Corinne Wasmuht — HGO-R.O. (oil on wooden board, 2006)
81 notes
·
View notes
Corinne Wasmuht (German, b. 1984), DFW-CDG, 2010. Oil on wood, 279 x 251 cm
339 notes
·
View notes
Corinne Wasmuht (German, 1964), Gate 11, 2002. Oil on panel, 247 x 413 cm
200 notes
·
View notes
Corinne Wasmuht at KÖNIG GALERIE
107 notes
·
View notes
CORINNE WASMUHT, ALEMANIA,1964
https://www.koeniggalerie.com/artists/7560/corinne-wasmuht/works/
Gate 77, oil on wood, 2012, 227 x 447 cm
Ezeiza, oil on wood, 2003, 257 x 429 cm
CLF 2, 2015
Oil on wood, 211 × 226 cm
S.O.H, 2008
Screenprint
Nizza
2005/2018
Oil on wood
1 note
·
View note
Corinne Wasmuht — Bibliotheque / CDG-BSL (triptych, oil on wood, mounted on aluminum, 2011)
30 notes
·
View notes
Corinne Wasmuht (German, b. 1984), Llanganuco Falls, 2008. Oil on wood, 117.32 x 153.54 in.
133 notes
·
View notes
Corinne Wasmuht, Caleta GR 2009
59 notes
·
View notes
al things considered — when i post my masterpiece #694
first posted in facebook march 14, 2019
corinne wasmuht -- "siempre es hoy" [i.e., "always is today"] (2007)
"to live inside as in a real landscape… the painting is all around me; it encircles me completely" ... corinne wasmuht (on wanting to "step into" her paintings)
"anyone actively participating in contemporary urban life across the globe would feel a sense of déjà vu looking at the high-velocity, fragmented cityscapes and architectural spaces in corinne wasmuht’s luminous, often panoramic paintings. they are based on digital collages wasmuht seamlessly weaves together on the computer from hundreds of photographs she takes herself or collects online of people moving through airport terminals, shopping malls, pedestrian plazas and other busy public places worldwide. the paintings draw viewers into the familiar-feeling vistas with strong receding vanishing points, only to confuse with shifting perspectives and structures that merge and melt into abstraction. they mirror the slippery, nonlinear narratives of dreams or unreliable memories" ... the editors of "art in america"
"wasmuht’s paintings create a unique kind of illusory space, both abstract and fixed in recognisable form, and somehow almost tangible. repeated shapes and colours in her paintings hint at a sense of mise en abyme, of infinitely multiplying mirrored images, reflecting the vastness of networked culture and a never-ending insatiable yearning for images and information" ... saatchi gallery
"may your hands always be busy
may your feet always be swift
may you have a strong foundation
when the winds of changes shift
may your heart always be joyful
may your song always be sung" ... bob dylan
"may today be ALways ... or at least maybe tomorrow" ... al janik
1 note
·
View note