I got to say I really liked the episode (despite only having watched exu calamity of the exu series) and I think maybe Matt needed a breather after so many fast paced, lore filled episodes.
however, I am kinda bummed that the fcg processing has been put on hold for (at least) two weeks now and that means that, despite them being great actors that truly merge with their characters at the table, their reactions will be much less raw and there’s a chance some of them will forget tidbits of information, emotions they felt when it happened because they (as role players) will have had time to process it out of the game and it might create a dissonance in the game. tbf I kind of felt the difference even between the end of ep 91 and the beginning of 92 but it made sense because technically they were still running and couldn’t afford to process. idk. I have hope that we’ll still see that raw emotion, but I fear it won’t be as impactful as it could’ve been, especially if they’ll have to put the “reporting for duty” hat on immediately when they get to the camp
I think being a little bummed about the sort of unexpected hiatus on the Bell's Hells/Post F.C.G processing is super understandable! As someone who also really did enjoy the Crownskeepers return (hello im still yelling about Opal internally), I'm kind of in the same camp of being kind of thrown/disappointed about not getting to really dig into/sit with the Bell's Hells post-F.C.G loss. Like, LOVED the Crownkeepers, fascinating second half, kind of meh on the specific timing.
I'm holding my reservations about whether they're going to have to keep running/moving once we return to their portion of the story, since hey, until it happens (or doesn't!), we don't know, so I don't feel like getting too in my head about it until then.
That said! I do think that in general the cast puts characterization and staying true to the emotions of the character/story as a very high priority within the campaign. I think you're right that it won't be the exact same as if they had done a big emotional blowup/goodbye/processing scene in the same ep where they lost F.C.G, or immediately after. I don't think that means it has to be less impactful, just that- yeah, they'll have had more time to actually think/process it.
But they're also all professional voice actors who have, IMO, thus far shown how much they think about the inner lives of their characters and enjoy really digging deep into the emotional/interpersonal aspects of roleplay.
My assumption (my hope?) is that with additional time to think about + process a devastating/deeply emotional loss for their character(s), they'd choose to lean into that more, and not less. It wont be the same as the immediate raw reactions, thats true! But i dont think that means it has to be less impactful, even if they (as people) have had more time to process, and will be choosing how their characters, fresh off the loss, react. I dont think thats a guarantee it will be less impactful/emotional (maybe the additional thinking would actually enhance the reactions being true/insightful to the characters vs gut reactions from cast), but it will be different.
But if the cast chooses to lean into the heartbreak/emotions, and the circumstances of the BH in the upcoming ep enable it, I'm sure they can still kick my ass (emotionally), timeskip or not.
In general, I'm cautiously optimistic about what could happen next! Even if I don't love the timing thus far. I think there's still plenty of ways for me to get what I'm hoping for wrt F.C.G/BH. :] There are plenty of ways for me to get let down too, probably, but until it happens, or doesn't, I'm opting to not get too doomery about it. We'll see.
I uh. Hope that helps? A bit? Being bummed about specific things you were hoping for being off the table is totally reasonable. just hoping to lend an alternate way of viewing it, if desired.
(i wrote the sentence: "don't be lamenting your chickens before they hatch" and then went "what the fuck" out loud. i spent 4 hours at work today just doing systems diagramming and my brain is fried. clearly. keeping this here for my own entertainment.)
Ultraman Blazar's Salutations From Episodes 1-5 (ft. Bazanga, Leviera, and a sleeping Dorgo)
Episode 1 as well as the rest of the series can be found on youtube for free with eng subtitles and an eng audio track if that interests you
[Video description: Ultraman Blazar, a colossal grey humanoid alien with red and blue markings on his body, and blue markings on his face, performs his signature salutation in several different places and times. This salutation consists of raising his arms up to the sky in a circular motion, and bringing his knee up before stepping into a lunge and scooping his arms down and upward.
From episode 1, in a city at night, the camera watches from below, as Blazar performs his salutation and his markings flash red and blue. The shot cuts to a wider one, showing off the buildings and Blazar's opponent, Bazanga, a prawn-like Kaiju. After his salute, Blazar moves his hands into a guarded, fighting stance.
From Episode 2: Blazar stands against the bright blue day sky in a small fishing village, with much shorter buildings. He faces the camera directly as he does his salutation, and the camera zooms in on him as he does it and his markings flash red and blue once more.
From Episode 3: Blazar is framed in a head and shoulder shot and smothered in smoke as his colour time, a big round spot on his chest that is normally blue, flashes red. Once more he faces the camera as he does his salutation, before flying off, kicking up dirt in his takeoff.
From episode 4: The camera pans over a cityscape, with a highway at the front of the scene. Once more it is night time and Blazar faces off against a monster among many many buildings. The monster is Leviera, a sea-angel themed kaiju whose face is open to reveal flashing yellow lights as Blazar does his salutation from the side. Leviera is aggressively ready to go.
From episode 5: Blazar stands behind the sleeping kaiju, Dorgo, who looks mostly like a hill of dirt in this shot. He performs his salutation, and immediately begins to push the sleeping Kaiju back to its proper resting place. The shot switches to one of Blazar from behind, as he continues to push Dorgo back into place, among the green hills and mountains of the Japanese countryside. With a thump, Dorgo returns to his resting spot, and Blazar turns to face the camera as he jumps up into the air to fly away.
Revenant is soooo mid which is disappointing because I was looking forward to it due to the actors and writer (this isn’t a flop like Jirisan, which I gave up on after 2–3 episodes, but it’s not really good). BUT. BUT!!!!!!!!!!!!! I’m suffering from “poor little meow meow middle-aged man” deficiency and Professor Yeom Haesang suffers so much. I can’t believe I was like “Oh...okay” about his casting because I’m planting my palms against his windows, peering at him in his little cage and being fed because he’s had the worst life ever and it keeps getting worse. HAESANG *____*<3
actually i think it would be interesting to compare fool for love and restless pursuit of blood as bits of storytelling/narrative construction i will most likely be attempting this at some point. i love it when things are similar and different other things
I should preface this by saying that I am making a distinction with my thoughts this week between the show's narrative choices (which I am quite disappointed with) and their design choices (which I have come to appreciate and I talk about in my other ep 11 post).
At first watch, this ep didn't have the impact I thought it was going to...and that is reflected in the fact that I only wrote about a quarter of the amount of notes during the ep as I had done with earlier eps. But let's go through them...(be aware, I do a lot of ranting, so take it all with a pinch of salt 😄 I still love the show despite my negativity here - I wrote this mainly on Sunday morning when my emotions were still high.)
The ep started strong, so strong. I had to pause immediately when the 'one day earlier' popped up. I thought, 'This is it! We get to hear/see what happened with the portkey stuff. We'll get to know more about Tess and Pakorn!' - HA! little did I know... Anyway, Jimmy was amazing in the ambulance. This time he woke up it was much better. And maybe he was trying to portray the difference between Puen waking up here and Pakorn waking up at the end of ep 10...but the latter didn't really work. Anyway, I thought it was super interesting that Pakorn 'drowned' for him and Puen to switch back...but then nothing came of it. No mention of it, no acknowledgement that it was how Talay had switched originally. That would have been a good parallel to explore more.
I was initially happy to learn that Pakorn did indeed experience what the 'lore' says -> he dreamed, he went to the location (the swimming pool) was accidentally punched, fell into the water unconscious, almost drowned, and then travelled back to his own universe. And that's why Puen travelled. BUT I am super annoyed that we didn't discover/weren't told whether a) Puen also dreamed the same time as Talay (i.e. are they really portkeys?!) or b) Tess dreamed the same time as Pakorn (i.e. are they portkeys or not?) Why, of all the things that happened in this ep, why was this not addressed?! This is one of the MAJOR plot points of the series - the universe hopping and the portkeys needed to hop back. WHY did we not learn these things?! (The show had better redeem itself by telling us this in ep 12).
Ok, now for something good...potentially the only thing mind you - I love how Puen and Talay have had all these different ways of communicating throughout the show -> the writing on the back, the mouthing of words, the messages on the helmets (maybe I've forgotten some)…and now Puen tells Talay his name by writing in the sand. I thought this was a wonderful continuation of a motif in the show. Oh why couldn't more of the ep have been like this...
And now back to the rant... I CANNOT believe Pakorn and Talay didn't take a moment to fill each other in on what had happened in the past two years. Damn if it had been me I wouldn't have let Pakorn go until I knew something. The same goes with Puen and Tess -> Puen had so much time and so many opportunities to just ask Tess what had been going on. BUT NOTHING! (Or it happened 'off-screen' and wasn't important enough to show it).
"Why did you give me an hourglass?" Thank you, Talay, for asking the question I did after ep 9… And the response was great but I don't see why they needed to wait until ep 11 to show it. "Though we're apart, we will meet again someday and spend time together once more. Just like this hourglass. It goes from one side to the other, like our universe-travelling". Yeah, makes sense...but what else? They didn't go anywhere with this idea...
But a month!? Talay was waiting for the low tide for a month?! Was that really necessary? Like, why couldn't a boat go over anyway even if the tide wasn't low? Isn't it better to be higher? Couldn't the time obstacle have been because Talay couldn't find a boat or someone to help? And I find it hard to believe that the Friend Credits group would have just accepted that Talay was awol for a month. We could have had more of them, being supportive and seeing their new dynamic with Pakorn back (and maybe Aou and Fuse crumbs!). Gah!
BUT Talay did get back to his own universe even though I hadn't expected it so soon in the ep...
What I was expecting (ok, half-expecting...hoping...) was that Talay's brother would be another cameo...or Puen's PA...or the dude in the bathroom (did he really need to be there? It seemed like an unnecessary interaction when Talay could have already had the cinema ticket)...or even Puen's co-star...I waited with bated breath each time one of these characters turned up only to be disappointed when we didn't even get that. (I know we got a cameo of Film - the producer...but that's not the same as another actor/actress like we've had before).
AND THEN GMMTV GAVE US THE SECOND FAKE-OUT IN AS MANY DAYS. First with the kiss that was just a fantasy in The Eclipse, and then with the hug that...was also a fantasy in Vice Versa. I want this 'trope' BANNED.
From the crumbs that we got, it seems like Tess actually is a terrible person and Pakorn should stay well away from him. But this makes me want to know even more what happened between Tess and the Friend Credits group when Tess returned - so. much. potential. WASTED. (Maybe we'll get this in ep 12...?)
I felt this ep fell back weakly onto the faen fatale trope - first with Puen's PA, then with Puen's co-star - it didn't need this jealousy 'I'm not good enough for him, he's obviously moved on' self-confidence issue. There could have been enough obstacles keeping Puen and Talay apart without this. We knew that Puen had been very proactive with trying to find Talay...so we could have had a montage of them both being proactive but always just missing each other because they were both looking too hard. Why couldn't Puen call Talay/Tess' phone every day? Why did Puen think a freaking POST-IT NOTE would be enough?! There could have been a myriad of things preventing their meeting -> Tess breaks his phone. Puen tells the PA to let Talay see him if he tries but the PA decides to do the opposite. Talay gets tickets to the premiere but gets prevented from going by outside forces. Puen goes to Talay's house just after Talay has left to go to the studio to see Puen...SO MANY OTHER CHOICES.
Yes, we got the "Ai'Dang". Yes we got the reunion in the glasshouse cafe. But at what cost? It felt like the show was trying to force this 'ending' and I wasn't even surprised when it came because it felt predictable and contrived. And now the show is hinting a return to the other universe…but what about their families? And friends? And careers? What about all the morality of this that they talked about for the past 10 eps? It just feels wrong, so I hope the preview is leading us on and that they won't actually switch...but I don't know anymore.
One thing that I feel prickly about already for ep 12 is the reference to the moon at the end of the preview -> "We finally get to see the same moon". What do they mean 'finally'? At what point have they not been able to see the same moon? Do they mean the same moon as in their original universe which they missed in the alternate universe? If so, why have they not mentioned this before (or have they and I've missed it)? Or do they separate for an extended period again (but why and how in one ep?! Do NOT have a time skip, please), each having a moment under different moons for this to make sense? Why have they not peppered references to the moon throughout the series to make this an important moment? I know there's been a picture of a moon in Tess' alternative universe apartment, and I noticed Puen also has one in his original universe apartment...but that's all. I honestly don't want to wait a week to be disappointed about this as well 😂
Okay, rant over. I do still love this show but I felt this ep could have been better narratively and still hit the same beats/plot points.