#As an artist i can draw anything i want into reality this includes characters fishing

[ryebreadedd]

yeah i dont really have anything other than a friend asked me to draw callie so i drew her fishing because i could

#my art #splatoon #callie splatoon #As an artist i can draw anything i want into reality this includes characters fishing

[ducktracy]

happy birthday, tex avery!

today’s an important day for every cartoon fan. 112 years ago today, tex avery was born! probably one of the biggest contributors to animation, the man responsible for bugs bunny, elmer fudd, daffy duck, droopy, screwy squirrel, chilly willy, wild animation... there’s much to celebrate.

born in texas (hence the nickname, real name frederick), tex arrived in los angeles on january 1st, 1928 to start a new career. nothing much, just menial jobs: working in a warehouse, loading fruits and vegetables at the docks, painting cars, and finally painting animation cels for the oswald cartoons. moving from the short lived winkler studio to the universal studio, he became an animator in 1930.

(courtesy of tom klein.)

perhaps his work at universal spawned the most important event in tex's career. in 1933, he and a couple of his animation buddies were horse-playing. the game: shooting a spitball with a rubber band at the backs of peoples heads, yelling “bulls eye!” if shot successfully. the game evolved from spitballs to paperclips. animator charles hastings was armed with a paperclip and had his sights set on tex. someone yelled “look out, tex!”, and tex’s initial reaction was to turn around. vision in his left eye was gone in an instant. some people attribute the lack of depth perception to tex’s unconventional, warped point of view inserted in his cartoons.

universal was proving to be a lousy job for tex. he himself admitted that he wasn’t much of an animator. “i was never too great an artist. i realized there at lantz’s that most of those fellows could draw rings around me... i thought, brother! why fight it? i’ll never make it! go the other route. and i’m glad i did. my goodness, i’ve enjoyed that a lot more than i would have enjoyed just animating scenes all my life.” he was let go in april 1935 after the quality of his work declined thanks to a lack in interest. two days later, he and his girlfriend (an inker at the studio) got hitched and honeymooned in oregon. they arrived back in hollywood in may, where tex approached leon schlesinger.

to say warner bros was short staffed in terms of directors was an understatement. ben hardaway had just left, and friz freleng and jack king were the only directors there. tex flubbed his way in, citing his experience "'hey, i’m a director'. hell! i was no more a director than nothing, but with my loud mouth, i talked him into it."

(the termite terrace crew in 1935. from left to right: virgil ross, sid sutherland, tex avery, chuck jones, and bob clampett.)

though there were few directors when tex arrived, the staff was beginning to outgrow the studio. tex and his unit (virgil ross, sid sutherland, chuck jones, and bob clampett) moved into a rickety building they unceremoniously dubbed termite terrace as a result of the termite population within the bungalow.

tex’s first directed cartoon was gold diggers of ‘49, where he borrowed friz freleng’s characters of beans, kitty, and porky from the cartoon i haven’t got a hat. while beans was beginning to have his own small series of cartoons, this marks the second ever appearance of porky and is thusly an important occurrence. if tex didn’t use him, who knows what porky’s fate would be? gold diggers beans and porky are in the heart of the gold rush. beans strikes it big (tex’s love of gag shining brilliantly already as beans pulls a slot machine lodged into the side of a mountain) and invites all of his friends to dig for more gold. porky’s bag of gold is taken away from a villain, and he bargains that if beans can get the bag back, he’s allowed to marry his daughter (kitty). beans eagerly accepts and follows the villain. what ensues is an exhilarating gunfight turned car chase, tex’s knack for speed drastically picking up the pace of the cartoon. it’s exhilarating, rushing, and brought a much needed energy to warner bros at the time. perhaps even more amusing than the chase is the payoff itself: porky gets the bag back, which isn’t gold at all, but instead a hearty sandwich.

almost right away, tex rose to the top at the studio. some of his earliest merrie melodies (which had been exclusively reserved for friz freleng prior) include page miss glory and the classic i love to singa, both beautiful cartoons in their own ways. tex now served as the model. his gags were funny, his pace was quick, his cartoons GOOD, friz freleng and eventually frank tashlin adopting the change in pace. jack king, unfortunately, wasn’t faring well with the change, and his slower, duller cartoons stuck out like a sore thumb. he returned to disney in april of 1936.

porky’s duck hunt serves as an especially important cartoon directed by tex, marking a number of firsts. it’s the cartoon debut of daffy (who is unnamed, though model sheets label him as that crazy darn fool duck), and he first time mel blanc voiced porky. porky is also considerably slimmed down. the cartoon is exactly as it sounds: porky embarks on a duck hunt, but a screwy duck prevents him from getting anything accomplished.

the cartoon itself, in comparison to tex’s others, isn’t really that special. a bunch of drunken fish hilariously singing a rendition of “moonlight bay” serves as the highlight. it’s not a bad cartoon at all, i love it a lot and it’s one of my favorites, but it IS rather repetitive, and daffy is pretty stark in personality. 75% of his dialogue is reduced to quacks. but what DOES have personality, which would shape his entire character, is a particular exit animated by bob clampett.

porky fires his gun and strikes daffy, who flops into the water. ecstatic, porky sends his dog after him. all we see is a black blob in the water, and daffy haughtily tosses the unconscious dog on the shore instead of the other way around. flummoxed, porky pulls out some paper, flipping through it and protesting “hey, that wasn’t in the script!” daffy laughs it off. “don’t let it worry ya, skipper. i’m just a crazy, darn fool duck!” with that, he gives his signature hoo-hoo laugh as he literally flips into the horizon, twirling and hopping, clicking his heels, hoo-hooing all the way along. great animation by bob clampett and definitely entertaining, and a scene that would serve as the basis for his trademark laugh and his truly daffy personality (that would begin to die down as early as 1938).

tex made a number of other good cartoons, experimenting with daffy some more and playing with porky a little more until exclusively dedicating his time to merrie melodies in friz freleng’s absence (who was at MGM). the one that truly changed looney tunes was released on july 27th, 1940, titled a wild hare.

bugs bunny had existed before tex touched him, but didn’t at the same time. he was conceived by ben “bugs” hardaway in 1938 with porky’s hare hunt. very similar to porky’s duck hunt, the screwy rabbit taunts porky and prevents him from getting a good shot. the only thing bugs has in common with his prototype self is his species and name. (he wasn’t formally called bugs then, and thanks to a false story by mel blanc where blanc referred to the prototype as “happy rabbit” fans have assumed that was his prototype name. in reality, model sheets and illustrations from picture books around 1938-1939 name him as bugs’ bunny, possessive after ben “bugs” hardaway.) bugs is portrayed as a white rabbit with a hayseed voice and woody woodpecker laugh in hare hunt, not at all the cool new yorker we know and love him as. he reappeared in a few other cartoons, still his hayseed self in hare-um scare-um and a more collected take by chuck jones in cartoons such as elmer’s candid camera and elmer’s pet rabbit. hare-um scare-um turned the previously white rabbit into a gray and white rabbit with yellow gloves.

nevertheless, tex borrowed this strange rabbit and paired him with another character of his by the name of elmer fudd. elmer’s hunting wabbits, but bugs predictably taunts him the entire time and makes his life a living nightmare. the cartoon isn’t much different than the other hunting cartoons: prey drives hunter crazy, and prey ends up winning. it’s really just a glorified porky’s hare hunt. but at the same time, it has a certain charm. this previously unappealing, obnoxious rabbit is now cool, calm, and collected. an era of cartoons dominated by screwballs like daffy is now interrupted by the opposite, a smooth talking rabbit who always wins. bugs was rather temperamental in his early 40s cartoons, much more thin skinned, abrasive, and often a downright bully, but there was still something so different about him that audiences resonated with him regardless. so, while tex isn’t the true father of bugs, he absolutely is at the same time.

many fans believe that tex left warner bros after a dispute with schlesinger pertaining to his cartoon the heckling hare. in the cartoon, bugs (as the title suggests) heckles a dimwitted dog repeatedly. at the end, the two of them end up falling off of a cliff. both bugs and the dog cling to each other, screaming all the way. the scene is LENGTHY, nearing a minute of nonstop screaming. which, of course, is the joke. to see how long the audience can stand it. however, the cartoon cuts to an end rather abruptly. evidently, bugs and the dog were going to stop, with bugs remarking “hold onto your hats, folks, here we go again!” and thusly launching into a second fall. however, the “hold onto your hats, folks!” was a rather crude joke at the time, and thusly that’s assumed how the cut came to be.

story goes that avery left the studio as a result of the censorship, which seems plausible. however, that’s not the case. tex was itching to do a series of live-action shorts, with real, live-action animals talking and cracking jokes with animated mouths. tex wanted to do it, schlesinger didn’t. tex lived out his dream at paramount for a short amount of time, and thankfully for the rest of us got some sense and moved to MGM in september 1941 to make cartoons once more.

i’ve gone on way longer than i intended, and there’s still so much to be said about tex! all of tex’s best cartoons were at MGM, no doubt. he invented droopy, red, the wolf... red hot riding hood is considered one of the greatest cartoons of all time and spawned a number of sequels starring red and the wolf. all of the great qualities of tex’s cartoons from warner bros exploded at MGM. the fourth wall breaking, the gags, the speed... he also made the iconic “tex avery take”. limbs flying off characters and super big eye bulges... they’re absolutely fantastic. there’s so much to say about tex that can’t be articulated! he’s one of my favorite directors for sure and such an important figure in animation. he deserves all the praise and respect he gets and more.

happy birthday, tex!

#long post #analysis #this doesn’t do him justice you need to watch his cartoons yourself! esp his mgm stuff #avery

[nerdycatastrophe]

Idk did some pixel art and I’m now gonna attach my danganronpa fancharacter biographies because I can :DD (sprite edits, character details and designs are subject to change btw and this very post will be re-blogged everytime I edit something.)

W/ SCARF AND BEANIE

Name and Talent:

Ikani Rinyu, Ultimate Digital/Multimedia Artist

Birth Date and Age:

February 13, 16 years old

Race and Ethnicity:

Polynesian Japanese // Filipino Japanese

Accent:

Japanese, just...japanese.

Blood Type:

A+

Weight and Height:

128 lbs, 5'2 ft

Mental or Physical disorders:

Recovering Pyromaniac (I’m still researching about Inattentive ADHD and if this oc has accurate symptoms) and Peptic Ulcer

Sex, Pronouns and Gender identity:

Biologically Female, Prefer She/Her/Herself & They/Them/Themself or any pronouns & Demi-girl

Sexual and Romantic orientation:

Asexual Biromantic

Religion / Belief:

Agnostic

Other Hobbies:

Cooking, Baking, Making things out of matchsticks and wood and Drawing traditionally.

Likes:

Making digital artworks, playing with match sticks and flowers.        

Loves:

The idea of setting things on fire or being around fire (for emotional reasons and urges) and warmth.      

Dislikes:

Theft-related activity, acidic food and seafood.

Despises:

The idea of water and feeling cold.

Personality type and traits: ISFP

(INTROVERTED;SENSING;FEELER;PERCEIVING)

Personality description:

Ikani is mostly self-aware of reality’s hardships yet tend to keep up an ‘’whatever goes, is what happen and I cannot potentially do anything to change that.’’ carefree, reckless, will only believe when she has seen attitude that pretends to be a healthy optimistic nihilist way of dealing with life but when unmasked turns out to be a faulty uncertain self-hate of pessimism that pretends to be optimistic or a realist way of thinking and solving problems. This can badly affects her creative ability to do any problem solving, thinking outside the box or standing up for herself and the people she loves alone unless she has encountered that situation before or has help from someone with far more experience. She does not rebel that much to authority or dictatorship as she believes rules are rules or the law is the law and whatever unintended consequences that follow or reports of abuse of power are normal and natural but she’s open-minded and adaptable enough to consider changing rules and regulations peacefully if she’s convinced or confident enough. Either way, Whatever happens is whatever happens in the present and she won’t make any effort to neither change or preserve any rules or laws that much. She, most of the time, follows whatever happens in the present world with no consideration for the consequences that would follow because she doesn’t like to think philosophically or overthink.

Habits:

Stimming, flapping hands around, running around in circles when stressed, excited, happy, confused or afraid if she can’t bottle up her emotions, Running away from problems as much as possible (literally and figuratively) and bottling up her feelings. Also tends to get distracted and daydreams a lot yet when it’s her turn to talk about herself she goes a little overboard which can put off people and assume she is selfish. (when it’s just a habit she does)

Character morality alignment:

Lawful Neutral <-> Neutral Good

Name Etymology and Shenanigans 1:

Ikani Rinyu once translated from Japanese to English respectively means ‘’How’’ and ‘’Renew’’ forming the phrase, ‘’How renew.’’

Name Etymology and Shenanigans 2:

Mess with the letters on Ikani and you’ll get ‘’Ikanai’’ which means ‘’Don’t go’’ referring to her brother, ‘’Ika’’ which means ‘’not exceeding’’, ‘’Kanai’’ which means ‘’Flower’’, ‘’Kani’’ which means ‘’crab’’, ‘’Ikan’’ which means ‘’Fish’’, ‘’Ani’’ which is another term for ‘’brother’’ and ‘’Ni’’ which means ‘’to go’’

Name Etymology and Shenanigans 3:

Mess with the letters on Rinyu and you’ll get ‘’Rin’’ which means ‘’Cold’’ in Japanese and ‘’Dignified’’ or ‘’Severe’’ in Italian, ‘’Inu’’ which means ‘’Dog’’, and ‘’Rinu’’ which can mean ‘’Freelance of flowers’’ and ‘’Beautiful’’ or ‘’Pretty’’ in Indian.

Zodiac and Planet:

She is an Aquarius and is assigned the planet Uranus based on her zodiac.

Backstory:

Ikani Rinyu was born as a second child to a worker class family (Rinyu family) who mostly had time for her. Many years went by and her parents had to focus on things they deemed far more important in order to sustain a family with regular income. Her family’s income condition worsened when the day before Ikani 7th birthday, She, her brother and her parents were robbed of a lot of yen at gun-point by a gang after they went to the store and bought a digital tablet for her as a gift (because they felt as if they were neglecting Ikani because of work). After the incident happened, Ikani's mother divorced with her husband because it turned out that Ikani's father had connections with the gang that robbed them and never told her about it. Another reason for her parents divorce is that both of her father and mother had an underlying conflict in which both were never really interested in each other and only agreed to marry back when they were friends so that they can decrease their tax and avoid debt and they both felt guilty about divorcing each other because both felt that they were selfish with their underlying mutual motivations for marriage,  they were still saving up money and investing and couldn’t afford to divorce early, and that divorcing will affect their children greatly if they will be honest about it to them at an early age (suprise suprise, bottling up your feelings worsens everything, yourself and everyone around you). This robbery incident went mainstream after the time Ikani’s mother divorced Ikani’s father and her remaining family was secretly interviewed by a group of ''journalists'' and this is how (insert academy name) found and scouted Ikani just so they can replace and -cover up an ultimate's death.- So her mom and the group of journalists made a contract in exchange for financial gain and basically free education for Ikani and her brother and also medical + financial insurance. Ikani started setting things on fire (mostly flowers, sticks and wood) on ‘’accident’’ just to gain attention from her busy mom, brother and everyone else she was close to and was forming a relationship with, in which her ‘’habits’’ slowly spiralled and developed into impulsive Pyromania because she felt that she was never loved enough + with her parents divorce taking a toll on her (her brother tried to help but also didn't know what to do and was busy with their own school). Around this time, she also felt like eating would decrease her family's money greatly so she tried skipped eating snacks at school but not basic meals yet she still developed peptic ulcer. On her 11th birthday, Ikani’s brother finally took a stand and consulted a ‘’reliable’’ therapist/psychiatrist and a dietician (who helped with the insert academy's goals) despite it being expensive and discouraged by her mom. Her therapist/psychiatrist then noted to her parents that Ikani should focus more on expressing her emotions in more artistic and creative ways in order to cope with her bottled up emotions, trauma and urges and using the digital tablet she got at age 7 when everything was still relatively alright should be a good head start. Her dietician also helped her with resolving her peptic ulcer and convinced her that she shouldn't feel bad about eating extra snacks and set out a diet for her to follow. Soon, The academy’s contract money given to her parents was enough to sustain her creative urges as Ikani eventually learned to create moving and still digital artworks including complex 3d and photography by simply using her tablet that had limited features over the years despite her age as she contributed to many famous and iconic company logos, designs, presentations, artworks, animations, movies, edits and videos that are found in the media. Over the years, Ikani secretly wished that the contract would stop as that diverted corporate's financial wants for themselves because of her hidden relations with the academy journalists and she wishes she was never born and regretted that time she was too ''needy'' at age 7 (she shouldn't blame herself though) but never took her own ground against it to her mom as she felt like she was selfish for wanting to do something her mom didn't desire so she ended up ONLY EVER venting her emotions through her work/hobby and sometimes forgot how to express her emotions.

Reasons for acting the way she does during the killing game:

The reason why she doesn’t vent her emotions and only bottles it up during the killing game is because just like in the original Danganronpa series, Monokuma would confiscate your belongings that allowed access to communicating with the outside world (and it just turned out her only venting item was a digital tablet that would probably screw up Monokuma) Also, it’s because the idea of ‘’Survival of the Fittest.’’, ‘’Being weak will kill you.’’ and ‘’No time for crying because it is not yet over’’ is in her head all the time + fear of being impulsive again and accidentally resurfacing her Pyromania and basically rendering her brother’s efforts to help her with her problems useless so yeah she’s guilty of wanting to feel emotions so she eventually becomes numb to the things happening around her.  All of these are her ways of justifying being emotionless, being unintentionally ignorant and coping with loss and grief in a dangerous game that could kill you any moment.

Student percentile, Predictability and chances:

>Gets killed normally: 30%

>Punished and killed for breaking rules OR due to unfair trial misconduct shenanigans because plot: 4.6%

>ATTEMPTED to murder someone: 20%

>Blackened AND escapes:  10.5%

>Blackened BUT executed:  25.5 %

>Killed someone BUT died during or before their murder trial:  9%

>Betrays everyone as the MASTERMIND: 1.5 %

>Betrays everyone as the MOLE // TRAITOR: 5.7 %

>Survives the killing game as an forever evil MOLE // TRAITOR // MASTERMIND in the killing game: 0.8 %

> Survives the killing game as a redeemed MOLE // TRAITOR // MASTERMIND in the killing game: 0.3 %

>Survives the killing game as a normal person in the killing game:  35%

W/ VISION CORRECTING VISORS

        2. W/ VISION CORRECTING READING GLASSES

         3. N/A EYEWEAR

Name and Talent:

Cyl Bol // Cyden Boliver ^ Ultimate Arcade Attendant

Birth Date and Age:

July 9 ^ 15 years old

Race and Ethnicity:

Dutch Japanese

Accent:

Russian mixed with Dutch and Japanese

Blood Type:

B-

Weight and Height:

100 lbs ^ 5'5 ft

Mental or Physical disorders:

Developing schizophrenia symptoms (I’m still researching on this so I’m not sure) and PAPD (Passive-Aggressive Disorder) and has genetic Albinism + Astigmatism.

Sex, Pronouns and Gender identity:

Biologically male, Any pronouns but They/Them/Themself and He/Him/Himself are preferred, Gender-fluid

Sexual and Romantic orientation:

Toric // Quadrisan or Viramoric

Religion / Belief:

Reformed // Progressive Judiasm (yeah, this the correct term-)

Other Hobbies:

Debate, Internet surfing, Meditation, Reading philosophical/theology books, Practicing first-aid methods and crushing herbs.

Likes:

Salt, Bread, Dieting (fasting), Figs, Bread, Wheat and Grains, Krupnik with meat

Loves:

Philosophy, Theology, Basic human rights, Debating, Eating Chopped Liver 

Dislikes:

The taste of pork (im sorry for adding this if it feels a little bit racist but I genuinely hate pork and I wanted to add it to a character that fits it the most without being too ignorant and stereotypical while still making the character that dislikes pork have an actual personality and backstory other than just RELIGION stuff. keep in mind this character hates pork not because it’s ‘’unholy’’, it’s because it tastes horrible for them), Immature // Karen customers, His own talent, Seeds, Human contact, Getting sick and parties/social celebrations.

Despises:

Strict people, Strict rules, Strict regulations, Dense and stubborn optimists, Peer pressure, Being taunted for being weak // frail, The sun’s warmth and sunlight, Going outside, Backstabbers and being manipulated.

Personality type and traits: INTP

(INTROVERTED;INTUITIVE;THINKING;PERCEIVING)

Personality description:

Really really intentionally and maybe unintentionally paranoid, superstitious, ‘’weird’’ passive-aggressive and lonely since it's his way of avoiding unnecessary conversations that could drain out his energy for him to save up on topics he deems far more important (philosophy + theology) and people that could potentially hurt him again unless they specifically ask him or want something from him for a short // limited amount of time and say it extremely extremely politely to the point where he feels pity or someone out-smarts his passive-aggressiveness causing Cyl to do your favor immediately out of embarrassment, anger, frustration or getting flustered. Most of the time, Cyl has a rather nihilistic and pessimistic (but sometimes, realistic and optimistic at times) views and mindsets of life and would rather die rather than following strict regulations // rules. Although he is a passive type of Nihilist and knows there isn’t that much value in life despite searching it (even with religion), He still is sort of a coward and ends up helping other people out of pity, jealousy, admiration or respect and will still be willing to fight for people’s rights things society deems unworthy despite the odds and his diminishing motivation on doing so. Cyl prefers to be individualistic, thoughtful, overthink for hours, alone and free when it comes to him making decisions or going onto places. Although he’s an INTP, He allows his emotions to run wild at times (even if in the process, hurting other people whether he realizes it or not) which allows him to make thoughtfully calculated decisions without having the burden of emotions and mood. Because of his defiance against the norms, He can usually think outside the box and think of solutions quick enough to solve an underlying problem on time in an creative yet messy analytical manner. Also yeah he struggles following rules.

Habits:

Praying a bit too much than usual, Rapidly cleaning visor goggles // reading glasses even when not needed, Limping hands and fingers to relax hand tendons, muscles and bones and tugging at Hanukkah snow cap when embarrassed / flustered.

Character moral alignment:

Chaotic Neutral

Name Etymology and Shenanigans 1:

Cyl is an abbreviation of ‘’Cylinder’’  which indicates the lens power your doctor is prescribing to correct your astigmatism (and this oc has astigmatism)

Name Etymology and Shenanigans 2:

Bol can be an abbreivation for Broek Op Langedijk (a dutch town), Beacon of light, Bread of Life, Bolivia’s (sounds like Boliver) ISO Country code,  Beginning Of Life and Balls Of Light (paranormal phenominon associated with crop circles) Name Etymology and Shenanigans 3:

Cyden is of English origin and means "To stand strong and be brave together as one" and Cayden is of American origin and means ‘’Fighter’’

Name Etymology and Shenanigans 4:

Bolivar is the name of the South American soldier that had a country (Bolivia) dedicated to him. Oliver is a boy name that means ‘’Descendant Of The Ancestor’’ in English, In latin it means Olive (symbol of peace); peaceful. Olive is a girl’s name meaning ‘’Olive tree’’ and is another symbol of peace.

Zodiac and Planet:

He is a Cancer and is assigned the ‘planet’ moon based on their zodiac.

Backstory:

N/A (ITS ALMOST 2 AM LOL MAYBE TOMORROW)

Student percentile, Predictability and chances:

N/A (ITS ALMOST 2 AM LOL MAYBE TOMORROW)

#Ikani Rinyu #Cyl Bol #Cyden Boliver #Ultimate Multi-Media Artist #Ultimate Arcade Attendant #Danganronpa : Even in Digital Equality #Danganronpa Pixel Art sprite #Danganronpa #Danganronpa Fancharacters #Danganronpa OCs

[fy-enhypen]

“I want to show everyone I can keep growing” - NI-KI

NI-KI was rushing around but showed no signs of tiring out. He found the basketball hoop and kept taking shots until he made a basket and, whenever he could find the time, practiced his moves for the cover dance video. Until he achieved what he was going for. Your Korean has gotten a lot better.

NI-KI: I guess it’s because when I was a trainee I learned a lot from watching reality shows and audition shows like I-LAND, and the other members also taught me a bunch. We discuss a lot before filming anything. If there’s some grammar or words I don’t know, I go right to JAY, since he’s good at Japanese. I don’t have a hard time in everyday life, but sometimes I get help from others while filming when there’s something I’m not sure about.

I guess you must have had many opportunities to take in not only the language but also the culture.

NI-KI: The food culture is very different; I can’t really eat spicy food. I like boiled mandu with meat inside so I’ve eaten a lot of those. (laughs) I think I learned a lot about Korean history and traditional culture when I went to Gyeongbokgung Palace.

The modern hanbok Jung Kook from BTS gifted you is also symbolic of Korea’s heritage.

NI-KI: Yes, you’re right. I thought it was cool when I first got it because I was also learning another part of the culture, plus I was happy to receive a gift from him. I still wear it every day. (laughs) My teammates save their gifts for special occasions, but now I wear mine way more than any clothes I’ve ever worn. It feels like I get good energy from it.

Was there a reason you came here after performing as a kid dancer in Japan?

NI-KI: I saw some idols including SHINEE for the first time at the Tokyo Dome when I was in grade school—not only dancing, but performing while singing, and that really stuck in my mind. After that, I was determined to become an artist like them and be the one on that stage someday. So now, here I am, in Korea. Actually, the dance moves I learned when I first came to Korea were totally different from what I was used to doing. The singing was, too, so I felt I wasn’t good enough so I practiced every single day. Any time I learned a new move while I was a trainee, I made sure to practice it until it was perfect before the next class.

You had a bit of a crisis while practicing for your debut: You were sent to the GROUND on I-LAND. When you became the dance representative and lost, you held back your tears even as the others were crying, until the producers came to cheer you up, and then you finally burst into tears.

NI-KI: I felt terrible for losing, but I didn’t want my teammates to see me cry, so I held it in. But when the producers suddenly showed up … I was thinking how there were so many things that didn’t turn out well since starting I-LAND and had no idea what to do, but then the producers said we did a good job and suddenly I started crying too.

NI-KI: Up until that point, even though I wasn’t sure if I could debut, I just wanted to make sure I had no regrets, so I tried my best to show everyone who supported me how much I had grown. In the end, when all seven of us put our arms around each other’s shoulders, I thought, “Wow, we’re really debuting!” Looking back now, I think it was fate for us to be together. I’m happy to have been able to debut with them.

What’s it like to live with six older team members?

NI-KI: We take care of each other when we’re having a hard time or feeling sad. Our sense of teamwork is getting better every day, too. The others are still really considerate towards me, especially JAY, who I could easily communicate with by speaking Japanese. Now we use Korean except for when we’re joking around.

During the debut show, you said you feel closest to JUNGWON.

NI-KI: I think it’s easiest to talk with him because we’re the closest in age. They all take a joke well—I love to joke around—but JUNGWON is especially good about my pranks.

But you share a room with someone else. (laughs)

NI-KI: SUNOO and I sleep in the same room. There wasn’t much of a chance to be close with JUNGWON during I-LAND, and SUNOO and I shared a room back then, too, so I got used to sleeping with him.

The other members often brag on TV or social media about you, the youngest member. How do you feel when you hear them complimenting you like that?

NI-KI: It’s a little bit embarrassing. (laughs) I still have a long way to go, so I feel kind of self-conscious when they talk me up that much. But still, I like it when they say I dance well. Sometimes I feel like, “I nailed it this time,” and it feels good when I hear them say it, too.

You feel embarrassed when you receive compliments, but you give them out to the other members often. In the “Given-Taken” reaction video, you clap and tell them again and again how great they look.

NI-KI: I love to compliment my teammates. I’ll usually just say whatever’s on my mind. The music video really was that cool, and also touching. It was physically draining, filming for three days, but the video turned out so amazing that I felt like I became a fan, too, after seeing it.

While watching the video together, the other members saw your scenes and said it was all freestyle and that it was mind-blowing to see on the day. What did you aim to express?

NI-KI: I wanted to make a strong impression with my dancing in all the scenes, so I talked it over with the performance director and danced freestyle to make it look natural. I added a dark atmosphere to the “Dusk-Dawn” trailer by intentionally twisting my back like a zombie. I wanted to make a completely new character for the music video for the lead single. I was reminded of a movie I saw before, but I wanted to show people something that was my own.

In “Given-Taken,” you break free from the chain around your feet and float in midair, singing the lyrics, “Between giving and taking / It’s time for my proving.” What did these lyrics mean to you?

NI-KI: I’m still having a hard time with that. (laughs) Hmm … I imagined myself struggling between what I was given and what I had taken. The “given” part makes me think of everyone who supported me and my debut, and also maybe my talent and luck. And I have “taken” the debut by running towards my goal. When I was on I-LAND I worried whether I would be able to debut or not, but these days I worry whether I can do a good job as a member of ENHYPEN.

So you’re still worrying, even after your debut.

NI-KI: I was especially nervous and prepared a lot for the debut show since it was our first ever performance. I couldn’t actually meet the fans because of COVID-19, but I was really happy we could at least see their faces. I wanted to really thank everyone who watched our performance. When we went back home after the show, JUNGWON and I talked about how, “Even though we had some hard times leading up to our debut, it was touching to meet our fans through that surprise video.” And then fell asleep at around four in the morning. That’s the time I usually go to bed, and I always read the letters I got when I was on I-LAND before I fall asleep, even though I’m tired. They always give me strength.

Did looking at the fan reactions to your debut also give you strength?

NI-KI: It felt good when I read one comment saying it exceeded their expectations. There were some negative reactions, too, but I try to see those comments in a positive light. It makes me think how I can practice hard and put on an even better performance next time.

The fans also give you cute nicknames. Which one is your favorite?

NI-KI: Boongeoppang. If they draw a picture of NI-KI, I hope that a picture of a little fish shaped pastry is included too. (laughs) For me, it’s all about the red bean boongeoppang. The other flavors are good, too, but I like the simplicity of the red bean kind. I eat them head first. I like Puma, too. Some fans posted pictures of me, comparing when I started I-LAND and when we finished, and said I look like a puma.

That explains why you use the leopard emoji every time you post on the Internet. It looks like a puma.

NI-KI: I communicate online a lot since it’s impossible to meet people face to face right now. I’ll do my best to repay all the people who have supported me until now. I’ll keep that in mind when we perform. And I hope ENGENE and ENHYPEN can finally meet as one. I think it’ll be more fun to perform for them after not being able to meet them for so long. I imagine our fun future performances whenever we practice. When we get a chance to see them in person, the very first thing I want to do is thank them.

What does this future performance you see when you practice look like?

NI-KI: I remember how incredibly beautiful the lights in the audience looked from the stage, when I found my dream. I want the light from everyone’s light sticks to shine on me like they did then. And I think it’ll give me a boost when I hear all of them cheering. I want to put on a wonderful show for our fans—a performance that we can all enjoy together, where we can communicate with the fans, like if we ride around the whole arena giving out gifts like autographed balls or something.

You’ve said many times, “Dance is everything to me.” What exactly does dancing mean to you?

NI-KI: When I was three years old, my dad showed me a concert video. I remember how after that I would watch that video alone for, like, five hours every day, just practicing. That’s how much I liked dancing, and I want to keep dancing forever. I think that’s the most important feeling in my life.

What do you like most, other than dancing?

NI-KI: Microphones. Headset microphones. Even before I dreamed of becoming an idol, I saw performers wearing those headsets and thought that I wanted to wear one someday. I imagined myself with my own microphone and in-ear monitors, so now they’re very valuable things to me.

And your childhood dreams came true. Now, imagining further into the future, what kind of artist do you want to be remembered as?

NI-KI: An artist who gives a lot of people good energy, happiness, and can move them. I want to leave people with a lingering impression. My hope is that I can keep growing in every way.

#201226 #enhypen #niki #t: weverse #t: interview

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