Tumgik
#**arliss
mywifeleftme · 23 days
Text
360: Dusty Springfield // Dusty Springfield's Golden Hits
Tumblr media
Dusty Springfield's Golden Hits Dusty Springfield 1966, Philips
These early Dusty Springfield singles really get the “Wall of Sound” production treatment, despite Mr. Spector’s absence from the credits: mixed loud as hell like the kids liked it, screaming string charts, backing vocals en regalia, and a big beat knocking around underneath. Folks love to cite her as the second artist of the British Invasion to hit the U.S. charts, and for cultural reasons that may be significant, but her early sound was indistinguishable from American acts like Lesley Gore and the Shirelles. I don’t know many of the details about her career, but it seems like whoever was managing her was hell-bent on breaking her in the States. Call it a credit to English ingenuity (and specifically arranger Ivor Raymonde) that they were able to give Springfield a knock-out sound that passes for the contemporary Hollywood (or Detroit) product.
youtube
Dusty Springfield’s Golden Hits, her first major compilation, is Brill Building / girl group-style music par excellence, with a murderer’s row of hitwriters from both sides of the pond (Bacharach/David, Goffin/King, Beatrice Verdi/Buddy Kaye, etc.). Practically anyone could’ve had chart success with these songs and this packaging (and a number of these were subsequently hits for others), but Springfield had a cannon of a voice on her that makes the best of these numbers undeniable. Those who place her voice with the Arethas and Dionne Warwicks wish she’d been guided towards soul or sophisticated torch songs from the start, but I personally love it when someone vocally overqualified for bubblegum is made to tear into a good bop. “I Only Want to Be With You” is buffeted along by the force of her voice, the violins shrieking like a 33rpm record dragged up to 45; “Little By Little” could’ve been written for a Motown powerhouse like Darlene Love (but scarcely improved on by her); “I Just Don’t Know What to Do With Myself” moves from the sound of a girl sadly combing her hair before her vanity to Sampson bringing down the temple.
There’s plenty of treacle here, and “Wishin’ and Hopin’” probably set feminism further back than “He Hit Me (It Felt Like a Kiss),” but this is a worthy addition to any ‘60s pop library.
360/365
5 notes · View notes
massiep · 6 months
Text
Tumblr media Tumblr media
Gorgeous gorgeous girl 🥺<3
Rita Wu-Arliss
My commission is now opennn, read my pin post for more information 💓
7 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Marc Grady Adams
2 notes · View notes
monstersmykidsmake · 4 months
Text
Tumblr media Tumblr media Tumblr media
0 notes
sgtgrunt0331-3 · 3 months
Text
"Doc, where's the sniper... Doc, where's the sniper?"
(Full Metal Jacket, 1987)
83 notes · View notes
cyclic-laughter · 8 months
Text
Tumblr media Tumblr media
i love her so MUCH!!!!!!!!!!!!!!!!!!! her name is cnidaria and shes great and awesome and ashdaeaaadsa
cnidaria was originally designed by Sw_Artss on toyhouse but now belongs to me :3
84 notes · View notes
citizenscreen · 1 month
Text
Tumblr media
George Arliss with Edward Arnold at the CBS microphone for a 1938 radio performance of 'Disraeli'.
20 notes · View notes
Text
Tumblr media
HOLLYWOOD REPORTER, February 14, 1933
21 notes · View notes
genevieveetguy · 1 year
Photo
Tumblr media
- What are you doing? - I'm looking at my wife.
Birth, Jonathan Glazer (2004)
72 notes · View notes
ashleyjohnsonoftheday · 5 months
Text
Tumblr media
Day 472
34 notes · View notes
er-satz · 3 months
Text
Tumblr media
My rotten soldier. My sweet cheese. My good-time boyeh.
16 notes · View notes
cantsayidont · 3 months
Text
Tumblr media
April 1935. Seeing people refer to Cardinal Richelieu as "the Catholic Darth Vader" (which seems entirely apt) brought to mind this 1935 movie with George Arliss. Largely forgotten today, Arliss was one of the most respected actors of his era, having had a lengthy career on stage and in silents before making his first talkie in 1929. Most of his talkie vehicles feature him as a cagy old Tory reprobate triumphing over his opponents through a combination of guile and charm, usually while also showing his support for #girlbossing by arranging an appropriate match for a young female protege — "appropriate match" in most cases meaning "a stalwart, none-too-bright young man of good prospects who can be made to do whatever she says." This is precisely the formula for CARDINAL RICHELIEU, which is based (loosely) on an old Edward Bulwer-Lytton play: Richelieu protects his protege (Maureen O'Sullivan) from the unwelcome attentions of the king (Edward Arnold), finds her a good (dumb) husband (Cesar Romero in one of his earliest featured roles), and saves France with his cunning stratagems. He's even a cat person, and his cat, Mistigris, features in a lot of the posters and promo images.
Arliss later reprised his role in CARDINAL RICHELIEU on THE LUX RADIO THEATRE in January 1939, reuniting most of the film cast. I think that might actually have been his final public performance; he was in his 70s by then, and his last movie role (in DR. SYN) had been in 1937.
CARDINAL RICHELIEU has nothing directly to do with THE THREE MUSKETEERS, but it should be mandatory viewing for people trying to adapt the latter, who often seem to struggle with the fact that while Richelieu is the central antagonist of the Dumas book, he isn't actually the villain of that story.
10 notes · View notes
letterboxd-loggd · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Dead by Morning (Miss Tulip Stays the Night) (1955) Leslie Arliss
February 5th 2024
14 notes · View notes
spockvarietyhour · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
38 notes · View notes
pedroam-bang · 1 year
Photo
Tumblr media
Mank (2020)
59 notes · View notes
cyclic-laughter · 8 months
Text
Tumblr media
homo
keshi river pearl (the blue one) was designed by Sw_Artss on toyhouse !
124 notes · View notes