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#Cargo 2006
moodysullie · 10 months
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It's in his contract, trust me.
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ithilien-wolf · 11 months
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"Closer... closer..."
Daniel Brühl in Cargo, 2006
Dir. Clive Gordon
Part 6/6
Part 1 | Part 2 | Part 3 | Part 4 | Part 5
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six-demon-bag · 5 months
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Under the Table Negotiations
Pairing: Chris* (Cargo)/Someone
*yep you guessed it, daniel brühl again
Summary: Chris, trying to find a ship to stowaway on to get back to Europe, catches the attention of a sailor who’s willing to let him sneak on board…for a price.
Rating: Explicit
Tags: Rough Oral Sex, its kind of like prostitution i guess idk, Plot What Plot/Porn Without Plot, Fix-It
Word count: 1211
Link: Under the Table Negotiations
Excerpt:
“You wanna get on board, could look away for a few minutes…” the man trails off and shrugs. “For a price.” “I don’t have much money,” Chris says nervously. “What-” “Not money,” the man says. He leers and palms Chris’ jaw with one hot hand. His thumb runs across Chris’ lower lip, and Chris swallows. “Your choice,” the man says, dropping his hand and sitting back in his chair.
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dotted-clouds · 6 months
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I played Pokemon Ranger again today so have 2am doodles :3c
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kikidewynter · 3 months
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lin in black cargo pants and a white racing jacket
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lesdeuxmuses · 26 days
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Sasquatch - II (Small Stone Records, Cargo Records, 2015)
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nasa · 7 months
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What’s It Like to Work in NASA’s Mission Control Center?
In the latest installment of our First Woman graphic novel series, we see Commander Callie Rodriguez embark on the next phase of her trailblazing journey, as she leaves the Moon to take the helm at Mission Control.
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Flight directors work in Mission Control to oversee operations of the International Space Station and Artemis missions to the Moon. They have a unique, overarching perspective focused on integration between all the systems that make a mission a success – flight directors have to learn a little about a lot.
Diane Dailey and Chloe Mehring were selected as flight directors in 2021. They’ll be taking your questions about what it’s like to lead teams of flight controllers, engineers, and countless professionals, both agencywide and internationally, in an Answer Time session on Nov. 28, 2023, from noon to 1 p.m. EST (9-10 a.m. PST) here on our Tumblr!
Like Callie, how did their unique backgrounds and previous experience, prepare them for this role? What are they excited about as we return to the Moon?
🚨 Ask your questions now by visiting https://nasa.tumblr.com/ask.
Diane Dailey started her career at NASA in 2006 in the space station Environmental Control and Life Support Systems (ECLSS) group. As an ECLSS flight controller, she logged more than 1,700 hours of console time, supported 10 space shuttle missions, and led the ECLSS team. She transitioned to the Integration and System Engineering (ISE) group, where she was the lead flight controller for the 10th and 21st Commercial Resupply Services missions for SpaceX. In addition, she was the ISE lead for NASA’s SpaceX Demo-1 and Demo-2 crew spacecraft test flights. Dailey was also a capsule communicator (Capcom) controller and instructor.
She was selected as a flight director in 2021 and chose her call sign of “Horizon Flight” during her first shift in November of that year. She has since served as the Lead Flight director for the ISS Expedition 68, led the development of a contingency spacewalk, and led a spacewalk in June to install a new solar array on the space station. She is currently working on development of the upcoming Artemis II mission and the Human Lander Systems which will return humanity to the moon. Dailey was raised in Lubbock, Texas, and graduated from Texas A&M University in College Station with a bachelor’s degree in biomedical engineering. She is married and a mother of two. She enjoys cooking, traveling, and spending time outdoors.
Chloe Mehring started her NASA career in 2008 in the Flight Operations’ propulsion systems group and supported 11 space shuttle missions. She served as propulsion support officer for Exploration Flight Test-1, the first test flight of the Orion spacecraft that will be used for Artemis missions to the Moon. Mehring was also a lead NASA propulsion officer for SpaceX’s Crew Dragon spacecraft and served as backup lead for the Boeing Starliner spacecraft. She was accepted into the 2021 Flight Director class and worked her first shift in February 2022, taking on the call sign “Lion Flight”. Since becoming certified, she has worked over 100 shifts, lead the NG-17 cargo resupply mission team, and executed two United States spacewalks within 10 days of each other. She became certified as a Boeing Starliner Flight Director, sat console for the unmanned test flight in May 2022 (OFT-2) and will be leading the undock team for the first crewed mission on Starliner in the spring of next year. She originally is from Mifflinville, Pennsylvania, and graduated with a bachelor’s degree in aerospace engineering from The Pennsylvania State University in State College. She is a wife, a mom to one boy, and she enjoys fitness, cooking and gardening.
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jordanelemus · 1 month
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ybc musical costume in-depth analysis! 💥🎸🎱
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hi! I'm jordan, the costume designer (and also an actor and co-writer) of "the young blood chronicles" musical! i posted this on instagram, but i thought it might be cool to post it here too!
my initial role in “the young blood chronicles” musical was costume design, which, as a fashion enthusiast, i was incredibly excited about. i spent about a month curating a huge pinterest board collection and creating individual moodboards. the show takes place in 2013, but i wanted to take inspiration from both pre and post-hiatus fall out boy looks! here’s an in-depth look :’)
patrick’s main inspo was his “soul punk” era, which lives distinctly in the hiatus. i wanted something that would remind us that years had passed since the last time the band had made music together; something cool and trendy, but a little too dressed up for a long day in the studio. even when not onstage, ybc patrick is performing. clothes can give you power and he knows that. the yellow sunglasses were our way of getting around patrick’s glowing yellow eyes from the music videos, but i really love how it makes it seem like he has a mask on. it makes the end of “miss missing you” even more heartbreaking.
pete’s main inspo came from both his early clandestine drops as well as his more androgynous looks (both pre & post-hiatus). pete really cares about fashion, but he still has a chill la vibe. 2013 pete could often veer more edgy, but i chose to move in a different direction in order to better distinguish pete and patrick’s styles. unless you’re a vixen or patrick, you don’t get a leather jacket! sorry pete! to me, pete’s fashion has always felt so current while still being forward-thinking. ybc pete’s outfit could be from 2006 or 2024 and that was very purposeful!
andy’s looks are mostly pulled from more recent years, but band tees never go out of style. the mesh top under the tee alludes to his tattoos, which make up the extent of his stage looks these days since he typically does shows without a shirt on. celia had this mesh top in her closet and i love the colors on her (it’s the only source of color in the heaven outfits!). andy’s outfit is maybe the simplest of the four on paper, but i think it’s sick. it’s laid back, but super specific and grounded. it makes me want to start wearing basketball shorts.
joe’s looks are pulled from both pre-hiatus and early post-hiatus looks! striped sweaters & cargo pants are things he’s worn before, so i'm lucky i had them in my closet (especially since i wasn’t originally joe!). joe, especially in recent years, really likes wearing dark colors onstage, but, similar to how i avoided leather jackets for pete, i wanted to very clearly differentiate the boys from the vixens. any black piece of clothing on any of the boys had to be broken up with a design or pattern. no all black outfits! sorry joe!
the goal with the heaven outfits was to make the exact same outfits in all white. i wanted the exact same silhouettes as before. i’d say we were pretty successful! we got really lucky when it came to finding these costume pieces.
my vixens! these costumes were a lot more nebulous throughout the process. many of the costume pieces came from the actors’ own wardrobes. it was really important to me that each vixen had her own distinct style. baylee’s vixen (whom she named blair) has a more feminine style, her main costume piece being a lacy leotard. she's sweet with an edge. ava’s vixen is second-in-command & her outfit really screams that. the lingerie top is so killer. alexa’s vixen is almost a mix of baylee’s & ava’s in terms of style. the outfit is sweet, but edgy with the ripped tights & lingerie-style top. lauren’s vixen is a little more utilitarian, actually dressed in a way that makes sense for kidnapping four people. she’s more sporty than the others, but her combat boots are incredibly threatening. hbic is all that and more. her outfit is simple, but powerful. she is terrifying.
tiffany had to feel a bit like an outsider. she’s wearing the vixen clothes, but her jacket has some color on it. it’s a little too big on her. the other vixens really live in & embody their clothes, but for tiffany, it's a bit more like a costume.
here’s how i describe the angels: 1) the hottest girls at the ren faire & 2) like that picture of the angel guiding the two kids that every latine family has in their house. they almost feel out of place; so incredibly fluid in a show that is mostly made up of harsh lines. texture and layers were really the name of the game here, but the angels still have an edge to them. to quote fob: “…angels choking on their halos, get them drunk on rose water. see how dirty i can get them, pullin' out their fragile teeth & clip their tiny wings.”
+ i made pete’s bass machete and tiffany’s/joe’s guitar axe! i don’t have much to say about them, but i loved getting to utilize my cosplay foam skills.
this was my first time ever costuming a show and it was such a dream. the entire cast was so willing to experiment with me and it was such a joy to revisit aspects of 2013 fashion, which i remember from my preteen years, but never got to truly participate in! :’)
- jordan <3
ig: @/jordanelemus
photos: @/cararittner on ig!
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Hoodoo, Rootwork and Conjure sources by Black Authors
Because you should only ever be learning your ancestral ways from kinfolk. Here's a compilation of some books, videos and podcast episodes I recommend reading and listening to, on customs, traditions, folk tales, songs, spirits and history. As always, use your own critical thinking and spiritual discernment when approaching these sources as with any others.
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Hoodoo in America by Zora Neale Hurston (1931)
Mules and Men by Zora Neale Hurston (1936)
Tell my horse by Zora Neale Hurston (1938)
Let Nobody Turn Us Around: An African American Anthology by Manning Marable and Leith Mullings, editors (2003)
Black Magic: Religion and the African American Conjuring Tradition by Yvonne P. Chireau (2006)
African American Folk Healing by Stephanie Mitchem (2007)
Hoodoo Medicine: Gullah Herbal Remedies by Faith Mitchell (2011)
Mojo Workin': The Old African American Hoodoo System by Katrina Hazzard-Donald (2012)
Rootwork: Using the Folk Magick of Black America for Love, Money and Success by Tayannah Lee McQuillar (2012)
Talking to the Dead: Religion, Music, and Lived Memory among Gullah/Geechee Women by LeRhonda S. Manigault-Bryant (2014)
Working the Roots: Over 400 Years Of Traditional African American Healing by Michele Elizabeth Lee (2017)
Barracoon: The Story of the Last "Black Cargo" by Zora Neale Hurston (2018)
Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals by Luisa Teish (2021)
African American Herbalism: A Practical Guide to Healing Plants and Folk Traditions by Lucretia VanDyke (2022)
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These are just some suggestions but there's many many more!! This is by no means a complete list.
I recommend to avoid authors who downplay the importance of black history or straight out deny how blackness is central to hoodoo. The magic, power and ashé is in the culture and bloodline. You can't separate it from the people. I also recommend avoiding or at the very least taking with a huge grain of salt authors with ties to known appropriators and marketeers, and anyone who propagates revisionist history or rather denies historical facts and spreads harmful conspiracy theories. Sadly, that includes some black authors, particularly those who learnt from, and even praise, white appropriators undermining hoodoo and other african and african diasporic traditions. Be careful who you get your information from. Keeping things traditional means honoring real history and truth.
Let me also give you a last but very important reminder: the best teachings you'll ever get are going to come from the mouths of your own blood. Not a book or anything on the internet. They may choose to put certain people and things in your path to help you or point you in the right direction, but each lineage is different and you have to honor your own. Talk to your family members, to the Elders in your community, learn your genealogy, divine before moving forwards, talk to your dead, acknowledge your people and they'll acknowledge you and guide you to where you need to be.
May this be of service and may your ancestors and spirits bless you and yours 🕯️💀
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lonestarflight · 9 months
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"This overhead image of the Space Shuttle Atlantis, recorded by a crewmember onboard the International Space Station, gives an excellent view of the hardware stowed in the cargo bay which will later be used to resume the construction of the orbital outpost."
Date: September 11, 2006
NASA ID: ISS013-E-79892
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deepdwellingsteamboat · 5 months
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DANIEL BRÜHL as Chris CARGO (2006)
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caostalgia · 1 year
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"... ¿cuánto habríamos durado, Ricardito?
—Toda la vida. Te habría hecho tan feliz que no me hubieras dejado nunca."
"—A mí me has hecho las peores maldades que puede hacerle una mujer a un hombre. Me has hecho creer que me querías, mientras que, con toda la tranquilidad del mundo, seducías a otros caballeros porque tenían más dinero, y me largabas sin el menor cargo de conciencia. No lo has hecho una sino dos, tres veces. Dejándome destrozado, aturdido, sin ánimos de nada..."
"—Estoy arrepentida. No volveré a hacerte ninguna mala pasada.
—No tendrás ocasión, porque nunca volveré a vivir contigo. A ti nadie te ha querido como yo, nadie ha hecho todo lo que yo... "
Vargas, M. (2006). Travesuras de la niña mala.
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ithilien-wolf · 11 months
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Daniel Brühl in Cargo, 2006
Dir. Clive Gordon
Part 3/6
Part 1 | Part 2 | Part 4 | Part 5 | Part 6
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six-demon-bag · 6 months
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cargo is the best movie ive ever seen in my life what the hell was that other than constant openings to porn scenes we were unjustly denied
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hhughes · 8 days
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▸  C H A R A C T E R P R O F I L E   ⨳ 𝑣𝑖𝑜𝑙𝑒𝑡 𝑘𝑖𝑛𝑔𝑠𝑡𝑜𝑛
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[ 𝟎𝟏 ]  ��─ 𝐁𝐀𝐒𝐈𝐂𝐒 !
name(s): violet jade kingston
nickname(s): vi, veevee, stoney
age: 21
birthday: 8 May 2003
birthplace: ann arbor, MI
allergies: none
conditions/illnesses: anemic
occupation: dancer! dances professionally for a few years, then choreographs and eventually opens her own studio in NYC.
education: BA in dance and business
current residence: michigan, USA
hobbies: learning all the dances in disney musicals, watching the step up movies on repeat, playing board games with whoever she can convince to risk playing with her (she gets a lil competitive), thrifting, adding to her sneaker wall collection.
[ 𝟎𝟐 ]  ── 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 !
height: 5’3 feet
eye colour: hazel
hair colour: brown
birthmark: she has a little birthmark on the inside of her left thigh that ironically looks like a little “L”
scars: she has a scar on her elbow from where she fell off her bike when she was little
tattoos: she has a matching tattoo with daxton on her wrist. he has a sun and she has a moon. she has luke and her future kids’ names on like under her boob on her side/ribs and then she has her and luke’s wedding date on her hip.
style: violet is very much a jeans, sweats, cargo pants and a cute babydoll T-shirt type of girly. because she dances I can totally see her wanting to be comfortable most of the time. she also loves her skirts tho, especially in the summer!
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accessories/piercings: below are the piercings I think Violet would have. as for accessories she has a little ring that’s engraved with her mom’s initials. she has her “L” necklace. and in the summer she wears an anklet (jules has a matching one)
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[ 𝟎𝟑 ]  ── 𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘 !
introvert/extrovert: violet is extroverted for sure! she’s very sociable and is one of those people who has friends in every class/group in school
temper: I don’t think violet is someone who gets angry very easily. it takes a lot to really make her angry and most of the time she only gets angry when people are rude/unfair towards people she loves, not even towards herself
communication style: assertive communicator! violet is extremely good at communicating and making the other person understand what she’s feeling and where she’s coming from while also making them feel heard and understood.
goals/desires: violet loves dancing and it’s been a life long goal of hers to open her own studio! she really wants a relatively big family (three kids)
flaws: violet is extremely stubborn. once she has made her mind up about something, it is very difficult to get her to change it. very self reliant, to the point where it’s a struggle to accept help from others (which frustrates luke sm) impatient!! violet is not the best at waiting for things.
strengths: understanding, confident, sympathetic, hard working.
fears: spiders, anything with more than four feet or no feet at all. the dark. deep waters.
quirks: bites her nails when she’s nervous. can’t sit still, she’s always doing something with her hands or swinging her legs. can’t do anything without listening to music.
[ 𝟎𝟒 ]  ── 𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏𝐒 !
mother: violet’s mother’s name was anastasia kingston. she was a teacher, both a school teacher and a dance teacher. her mom died when she was about twelve years old due to a drunk driver crashing into her.
father: her father’s name was trent kingston. he was a lawyer and played hockey up until university. he also died when violet was twelve in the same car crash.
sibling(s): violet has a younger brother named daxton who was born in 2006 and is three years younger than her. they are extremely close and violet has kind of taken the responsibility of taking care of him since their parents died.
other parental figure(s): when their parents died violet and daxton went to live with their grandma who was their only other living relative. neither of her parents had siblings. her grandma was the sweetest lady but she was also old and violet had to mature very quickly in order to take care of herself and daxton.
children: violet and luke eventually end up having three kids! their oldest son is named jax hughes. named after both of his uncles jack and daxton. then they have anastasia ellen hughes who is named after vi and luke’s moms. and then they adopt a little baby named quincy who they name after uncle quinn.
other family: once violet becomes good friends with luke in high school jim and ellen become like parents to her and daxton. they love them so much. ellen took a lot of responsibility for daxton; drove him to ntdp practices etc. and violet is forever grateful for everything their family has done for both of them. quinn and jack are like brothers to her and both of them adore violet so much.
sexual orientation: bisexual
relationship status: happily taken. (married in the way future)
partner: luke warren hughes
closest friends: dylan, jules, mark, ethan, quinn’s gf, jack’s gf, daxton’s gf, cole, nick.
[ 𝟎𝟓 ] ── 𝐋𝐈𝐊𝐄𝐒 !
fleetwood mac, the 1975, phoebe bridgers, gracie abrams, the harry potter series and ten things I hate about you, iced coffee, one tree hill, black, neutral colours and purple. lakes. cookies and cream ice cream. peanut butter cups! storms. asian cuisine.
[ 𝟎𝟔 ] ── 𝐃𝐈𝐒𝐋𝐈𝐊𝐄𝐒 !
loud chewers. the colour yellow. the smell of grass. traffic. mayo (gag).
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mayasaura · 22 days
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My ultimate review of Dead Boy Detectives is mixed. Mostly enjoyed it, can't reccomend it.
It's fun and nostalgic, the vibrant characters of Sandman merged with the aesthetic of Supernatural. The Black Parade trailer did not lie, this show was written for mall goths who carried BL horror manga in the cargo pockets of their tripp pants. I loved every second of the exaggerated drama of it all. Well, almost every second. We'll get to that.
The main problem is that its queer tropes are also.... uh, very 2006. Mostly it's nothing all that bad, just lots of gay boy pining tropes one could argue suit the genre. Then there are the lesbians. Holy shit. The overt cliche homophobia of the lesbian side plot just about ruined the show for me.
Specifics under the cut.
So, it's bad. Unexamined, unsubverted, straight-up psycho-killer lesbian stalker bad. It starts off seeming like a sweet romcom side plot, and ends with the woman who sent secret love letters snapping and chasing her date with a meat cleaver before dying graphically on-screen. It ticks every fucking box. Yes, she snapped the second her date rejected her, and yes, her date rejected her because she figured out she was a stalker, and yes the psycho stalker lesbian is also the one who initiated both their short-lived relationship and their first kiss. There weren't even any warning signs before the twist, just cute rom-com to lesbophobic slasher film in ten seconds flat. In the year 2024. And this was the only instance of a woman showing interest in another woman in the entire show. What the fuck.
For the more ymmv outdated tropes, there's the Cat King, who comes across a bit like if you'd dug the Goblin King Jareth out of a dumpster. Homophobic portrayal of a predatory gay man, or edgy but relateable agent of a sexual awakening? Take your pick, I could see it either way. Then there's the protagonist, whose character arc dealing with repressed homosexuality takes him to hell and back, until he ends the series comfortably settled into.... being in unrequited love with his best friend. Okay.
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