love him or hate him, not many men could desert their empire, join a slew of the empire's victims together, beat the sultans' forces over and over against all odds, and not even die on the battlefield
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This dark blue, creme and golden kaftan was first worn by Sultan Osman II in the twenty-seventh episode of the first season of Magnificent Century: Kösem. It briefly appeared again on a teenage Sultan Murad IV in a flashback in the twenty-sixth episode of the second season.
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I think I should do a gif set of Murad telling Selim he knows what his father did to survive and he won't make the same mistakes and then the scene from Kösem about the many little coffins that left the palace on the day of his son suceeding to the throne.
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“I associate King Abdullah II of Jordan with Selim II (Sultan of the Ottoman Empire) and his wife Nurbanu Sultan with Queen Rania of Jordan, I think they are as similar as possible, especially the way they came to power, and I consider Crown Prince Hussein similar to Sultan Murad III (son of Selim II) and Rajwa similar to Safiye Sultan (Nurbanu daughter-in-law and Murad wife).” - Submitted by Anonymous
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Selim II >>> Murad IV
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Kings & Queens – Abdal Hakim Murad: Friday Sermon
In the passing of the Queen we are reminded of the words of The Ever Living, “Wherever you may be, death will catch up with you, even if you are inside high castles” [Qur’an 4:78]. Though the optics of opulence are not from the faith, they can – and have – served the faithful over the course of Muslim history. The story of the King of Ethiopia from the life and times of the Messenger ﷺ illustrates the Prophetic recognition of nuance, and the value of highlighting similarities rather than differences – something that the new King, Charles III, has been doing for many decades as Prince, in regards to Islam and the West.
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Athener Kaffee-Tagebuch: Leoforos Nikis und Weißer Turm
Jetzt gilt es entlang der Leoforos Nikis am Meer zu flanieren. Der Boulevard beginnt als Fortsetzung der Navarchou Koundouriotou Pavlou an der Platia Eleftherias mit dem Shoa-Denkmal und führt in südöstlicher Richtung entlang der Küste vorbei an der Platia Aristotelous bis zum Weißen Turm, wo er in die Leoforos Megalou Alexandrou übergeht. Sie ist auch als Palea Paralia – Alte Uferpromenade –…
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Murad II had a dogshit tughra. very off-balance. terrible
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As someone who was raised a lot by their grandparents, and is a lot like their grandfather, I really appreciate you can be like Gramps. Even he is borderline psychotic at times 😭
I also low-key love the craziness that's gonna follow when I mirror my MC after him 🙃. Bring on the chaos.
Remiel is, in my opinion, a representation of what some of these historical figures had to go through in order to gain, keep, and conquer a throne. People like Edward IV, Shapur II the Great, Murad IV, Ivan the Terrible, Carolus Rex, and of course Alexander the Great. There's so many more.
Becoming the leader of a nation at such a young age, surrounded by possible betrayals (some of which in the above did experience) and dangers cannot be good for your mental health and ability to be a more balanced ruler. You have to develop certain personality traits and defense mechanisms to survive.
Again, in my personal opinion, Remiel is a character that represents what every young man wished could be thrust upon them. A great purpose, requiring strength and determination. A calling which only he could answer.
That is Remiel, and he would wish it weren't so.
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This black and golden kaftan was first worn by Şehzade Selim (later Sultan Selim II) in the third episode of the fourth season of Magnificent Century.
It appeared again on Şehzade Osman (later Sultan Osman II) in the twenty-fourth episode of the first season of Magnificent Century: Kösem. The kaftan was also worn by Sultan Murad IV in the nineteenth episode of the second season.
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From the Murad II Mosque in Edirne. Soon after blue and white ceramic born in China, it made its first glorious apperiance in a mosque in the early Ottoman capital of Edirne.
1: Design based on a Yuan lotus pond
2 and 7: Designs inspired by a 15th-century Chinese dish
3: Blue and white shaded lotuses suggestive of a Vietnamese origin
4: A lotus pattern combining Yuan and Ming influences
5,6 and 8: Islamic geometric motifs with Chinese elements
Source: Cornucopia, Issue 19 Volume 4 1999
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