Move
New comic! “Move” is one of a series of climate comics that bring art and science together to explore the big questions about the climate crisis. More to read & download at https://www.comicartfestival.com/constrain-climate-comics
The other artists involved are – award-winning comic creator Darryl Cunningham and comic creator, academic and illustrator Sayra Begum.
CONSTRAIN is a 4-year programme…
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Manchester’s first Creatives for Change event announces Rewriting Extinction’s Paul Goodenough, artists Sayra Begum, Venessa Scott as guests
Creative Concern are hosting their first Creatives for Change “Mixer” event in Manchester next month, the creative agency that has been an integral part of promoting the Lakes International Comic Art Festival for a number of years
Creative Concern are hosting their first Creatives for Change “Mixer” event in Manchester next month, the creative agency that has been an integral part of promoting the Lakes International Comic Art Festival for a number of years.
Creatives for Change is a not-for-profit initiative hosted by Creative Concern. Tickets for this free Mixer event on Tuesday 14th November at GRUB in Manchester are…
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While I'm fully on board with "show, don't tell" as a baseline for writing well, I think once you've got that part down, you can branch out into "sure, tell, but also make the reader feel".
Like. Showing someone exhibiting all the traits of nervousness is great, but I do think that sometimes it's easier and more immediate to just say "he was nervous. He couldn't keep his hands still, and his eyes kept darting to the door".
It's telling, but it's also showing. It keeps the narrative from getting bogged down with too many details but still gets the point across clearly, and makes the whole scene easier to imagine while streamlining it. It's still good writing.
Just. I think telling has a definite place in writing, as long as it's balanced. It's just clearer that way, and isn't that the point of good writing?
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why would you ask ChatGPT to write shitty 8th grade reading level fanfic about something you actually care about and toe a whole bunch of ethical lines, when you could instead ask it to write only insane shit that no human being in their right mind would ever voluntarily create themselves
(yes the answers generated for all of these supremely fucked in the most chaotic way possible. yes, I still think even this use of AI has some ethical complexities to it.)
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so I have seen the new trailer for the live action ATLA adaptation and I think I'm actually feeling more optimistic about it. Generally when an animated product is adapted to live action, I want to see something new in the production and storytelling that justifies why this story benefits from being re-created in a live action format, while still maintaining the overall heart and spirit of the animated original. Most of the disney live action remakes, for example, have failed to meet this bar.
Where I'm feeling a little more optimistic with the ATLA remake is because the format almost necessitates some pretty significant structural changes to the story. You can't take something like season one of ATLA, which was incredibly episodic and designed for Nickelodeon syndication in 30 minute blocks, and stitch it into eight hour-long episodes on a serialized, binge-watching style platform like Netflix without making changes. You just can't.
What I'm hoping they do with these changes is that instead of trying to frankenstein the story together, they pick and choose which elements matter and which do not. And then I want to see the storylines they keep get greater focus and more elevation than they received in the original. One of the benefits of a remake is that you already have the finished project to build off- you know what matters, you know what doesn't, and you can work with that to craft a tighter story while giving appropriate expansion and depth to elements of it that might have been overlooked in the original. The way Suki and the Kyoshi warriors have been billed and marketed gives me a lot of hope for this- when Bryke were first creating ATLA, they had no plans for Suki to be anything more than a one-off character, but she ended up Sokka's endgame love interest. The new show has the benefit of already knowing this.
Same thing applies to characters like Azula, Mai, and Ty Lee. We already know where their storylines end up, so they have the opportunity to expand and deepen all three of them without worrying about making things up as they go or maintaining any sense of mystery. And they have a lot of opportunity to play with Ozai's character too, given they don't have to keep him in the shadows for two whole seasons anymore- we already know he's a hot older version of Zuko, that reveal happened in 2007. Since they don't need to hide his face, they can actually show a lot more of him a lot earlier in the story. Again, I'm hopeful for this given that the trailers seem to be showing a lot of extra scenes with the Fire Nation characters and Azula and Ozai are both featured on the promotional poster.
Now, will I like the changes they make? That's an unknown. I might. I might hate them. We'll see- but at least it seems like there will be changes that, hopefully, will serve to justify why this remake deserves to exist. I do not want to see a shot-for-shot recreation of the animated series. I can already watch the cartoon.
That said, I still want to see the spirit of the original preserved. So far I like what I'm seeing from Netflix- the world looks pretty good, the animals, while obviously CGI, look faithfully rendered, the costumes are miles better than what we saw in the 2010 movie (though I have my reservations about the saturation of the blue in the water tribe coats), and the characters all look pretty accurate to their animated counterparts. The lighting is dark because lighting is dark in every show these days, and I'm not 100% on the color palette. But I was glad to see some of the humor has been retained in the trailer- we see Aang running into the statue like in the opening of the cartoon, Sokka has a few one-liners, and the shot with Momo was cute. I'm a little worried Iroh's humor won't translate well into live action, but we'll see what they do with that (I imagine they'll have to cut back on some of the slapstick, Saturday-morning-cartoon antics anyways).
I like most of the casting too, from what I've seen so far. Dallas Liu looks like he's gonna be a great Zuko, Kiawentiio I already knew from Anne with an E and I think she'll be a perfect Katara, and I think Ian Ousley will grow on me as Sokka. His line reads sounded good in the trailer. I'm a little concerned about Gordon Cormier, he looks the part perfectly but he is so young and I felt like his delivery in the trailer was just...lacking a bit. But I need to see more of him to really judge. And I love the casting of Elizabeth Yu for Azula, I love that she looks like a tiny baby. No one will mistake her for the older sibling in this version. And of course the adult cast I'm not worried about at all.
(bully any of these children online btw and die by my sword)
Will this show be good? I don't know. But I hope it will at least justify its existence to me as more than just a nostalgic cash grab. That's what I'm looking for first and foremost.
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