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#Chicago International Film Festival
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Eddie talked about his harrowing ballooning experience in the film THE AERONAUTS at the Chicago International Film Festival! -October 23, 2019-
🎥 Source : Reel Honest Reviews on Facebook
#my screenshots
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My Policeman in Chicago
My Policeman will be screened on October 14th at the Chicago International Film Festival!
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Info here
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oldfilmsflicker · 2 years
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new-to-me #682 - Women Talking
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lisamarie-vee · 2 years
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On November 12, 1976 Alice Sweet Alice premiered at the Chicago International Film Festival.
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Here's some new art inspired by the cult classic!
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lecameleontv · 9 months
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Le film The Bikeriders (2023) avec l'acteur Paul Dillon.
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Date sortie USA : prévue initialement le 01 décembre 2023, la date de sortie américaine du film est reportée pour refus du studio Disney de payer équitablement les acteurs. Après la grève WGA-SAG-AFTRA, la sortie définitive est fixée au 21 juin 2024. Date sortie France : 19 juin 2024 Avant première France : 05 juin 2024
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Durée : 116 min
Le film a fait sa première projection au Festival du Film de Telluride, pendant la grève WGA-SAG-AFTRA, qui en a perturbé et la promotion, réalisée a minima, et la sortie. Cependant le film a été projeté au Festival du Film de Londres en octobre 2023, et a clôturé le Festival du Film International de Chicago le 22 octobre 2023.
sources : imdb, @DiscussingFilm, screendaily.com et @20thcentury
Alias Angelo dans la série Le Caméléon (V.O. : The Pretender)
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fridaythe13ththeseries · 10 months
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AWARDS
Friday the 13th: The Series may always be a winner in the hearts of its fans, but I wanted to do a post listing its actual 4 Wins & 16 Nominations (as found on IMDb)
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Primetime Emmy Awards
1989 Nominee Primetime Emmy Outstanding Achievement in Special Visual Effects John Gajdecki (visual effects artist) Gary L. Smith (supervising editor) For episode "13 O'Clock".
1988 Nominee Primetime Emmy Outstanding Achievement in Graphic Design and Title Sequences Paul Boyington
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Chicago International Film Festival
1992 Winner Silver Plaque Best Television Drama David Winning For episode "The Sweetest Sting"
1992 Winner Silver Plaque Best Director David Winning For episode "Scarlet Cinema".
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Academy of Science Fiction, Fantasy & Horror Films, USA
1990 Nominee Saturn Award Best Genre Television Series
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Gemini Awards
1990 Nominee Gemini Best Direction in a Dramatic or Comedy Series David Winning For episode "Jack In The Box".
1990 Nominee Gemini Best Writing in a Dramatic Series Jim Henshaw
1990 Nominee Gemini Best Picture Editing in a Dramatic Program or Series Dave Goard For episode "The Prophecies".
1990 Nominee Gemini Best Production Design or Art Direction Stephen Roloff
1989 Nominee Gemini Best Guest Performance in a Series by an Actor or Actress Colm Feore
1989 Nominee Gemini Best Direction in a Dramatic or Comedy Series David Winning For episode "Sweetest Sting".
1989 Nominee Gemini Best Direction in a Dramatic or Comedy Series David Winning For episode "Scarlet Cinema".
1989 Nominee Gemini Best Writing in a Dramatic Series Timothy Bond, Peter Jobin, Roy Sallows
1989 Nominee Gemini Best Writing in a Dramatic Series Bruce Martin
1989 Nominee Gemini Best Picture Editing in a Dramatic Program or Series Dave Goard
1989 Nominee Gemini Best Original Music Score for a Series Fred Mollin
1989 Nominee Gemini Best Sound in a Dramatic Program or Series Christopher Hutton, Steve Foster, Terry Gordica, Tim Archer, Gary Daprato
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International Monitor Awards
1990 Nominee Monitor Film Originated Television Series - Audio Post Production Frank Morrone (sound re-recording mixer)
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Alberta Film & Television Awards (AMPIA Awards) 1989 Winner Special Jury Award David Winning For directing season two.
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Motion Picture Sound Editors, USA
1989 Winner Golden Reel Award Best Sound Editing - Television Episodic - Dialogue & ADR Steve Foster (adr editor)
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reggieponder · 1 year
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CineYouth Festival Interview with Celeste Wong
Reggie Ponder, The Reel Critic, got a chance to speak with Celeste Wong, Festival Director of CineYouth Festival about the in-person and streaming options in their 18th year Reggie Ponder, The Reel Critic speaks with CineYouth Festival Director, Celeste Wong
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Away We Go (2009, Sam Mendes)
29/02/2024
Away We Go is a 2009 film directed by Sam Mendes, written by the well-known author duo Dave Eggers-Vendela Vida, in their first film experience.
It is the story of two thirty-year-olds, played by John Krasinski and Maya Rudolph, who, faced with the imminent, unplanned arrival of their first child, undertake a journey across the United States, and beyond, in search of the ideal place where put down roots and raise the family.
The film's soundtrack is cured by British singer-songwriter Alexi Murdoch and consists largely of his songs.
Presented at the Edinburgh International Film Festival, the film was distributed in US cinemas by Focus Features starting from 5 June 2009, in the first weekend in limited form in 4 theatres.
Positive reviews include those from Roger Ebert (Chicago Sun-Times), David Denby (The New Yorker) and Peter Travers (Rolling Stone). Among the negatives are those of Richard Corliss (Time), A. O. Scott (The New York Times), Dennis Harvey (Variety) and Ann Hornaday (The Washington Post).
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genkinahito · 5 months
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Monster  怪物 (2023) Director: Hirokazu Kore-eda [Chicago International Film Festival 2023] Fourth Draft
Monster  怪物 「Kaibutsu」 Release Date: June 02nd, 2023 Duration: 125 mins. Director: Hirokazu Kore-eda Writer: Yuji Sakamoto (Screenplay), Music: Ryuichi Sakamoto Starring: Soya Kurokawa, Hinata Hiiragi, Sakura Ando, Eita Nagayama, Yuko Tanaka, Mitsuki Takahata, Akihiro Kakuta, Shido Nakamura, Website IMDB After hoping for something new from Hirokazu Kore-eda, the master chronicler of the…
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ornithorynquerouge · 5 months
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Cindy Crawford in Chicago International Film Festival T-shirt, 1985. Victor Skrebneski
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readyforevolution · 4 months
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A 'COOLEY HIGH' REUNION
AT THE 2022 TCM CLASSIC FILM FESTIVAL IN LOS ANGELES, CA
Steven Williams (73), Lawrence Hilton-Jacobs (68), director Michael Schultz (83; middle back row), Cynthia Davis (63), Glynn Turman (75), and Garrett Morris (85) attend the screening of "Cooley High".
One of the most influential African American films of the 1970s, this coming-of-age tale was inspired by writer Eric Monte’s experience growing up in Chicago’s Cabrini-Green housing project, where he attended the real Cooley Vocational High School. Indie studio American International Pictures developed his story and had the wisdom to hire a Black director, Michael Schultz, to shoot the low-budget film on location. Glynn Turman stars as Preach, who dreams of writing plays while palling around with basketball champ Cochise (Lawrence Hilton-Jacobs). Their episodic adventures and a soundtrack filled with Motown classics helped turn the picture into one of the year’s biggest hits.
It had a major influence on writer-director-actor Robert Townsend—who had a one-line bit—and John Singleton, among other Black filmmakers who saw its use of three-dimensional characters and focus on friendship as a breakthrough. It also inspired the hit TV series What’s Happening!!
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oldfilmsflicker · 2 years
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new-to-me #686 - She Said
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denimbex1986 · 3 months
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'When I originally saw All of Us Strangers at the 59th Chicago International Film Festival, I left the theater in awe of the movie and performances. I was also stunned by the ending. I immediately knew I wanted to dig deeper into it. It’s an ending that shocks you, but also leaves so much to unpack.
This film had a big impact on me in 2023 because of some of its themes, including love, loss, and loneliness. It’s one of the best movies that discuss grief. It tackles the subject in a way that feels more grounded in reality than some films, and shows it as something ever-present that never truly goes away. The All of Us Strangers ending explores that and more...
What Happened At The End Of All Of Us Strangers?
Adam (Andrew Scott) brings Harry (Paul Mescal) to his parents’ home to meet them. They refuse to let them in and, and in a panic, Adam freaks out and breaks a window. Harry leaves him. Adam wakes up back in his childhood home with his parents. They discuss Harry and Adam’s relationship. Then his parents tell him that they must leave. They notice how this situation is not good for him.
Adam pleads with them but they must move on so he can as well. The child and parents go on one last outing to his favorite diner. His parents say their goodbyes before slowly fading away. His dad fades first and then his mother, after losing her eyesight — similar to their deaths.
He arrives back at his flat but ends up at Harry’s apartment and notices a really bad smell. The TV is on and the place looks like it hasn’t been touched in a while. Eventually, he finds Harry’s dead body in his bedroom. Harry’s ghost appears. He breaks down about his death and the fact that no one has discovered his body yet.
Adam comforts him and asks him to go upstairs with him. They lie in Adam’s bed together, talk some, and then drift to sleep. “Power of Love” plays in the background.
What Happened To Harry?
The All of Us Strangers ending makes it clear that Harry died before they began their relationship. After Adam closed the door on Harry, he went to his apartment, drank himself to death, and possibly overdosed on drugs. It’s unclear if Harry intentionally died by suicide or was so depressed that he continued to engage in destructive behavior, like drinking and drugs, until it accidentally killed him.
It doesn’t really matter if he died by suicide or accidentally. The point is that he was so lonely and scared that he engaged in behavior that ended his life. All of Harry and Adam’s relationship happens after he dies. The conversation between Adam and Harry at the end heavily implies that Harry is also about to fade away. Like Adam’s parents, he is also about to move on.
This is another movie that thoughtfully talks about depression. Harry’s “sad eyes” are because of his own life tragedies. He doesn’t have his family because of his feeling of being an outsider in it. Then he has no friends and only starts a solid relationship with Adam after his death. Harry, in some ways, is also a cautionary tale to Adam. Don’t close yourself off so much that you are alone in the end.
The Hope In The Tragic Ending
It’s easy to interpret the All Of Us Strangers ending as sad and tragic. However, it’s more bittersweet if anything. Adam is likely about to be alone again, but his relationship with his parents and Harry allows him to do some emotional healing. His parents have given him some closure. Adam will never stop grieving them (as his mother states, there will never be enough time with them), but now they've at least gotten to know him. They accept and love him. Adam resolves one of the major things holding him back from love.
Harry is dead, so Adam experiences another loss, but he also experiences more love. Harry opened his heart to romantic love again. Even at the end, Harry tells him to not close his heart to love, and Adam seems to accept that message. We see a different Adam from the start of All of Us Strangers to the end of it. He won’t continue to isolate himself from the world.
He will go find love again. Additionally, Adam and Harry’s love story answers the age-old question: Is it better to have loved and lost or to never have loved at all? The film argues it’s better to have loved and lost. Just because there is no happy ending for Adam and his parents, or Adam and Harry, doesn’t make these relationships and love any less important. The pure existence of them makes it all worth having, even if they end.
Adam also realizes that if he let Harry in at the beginning of the film, Harry would have had a different fate. This makes him see the importance of not pushing someone away. They may need you. All of Us Strangers director Andrew Haigh expands on this idea in a Time interview:
There is hope in the fact that he has understood that, basically, he is capable of being in love and being loved and being there for someone else that might need him in that moment.
Adam (probably) doesn’t regret not opening the door for Harry at that moment, because they still have a love story. Just because it happens after Harry’s death doesn’t negate the impact and power of it. Let’s look at it this way: Some people discover their favorite artist after that artist’s death. Their death doesn’t diminish the impact and power of their work and life. Sometimes it makes it even more meaningful. Death doesn’t make love any less meaningful.
The Importance Of The Power Of Love
“The Power of Love” by Frankie Goes to Hollywood plays a few times in the film. It’s one of those perfect movie music moments. The song basically sums up why the All of Us Strangers ending is hopeful even in its sadness. It talks about how love has a way of healing the soul. The film is also about the ways love heals if you open yourself up to it, even after deep loss.
In the same Time interview, Haigh explained his use of the song and its importance to the LGBTQ+ experience of the ‘80s and his youth:
It's actually quite a subversive love song because it's written by a bunch of gay dudes in the '80s in a really tough time as AIDS was devastating communities. I always knew I wanted to get it into a film, and it made perfect sense for it being at the end of this.
One part of “The Power of Love” says “death-defying love for you,” which could basically summarize one of All of Us Strangers’ messages: Even in death, love cannot be destroyed. The song also mentions “make love your goal.” No matter how life may hurt you, don’t ever stop loving.
On the surface, the story may seem tragic but it’s really a beautiful way of looking at love and loss. The pain of losing someone crushes your soul, but the love you get from it and after it, makes the whole journey worth it. Death cannot destroy love.
All of Us Strangers is one of the best movies of 2023 and one of the best LGBTQ+ romance movies ever. It’s a film that stays with you in both a hopeful and heartbreaking manner.'
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clubnate · 1 year
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I am not the anon who followed for cobra and now will accept my fate as a tai fan, but please, please, please explain the connection between The Academy Is and Cobra Starship.
Unabridged is preferred tbh.
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i got 2 anons about this and this is literally the thing i'm the most insane about omg ok warning this is gonna be long cause i'm just gonna include everything ive got on my google doc about this
TLDR; same record labels, snakes on a plane, lots of tours together, music videos, webshows and general friendship is the conncection
It starts pre-cobra with midtown. iirc, tai were just fans of midtown pre-tai and in the early days, they're from chicago and came up in the same scene as fob, mike carden (tais guitarists) old band had fob open for them and he was even asked to join fob in an early version of it, so fob, tai and midtown all eventually become friends which is when they met gabe and eventually they toured with midtown twice in 04-05.
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2006- midtown dies in 05 and from the ashes rises COBRA STARSHIP. Cobras gets signed to fueled by ramen and decaydance records, which is the same 2 labels as TAI. while gabe's working on the music, tai's bassist, sisky finds out about snakes on a plane and suggested submitting their song to be on the soundtrack. Then william beckett the singer of TAI suggested to gabe that this would be perfect for cobras and he should put a song forward, which he does. Gabe makes some changes to the lyrics, adds william, travie and maja and Bring it (snakes on a plane) was born. (source) Sometime around 2006-2005 gabe briefly featured in the music video for 'the phrase that pays'
2007- things ramp up and they start touring together. Both bands are supporting acts on the honda civic 2007 tour and are featured at 3 separate Decaydance fest shows in Paris, Kohn and London. They also do a series of international festivals together like reading and leeds, pukkelpop, summer sonic, ect AND they do an australia tour just the 2 of them, this was all through summer. At the end of the year cobras jump on TAI's headliner tour, they weren't supposed to butviva la cobra came out earlier than planned so they had no tour to promote it so tai let them open for the last month or so. Both were also apart of the MTVu campus takeover this year. TAI had a webshow and cobra are featured multiple times from 2007-2008, this is actually where they got the idea for cobra cam and even stole TAI's camera man to film it. also somewhere someone released official merch that included cobra, TAI and fob that said 'gabe is not a ynonym for sisky' and they promoted it together.
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2008- Both bands are part of the lineup for warped tour this year, snakes was played a lot and when suarez had to leave the tour for a couple days, sisky and the butcher (TAI's drummer) covered for him. TAI's album was released in august and featured backing vocals from Ryland, Alex and Gabe, and every member of cobra is mentioned in the thank yous. Right after warped both bands go to australia and opened for panic at the disco (bonus info: victoria, sisky and ryan went bar hopping for ryans 22nd), then right after they go and do a japan tour with the hush sound and the cab. For welcome to the new administration, suarez remixed TAI's song 'automatic eyes'
2009 onwards- Things slowed down after this. The butcher is briefly featured in the good girls go bad music video. in 2011 both band play at the 15th anniversary of fueled by ramen, this ended up being TAI's last show before they split. After they split, butcher was the drum tech for cobra from 2011-2012. When TAI had a reunion in 2015, suarez played bass for sisky with carly rae jepsen so he could play on their reunion tour. Also around 2015 Gabe and Mike started TAG music together, i think mike has left since then though.
Extras: at every TAI show since their 2022 reunion they have played snakes on a plane, with gabe or without. Gabe also always does backing vocals for the song 'classifieds' if he's there. Sisky used to do travies rap during snakes if he wasn't there, he did it a bunch on warped 2008.
Sisky commented this during cobrakkah in 2021 and i think about it a lot tbh. I think they were just best friends who got to tour the world together in their youth and are still friends and still hold a lot of love for eachother :,)
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hope that wasn't too much, i'm pretty sure i covered everything that i know about. Decaydance is my favourite thing so i have a google doc of all their connections so i remember them all :D
something to add would be that TAI are opening for fob on the 3rd in LA and a few cobras live there, so i wouldn't be suprised if they show up for snakes on a plane!
EDIT: if you want photos of any of these things I mentioned I probably have some so please ask! and if you don't want to, search my tag #thepolycule and there's a bunch of photos of decaydance bands hanging out together, including TAI and cobra
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pritishsblog · 26 days
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BEST DIRECTORS IN CINEMA-5
Hi everyone! This blog is going to be the 5th part of my 8 part series of who I think is the Best Director Cinema has ever seen
And today I will be talking about
CHRISTOPHER NOLAN
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Christopher Nolan (born July 30, 1970, London, England) is a British film director and writer acclaimed for his noirish visual aesthetic and unconventional, often highly conceptual narratives. His notable films include Inception (2010), Interstellar (2014), Dunkirk (2017), and several Batman movies. In 2024 Nolan won an Academy Award for best director for Oppenheimer (2023), which was also named best picture.
(Early Life)
Nolan was raised by an American mother and a British father, and his family spent time in both Chicago and London. As a child, he attended Haileybury, a boarding school just outside London. From a young age Nolan was interested in moviemaking and would use his father’s Super-8 camera to make shorts. He was influenced by George Lucas’s Star Wars trilogy and by the immersive dystopian films of Ridley Scott.After attending University College London, where he studied English literature, Nolan began directing corporate and industrial training videos. At the same time he was working on his first full-length release, Following (1998). The film centers on a writer going to dangerous lengths to find inspiration; it took Nolan 14 months to complete. On the strength of its success on the festival circuit, he and his producer wife, Emma Thomas, moved to Hollywood.
(His Famous Works)
Nolan gained international recognition with his second film, Memento (2000), and transitioned into studio filmmaking with Insomnia (2002). He became a high-profile director with The Dark Knight trilogy (2005–2012), and found further success with The Prestige (2006), Inception (2010), Interstellar (2014), and Dunkirk (2017). After the release of Tenet (2020), Nolan parted ways with longtime distributor Warner Bros. Pictures, and signed with Universal Pictures for the biographical thriller Oppenheimer (2023), which won him Academy Awards for Best Director and Best Picture.
(Filmmaking Style)
His Filmmaking Style
Nolan's films are largely centred in metaphysical themes, exploring the concepts of time, memory and personal identity. His work is characterised by mathematically inspired ideas and images, unconventional narrative structures, materialistic perspectives, and evocative use of music and sound.Joseph Bevan wrote, "His films allow arthouse regulars to enjoy superhero flicks and multiplex crowds to engage with labyrinthine plot conceits. Nolan views himself as "an indie filmmaker working inside the studio system"
(His Filmography)
Nolan made his directorial debut in 1998 with a movie named Following (1998). He made many other films such as Memento in 2000,Insomnia in 2002. He also made the Batman Trilogy which included Bataman Begins (2005),The Dark Knight (2008) and The Dark Knight Rises (2012). In between the Batman Trilogy he directed movies like Prestige (2006) and Inception (2010). After this Nolan directed movies such as Interstellar (2014),Dunkirk (2017),Tenet (2020) and Oppenheimer (2023).
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Nolan's hand and shoe prints in front of the Grauman's Chinese Theatre
(Awards & Honors)
Nolan has won 2 Academy Awards out of the 8 nominations, 2 BAFTA's out of the 8 nominations and he has 1 Golden Globe Award out of 6 nominations.
(Sources)
And that's it for this part folks, I'll meet you with another blog about some of the Greatest Directors Cinema has ever seen. Until then
CIAO
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