#Charles Moothart

[musickickztoo]

CONTRA2024-4

54mins 13secs

TRACKLIST:

Antenna - Don't Cry Waxahatchee (ft. MJ Lenderman) - Right Back To It Charles Moothart - Clock Rats Angel Face - I Can't Go Back La Luz - Strange World Snõõper - On line Washer - You're Also A Jerk Daniel Romano's Outfit - That's Too Rich The Black Crowes - Wanting and Waiting Kim Gordon - The Candy House Les Big Byrd - Curved Light The Scaners - Feel The Blade Still Animals - Look Kool Eades - Fade Away Crumbs - You're Just Jealous The Hanging Stars - Sweet Light Camera Obscura - We're Gonna Make It In A Man's World Wand - Help Desk

The 4th playlist of the year!!

HEAR: https://www.mixcloud.com/Contraflow/contra2024-4-54-mins-13-secs/

Ignored by millions, loved by a few!

#all new #antenna #waxahatchee #charles moothart #angel face #la luz #snõõper #washer #daniel romano #the black crowes #kim gordon #les big byrd #the scaners #still animals #eades #crumbs #the hanging stars #camera obscura #wand #garage rock #punk #post-punk #alternative #indie #mixcloud #playlist

[senorboombastic]

This One Song… Charles Moothart on Hold On

Tell you what – we love hearing from artists when things go right. We equally love hearing from artists when things go dreadfully wrong. A song that was a piece of piss, written in 20 minutes? Or years in the making and a bastard to write? Whether it’s a song that came together through great duress or one that was smashed out in a short amount of time, we’re getting the lowdown from some of our…

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#Birthday cake for breakfast #Black Holes Don&039;t Choke #CFM #Charles Moothart #Dichotomy Desaturated #Fuzz #In The Red Records #Little Egg #Soft Crime #Soundtrack to an Empty Room #The Fire I Call Home #Ty Segall #Ty Segall’s Freedom Band

[spilladabalia]

Charles Moothart - Roll

#charles moothart #roll #rock #black holes don't choke #2023 #Youtube

[fichinesruidozafarla]

FRZ021 GØGGS “En vivo en Teragram Ballroom” (Cassette) Cada nuevo proyecto de Ty Segall lo lleva a explorar nuevos territorios, en este caso junto a su habitual compañero Charles Moothart (de Fuzz, CFM, Moonhearts), son guiados hacia sórdidos caminos por Chris Shaw (de los excelentes Ex-Cults y Richard Rose). Tiroteos, basureros, policías corruptos, asesinatos, aislamiento, violencia, soledad, cambios violentos. Shaw gruñe y arrastra el maravilloso ruido de Ty Segall y Charles Moothart hacia el caos musical. GØGGS es una palabra creada para maldecir a la humanidad. “En vivo en Teragram Ballroom” captura la pasión de su show del sábado 15 de septiembre de 2018 en el emblemático escenario de Los Angeles, como parte de las presentaciones realizadas por el lanzamiento de su segundo disco “Pre Strike Sweep”. Ya con la incorporación de Michael Anderson en bajo (un amigo de la niñez de Segall), suenan salvajes pero ajustados, y jamas pierden la musicalidad. Festejando el Cassette Week 2021, esta edición de 50 copias exclusiva de Fichines Ruido Zafarla viene en cassette blanco serigrafiado.

#FRZ #fichinesruidozafarla #tysegall #GØGGS #teragram ballroom #charles moothart #CFM #Chris Shaw #Ex-Cults #Richard Rose #cassette #cassettestoreday2021 #cassettestoreday

[dustedmagazine]

Ty Segall — Three Bells (Drag City)

Ty Segall has never been shy about his affinity for King Crimson . His heaviest band, Fuzz, covered “21st Century Schizoid Man” a decade ago, amplifying its stately complexities to an airport tarmac roar . His latest album, the double LP Three Bells, hews to a quieter folky sound, but you can hear a homage to the prog godfathers in its tricky chord changes and multi-parted compositions.

Consider, for instance, the shimmering jangle that kicks off the title track, Segall warbling plaintively over a mesh of folk-leaning guitar play . But the melody takes a half-step, jazzy turn, breaking out of what you expect into jazzier, more free form trajectories, but that’s just a taste. A mid-cut break slips further out into the stratosphere, quickening the pace, fracturing the vocals and layering heavy metal guitars with pristine folk-derived harmonies . It’ll remind you not just of Crimson, but related bands and their prog rock opuses—Yes’ “Roundabout” or Emerson Lake & Palmer’s “Lucky Man.” 

That’s quite a turnaround for an artist who cut his teeth on brief, incendiary garage stomps like “The Drag” but Segall’s influences have always been broader and deeper than skeptics acknowledge . He’s as deep into kraut rock as he is in mod 1960s psych, as committed to arena-style rock and metal as to Cavestomp primitives . His last few albums have thrived under limitations—no guitars for First Taste, a fixation on Harmonizers for Harmonizer, a home-taper’s acoustic fuzz for Hello, Hi .  Three Bells is not one of these conceptually defined albums . Recorded mostly solo, with Segall on guitar and drums, it pushes classic guitar rock into complicated corners, with choral motets sidling up to blistering guitar solos, noodle electric keyboard textures glittering atop blasts of pared down percussion .

Segall brought in his wife Denée to assist on five of these tracks, including the fuzz-bombed highlight “Eggman” where multiple guitars saw in from all angles as Segall chants in monotone . It’s hard to overstate how bouncy and marvelous the drumbeat is or how infectious this brutally stripped back song is .  And yet even this one disappears into a vortex, swamped by noise like the end of “A Day in the Life.” 

Emmett Kelley also played bass on a few . You can hear Kelley bobbing in and around the chilled, fusion jazz drum break of “Denée,” holding down an increasingly free-form exploration of rhythmic transport . Or grounding the swaggering Motown pop string section in the sweeping “My Room.”

The most entangled and intricate cut on this disc, though, is likely “Move” the one track credited not just to Segall but the whole Ty Segall Band (Ben Boye, Mikal Cronin, Emmett Kelly, Charles Moothart and Segall himself.)  Denée chants in a cool deadpan, as all manner of guitar-based ideas zing off in the background . The tempo changes—as well as the temperature, with metal and rock flaring out of krautish repetition—but the song bangs on . It’s complicated but in no way unreadable, a pleasure for all its multiplicity.

Jennifer Kelly

#ty segall #three bells #drag city #jennifer kelly #albumreview #dusted magazine #rock #garage #prog #king crimson

[paulisded]

The Ledge #614: New Releases (Pt. 1)

I was close to finishing off the tracklists for this month's two part new release series when I received an unexpected text message from an old friend. Rich Show, the legendary leader of three classic South Dakota bands (No Direction, Flag With Hank, and Violet), along with a number of side projects and solo releases, sent me the files for his upcoming record, Age Appropriate.

I could not have been happier with this shocking news, as he's been a great friend for the over 40 years he's been creating music. Obviously, I immediately sampled tracks from the record and inserted them into tonight's show.

But Rich is not the ony friend whose music is featured tonight. White Rose Motor Oil sent me the second cover of their "pre-owned songs" series. Rob Moss and Skin-Tight Skin have contnued their series of monthly singles. Numb Surprise, who contributed to last year's "52 Weeks of Teenage Kicks", provided two newly-recorded tracks. There's also fantastic tracks from our friends at Big Stir Records (The Half Cubes, The Speed Of Sound), Rum Bar Records (Beebe Gallini, Pavid Vermin, The Shang Hi Los), and many others!

My hope for these new release shows, and honestly all of my broadcasts, is that you guys enjoy these tunes so much that you go out and purchase them. If you do, please let these artists and labels know where they heard them as it really helps shows like The Ledge continue to receive these great tracks!

 CLICK HERE TO DOWNLOAD THE SHOW!

1. White Rose Motor Oil - You Gotta Sin to Get Saved

2. Rich Show - What Can I Do To Make You Feel

3. Rich Show - Me And Poor Little Me

4. Rich Show - Stepping Across That Line

5. Rich Show - See No Evil Fear No Evil

6. Rich Show - Abyss Slayer

7. Pernice Brothers - Not This Pig

8. Pernice Brothers - Hey, Guitar

9. Old 97's - Somebody

10. Old 97's - American Primitive

11. Rob Moss and Skin-Tight Skin - Ink Blue Smoke Again

12. The Cynz - Crow-Haired Boys

13. The Speed Of Sound - West Wind

14. The Half-Cubes - The Girl

15. Numb Surprise - Been Down So Long

16. Numb Surprise - Say Hello Wave Goodbye

17. Fast Eddy - LUCKY STRIKE

18. The Chesterfield Kings - Meet You After Midnight

19. James Sullivan - My Best Friend

20. James Sullivan - Day Late Dollar Short

21. Brent Seavers - No Perfect Way

22. Eyelids - Anything Could Happen

23. Pat Todd and The Rankoutsiders - Why I Sing

24. Beebe Gallini - She Hulk

25. Pavid Vermin - Desecrate The Cathedral

26. The Shang Hi Los - Op-Operator

27. The Jesus And Mary Chain - The Eagles and the Beatles

28. Drunk Mums - Slippin' Up

29. Lancashire Bombers - Redhead Girl

30. Tambourine Girlfriend - I Want To Go Back To Michigan

31. The Prize - One Day At A Time

32. The Unknowns - Heart In Two

33. Charles Moothart - One Wish

[delicasseten]

ντελικασσέτεν 05.03.24 | Belladonna

Dog Date - Nuff Said Head Cut - Espejo Eléctrico Uranium Club - Big Guitar Jackoff In The Sky Mannequin Pussy - I Got Heaven Martial Arts - Warsaw Porcelain - Frozen Sea The Blinders - All I Need Dura Mater - Umbrella Tree Chastity Belt - Chemtrails

Uranium Club - Small Grey Man DOG UNIT - Consistent Effort MOb - 5055 (UNKLE Reconstruction) DIIV - Soul-net Meatbodies - Billow Charles Moothart - Little Egg La Luz - Strange World GHLOW - Lost My Mind Kim Gordon - Psychedelic Orgasm

[chorusfm]

Charles Moothart – “One Wish” (Video Premiere)

Today is a great day to share the latest single and video from Charles Moothart, called “One Wish.” On this great-sounding new track, Moothart channels his love for psych rock in a crowd-pleasing package. The single comes from his new LP, Black Holes Don’t Choke, that will be released on March 8th via In The Red Records. I was also able to catch up with this talented artist for a brief interview below. ”One Wish” is a bit more vocal-forward than the record’s last single— how would you describe your lyricism, and your vocal style? I really enjoy writing lyrics, and singing has become increasingly more fun for me as well. As I get more comfortable with both of these things, I also try to be aware of my strengths and weaknesses. So with this record I really wanted the lyrics to be straight forward but pack a punch – without being too obtuse or cryptic. With singing I am trying to just let my voice do what it needs to do. I feel like I am just getting in to a zone where I understand what my voice sounds like, and that is opening a door to a new chapter for me. Black Holes Don’t Choke is the first solo LP from you since 2019. Do you think you and your sound have changed since your last record? Both me and my sound have changed since my last record for sure. I have put a lot of time in to all of my instruments, and I have put a lot of time in to singing and song writing. I also have taken a whole new approach to the creative process, allowing myself more freedom to go down creative avenues that I would have considered off limits before. I am referring to stuff like using samplers and sequencers, as well as embracing more of a digital workflow. I feel happy that I have committed time (and money) to learning how to use analog gear and outboard gear. Now that I have implemented a more hybrid approach, I feel like I have widened the scope of my creative vision. Combining this with the fact that I have been building my confidence as a singer throughout my other albums, this record feels like a proper level up all around. Black Holes Don’t Choke is also the first record from you under your unabbreviated name. What spurred you to make that switch? The music on this album felt different enough to warrant a name change of some kind. I was considering coming up with a band name to represent turning a new corner, but at the end of the day it was literally just me in a room making this album. So it felt funny to try to come up with a different name for myself. Also, the elusive nature of “CFM” was starting to get irritating even to me. This record feels like it deserves more ownership. Hopefully people who are fans of stuff I do in other capacities will be able to tap in to this one more readily with some more immediate name recognition. --- Please consider becoming a member so we can keep bringing you stories like this one. ◎ https://chorus.fm/features/charles-moothart-one-wish-video-premiere/

[titouanmasse]

Retour sur cette soirée magique co organisée par @uturntouring et @aerolille samedi dernier avec le projet réunissant Ty Segall, Charles Moothart et Chad Ubovich, FUZZ magistralement accompagnés par @hooveriii et @deathvalleygirls #fuzz #tysegall #charlesmoothart #chadubovich #hooveriii #deathvalleygirls #uturntouring #aeronef #lille #france (à L'Aéronef) https://www.instagram.com/p/Cph93mGt4fb/?igshid=NGJjMDIxMWI=

#fuzz #tysegall #charlesmoothart #chadubovich #hooveriii #deathvalleygirls #uturntouring #aeronef #lille #france

[chemvewor]

Ty segall band tabs

#TY SEGALL BAND TABS SERIAL#

#TY SEGALL BAND TABS FULL#

I’ve played a lot of Quad Reverbs and the silverface Fenders are all over the place. What amps did you use on the record? Segall: My main squeeze is a ’72 Fender Quad Reverb. My main guitar now is a Les Paul with P-90s. I actually don’t have that guitar anymore. Instead of the original P-90 pickups, it had Seymour Duncan Antiquities in it. Emmett Kelly: The guitar I played on the record was a modified ’59 Les Paul Special. There’s no whammy bar or anything on the Les Paul, so I’ve had to step up my actual playing instead of relying on sound effects. Have you found that your style has changed at all since you got the Les Paul? Segall: With the Mustang, I was super-reliant on the tremolo bridge. It’s like a grown-up’s version of an electric guitar.įor his new album, Segall enlisted the skills of veteran indie-rock producer Steve Albini, who got beefy guitar tones and kept the tracking lean. The sustain is insane compared to the Mustang. The Mustang-it’s bright and twangy, whereas the Les Paul is full-bodied, resonant. What’s it like going from the Mustang to the Les Paul in terms of sounds? Segall: It’s like a similar thing with how it feels. It feels like a toy compared to the Les Paul. I wouldn’t say I’m technical or anything, so it’s funny, now going back to the Mustang-realizing it’s a three-quarter scale. I don’t know much about guitars really, and I’m not like a studied guitar player. Before that, I played a Mustang kind of exclusively. It’s totally beat to shit, but I love that thing.

#TY SEGALL BAND TABS SERIAL#

I play a ’69 Les Paul, but I got it looked at, and supposedly it’s a late ’50s one that just has a ’60s serial number. I chatted to Segall and Kelly about the period-correct gear they used in creating those sounds, how Albini captured them perfectly in the studio, and how their home state of California plays into all of this. Joined by guitarist Emmett Kelly, multi-instrumentalist Mikal Cronin, drummer Charles Moothart, and keyboardist Ben Boye, Segall continues to explore pre-1980s sounds on the recording while stretching out with extended jamming and clearly relishing the energy of leading a live band.

#TY SEGALL BAND TABS FULL#

Segall recorded with a full band for the first time on his latest album, which is also called Ty Segall. “I’ve played with people where you’re both racing each other to the finish line or some shit like that, and that’s totally wack.” -Ty Segall He approaches the guitar in an appropriately non-schooled way, getting maximum mileage from a select palette of harmonic and melodic sources, all with great frenzy and groove. Since releasing his self-titled debut in 2008, Segall has played most of the instruments on his albums. But over the past decade, working solo and with various bands in the Bay Area and Los Angeles, he’s already created an impressive body of work that neatly synthesizes the sounds of his wide-ranging 1960s and ’70s influences: surf and garage rock, and early metal, among others. Segall, a native of Laguna Beach, California, isn’t yet 30. Segall’s label, Drag City, posted a video of the act (the YouTube search term is “A Flush Down the Tylet”) to its website without any explanation, but this weirdness was hardly surprising coming from a musician known to perform onstage in an elaborate satanic baby costume. Albini pushed the porcelain bowl, emblazoned with Segall’s name, off a loading dock, causing it to shatter into many pieces, and Segall finished off the job with an axe. Last November, singer-songwriter and guitarist Ty Segall smashed a toilet with the help of the legendary producer and engineer Steve Albini.

#Ty segall band tabs

[rainingmusic]

Ty Segall - And, Goodnight

#ty segall #and goodnight #freedom's goblin #ty garrett segall #mikal cronin #emmett kelly #charles moothart #ben boye #shannon lay #garage rock #psychedelic rock #noise rock #blues #bolk #alternative rock #music #music is love #music is life #music is religion #raining music

[musickickztoo]

CONTRA2023 - 17

ALL THINGS MUST PASS

TRACKLIST:

The Jesus and Mary Chain - JAMCOD Snooper - Company Car The Smile - Wall Of Eyes Sklitakling - Skitten Fetter The Mistons - Contagious Geoff Palmer - Surfin' Nebraska TVAM - Ephemerol Charles Moothart - Roll Meatbodies - Hole J Mascis - Can't Believe We're Here Ducks Ltd. - Hollowed Out We Are Joiners - Turtles ShitKid - Dirty Guy Hot Garbage - Mystery Bitter/Washed - I Don't Care Pete Astor - Alle Ampel Auf Gelb

The 17th playlist of the year!!

#all new #jamc #snooper #shitkid #tvam #the smile #meatbodies #sklitakling #we are joiners #geoff palmer #hot garbage #pete astor #the mistons #j mascis #ducks ltd. #bitter/washed #charles moothart #garage rock #punk #post-punk #alternative #indie #playlist #mixcloud

[senorboombastic]

Live Review: FUZZ at Gorilla in Manchester 16 March 2023

Words: Andy Hughes Back in June 2018, Manchester received visiting Californian Ty Segall with much gusto. Along with his Freedom Band, Segall ripped it up at Gorilla just off Oxford Road and at the time, we suggested “It’s hard not to talk in hyperbole when recounting the events of the evening…“ March 2023 and we’re back to it, ready to exaggerate all over again with a caved-in-head session…

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#16 March 2023 #Birthday cake for breakfast #Chad Ubovich #Charles Moothart #Earthen Gate #Fuzz #Gorilla Manchester #Jack The Maggot #Live Review #Manchester #The 7th Terror #Time Collapse II #Ty Segall

[adsmusiconstellations]

Ty Segall & Freedom Band - Live on KEXP (2022)

https://ty-segall.com / http://kexp.org

#ty segall #freedom band #live on kexp #2022 #mikal cronin #emmett kelly #ben boye #charles moothart #usa #live #rock #video #KEXP

[matthias-songbook]

Fuzz, le projet le plus intéressant de Ty Segall, revient cet automne, putain de merde

Je crois que j’en ai marre de l’été. Ça y est, j’arrive à saturation. Au-delà de la ligne d’horizon bien droite formée par l’encéphalogramme de mon activité cérébrale, replongeant la tête la première dans la télé et le vide créatif quasi-total, voilà qu’une fois n’étant pas coutume, une bonne partie de ce que j’écoute me fait chier. C’est un fait : ajoutez à ça l’unique moustique au rendez-vous du creux de la nuit, celui qui bourdonne au plus près de l’oreille et qui donne envie d’enfoncer des murs à coups de front, et la période estivale commence à s’apparenter à une petite mort (non, pas celle-là, bande de pervers), celle qui ferait presque regretter la grande, la vraie, tandis que le cercle vertueux de la colère inutile nous fait passer nos journées d’une humeur terrible sans que l’on parvienne à expliquer pourquoi. Ce qui énerve encore plus - de quoi devenir malade.

C’est dans ce contexte tout pété que Ty Segall (qu’on ne présente plus) a décidé d’annoncer la sortie du troisième album de Fuzz, groupe au sein duquel il officie à la batterie aux côtés de deux autres musiciens dont j’ai la flemme de chercher les noms. Toujours est-il qu’il s’agit très probablement du projet le plus intéressant du bonhomme (avec lui, il faut dire qu’on a l’embarras du choix), mélangeant hard rock (voire carrément proto metal) à la Black Sabbath et envolées prog tirées d’une époque révolue - sans les chichis instrumentaux induits, un vrai luxe.

Le bien nommé “Returning” fait office de premier extrait. C’est presque aussi paresseux que moi, qui n’ai pas grand chose à dire dessus. Mais ça a le mérite d’attirer mon attention pour la sortie du disque, tout aussi sobrement baptisé III, prévue pour le 23 octobre prochain via le label In the Red Records. Soudain, l’automne paraît loin. Et merde.

#fuzz #ty segall #charles moothart #chad ubovich #iii #returning #in the red records

[paulisded]

The Ledge #613: First Quarter Recap

During the process of putting together tonight's look back at the first three months of 2024 I suddenly realized that just by looking through the January and February releases I already had more than enough tunes for a two hour show. That's without even taking a look at a jampacked March! 

Obviously, that means I had to cut out quite a few fave songs for tonight's show. My suggestion is for everyone to go back and listen to the new release episodes of the last three months to check out anything missed in tonight's broadcast.

It has been a great year for music, although I confess that I say this each and every year. But the fact is that those who complain that rock and roll was only great in their teen years are just plain wrong. That's a "you" problem. There's something for everyone tonight - ferocious punk, hookladen power pop, a blast or two back to roots rock. There's brand new bands and grizzled veterans. Take a chance and give them a shot!

CLICK HERE TO DOWNLOAD THE SHOW!

1. The Silent Treatment - First World Problems

2. Shadow Show - Your Fantasy

3. Waxahatchee - Ice Cold

4. The Hillbilly Moon Explosion - Sometimes Late At Night

5. The Paranoid Style - I Love the Sound of Structured Class

6. Sarah Shook & the Disarmers - Motherfucker

7. Daniel Romano - Where's Paradise

8. David Nance - Mock the Hours

9. Brent Seavers - Of Poetry

10. Lorne Behrman - The Blue Goes on Forever

11. Ducks Ltd. - Cathedral City

12. Apollo Ghosts - Faded Neil Young Shirt

13. Marc Valentine - Tyrannical Wrecks

14. Mala Vista - 9 Ball

15. Ty Segall - Reflections

16. Charles Moothart - Hold On

17. Meatbodies - They Came Down

18. IDLES - Hall & Oates

19. J Mascis - Can’t Believe We're Here

20. The Jesus And Mary Chain - Venal Joy

21. The Bevis Frond - Gods' Gift

22. TH' LOSIN STREAKS - Me 'n' Z

23. Faz Waltz - The Way You Roll

24. The Sleeveens - Give My Regards to The Dancing Girls

25. Acumen - Hocus Pocus

26. Dartz - Gender Reveal Burnout

27. The Blamers - Sex Trail

28. Christy Costello - Uranium Baby

29. KRYYE - Sanda Duval

30. Sheer Mag - Eat It and Beat It

31. Pouty - Virgos Need More Love

32. Smalltown Tigers - In A Dream (With A Fool Like You)

33. Spiral Heads - Don't Wanna See You Around

34. Pleasants - Interwebs (Sex, Drugs 'n' Theft)

35. Split System - The Wheel

36. Jittery Jack with Amy Griffin on Guitar - Avid Indoorsman

37. His Lordship - I'm So Bored Of Being Bored