie Geflüchteter aus dem Sudan, Iran und aus Syrien. - Besetzung - Choreografie: Rafaële Giovanola, Mauro de Candia Choreografische Assistenz: Leonardo Centi, Alvaro Esteban, Werner Nigg, Susanne Schneider Ausstattung: Rafaële Giovanola, Mauro de Candia, Margrit Flagner Dramaturgie: Rainald Endrass, Patricia Stöckemann Mit: Hussein Al-Dabash, Fa-Hsuan Chen, Keith Chin, Cristina Commisso, Martina De Dominicis, Neven Del Canto, Faisal Ghassan, Lennart Huysentruyt, Ayaka Kamei, Péter Matkaicsek, Omar Muslem, Katherina Nakui, Marine Sanchez Egasse, Jayson Syrette, Rosa Wijsman ℗ Filmproduktion Siegersbusch, Wuppertal, Hochgeladen von: Theater Osnabrueck, http://ift.tt/1nVIHAi

#Vimeo

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova

#francesco vecchione #dance company theater osnabrück #varvara kandaurova #italian ballet dancers #ballerino #dancer #danseur #bailarín #boys of ballet #male ballet dancers

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova    

#francesco vecchione #dance company theater osnabrück #varvara kandaurova #italian ballet dancers #ballerino #dancer #danseur #bailarín #boys of ballet #ballet men

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova  

#francesco vecchione #dance company theater osnabrück #Varvara Kandaurova #italian ballet dancers #ballerino #bailarín #dancer #danseur #boys of ballet #ballet men

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova    

https://francescovecchione.net/

#francesco vecchione #dance company theater osnabrück #varvara kandaurova #italian ballet dancers #ballerino #bailarín #danseur #dancer #boys of ballet #ballet men

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova

http://francescovecchione.net/

#francesco vecchione #italian ballet dancers #dance company theater osnabrück #varvara kandaurova #ballerino #bailarín #danseur #dancer #boys of ballet #ballet men

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück

#francesco vecchione #dance company theater osnabrück #italian ballet dancers #ballerino #dancer #danseur #bailarín #boys of ballet #ballet men #dance #ballet

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück

#francesco vecchione #dance company theater osnabrück #italian ballet dancers #ballerino #danseur #dancer #bailarín #boys of ballet #ballet men

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova  

#francesco vecchione #dance company theater osnabrück #varvara kandaurova #dance #ballet #italian ballet dancers #ballerino #dancer #danseur #bailarín #boys of ballet #ballet men

[dance-world]

Francesco Vecchione - Dance Company Theater Osnabrück - photo by Varvara Kandaurova  

#francesco vecchione #dance company theater osnabrück #varvara kandaurova #italian ballet dancers #ballerino #dancer #danseur #bailarín #ballet men boys of ballet #ballet men

[informer82]

Titel: BIOGRAFIA DEL CORPO II – Theater Osnabrück Text: BIOGRAFIA DEL CORPO II Rafaële Giovanola, Mauro de Candia - Inhalt - So wie sich in jeden menschlichen Körper die eigene Lebensgeschichte einschreibt und sich in Körperempfindungen, Haltungen, Bewegungs- und Erregungsmustern manifestiert, so wird jeder Tänzerkörper durch seine Ausbildung geprägt. Gemeinsam setzen Rafaële Giovanola und Mauro de Candia mit ihren Tänzern der Company CocoonDance Bonn und der Dance Company Theater Osnabrück das in der letzten Spielzeit begonnene Recherche-Projekt zur „Biografie des Körpers“ fort. In BIOGRAFIA DEL CORPO II formulieren sie das im Probenprozess aus den Biografien der Beteiligten gewonnene Bewegungsmaterial zu einem gemeinsamen Stück Choreografie. Der Abend ist nicht nur eine Gemeinschaftsproduktion der beiden Choreografen, sondern auch ein Gemeinschaftsprojekt der Tänzer/innen ihrer beiden Ensembles sowie Geflüchteter aus dem Sudan, Iran und aus Syrien. - Besetzung - Choreografie: Rafaële Giovanola, Mauro de Candia Choreografische Assistenz: Leonardo Centi, Alvaro Esteban, Werner Nigg, Susanne Schneider Ausstattung: Rafaële Giovanola, Mauro de Candia, Margrit Flagner Dramaturgie: Rainald Endrass, Patricia Stöckemann Mit: Hussein Al-Dabash, Fa-Hsuan Chen, Keith Chin, Cristina Commisso, Martina De Dominicis, Neven Del Canto, Faisal Ghassan, Lennart Huysentruyt, Ayaka Kamei, Péter Matkaicsek, Omar Muslem, Katherina Nakui, Marine Sanchez Egasse, Jayson Syrette, Rosa Wijsman ℗ Filmproduktion Siegersbusch, Wuppertal, Hochgeladen von: Theater Osnabrueck, http://ift.tt/1nVIHAi

#Vimeo

[informer82]

Titel: DANSE MACABRE – Theater Osnabrück Text: DANSE MACABRE Mary Wigman / Marco Goecke / Mauro de Candia - Inhalt - Mary Wigman (1886–1973), eine der bedeutendsten und einflussreichsten Protagonistinnen des modernen Tanzes in Deutschland im 20. Jahrhundert, schuf 1917 einen Totentanz, den sie 1921 zur Musik von Camille Saint-Saëns in Dresden herausbrachte. Vier Jahre später arbeitete sie in Dresden an einem zweiten Totentanz für ihre Tanzgruppe. Als „stummer Partner“, „immer spürbar und immer inspirierend“ saß der Maler Ernst Ludwig Kirchner dabei, zeichnete, entwarf Skizzen, aus denen später das Ölgemälde Totentanz und viele weitere Bilder zu Wigman entstanden. 1926 gelangte der Totentanz II in Königsberg zur Uraufführung. Nach der erfolgreichen Rekonstruktion von Wigmans LE SACRE DU PRINTEMPS 2013 holt die Dance Company Theater Osnabrück mit den beiden Totentänzen nun zwei kleinformatige Werke von Wigman zurück auf die Bühne. Gefördert wird dieses besondere Rekonstruktionsprojekt vom Tanzfonds Erbe. Wigmans Totentänze zu live gespielter Musik bilden den Auftakt des dreiteiligen Tanzabends Danse Macabre. Mit Supernova von Marco Goecke folgt ein elektrisierender zeitgenössischer Gegenentwurf zu diesen beiden Totentänzen. Den Abschluss des Abends bildet Strawinskys SACRE-Version für zwei Klaviere in einer neu entstehenden Choreografie von Mauro de Candia. SACRE, ebenfalls ein Totentanz, ist de Candias Referenz an Mary Wigmans Totentänze und die Rekonstruktion ihres SACRE. In Kooperation mit dem Felix Nussbaum Haus, der Kunsthalle der Stadt Osnabrück, dem Diözesanmuseum des Bistums Osnabrück – unterstützt durch das Ernst Ludwig Kirchner Archiv in der Schweiz – setzt sich das Projekt Danse Macabre in Ausstellungen, Installationen, Symposien und weiteren Formaten mit der Totentanzthematik als erlebte Wirklichkeit von wirtschaftlicher Depression, Krieg, Diktatur, Mord auseinander. Angesichts der weltweiten Krisenlage besitzt diese Thematik eine aktuelle Relevanz. - Besetzung - TOTENTANZ I (1917/1921) Choreografie: Mary Wigman Bühne/Kostüme: Mary Wigman Rekonstruktion: Henrietta Horn (verantwortlich), Susan Barnett, Christine Caradec, Katharine Sehnert Klavier: Denys Proshayev, Nadia Mokhtari Mary Wigman: Marine Sanchez Egasse/Keith Chin Yvonne Georgi: Cristina Commisso/Lennart Huysentruyt Gret Palucca: Katherina Nakui/Neven Del Canto Berthe Trümpy: Rosa Wijsman/Péter Matkaicsek TOTENTANZ II (1926) Choreografie: Mary Wigman Bühne/Kostüme: Mary Wigman Rekonstruktion: Henrietta Horn (verantwortlich), Susan Barnett, Christine Caradec, Katharine Sehnert Rekonstruktion der Masken: Maskenabteilung, Ltg. Thorsten Kirchner Schlagzeug: Frank Lorenz/Ingo Reddemann Dämon: Jayson Syrette/Keith Chin Weibliche Gestalt: Marine Sanchez Egasse/Cristina Commisso Lemuren: Cristina Commisso, Neven Del Canto, Lennart Huysentruyt, Katherina Nakui, Péter Matkaicsek, Rosa Wijsman SUPERNOVA (2009) Choreografie: Marco Goecke Bühne/Kostüme: Marco Goecke Licht: Udo Haberland Einstudierung: Fabio Palombo, Ralitza Malehounova Mit: Keith Chin, Cristina Commisso, Neven Del Canto, Lennart Huysentruyt/Péter Matkaicsek, Katherina Nakui, Marine Sanchez Egasse/Rosa Wijsman, Jayson Syrette SACRE (Uraufführung) Choreografie: Mauro de Candia Bühne/Kostüme: Mauro de Candia Choreografische Assistenz: Leonardo Centi Klavier: Denys Proshayev, Nadia Mokhtari Dramaturgie: Patricia Stöckemann Mit: Keith Chin, Cristina Commisso, Neven Del Canto, Lennart Huysentruyt, Péter Matkaicsek, Katherina Nakui, Marine Sanchez Egasse, Jayson Syrette, Rosa Wijsman ℗ Filmproduktion Siegersbusch, Wuppertal, Hochgeladen von: Theater Osnabrueck, http://ift.tt/1nVIHAi

#Vimeo