#Bruno Delbonnel

[josefksays]

The Ballad of Buster Scruggs (2018) landscape  

#The Ballad of Buster Scruggs #Coen brothers #the art of cinematography #Bruno Delbonnel #places #nature #a thing of beauty #my edits

[cine-odyssey-blog]

Amélie | dir. Jean-Pierre Jeunet | 2001

DoP: Bruno Delbonnel

#amélie #2001 #le fabuleux destin d'amélie poulain #amelie #00s movies #amelie poulain #audrey tautou #french cinema #jean pierre jeunet #bruno delbonnel #cinema #mine #.a

[filmy420]

#johnny depp #michelle pfeiffer #dark shadows #2010s #bruno delbonnel #tim burton

[junior-stargazer-goke91]

The Woman in the Window (2021)

Director: Joe Wright

Cinematographer: Bruno Delbonnel

#amy adams #joe wright #bruno delbonnel #the woman in the window

[astolfocinema]

Inside Llewyn Davies (2013) ------------------------------- dir. Joel & Ethan Coen cin. Bruno Delbonnel cs. USA, France, UK

#inside llewyn davis #2013 #2013 movies #joel coen #ethan coen #oscar isaac #bruno delbonnel #american cinema

[meanwhileoutsidethecave]

#the tragedy of macbeth #joel coen #bruno delbonnel #film photography #film

[supercalifragipopculturevomit]

CINEMATOGRAPHY SPOTLIGHT: Darkest Hour (2017) Director Joe Wright Cinematographer Bruno Delbonnel Starring Gary Oldman, Kristin Scott Thomas, Lily James

"Success is not final, failure is not fatal. It is the courage to continue that counts." ~Winston Churchill

#darkest hour #joe wright #gary oldman #winston churchill #bruno delbonnel #cinematography #cinematography spotlight #film #quotes #2017

[cinephilesadeqi]

Movie Analysis and Review: "Amélie" (2001)

Synopsis:“Amélie” is a whimsical comedy directed by Jean-Pierre Jeunet, portraying the life of a young woman, Amélie, who orchestrates the lives of those around her to create a world of her own making. Set against the backdrop of modern-day Paris, the film captures the city’s charm and mystery through the eyes of the beautiful ingenue. Key Themes:The film explores magical realism, loneliness,…

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#Amélie #Audrey Tautou #Bruno Delbonnel #Character Analysis #Cinematic Brilliance #Cinematic Experience #Cinematography #Farid M. H. Sadeqi #Farid Sadeqi #Film Review #French Cinema #Guillaume Laurant #Hosein Tolisso #Jean-Pierre Jeunet #Jean-Pierre Jeunet&039;s Direction #Magical Realism #Mohammad Hosein Sadeqi #Movie Analysis #Parisian Charm #Positive Narrative #Soundtrack #Transformation #Whimsical Comedy

[bigspoopygurl]

The Tragedy of Macbeth (2021)

“Tomorrow, and tomorrow, and tomorrow, creeps in this petty pace from day to day to the last syllable of recorded time. And all our yesterdays have lighted fools the way to dusty death. Out, out, brief candle. Life is but a walking shadow... a poor player that struts and frets his hour upon the stage and then is heard no more. It is a tale told by an idiot... full of sound and fury, signifying nothing.”

Director: Joel Coen

Cinematographer: Bruno Delbonnel

#The Tragedy of Macbeth #Joel Coen #Bruno Delbonnel #telelizion

[vibe-stash]

Amélie (2001) Director: Jean-Pierre Jeunet Cinematography: Bruno Delbonnel Production Design: Aline Bonetto Art Direction: Mathieu Junot

#cinematography #film stills #jean pierre jeunet #amelie #french film #the colors in this movie tho

[tequilatime]

The Tragedy of Macbeth (2021) (Dir. Joel Coen) (DoP. Bruno Delbonnel)

#the tragedy of macbeth

[cine-odyssey-blog]

Amélie | dir. Jean-Pierre Jeunet | 2001

DoP: Bruno Delbonnel

#amélie #audrey tautou #amelie #2001 #le fabuleux destin d'amélie poulain #00s movies #bruno delbonnel #french cinema #jean pierre jeunet #cinema #mine #movietitles #.a

[filmy420]

#bella heathcote #dark shadows #2010s #bruno delbonnel #tim burton

[junior-stargazer-goke91]

Amélie (2001)

Director: Jean-Pierre Jeunet

Cinematographer:  Bruno Delbonnel

#dailyworldcinema #amélie #audrey tautou #amélie poulain #amelie #jean pierre jeunet

[byneddiedingo]

Oscar Isaac in Inside Llewyn Davis (Joel Coen and Ethan Coen, 2013)

Cast: Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, Justin Timberlake, Adam Driver, F. Murray Abraham, Stark Sands, Ethan Phillips, Robin Bartlett. Screenplay: Joel Coen, Ethan Coen. Cinematography: Bruno Delbonnel. Production design: Jess Gonchor. Film editing: Ethan Coen, Joel Coen. 

The flashback is a time-honored storytelling device in movies, but if virtually the entire film is a flashback, the device better have a purpose for its existence. In Sunset Blvd. (Billy Wilder, 1950), for example, the film flashes back to tell us whose corpse is floating in that swimming pool and why. Inside Llewyn Davis starts with Davis (Oscar Isaac) performing in a Greenwich Village club, then being beaten up for some unknown offense by a man outside that club. The film then flashes back to several days in the life of Davis in which, among other things, he becomes encumbered with a cat, learns that a woman (Carey Mulligan) he knows is pregnant and wants him to fund an abortion, travels to Chicago to try to find a well-paying gig, tries to give up his music career and rejoin the Merchant Marine, and then finally returns to the night he performed at the club and was beaten up, whereupon we learn that he had cruelly heckled his attacker's wife the night before. Is there a meaning to this method of storytelling? If there is, it's probably largely to make the point that Davis is caught in a vicious circle, a spiral of depression and self-destructive behavior. Llewyn Davis is a talented folk musician in a business in which talent alone is not enough: As the Chicago club-owner (F. Murray Abraham) tells him after he performs a song from the album Davis is trying to push, "I don't see a lot of money here." Davis doesn't want a lot of money, just enough to pay for his friend's abortion (which it turns out he doesn't need) and to stop couch-surfing, but every time he is on the verge of making it, something rises up to thwart him. In the movie's funniest scene he goes to a recording gig to make a novelty song, "Please Please Mr. Kennedy," which his friend Jim (Justin Timberlake) has written about an astronaut who doesn't want to go into space -- or as Al Cody (Adam Driver), the other session musician, intones throughout the song, "Outer ... space" -- but he signs away his rights to residuals because he needs ready cash. Of course, the song becomes a huge hit. As unpleasant as Davis can often be, his heart is really in the right place: Not only does he agree to fund his friend's abortion, even though the baby may not be his, he conscientiously looks after the cat he accidentally lets out of the apartment where he has been sleeping, and when the cat escapes again he nabs it on the street -- only, of course, to find out that the cat he has picked up is the wrong one. Are the Coens telling us something about good deeds always being punished? Are they telling us anything that can be reduced to a formula? I think not. What they are telling us is that life can be like that: random, unjust, bittersweet. And that, I think, is enough, especially when the lesson is being taught by actors of the caliber of Isaac (in a star-making role), John Goodman (brilliant as usual, this time as a foul-mouthed junkie jazz musician), and a superbly chosen supporting cast. The Coens always take us somewhere we didn't know we wanted to go, but are glad they decided to take us along.

#Inside Llewyn Davis #Joel Coen #Ethan Coen #Oscar Isaac

[meanwhileoutsidethecave]

#the tragedy of macbeth #joel coen #bruno delbonnel #film photography #film